FESTIVAL ART STAYS
NO MORE SILENCE BREZ TIŠINE
18. FESTIVAL SODOBNE UMETNOSTI 2020 18TH FESTIVAL OF CONTEMPORARY ART 2020
Hans Beckers, Klopotec Orkestra, Dominikanski samostan / Dominican Monastery Roberto Pugliese, Concerto per natura morta, Galerija mesta Ptuj / Ptuj City Gallery FESTIVAL ART STAYS
NO MORE SILENCE BREZ TIŠINE
18. FESTIVAL SODOBNE UMETNOSTI 2020 18TH FESTIVAL OF CONTEMPORARY ART 2020
UMETNIKI ARTISTS
Robin Meier, Michele Spanghero, Hui Ye, Hans Beckers, Roberto Pugliese, Marko Batista, Alberto Tadiello, Bastiaan Maris, Lynn Book, Nicolo Masiero Sgrinzatto, Miha Ciglar, Zul Mahmod, Milojka Drobne, Euro Rotelli, Mario Velocci, Transversal Project, Wrong Moose (Aljaž Vesel, Gašper Kojek, Marko Kalič, Matevž Gazvoda), Warrego Valles (Nina Hudej, Nina Kodrič (aka NinaBelle)), Sara Korošec (Muzikačaka), Rok Golob, Stojan Kerbler, Miha Masten, Robert Jurak, Silene Arnaldi, Amelia Cuni, Werner Durand, Herman Rapaport, Jeff Irving, Brian Doub, Gregor Kozar, Jože Zadravec …
KUD ART STAYS Prešernova ulica 1 2250 Ptuj www.artstays.si, [email protected]
UVOD INTRO
JERNEJ FORBICI & MARIKA VICARI
Festival sodobne umetnosti Art Stays že od leta človekovo nenehno željo, da omogoči glas 2003 prinaša na Ptuj in v okolico vrhunsko prostoru, času, komunikaciji in odnosom. produkcijo domačih ter tujih umetnikov, od najperspektivnejših mladih umetnikov do Celovit program letošnjega leta, ki vključuje velikih imen sodobne umetnosti, kot so Ai vse pomembnejše zgodovinske, umetnostne, Weiwei, Yoko Ono, Monira Al Qadiri, Gilbert kulturne, družbene in politične javne ter & George, Jake & Dinos Chapman… zasebne ustanove starodavnega Ptuja, pa tudi Kidričevega in Majšperka, ki vsakoletno Spada med najpomembnejše predstavitve gostita spremljevalne multimedijske ali sodobne, predvsem likovne umetnosti v prostorsko specifične projekte, so obogatili Sloveniji in v tem delu Evrope, ter je postal performansi, konference, razstave, umetniški referenčni dogodek za številne mednarodne filmi, videi, instalacije, glasbeno eksperimen- galerije, muzeje, fundacije in seveda tiranje in video mapiranje. umetnike. In tako kot so nove tehnologije igrale in še Letošnja 18. izvedba festivala nosi naslov NO vedno igrajo nadvse pomembno vlogo pri MORE SILENCE (Brez tišine) in je pravzaprav razvoju človeka in resničnosti, kar dokazuje nadaljevanje preteklih uspešnih sezon, oziranje v preteklost in gledanju v prihodnost, imenovanih Prihodnost (Future), Krhkost se tudi festival ART STAYS ponuja kot vodnik (Fragile) in Naravnost (NaturAL(L)). na neraziskanem, avanturističnem popoto- vanju v svet zvoka, besed in tišine. NO MORE SILENCE je aktualno vodilo festivala ART STAYS, a hkrati tudi opozorilo, Že simbolična in znamenita kompozicija 4’ saj ponuja kritičen, mestoma dramatično 33” Johna Cagea iz leta 1952, kjer pianist s ironičen pristop do časa, v katerem živimo. Že pritiskom na preprosto tipko prostor prepusti pred časom začeta raziskava, ki temelji na hrupu iz ozadja in tako uprizori svojo lastno predpostavki, da moramo z najvišjo stopnjo poetiko za izboljšanje komunikacije med nujnosti prisluhniti ranljivosti našega sveta, če ljudmi, kot je to v White Paintings (Belih slikah) želimo preoblikovati prihodnost, in ki se je počel njegov prijatelj, slikar Rauschenberg, in danes znašla v nepričakovani, zlasti iz tišine v besedo ujel Thoreau, je ponujala razmislek sestavljeni in v času covida-19 redefinirani o tišini ne le kot prisotnosti, ki brez prisile fazi, se ozira na zvok, glasbo, besedo, usmerja pogled v določeno smer, temveč kot praznino, notranji in zunanji konflikt ter na priložnosti, da vidimo svet v njegovi lastni
Festival I NO MORE SILENCE / BREZ TIŠINE ►
7 mobilnosti in nedosegljivosti. The Art Stays Contemporary art festival has been bringing the best that Slovenian and Udejstvovanja in razmisleki, ki se porajajo ob foreign contemporary artists have to offer to performansih, instalacijah in predstavljenih Ptuj since 2003, has featured a number of delih, ne pripeljejo zgolj do teoretične ravni promising young artists, as well as big names, delovanja zvoka, ampak predvsem k such as Ai Weiwei, Yoko Ono, Monira Al raziskovanju njegovega dejanskega vpliva na Qadiri, Gilbert & George, Jake & Dinos vsakdanje življenje in kako lahko zvok, Chapman… besede in glasbo na različne načine preobrazimo in poustvarimo v naravne ali It is one of the most important festivals of umetne elemente oziroma iz njih. contemporary fine art in Slovenia and in this part of Europe and has become a reference ART STAYS se še enkrat več občinstvu event for many international galleries, predstavlja kot platforma, ki v sebi združuje museums, foundations and of course artists. raznovrstne avtonomne identitete in oblike sodobne umetnosti. Letošnja izvedba je it has now reached its 18th edition with the sestavljena iz glavne razstave, ki bo gostovala theme NO MORE SILENCE, which in fact v Galeriji mesta Ptuj, in še iz sedmih razstav, follows the previous successful editions titled od katerih vsaka ponuja različne ideje za Future, Fragile, and NaturAL(L). dialog med razčlenjenimi perspektivami sveta umetnosti. Je polifonsko srečanje, pri katerem NO MORE SILENCE is not only the current sodelujejo umetniki iz različnih delov sveta in motto of the Festival ART STAYS, but also a kjer vsak protagonist predstavlja tipko, noto, warning, as it offers a critical, albeit barvo, inštrument, glas, aktivno obliko čustev, occasionally dramatically ironic approach to zaznavo prostora in časa ter komunikacijo, the times we live in. A research that began zgrajeno s pomočjo orodij, znanosti, narave some time ago from the premise that fragility in tehnologije, s tem pa osmislijo resničnost of the world needs to be addressed with utmost stvari. urgency in order to rethink our future, has now made an unexpected turn into a phase ART STAYS 2020. NO MORE SILENCE. consisting mostly of “silence”, redefining itself Berimo tišino, da lahko slišimo; in the time of COVID-19; it maintains a vision osvobodimo se vsega, da lahko spet to sound, music, words, emptiness, internal zaživimo in ponovno razmislimo o and external conflicts, as well as to man’s samih sebi in svetu. continuous desire to give voice to space, time, communication, and relationships.
The articulated programme of this year’s festival involved all the main public and private historical, artistic, cultural, political, and social institutions in the historical city of Ptuj, as well as in surrounding Kidričevo and Majšperk
8 which are annually hosting collateral rary art are manifested. This year’s edition will multimedia and site-specific projects, and consist of a main exhibition, featured in the featured conferences, exhibitions, performan- Ptuj City Gallery, and of seven additional ces, art films, videos, installations, musical exhibitions, every one of which will offer experiments, and video mappings. different ideas for a dialogue between articulated perspectives of the world of art. A Just as new technologies had played and polyphonic appointment with the participation continue to play a fundamental role in the of artists from different parts of the world development of man and reality, as evidenced where each protagonist is a key, note, color, either retracing the past or looking towards the voice, an instrument, as well as an active form future, so too ART STAYS Festival offers itself as of emotions, spatial-temporal perceptions, a guide on a new and adventurous journey into communications built through tools, science, sound, words, and silence. nature, and technology, with the desire to give a meaning to the reality of things. John Cage’s emblematic and renowned composition 4’33” from 1952 where the ART STAYS 2020. NO MORE SILENCE. pianist merely pressed a button and then left Read the silence to listen, to liberate space to background noises, thus representing ourselves from everything so we can his own poetics for better communication start to live again and rethink ourselves between men, as translated into White and the world. Paintings by his painter friend Rauschenberg or indicated in words by Thoreau, already offered a reflection on silence that was no longer considered a mere presence that indicates, without forcing a gaze, towards a given direction; instead, it became an opportunity to show the world in its own mobility and elusiveness.
Participations and reflections on performan- ces, installations, and works presented at the festival do not lead merely to a theoretical level of exploring the sound; more importantly, they try to discover its actual effects on everyday life and how sound, words, and music can be transformed or recreated in various ways from or into natural or artificial elements.
ART STAYS once again presents itself to the public as a platform within which different autonomous identities and forms of contempo-
9 18. FESTIVAL SODOBNE UMETNOSTI ART STAYS 2020 18TH FESTIVAL OF CONTEMPORARY ART ART STAYS 2020 Ptuj, Slovenija 16. julij - 19. september 2020 / July 16 - September 19, 2020
KUD ART STAYS Produkcija sodobne umetnosti / Contemporary Art Production
Umetniški vodja / Art Director: Jernej Forbici
Kreativni vodja / Creative Director: Marika Vicari
Organizacijski odbor / Organizing Board: Jernej Forbici, Marika Vicari, Tina Baštevc, Vladimir Forbici, Rok Golob, Doroteja Kotnik, Dušan Fišer, Sanja Selinšek, Anja Potočnik, Ana Murko
Koordinatorka / Coordinator: Tina Baštevc
Strokovna vodstva in koordinacija razstavišč / Guided tours and venues coordination: Doroteja Kotnik
Tehnična koordinacija / Technical coordination: Rok Golob
Didaktične aktivnosti / Didactic activity: Leonora Švagan, Sara Korošec, Erika Vicari, Narmej Grager-Lutarič
Uradna festivalska fotografinja / Official Festival Photographer: Špela Težak, CET SLO
Uradni festivalski snemalec / Official Festival Film maker: Rok Golob
Prevod in lektoriranje / Translation and Text Review: Barbara Damiš, Sanja Selinšek
Oblikovanje / Design: FO.VI
Tisk / Print: Alinea Tisk, 250
Ptuj, Slovenija - 2020 HVALA THANK YOU
Mestna občina Ptuj Ministrstvo za kulturo Republike Slovenije
Javne službe Ptuj, CID Ptuj, Ptuj, Galerija FO.VI, Kidričevo, Pokrajinski muzej Ptuj-Ormož, Ptuj, Tovarna Umetnosti, Majšperk, Knjižnica Ivana Potrča Ptuj, Zavod za turizem Ptuj, Dominikanski samostan, Glasbena šola Karol Pahor, Hotel Mitra, Združenje zgodovinskih mest Slovenije, Arte Laguna Prize, Galerija Fotografija, Romberg Arte Contemporanea, Studio La Citta, Daria Collovini, Italo Bergantini, Barbara Čeferin, Svetlobna gverila, Miha Zupan, Francesca Di Giorgio, Diego Santamaria, Livia Savorelli, June Ismail, Nuška Gajšek, Uroš Bonšek, Vladimir Forbici, Marjana Forbici, Mateja Lapuh, Erika Vicari, Dušan Fišer, Judita Krivec Dragan, Vinarstvo Turčan, Mestno gledališče Ptuj, RTV Slovenija, Espoarte, Exibart, Mladina, Ptuj.info, PeTV, Štajerski Tednik, Radio Ptuj, SIP TV, DELO, Dnevnik, Večer, Majda Fridl, Tinček Ivanuša, Bo cafe, Dom kulture Muzikafe, Alinea Tisk, Turistično informativni center Ptuj, Darinka Fakin, Petra Zemljič, Peter Rak, Peter Srpčič, Majda Fridl, Aleksander Lorenčič, Sara Tortato, Stanka Gačnik, Davorin Zorli, Štefan Petek, Pavel Magdič, Mira Petrovič, Tanja Srečkovič Bolšec, Alojz Tepeš, Alfred Zavrnik, Zdenka Ristič, Sanja Selinšek, Miran Senčar, Matjaž Neudauer, Milena Turk, Tone Topolovec, Tatjana Rudolf, Romana Simonič, Miha Masten, Doroteja Kotnik, Branko Vnuk, Tjaša Čuš, Mateja Hafner-Dolenc, Barbara Damiš, Helena Fošnjar, Tina Baštevc, Rok Golob, Anja Potočnik, Ana Murko, Sandi Žuran, Peter Zorec, Boris B. Voglar, Leopold Pevec
Hvala vsem umetnikom, kustosom, imetnikom avtorskih pravic za reprodukcijo likovnih del. / Thanks to all the artists, curators, gallerists, rights holders for reproduction authorisation.
11 Roberto Pugliese, Concerto per natura morta, Galerija mesta Ptuj / Ptuj City Gallery VSEBINA CONTENT
07 NO MORE SILENCE 62 ZVOČNI OBJEKTI / SOUND UVODNIK/ INTRO OBJECTS 11 HVALA / THANK YOU Mario Velocci, Robert Jurak, 13 VSEBINA / CONTENT Transversal project, Silene Arnaldi 68 SENCE-TIŠINA / SHADOWS-SILENCE 15 OTVORITVENI VIKEND / Milojka Drobne OPENING WEEKEND 71 DOGODKI / EVENTS 20 RAZSTAVE / EXHIBITIONS 72 BLACK TABLE & KLOPOTEC 21 NO MORE SILENCE / BREZ TIŠINE ORKESTRA - Hans Beckers Robin Meier, Roberto Pugliese, 73 MUZIKAČAKA - KONCERT / Michele Spanghero, Alberto Tadiello, CONCERT - Sara Korošec Hui Ye 74 WRONG MOOSE - KONCERT / 31 KLOPOTEC ORKESTRA CONCERT Hans Beckers 75 BARVE V GIBANJU / COLURS IN 34 RELAYTOR DE LUXE MOTION - PERFORMANCE - Marko Bastiaan Maris Batista 38 SONIC GEOMETRY OF SPACE 76 WARREGO VALLES - LIVE SET Marko Batista 77 ASHTAYAMA - PROJEKCIJA / 42 SANJSKI STROJ / DREAM MACHINE SCREENING Robin Meier 78 BOBNI / DRUMS - JOŽE ZADRAVEC 46 PREVODNIK / CONDUCTOR & ROBERT JURAK Lynn Book 79 KONCERT IMPROVIZIRANE GLASBE / 50 VIBRAVOID CONCERT OF ELECTRONIC MUSIC - Nicolo Masiero Sgrinzatto Miha Ciglar 54 SONIC HORIZON II Zul Mahmod 81 POGOVORI / TALKS 56 SILENTIUM Euro Rotelli 85 EXTRA 58 PTUJ SOUND WALKS Sara Korošec, Erika Vicari, Rok Golob, Stojan Kerbler
13 OTVORITVENI VIKEND OPENING WEEKEND OTVORITVENI VIKEND / OPENING WEEKEND OTVORITVENI VIKEND OPENING WEEKEND
ČETRTEK / THURSDAY I 16 JUL 2020 PETEK / FRIDAY I 17 JUL 2020
10.00 – 13.00 10.00 – 13.00 Zvočno-likovne delavnice za otroke / Zvočno-likovne delavnice za otroke / Audio & Fine Art Workshops for Kids Audio & Fine Art Workshops for Kids
10.00 – 12.00 10.00 – 12.00 Poletna akademija Art Stays / Poletna akademija Art Stays / Art Stays Summer Academy Art Stays Summer Academy Bastiaan Maris Hans Beckers
18.00 16.00 Avdio performans / Audio performance: Pogovor & sprehod z umetniki / Klopotec Orkestra & Black Table – Artist Talk & Walk: Hans Beckers Robin Meier, Nicolo Masiero Sgrinzatto, Dvorana Dominikanskega samostana / Hans Beckers Dominican Monastery Hall Ptujski grad / Ptuj Castle
19.00 18.00 Odprtje razstav / Exhibition Openings: Odprtje razstave / Exhibition Opening: Vibravoid – Nicolo Masiero Sgrinzatto Silentium – Euro Rotelli Sonic Horizon – Zul Mahmod Galerija Magistrat / Magistrat Gallery Conductor – Lynn Book Ptujski grad / Ptuj Castle 19.00 Odprtje razstave / Exhibition Opening: 20.00 No more silence / Brez tišine Odprtje razstave / Exhibition Opening: Robin Meier, Roberto Pugliese, Michele Dream Machine – Robin Meier Spanghero, Alberto Tadiello, Hui Ye Salon umetnosti / Art Salon Galerija mesta Ptuj / Ptuj City Gallery
21.30 21.00 Koncert / Concert: Koncert / Concert: Muzikačaka Wrong Moose Slovenski trg / Slovenski trg Square Slovenski trg / Slovenski trg Square
15 OTVORITVENI VIKEND / OPENING WEEKEND
SOBOTA / SATURDAY I 18 JUL 2020 NEDELJA / SUNDAY I 19 JUL 2020
10.00 – 13.00 10.00 – 13.00 Zvočno-likovne delavnice za otroke / Zvočno-likovne delavnice za otroke / Audio & Fine Art Workshops for Kids Audio & Fine Art Workshops for Kids
10.00 – 12.00 10.00 – 12.00 Poletna akademija Art Stays / Poletna akademija Art Stays / Art Stays Summer Academy Art Stays Summer Academy Roberto Pugliese Marko Batista
16.00 - 19.00 16.00 Odprtje projekta / Project Opening: Odprtje razstave / Exhibition Opening: Zvočni sprehodi / Sound Walks – Zvočni objekti / Sound Objects – Mario Muzikačaka & Transversal Project, Velocci, Robert Jurak, Transversal Stojan Kerbler, Rok Golob project, Silene Arnaldi Razstavišče Knjižnice I. Potrča Ptuj / Ptuj Galerija FO.VI / FO.VI Gallery, Strnišče Library exhibition space 17.00 19.00 Odprtje razstave / Exhibition Opening: Odprtje razstav / Exhibition Openings: Tišina / Silence – Milojka Drobne Relaytor de Luxe – Bastiaan Maris Tovarna umetnosti / Art Factory, Majšperk Zvočna geometrija prostora / Sonic Geometry of Space – Marko Batista 19.00 Miheličeva galerija / Mihelič Gallery Odprtje razstav / Exhibition Openings: Klopotec Orkestra – Hans Beckers 21.00 ASHTAYAMA – A. Cuni, W. Durand Avdio – video performans / AV performance: Dominikanski samostan / Dominican Barve v gibanju / Colours in motion – Monastery Marko Batista Slovenski trg / Slovenski trg Square 20.00 Koncert / Concert:N. Tumpej & S. Ivačič 22.00 Slovenski trg / Slovenski trg Square Live set: Warrego Valles 21.00 Slovenski trg / Slovenski trg Square Koncert improvizirane elektronske glasbe / Concert of improvised electronic music: Miha Ciglar Slovenski trg / Slovenski trg Square
16
RAZSTAVE EXHIBITIONS GALERIJA MESTA PTUJ / PTUJ CITY GALLERY RAZSTAVA EXHIBITION
NO MORE SILENCE / BREZ TIŠINE Robin Meier (CH), Roberto Pugliese (IT), Michele Spanghero (IT), Hui Ye (CN), Alberto Tadiello (IT)
NO MORE SILENCE je razstava, namenoma Thirteen z albuma Hospice skupine The in idealno zasnovana na pentatonski lestvici, Antlers, deluje med suspenzijo in fizično ki jo lahko beremo na različne načine, napetostjo dveh umetnih teles, ki hrepenita po odvisno od fizične in mentalne poti, ki jo dotiku; ta ostaja neuresničen, kar povzroča uberemo, da sprejmemo sporočilo: berimo nasprotujoče si reakcije, med drugim tišino, da lahko slišimo; osvobodimo se osuplost, okoljsko udeležbo in popolno vsega, da lahko znova zaživimo in razmislimo preobrazbo prostora. Koncert za mrtvo o samih sebi ter o svetu. naravo (Il concerto per natura morta) Roberta Puglieseja je sestavljen iz trinajstih Tišina, dih, glas, zvok in narava so ključni mrtvih kostanjevih debel, visečih v zraku v elementi razstave, ki s številnimi artiku- vodoravnem položaju na različnih višinah. V liranimi, samostojnimi in edinstvenimi vsakem od njih se nahaja zvočnik, ki projekti, ki iščejo in se ozirajo za ničelno točka omogoča amplifikacijo in uravnavanje zvoka zvoka, ta je v tem primeru mišljena kot glede na obseg in obliko debla. Reproduciran človeška usmeritev, odpirajo trenutek zvok instalacije izhaja iz mesta, od koder so opazovanja, v katerem nam pred očmi bila debla odstranjena, in iz posnetkov izginjata sedanjost in prihodnost. nastalih med njihovo pripravo. Kasneje so bili ti zvoki digitalno procesirani s pomočjo za ta namen zasnovane programske opreme, nato pa kompozicijsko sestavljeni. Posledično se uporabnik potopi v »tihožitje«, kjer prisotnost zvočnega vidika, skupaj z veličastno in impresivno vizualno teksturo, ustvarja mogočen čustven učinek in vzbuja veliko zanimanje.
Michele Spanghero, Ad lib. Tako nas fizično in čustveno pritegne zvočna skulptura Ad Lib., ki jo je ustvaril Michele Spanghero in ki združuje medicinsko napravo za avtomatsko predihavanje pljuč in nekaj orgelskih piščali, ki igrajo glasbeni akord v skladu s konstantnim ritmom mehaničnega dihanja; iz tega nastane umetni organ, v metaforičnem smislu mehanski rekviem, ki odzvanja brez prestanka. Po drugi Roberto Pugliese, Concerto per natura morta strani Alberto Tadiello, izhajajoč iz pesmi 21 Za razliko od Puglieseja nas švicarski umetnik NO MORE SILENCE is an exhibition, Robin Meier z instalacijo Synchronicity deliberately and ideally based on a pentatonic popelje v mangrovske gozdove na Tajskem, v scale that can be read in various manners, katerih tam živeče kresnice (Pteroptyx depending on the physical and mental malaccae) sinhronizirajo svoje utripe z direction with which one opens up to embrace računalniško nadzorovanimi LED sijalkami. the message: „Read the silence to listen, to Ob vzpostavitvi svetlobne komunikacije z liberate ourselves from everything so we can žuželkami umetnik vpliva na ritmično start to live again and rethink ourselves and utripanje velikih kolonij kresnic, tihi orkester the world.“ pa tako deluje usklajeno, ne da bi potreboval dirigenta. V tej ritmični svetlobni kompoziciji Silence, breath, voice, sound, and nature; se računalniki in insekti sporazumevajo brez these are the key elements of the exhibition centralnega nadzora. and together with various articulated, individual, and singular projects that are searching for the zero point of sound, intended here as the human orientation, they are offering a foregleam of the moment in which our own present and our future are lost out of sight.
Robin Meier, Synchronicity Thailand
Delo kitajske umetnice Hui Ye lip synch t e m e l j i n a k o n c e p t u i z m e n j a v e i n reinterpretacije zvoka in podob, ki nastajajo med govorjenjem, s čimer želi umetnica Hui Ye, Lip Sync preučiti in razčleniti temeljno funkcijo jezika. S tem ko odstrani izvirne zvočno-jezikoslovne So we find ourselves physically and informacije, se »govorjene« podobe emotionally involved, attracted to the sound preobrazijo v vizualno notacijo za sculpture Ad Lib. by Michele Spanghero performanse, v katerih se jezik spremeni v which combines a medical machine for nesmiselne avdio-vizualne izraze. automatic pulmonary ventilation with a few organ pipes that play a musical chord to the constant rhythm of the mechanical breath, thus creating an artificial organ that is metaphorically a mechanical requiem which produces sounds incessantly. Then there is Alberto Tadiello, whose work, using the song Thirteen from the Hospice album by The Antlers as a starting point, builds up a suspension and physical tension between two
22 In comparison to Pugliese’s view on the sound of nature, the Swiss artist Robin Meier in his installation Synchronicity leads us into a mangrove forest in Thailand, where live fireflies (Pteroptyx malaccae) synchronise their flashes with computer-controlled LEDs. By establishing a light-based form of communi- cation with insects, the artist influences the rhythmic flashing of large colonies of fireflies. A silent orchestra harmonises without the need for a conductor. With no central control, computers and insects interact in this rhythmic composition of light.
Following to a precise concept of exchanging and reinterpreting sound and images in the act of speaking, the work by Chinese artist Hui Ye Lip Synch aims to examine and deconstruct the fundamental function of language. Whilst Alberto Tadiello, 13 removing the original auditive/linguistic artificial bodies yearning for a contact which, information, the “spoken” images have however, remains unattained; in this way it become a visual notation for performances in creates conflicting reactions, such as which languages are turned into senseless startlement, environmental involvement, and a audio-visual expressions. complete transformation of space. Il concerto per natura morta (A concert for dead nature) by Roberto Pugliese, on the other hand, is composed of thirteen dead chestnut trunks suspended in horizontal position in the air at different heights. Inside each trunk is a speaker which allows the sound to be amplified and modified, in line with trunks’ volume and shape. The sounds reproduced by the installation derive from the places from which the trunks were taken, as well as from recordings made during the process of their preparation. They have been later processed in a digital manner using software designed for this purpose and then compositionally assembled. In this way, the user is immersed in a “still life” where the presence of the sound aspect, combined with the imposing and impressive visual texture, provides the work with a great emotional and engaging impact.
Robin Meier, Synchronicity Thailand
23 Robin Meier, Synchronicity Thailand Roberto Pugliese, Concerto per natura morta Michele Spanghero, Ad lib. Alberto Tadiello,13 Hui Ye, Lip Sync Roberto Pugliese, Concerto per natura morta
Michele Spanghero, Ad lib. DOMINIKANSKI SAMOSTAN / DOMINICAN MONASTERY RAZSTAVA EXHIBITION
KLOPOTEC ORKESTRA Hans Beckers (BE)
Hans Beckers, ki s svojimi intrigantnimi Hans Beckers, who amazes audience with zvočnimi instalacijami navdušuje občinstvo, je his intriguing sound installations, visited Ptuj Ptuj prvič obiskal leta 2015, ko je prejel for the first time in 2015, after he had won an nagrado Art Stays na Arte Laguna Prize in Art Stays residency at the Arte Laguna Prize pričel s projektom klopotcev; sledila je and started with the klopotec project. He then rezidenca v očarljivem Kråkeslottetu na visited bewitching Kråkeslottet in Norway, Norveškem, kjer je iz starega lesa zgradil where he was building “klopotecs” – wind k l o p o t c e – r o p o t a j o č e v e t r n i c e i z rattles from North-Eastern Slovenia – from old severovzhodne Slovenije – vsakega s svojim wood, each with its own unique character. lastnim značajem. Že od 16. stoletja in vse do Since the 16th century, klopotec is being used danes se klopotci uporabljajo v vinogradih, in vineyards to scare away snakes and birds da odganjajo kače in ptiče ter pomagajo and help the grapes to ripen. Hans has now grozdju zoreti. Hans jih je zdaj spremenil v converted them into an exciting sound vznemirljivo zvočno instalacijo. installation.
V svojih performansih in instalacijah skuša In his work sound is a very crucial and constant najti ravnovesje med glasbo / zvočno element. In his performances and installations umetnostjo in vizualno umetnostjo. Večino he tries to find a balance between njegovih zvočnih instalacij je bilo mogoče music/sound art and visual arts. Most of his razumeti kot samostojne instrumente, sound installations could be seen as self-made večinoma narejene z vsemi vrstami “najdenih instruments, mostly made with all kinds of predmetov”. Kaže nam, kako predmeti, za ‘objets trouvees’. He shows how objects that katere na splošno ni mogoče, da bi predvajali are not generally considered fit to play music glasbo, dejansko lahko postanejo glasbila. on can in fact become musical instruments.
Hans Beckers, Klopotec Orkestra, courtesy Zonzo Compagnie 31 Hans Beckers, Klopotec Orkestra 23 Hans Beckers, Klopotec Orkestra
MIHELIČEVA GALERIJA / MIHELIČ GALLERY RAZSTAVA EXHIBITION
RELAYTOR DE LUXE Bastiaan Maris (NL)
Relaytor de Luxe je zvočna instalacija, The Relaytor de Luxe is a sound installation sestavljena iz mreže zaporednih električnih featuring a sequenced network of electric stikal, ki so nameščena na lesene panelne switches mounted on wooden panels. The plošče. Za uglasitev slednjih poskrbi tuning of the panels is achieved through medsebojna povezanost in postavitev interconnectivity and the surrounding place- posameznih enot, ki jih obdajajo. Mehanična ment of individual sections. The aptitude of a sistemska okvara in naključni kinetični mechanical system failure and random kinetic možgani tako prevzamejo vlogo dirigenta in brain serves as a conductor, bringing to life oživijo na stotine udarnih simfonij. Iz zvočnih hundreds of strong symphonies. Sound bursts izbruhov nastajajo kompozicije, ki kot valovi produce compositions that travel wave-like preplavljajo prostor, medtem ko posamezne around the room, as panels play individual panelne plošče igrajo brez spremstva. solos.
Relaytor de Luxe je eksperiment z elektro- Relaytor de Luxe is an experiment in electro- mehanskimi zvočnimi ritmi, ki nastajajo skozi mechanical sound rhythms achieved through naključno sinhronizacijo. random synchronization.
Bastiaan Maris, Relaytor de Luxe
34 Bastiaan Maris, Relaytor de Luxe
Bastiaan Maris, Relaytor de Luxe MIHELIČEVA GALERIJA / MIHELIČ GALLERY RAZSTAVA EXHIBITION
ZVOČNA GEOMETRIJA PROSTORA / SONIC GEOMETRY OF SPACE Marko Bastista (SI)
Marko Batista v svojih delih analitično In his works Marko Batista analytically tematizira DIY-elektroakustične procese na thematizes DIY electro-acoustic processes at the preseku med elektronskim zvokom, tehno- intersection of electronic sound, technology, logijo in sodobno umetnostjo. Razstava je and contemporary art. The exhibition is oblikovana je kot prototip hiperakustične conceived as a prototype of a hyper-acoustic kapsule. Ambientalna postavitev, ki jo capsule. The ambient set-up designed by oblikuje Batista, izhaja iz dolgoletnih zvočnih Batista stems from long-standing sound eksperimentov, saj njegovo delo temelji na experiments, for his work is based on the raziskovanju dinamičnih samogenerativnih exploration of dynamic self-generating systems sistemov ter fenomenologije zvočnih and the phenomenology of sound resonances in resonanc v prostoru. Pojavnost zvoka črpa iz space. He draws the phenomenality of sound časovno determiniranih procesov znotraj from temporally determined processes within intermedijskih performativnih praks ter skuša intermedia performing practices, and he oblikovati nove načine distribucije akustičnih attempts to design new modes of the distribution of acoustic resonances in space. resonanc v prostoru. Zgodovina elektro- The history of electro-acoustic art reveals the akustične umetnosti nam razkriva kom- complex phenomenality of sound and the pleksno pojavnost zvoka in relacije v odnosu relations concerning the time and architecture do časa in arhitekture, v kateri je. Zvočno in which it is located. Sound undulation can be valovanje lahko dojemamo kot niz fizikalnih perceived as a series of physical phenomena or pojavov ali kot nematerialno gestualnost as the non-material gestuality of the surrou- objektivnosti, ki ga obdaja. Vprašanje, ki se nding objectivity. The question that continues to vedno znova zastavlja, je, ali elektroakustična arise is thus: is electro-acoustic art, in its umetnost v svojem bistvu lahko ubeži svoji essence, able to elude its meta-position of metapoziciji poslušanja? listening? Svoj značilni prostorski zvok tokrat oblikuje s Spatial sound, which is characteristic of pomočjo estetsko oblikovanih modularnih Marko’s work, is created by means of aesthe- vmesnikov in posebej za razstavo narejenih tically designed modular interfaces and prototipnih akustičnih resonatorjev. Snov za prototypical acoustic resonators, which were postavitev črpa iz izumov prejšnjega tisočletja designed especially for the exhibition. The in problematizira procese produkcije elektro- material for the exhibition derives from the akustičnega artefakta in procesualnosti. S inventions of the previous millennium; the show pomočjo v ateljeju narejenih zvočnih objektov problematizes the processes of the production napeljuje gledalca k vprašanjem o zvočni of electro-acoustic artefacts and processuality. realnosti in pojavnosti fenomenologije zvoka By means of sound objects created in the studio, znotraj sodobnih umetniških praks. the viewer is led to the questions of sound reality and phenomenality of the phenomenology of sound within contemporary art practices.
38 Marko Batista, Zvočna geometrija prostora / Sonic Geometry of Space, 2016 Courtesy Aksioma, Ljubljana 39 Marko Batista, Zvočna geomterija prostora / Sonic Geometry of Space Marko Batista, Zvočna geomterija prostora / Sonic Geometry of Space SALON UMETNOSTI / ART SALOON RAZSTAVA EXHIBITION
SANJSKI STROJ / DREAM MACHINE Robin Meier (CH)
S sanjskim strojem (Dream Machine) se je Dream Machine transformed the Art Salon into Salon umetnosti spremenil v hipnotično okolje a hypnotic environment of flickering lights and utripajočih luči in glasbenih halucinacij ter musical hallucinations, invoking the ghosts of tako privabil duhove pesnikov, umetnikov in poets, artists and musicians. glasbenikov. Using thick smoke and an array of flickering Gost dim in niz utripajočih stroboskopov sta stroboscopes, the entire salon turned into a poskrbela, da je celoten salon postal halu- hallucinogenic experiment that provoked cinogen eksperiment, ki je pri obiskovalcih geometric visions for the visitors, even with sprožil geometrične vizije, tudi če so imeli their eyes closed. Inside the salon, a zaprte oči. V notranjosti salona je zaživel mechanical piano came to life; abandoned by klavirski avtomat, ki, zapuščen od pianista, the pianist, it was playing without human igra svojo melodijo brez človeške prisotnosti. intervention. The machine interprets endless Naprava preigrava neskončne različice variations of musical themes, an entrancing glasbenih tem, zapeljivo ritualno partituro, ki ritual score, dreamed up and composed jo je zasanjal in skomponiral računalnik sam. entirely by a computer.
Robin Meier, Dream Machine Ptuj Slovenija, 2020
42 Robin Meier, Dream Machine Ptuj Slovenija, 2020
Robin Meier, Sanjski stroj / Dream Machine Ptuj Slovenija PTUJSKI GRAD / PTUJ CASTLE RAZSTAVA EXHIBITION
PREVODNIK / CONDUCTOR Lynn Book (US)
Lynn Book je ameriška transmedijska StayingWITH umetnica, ki deluje v različnih disciplinah in (manifest / a manifesto) kulturnih sferah in je v sodelovanju s festivalom pripravila avdio zapise za veliko 1. Learning to zvočno instalacijo z naslovom Conductor, kjer 2. stay with njen glas postane prevodnik agonije ljudi, ki 3. the trouble so se znašli v turbolenci aktualnih razmer po 4. of living svetu. 5. and dying 6. together on Lynn Book is an American transmedia artist 7. a damaged who works in various disciplines and cultural 8. earth will spheres. In collaboration with the festival, she 9. prove more has produced sound files for a large sound 10. conducive to installation entitled Conductor, whereby her 11. the kind voice becomes a conductor for transmitting the 12. of thinking agony of people who have found themselves in 13. that would a turbulent state of the current global situation. 14. provide the 15. means to 16. building more Lynn Book 17. livable futures. koncept, kompozicija, besedilo, glas / concept, composition, text*, voice Herman Rapaport Kompozicija / Composed by: saksofon / saxophone Lynn Book Jeff Irving sintetizator, ritem / synth/beats + synth drone Besedilo / Text credit: Brian Doub Donna Haraway urejevalec zvoka / sound editor znanstvenice, feministka, aktivistka / scientist, feminist, activist
46 Lynn Book, Prevodnik / Conductor
Lynn Book, Prevodnik / Conductor
Lynn Book, Prevodnik / Conductor PTUJSKI GRAD / PTUJ CASTLE RAZSTAVA EXHIBITION
VIBRAVOID Nicolo Masiero Sgrinzatto (IT)
Razočaranje [temno-0] in želja Despondency [dark-0] and desire [light- [svetloba-1]. 1].
Vibravoid je zvočni stroj, sestavljen iz enega Vibravoid is a sonic machine composed of one recikliranega lesenega trama, mini recycled wooden beam, a mini photovoltaic fotonapetostne plošče, ki napaja mikro panel that feeds a micro vibromotor for mobile vibromotor za mobilne telefone, ki je phones placed inside the structural element. nameščen znotraj konstrukcijskega elementa. The oscillation produced by the motor is Nihanje, ki ga povzroči motor, se poveča s amplified by its contact with the wood. stikom z lesom. Intenzivnost, trajanje in Vibration intensity, duration, and activity will aktivnost vibracij bodo odvisni od količine depend on the amount of light. During the svetlobe. V času vrhunca sončnega sevanja peak of solar radiation [the desire] activates [želja] aktivira vibracije na največji stopnji. V the vibration at its maximum stage. In the nasprotni fazi [zaničevanje] bo vibracija opposite phase [the despondency] the oslabljena ali enaka. V intervalu od vibration will be feeble or zero. In the interval popuščanja-0 do želje-1 se vibracija pospeši from despondency-0 to desire-1, the vibration in poveča. accelerates and increases.
V intervalu od želje-1 do obupa-0 se vibracija In the interval from desire-1 to despondency-0, zmanjšuje, dokler ne izgine, se uniči in nato the vibration decreases until it disappears, znova oživi. destroying itself and then resurrecting again.
0 1 0 1 0 0 1 1 0 1 0 0 1 1 1 1 0 1 0 1 0 0 1 0 0 1 0 1 0 0 1 1 0 1 0 0 1 1 1 1 0 1 0 1 0 0 1 0 0 1 0 1 0 0 1 0 0 1 0 0 1 0 0 1 0 1 0 0 0 1 0 0 0 1 0 1 0 0 1 0 0 1 0 0 1 0 0 1 0 1 0 0 0 1 0 0 01001001 01001001
Nicolo M. Sgrinzatto, Vibravoid, 2019 (detajl /detail) 50 NicoloPogled M. Sgrinzattona razstavo, /Vibravoid, Exhibition 2019view Nicolo M. Sgrinzatto, Vibravoid, 2019
PTUJSKI GRAD / PTUJ CASTLE RAZSTAVA EXHIBITION
ZVOČNO OBZORJE II / SONIC HORIZON II Zul Mahmod (SG)
Zvočna arhitektura je tisti vidik realnih in Aural architecture is that aspect of real and virtualnih prostorov, ki v ljudeh sproža virtual spaces that produces an emotional, čustveni, vedenjski in visceralni odziv. Prostor behavioral, and visceral response in lahko ustvarja občutke intimnosti, tesnobe, inhabitants. A space can produce feelings of osamljenosti, povezanosti in topline, pa tudi intimacy, anxiety, isolation, connectedness, mistični občutek duhovnosti. Enaki odzivi so warmth, as well as a mystical sense of značilni za vizualno arhitekturo, le da prostor spirituality. Such responses parallel those of doživljamo bolj s poslušanjem kot z visual architecture, except that the space is gledanjem. Prostorska predstavljivost je experienced by listening rather than seeing. sposobnost zavedanja sebe v prostoru; gre za Spatial awareness is the ability to be aware of organizirano znanje o razmerju med samim oneself in space. It is an organized knowledge sabo in predmeti v danem prostoru, prav tako of objects in relation to oneself in that given pa vključuje razumevanje razmerij med temi space. Spatial awareness also involves objekti, ko pride do spremembe položaja. understanding the relationship of these objects when there is a change of position. „V tej zvočni instalaciji sem z generiranjem nizkofrekvenčnih sinusnih valov sprožil „In this sound installation, I have generated vibriranje predmetov, ti pa so posledično sine waves of low frequencies to vibrate povzročili vibriranje medija – materiala, skozi objects. The vibrating objects caused the katerega potuje val – v njihovi okolici. Med surrounding medium to vibrate. A medium is a potovanjem zvočnih valov skozi medij delci material which a wave travels through. As vibrirajo naprej in nazaj. Glasnost zvoka, sound waves move through a medium, the njegova moč in mehkoba, je odvisna od particles vibrate forwards and backwards. A zvočnega vala. Več energije vložimo v sound's volume, how loud or soft it is, depends proizvajanje zvoka ali zvočnega vala, on the sound wave. The more energy put into glasnejši bo zvok. Zvočni val se ob vstopu making a sound or a sound wave, the louder skozi uho spremeni v živčne signale, te pa the volume will be. A sound wave enters the ear nato interpretirajo naši možgani. Človeški um and is changed into nerve signals, which are se pusti zlahka zapeljati, z izumom novih interpreted by the brain. The human mind is tehnologij pa se včasih izgubimo v samih sebi. easily distracted. With the invention of new Namesto da bi poslušali, le slišimo. Blokirali technologies, sometimes we got lost in smo pomembna sporočila, podrobnosti, ourselves. Instead of listening, we only hear. teksture in zvočne tone iz naše okolice. Vzemi We blocked the meaningful messages, details, premor in prisluhni.“ textures, and tone of the sound in our surroundings. Pause and listen.“
54 Zulkifle Mahmod, ZVOČNO OBZORJE, Poslušaj, a zakaj? / SONIC HORIZON, Listen but Why? site - specic instalacija / site - specic installation, 2019-20 železo, vzmeti, avdio oprema / steel, springs, audio equipment GALERIJA MAGISTRAT / MAGISTRAT GALLERY RAZSTAVA EXHIBITION
SILENTIUM Euro Rotelli (IT) V sodelovanju z / In collaboration with: Galerija Fotograja, Ljubljana
V seriji Silentium Euro Rotelli raziskuje In the Silentium series Euro Rotelli explores raziskuje morska bitja in nas vabi k sea creatures that invite us to explore the raziskovanju morskih globin v družbi njihovih depths of the sea in the company of their prebivalcev. V nadaljevanju se okolje inhabitants. In the sequel, the environment spremeni in izgubi svojo lirično dimenzijo: changes and loses its lyrical dimension: in pred stojnicami prodajalcev rib pozabimo na front of fish vendors ’stalls, we forget about the opletanje hobotnice, svetlobni sij jate sardin octopus ripple, the light glow of a flock of ali počasno premikanje raka. „Čeprav se zdi,” sardines, or the slow movement of a crab. meni Rotelli, “da še vedno plešejo v skladnih “Although,” Rotelli believes, “they still seem to in dovršenih scenografijah. V tragični in nemi dance in harmonious and sophisticated sets. In tišini izdajajo zadnji dih, svoj nemočni krik, t r a g i c a n d s o u n d l e s s s i l e n c e , t h e y svoje hrepenenje po življenju. Na sprehodih communicate their last breath, their helpless med stojnicami na tržnici, med ljudmi, ki se cry, their longing for life. On walks among the odločajo za želeno vrsto ribe, ob pozivih stalls in the market, among people intending prodajalcev, v hrupu množice v največji gneči to choose a species of fish, at the urging of sem zaznal to njihovo prošnjo, njihovo vabilo, vendors, in the noise of the crowd, I perceived da postojim, da občudujem njihovo dostojno this request of theirs, their invitation to exist, to lepoto kot zadnji poklon življenju.” admire their dignified beauty as a last tribute to life. “
56 Euro Rotelli, Silentium
57 KNJIŽNICA I. POTRČA PTUJ / PTUJ LIBRARY RAZSTAVA EXHIBITION
ZVOČNI SPREHODI / SOUND WALKS Muzikačaka (Sara Korošec) (SI), Transversal Project (IT), Rok Golob (SI), Stojan Kerbler (SI)
Zvočno sprehajanje (Soundwalking) je Soundwalking is a creative and explorative ustvarjalna in raziskovalna praksa, ki practice that involves listening and sometimes vključuje poslušanje, včasih tudi snemanje, recording while moving through a place by med gibanjem skozi kraj s hojo. Ukvarja se z walking. Its focus lies on the relationship odnosom med zvočnimi sprehajalci in between soundwalkers and the sound of an zvokom okolja. Izraz so prvič uporabili člani environment. The term was first coined by projekta World Soundscape pod vodstvom members of the World Soundscape Project skladatelja R. Murrayja Schaferja v Vancouvru under the direction of composer R. Murray v 70. letih prejšnjega stoletja. Schafer in Vancouver in the 1970s.
Sara Korošec (Muzikačaka) in Erika Vicari Sara Korošec (Muzikačaka) and Erika Vicari (Transversal Project) sta pred leti že uspešno (Transversal Project) successfully conducted izvedli prve zvočne sprehode po Ptuju in na to the first soundwalks around Ptuj some years temo pripravili tudi koncert, sedaj pa so se ago and later prepared a concert on this projektu pridružile še fotografije mojstra theme. This year, photographs by the Stojana Kerblerja ter videoposnetki Roka photography master Stojan Kerbler, and Goloba. Nastal je zvočno-vizualni zemljevid videos by Rok Golob also joined the project. Ptuja, ki tako sprehajalcem kot nespreha- The final result yields an audio-visual map of jalcem preko zvoka in slike približa skrite Ptuj which uses sound and images to bring kotičke starodavnega mesta. walkers and non-walkers alike closer to the hidden corners of the ancient city.
Stojan Kerbler, Dvorišča / Courtyards
58 Zvočni sprehodi / Sound Walks, video: Rok Golob, zvok / sound: Sara Korošec, Erika Vicari, 2020
Zvočni sprehodi / Soundwalks, lokacije / locations GALERIJA FO.VI / FO.VI GALLERY RAZSTAVA EXHIBITION
ZVOČNI OBJEKTI / SOUND OBJECTS Mario Velocci (IT), Robert Jurak (SI), Transversal Project (IT), Silene Arnaldi (IT) V sodelovanju z / In collaboration with: Romberg Arte Contemporanea, Latina
Umetnice in umetnike na razstavi v Galeriji The artists in the exhibition at the FO.VI FO.VI združuje ljubezen do prvinskih Gallery all share the love of primary materials materialov, kot so kovina, les in papir, ter such as metal, wood, paper, as well as the strast do glasbe. Rezultat so zvočni objekti, ki passion for music. As a result, we get sound ne igrajo, instrumenti, ki nemo čakajo brenk, objects that do not play, instruments that dotik ali pih gledalca. silently wait for the pull of a string, touch or breath of the viewer.
Mario Velocci, pogled na razstavo / exhibition view
62 Robert Jurak, Mario Velocci, pogled na razstavo / exhibition view Silene Arnaldi (zvok / sound: Transversal project), The Heart Connection, 2020
Transversal project, RE – COR – DARE, 2020 Robert Jurak, Zvočni objekti / Sound Objects, 2020 Transversal project, RE – COR – DARE, 2020 Mario Velocci, Tabernacolo Sacro, 2015 TOVARNA UMETNOSTI / ART FACTORY RAZSTAVA EXHIBITION
SENCE - TIŠINAI / SHADOWS - SILENCE Milojka Drobne (SI)
Milojka Drobne v svojem delu senzibilizira In her work, Milojka Drobne sensitizes the haptičnost dotika v primarnem materialu haptic touch in the primary material, clay. Her glini. Njene skulpture naseljujejo prostor kot sculptures inhabit the space as a repository of odlagališče praoblik, v katere se naseli in proto-forms into which silence settles and nalaga tišina, kot koprena minljivoti. Skozi imposes itself, like a veil of transience. Through intimnost strukturiranja površin in oblik kipov the intimacy of structuring surfaces and shapes ustvarja spiritualno ravnovesje in vzbuja željo of the statues, she creates a spiritual balance po zvoku, ki bi zapolnil prostor praznine and evokes the desire for a sound that would (tišine). Z naseljeno tišino ozavesti minljivost fill the space of emptiness (silence). With bivanja in stanja duha. inhabited silence, she raises awareness on the transience of being and the state of mind.
68 Milojka Drobne, pogled na razstavo / exhibition view Milojka Drobne, pogled na razstavo / exhibition view DOGODKI EVENTS DOMINIKANSKI SAMOSTAN / DOMINICAN MONASTERY PERFORMANS PERFORMANCE
BLACK TABLE & KLOPOTEC ORKESTRA Hans Beckers (BE)
Hans Beckers, prejemnik nagrade Art Stays na Hans Beckers, receiver of the Art Stays award Arte Laguna Prize v Benetkah leta 2015, je v at the Venetian Arte Laguna Prize in 2015, has času svoje umetniške rezidence na Ptuju pričel begun with the Klopotec (Wind Rattle) project s projektom Klopotec. Enega teh je tudi during his residency at the festival. One odpeljal s seboj domov, kjer je nadaljeval z “klopotec” was given to Beckers to continue delom na projektu. Sledila je še ena the project at home. After five years and rezidenca, posvečena ptujskim klopotcem, v another art residency dedicated to Slovenian norveškem Kråkeslottetu. Po petih letih smo klopotec in Norway’s Kråkeslottet, the na Ptuju končno imeli priložnost predstaviti in Klopotec Orkestra has finally been presented slišati igranje Klopotec Orkestra. and heard playing also in Ptuj.
72 SLOVENSKI TRG ODER / SLOVENSKI SQUARE STAGE KONCERT CONCERT
MUZIKAČAKA Sara Korošec (SI)
Po dobrih dveh letih od izdaje albuma Pol dan After more than two years since the release of in pol noč se je končalo/začelo novo obdobje, the album Pol dan in pol noč, a new period has ki ga Muzikačaka (Sara Korošec) predstavlja come to an end/opened up; and Muzikačaka na novem albumu. Album je plod dvoletnega (Sara Korošec) seized the opportunity to preživljanja časa v samoti, raziskovanja novih present it on a new album. The latter is the poti in zapuščenih hiš po Halozah, result of spending time alone for two years, intenzivnega poslušanja narave, spominjanja exploring new paths and abandoned houses in pozabe ter premišljevanja o poziciji v družbi across Haloze, intensively listening to nature, in povezanosti z ljudmi, še posebej v novih remembering and forgetting, reflecting on usmeritvah in tehnologijah združevanja. one’s own position in society and on relations with other people, especially in connection with new trends and technologies for socializing.
73 SLOVENSKI TRG ODER / SLOVENSKI SQUARE STAGE KONCERT CONCERT
WRONG MOOSE Aljaž Vesel (kitara / guitar), Gašper Kojek (bas / bass guitar), Marko Kalič (bobni / drums), Matevž Gazvoda (kitara, vokal / guitar, vocals), Megaphone (megafon / megaphone)
Wrong Moose deluje v novojarškem štabu v Wrong Moose is a stoner/hard rock band of Ljubljani. Njihovo glasbo povezuje surov in four peculiar individuals, with their HQ ekspresiven slog, ki dopušča razno situated in Nove Jarše, Ljubljana. The band’s eksperimentiranje. Svoj glasbeni izraz gradijo raw and expressive style of music allows them na spontanosti in igranju v živo, kar ustvarja to experiment with various sounds. Their njihov gibljiv in drveč zvok. spontaneity is best expressed through their live performances, where you are sure to be sucked into their raging, racing sound.
74 SLOVENSKI TRG ODER / SLOVENSKI SQUARE STAGE PERFORMANS PERFORMANCE
BARVE V GIBANJU / COLOURS IN MOTION Marko Batista (SI)
Barve v gibanju je interaktivni svetlobno- Colours in Motion is an interactive light- glasbeni projekt Marka Batiste, ki občinstvu musical project of Marko Batista that enables omogoča ustvarjanje svojih lastnih zvočnih in the audience to create their peculiar sound vizualnih okolij na igriv način s pomočjo and visual environments in a playful way by različnih senzorjev in krmilnikov. Občinstvo means of different sensors and controllers. The lahko vpliva na gibljive vizualne slike in idea is for the audience to be able to affect the prispeva k elektronski zvočni pokrajini v moving visual images and contribute to the realnem času. Projektu se je na Ptuju pridružil electronic sound landscape in real time. priznan saksofonist Gregor Kozar. Renowned saxophonist Gregor Kozar joined the project in Ptuj.
75 SLOVENSKI TRG ODER / SLOVENSKI SQUARE STAGE LIVE SET
WARREGO VALLES Nina Hudej, Nina Kodrič / NinaBelle (SI)
Razigrani DJ-ki in producentki Nina Hudej in Playful DJs and producers Nina Hudej and NinaBelle (Warrego Valles) se odlikujeta z NinaBelle (Warrego Valles) distinguish intenzivnim raziskovanjem stranpoti klubske themselves for their intense exploration of in eksperimentalne elektronske glasbe ter z sideways of the club and experimental neizmerno strastjo do različnih oblik electronic music, and for an immense passion samoizražanja. V edinstvenem prepletu for developing self-expression. In a unique zvokov in slogov iščeta ravnovesje med interweaving of sounds and styles, they are ritmom in melodijo, plesnimi ritmi, balancing rhythm with melody, dance beats, eksperimentalnimi igrami in melodičnimi experimental games, and melodic inserts; they vložki, ki napeljujejo napetost in sprožajo are tuning the tension and triggering sprostitev, hkrati pa zahtevajo angažiranost in relaxation while pushing for engagement and odzivnost. responsiveness.
76 DOMINIKANSKI SAMOSTAN / DOMINICAN MONASTERY PROJEKCIJA SCREENING
ASHTAYAMA - SONG OF HOURS Amelia Cuni (IT), Werner Durand (DE)
Naslov ASHTAYAMA se nanašana starodavno The title ASHTAYAMA refers to the ancient tradicijo, podedovano iz obredov hindujskih tradition, inherited from the rituals of the templjev, kjer je dnevni cikel razdeljen na 8 Hindu temples, dividing the daily cycle into 8 časovnih pasov po 3 ure. V skladu s to time belts of 3 hours each. The musical modes, razdelitvijo so izbrani tudi glasbeni modusi, called ragas, are chosen according to this imenovani rage. Podoben odnos med glasbo subdivision. A similar relationship between in naravnimi cikli se kaže v evropskem music and natural cycles is manifest in the časoslovu, samostanski dnevni liturgiji, ki jo European Book of Hours, the monastic daily izvajajo že od srednjega veka. Performans je liturgy practised since medieval times. sestavljen iz osmih skladb, ki sledijo In the live performance, eight songs follow the naravnemu odvijanju vsakodnevnega cikla natural unfolding of the daily cycle through skozi različne odtenke svetlobe in teme, various shades of light and darkness, razmišljanju o razpoloženju in obredih reflecting on the moods and rituals of life´s življenjskih ciklov ter raziskovanju številnih cycles and exploring the manifold aspects and vidikov in odtenkov vsakodnevnih ukrepov. hues of daily actions. Prepletanje glasbe in svetlobe je zelo The interplay of music and light is obviously pomembno za tematiko tega dela in postane very relevant to the theme of this work and sestavni del predstave. becomes an integral part of the performance.
77 VRT GALERIJE FO.VI / FO.VI GALLERY GARDEN KONCERT CONCERT
ZVOČNI OBJEKTI / SOUND OBJECTS BOBNI / DRUMS BY ROBERT JURAK Bobnar / Drum player: Jože Zadravec (SI)
V sklopu razstave Zvočni objekti je umetnik As part of the Sound Objects exhibition, the Robert Jurak predstavil veliko skulpturo artist Robert Jurak presented a large sculpture bobnov, na katere je med otvoritvijo zaigral of drums, played by the renowned Slovenian priznani slovenski bobnar Jože Zadravec. drummer Jože Zadravec during the opening.
78 SLOVENSKI TRG ODER / SLOVENSKI SQUARE STAGE KONCERT CONCERT
KONCERT IMPROVIZIRANE ELEKTRONSKE GLASBE CONCERT OF IMPROVISED ELECTRONIC MUSIC Miha Ciglar (SI)
Miha Ciglar (1980) je intermedijski umetnik in Miha Ciglar (1980) is an inter-media artist and raziskovalec na področju avdio tehnologij. researcher in the field of audio technologies. In Leta 2009 je zaključil magistrski študij na 2009 he completed his master’s degree at the Akademiji za glasbo in na Tehnični univerzi v Academy of Music and at the Technical Gradcu (Avstrija). Od leta 2001 se predstavlja University of Graz (Austria). Since 2001, he z elektro-akustičnimi in interaktivnimi has been presenting electro-acoustic and plesnimi performansi, računalniško glasbo ter interactive dance performances, computer avdio-vizualnimi instalacijami na umetniških music, and audio-visual installations at art festivalih po vsem svetu. V njegovem festivals around the world. In his artistic work, umetniškem delu je v ospredju predvsem the focus is mainly on performance, performans, ki ga spremlja razvoj novih accompanied by the development of new tehnologij in oblikovanje elektronskih technologies and the design of electronic inštrumentov za glasbeno izražanje. instruments for musical expression.
79 ON - LINE AVDIO PERFORMANS AUDIO PERFOMANCE
KAR JE JE / IT IS WHAT IT IS Zul Mahmod (SG)
Zulkifle Mahmod (roj. 1975) je eden vodilnih Zulkifle Mahmod (b. 1975) is one of singapurskih zvočnih umetnikov. ZUL je v Singapore’s leading sound artists. ZUL has ospredju generacije zvočnih medijskih been at the forefront of a generation of sound- umetnikov pri razvoju sodobne umetnosti v media artists in Singapore’s contemporary art Singapurju - eni izmed žanrov med- development – one of the genres of narodnega sodobnega umetniškega international contemporary art-making that ustvarjanja, ki je požela zanimanje zaradi has been garnering interest for its inter- interdisciplinarnega pristopa in robnega disciplinary approach and experimental edge. eksperimentiranja. ZUL je predstavil Singapur ZUL represented Singapore with a Sound Art z zvočno umetnostjo na Bienalu Ogaki leta Performance at the Ogaki Biennale in 2006 2006 in je bil prvi singapurski zvočni umetnik s and was Singapore’s first sound artist with a polno zvočno skulpturo v Singapurskem full-on sound sculpture at the Singapore paviljonu 52. beneškega bienala 2007. Pavilion of the 52nd Venice Biennale 2007.
79 POGOVORI TALKS ON - LINE ART STAYS TALKS TO
POGOVORI Z UMETNIKI / ARTIST TALKS Gostiteljica / Talk host: Petra Skok (SI)
"Art Stays talks to" je serija intervjujev, ki so bili Povezave / links: narejeni med otvoritvenim vikendom 18. Hans Beckers festivala sodobne umetnosti Art Stays - BREZ https://youtu.be/UITA7dBOcr8 TIŠINE na Ptuju. Gostiteljica pogovorov je bila Robin Meier Petra Skok, kamera in tehnična izvedba Rok https://youtu.be/wpjQ2knSC8Q Golob. Roberto Pugliese https://youtu.be/Yf8OrTxvohc "Art Stays talks to" is a series of interviews Bastiaan Maris made during the opening weekend of the 18th https://youtu.be/z2rZpSHyyL0 Art Stays Festival of Contemporary Art NO Nicolo Masiero Sgrinzatto MORE SILENCE in Ptuj, Slovenia. The talk host https://youtu.be/z1lxWXQYyyY was Petra Skok, camera and technical production Rok Golob.
Bastiaan Maris
82 Robin Meier
Roberto Pugliese Lynn Book, Prevodnik / Conductor, Ptujski grad / Ptuj Castle 85 Marko Batista, Barve v gibanju / Colours in motion, Slovenski trg / Slovenski trg Square Wrong Moose, koncert / concert, Oder na Slovenskem trgu / Slovenski trg Square Stage Jože Zadravec & Robert Jurak, performans / perfomance, Galerija FO.VI / FO.VI Gallery Robert Jurak, Bobni / Drums, Galerija FO.VI / FO.VI Gallery Zvočno-likovne delavnice za otroke / Audio&Fine Art Workshops for Kids, CID Ptuj 91 92 ART STAYS Produkcija sodobne umetnosti / Contemporary Art Production
KUD ART STAYS Prešernova ulica 1 2250 Ptuj
Galerija / Gallery: Slovenski trg 1, 2250 Ptuj
Pisarna / Ofce: Jadranska ulica 4, 2250 Ptuj
Tel: +386 40 467 459 E - mail: [email protected]
www.artstays.si
na naslovnici / on the cover: ROBIN MEIER, Sanjski stroj / Dream Machine, 2020 Bastiaan Maris, Relaytor de Luxe, Miheličeva galerija / Mihelič Gallery
ART STAYS