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NRBQHe aquí una banda a la que el éxito masivo ha Casey McDonough, compañero de Ligon en esquivado más de cuatro décadas, a pesar de varias de sus bandas anteriores. contar entre sus acérrimos seguidores con gente como Paul McCartney, Keith Brass Tacks está repleto de ritmos Richards, Bob Dylan, John Sebastian, ondulantes, preciosas voces (¡todos cantan!) y Bonnie Raitt, Elvis Costello, Dave un sonido brillante. Una docena de nuevas Edmunds… Ni siquiera ser la banda “oficial” canciones, servidas en la típica mezcla de en Los Simpsons durante dos temporadas estilos que les define (“es sólo música de les acercó lo más mínimo a lo alto de las listas NRBQ”, dice Adams), que continúa en la onda de ventas. de sus últimos años, música que se encuentra entre la mejor que han grabado en su Su mezcla de pop, rock, jazz, country, blues dilatadísima trayectoria. Y es que temas como (y más cosas) les ha granjeado fans en las “Waiting On My Sweetie Pie”, “Greetings from más altas esferas musicales, a la vez que ha Delaware”, “Fightin’ Back”, o “I’d Like To desconcertado al gran público durante toda su Know” podrían estar en cualquiera de los carrera. “Voy a tener una banda a la que no le mejores y más recordados álbumes del combo duelan prendas por no llevar botas, y que no como All Hopped Up, At Yankee Stadium, tenga que tocar ciertas canciones para o Grooves In Orbit. contentar al público, y que pueda tocar las canciones que quiera, cuando quiera, sin preocuparse de su estilo”, dice Terry Adams que se prometió a si mismo cuando formó NRBQ en 1966. NRBQ (o New Rythm & Blues Quartet, o simplemente “The ‘Q”) publicaron su homónimo álbum de debut en la compañía Columbia en 1969. Cuarenta y cinco años después, tras más de veinte discos de estudio, más de una docena grabados en directo, y numerosas recopilaciones (por no mencionar miles de actuaciones en los cinco continentes) NRBQ lanzan un nuevo álbum en estudio, con el título de Brass Tacks. A pesar de que Terry Adams, teclista, cantante y fundador de la banda, es el único que resta de la formación clásica que maravilló al mundo entre 1974 y 2004 (Terry, Joe Stampinato, Al Anderson, y Tom Ardolino), el guitarrista Scott Ligon y el batería Conrad NRBQ brass tacks Choucroun llevan ya siete años en la formación. A ellos se une el “nuevo” batería CL-513 PRENSA Y PROMOCIÓN: PromOla! email: [email protected] PromO!!.

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Technician North Carolina State University's Student Newspaper
TeChnician North Carolina State University's Student Newspaper Since 1920 Volume LXl. Number 62 Monday, February 23, 1981 Raleigh, North Carolina Phone: 737-2411, 2412 \ DH. Hill Library reaches goal of 1 million volumes by Fred Brown Littleton said the library's drive to Beta Kappa chapter." he said. “There acquire 1 million books had nothing to are some schools that have Phi Beta Assistant News Editor do with the proposed 1981.82 budget. Kappa chapters that have smaller D.H. Hill Library’s drive to reach which requests an increase of approx‘ libraries than we do." the goal of 1 million books will be imately $400,000 over last year's Philosophy and Religion Depart- realized when the February statistics budget. or last year's budget pro ment Head Robert S. Bryan. who are compiled at the end of the month. blems. headed the committee that compiled The drive officially began Jan. l. The library had to adopt such State's Phi Beta Kappa application. 191:), when the library had approx- measures as a book moratorium and agreed with Littleton's assessment. imately 850.0w :olumes. the cancellation of over 300 periodical “The number of volumes in the “We are adding enough so that we subscriptions in order to keep from library was not a factor in the applica- have reached the million-volume level running out of money. tion being turned down." he said. already." Library Director Isaac T. “The reason for the increase (in the Littleton said Friday. “At the end of 1981-82 budget) is purely to give us Planning expansion January we only lacked 3.000 enough money to meet inflation." he volumes." said.
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NRBQ Derbytown
NRBQ Derbytown 2004 saw the release of {$NRBQ}'s 1989 Montreal concert on the excellent {^One In A Million} DVD and 2006 brought this release of a 1982 show from Louisville, Kentucky entitled {^Derbytown}. As with the previous disc this one is chock full of great stuff from a group that is perpetual and indestructably inevitable. Credited as {$NRBQ} with {$The Whole Wheat Horns}, a duo who were touring with the band at this point in time, the version of the group here includes {$Joey Spampinato} on vocals and bass, the great {$Al Anderson} singing and playing guitar, {$Terry Adams} on vocals, piano and clarinet and {$Tom Ardolino} on drums. {$Spampinato}'s pretty and effective {&"I Love Her, She Loves Me"} is wonderfully sixties with Adams pulling out a tiny keyboard for something that sounds like it came off a {$Vanity Fair} recording. It's followed by a driving {&"What's The Plot"} with {$Al Anderson} singing like he's auditioning for {$Bachman Turner Overdrive}. That's a compliment. There are thirteen tracks on this forty-three minute concert along with one page of liner notes from {$Johnny D} and three cool "bonus" selections that are brief but very fun. The first of the bonuses is a mere seventeen second a cappella entry {&"Program Them Computers"} (process the data) with the gents wearing bags on their heads a la chef's hats and singing those six words. That's followed by a 42 second {&"Atsa My Boys"} promo film with those participating wearing the same attire and flinging pizza dough to harmonica accompaniment.
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The Synth Issue
THE SYNTH ISSUE KORG ARP ODYSSEY REDUX REVIEWED HANDS ON PREVIEWS Sequential Prophet-6 Moog System 55 Modular Modal Electronics 002 MODES DEMYSTIFIED No Sheet Music Required FAKE IT ’TIL YOU MAKE IT Bigger Samples Aren’t Always Better ROLAND JD-Xi SPACESTATION 3 ARTURIA Meet the Mid-Side Stereo iPROPHET SLOW BLUES MASTER CLASS Mini-Synth to Beat from One Amp Vector Victory Get the Real-Deal Feel 5.2015 | $5.99 A MUSIC PLAYER PUBLICATION 40 YEARS OF GROUNDBREAKING SYNTHS Grammy® winner and MIDI co-creator Dave Smith has designed more groundbreaking synths than anyone. Ever. Whatever your musical need or budget, Dave’s award-winning line of analog and analog/digital hybrid instruments has the right tool for you. Pro 2 · Prophet 12 · Prophet ’08 Mopho · Mopho x4 · Mopho SE Tetra · Tempest · Evolver THE PROPHET-6 IS COMING SOON! www.davesmithinstruments.com Designed and built in California CONTENTS MAY 2015 KNOW TALK 32 SYNTH SOLOING CÞ 8 Voices, tips, and breaking news from the Keyboard community. 4 œ œ We’ve explored his sound; now dive &4 œ œ œ Jan Hammer NEW GEAR SYNTH EDITION into the playing style of . D minor pentatonic 34 BEYOND THE MANUAL 10 In our special synthesizer-focused issue, we bring you first-look Learn tweaks to get more soft synth coverage of the Dave Smith Instruments Prophet 6, Modal mileage from your computer. Electronics 002, and Moog’s Modular systems, plus ten more new synth releases. 36 DANCE Making classic sounds with the ARP. HEAR REVIEW 16 ROAD WARRIORS In NRBQ’s 50th anniversary year, keyboardist 38 ANALOG SYNTH and founding member Terry Adams discusses Korg ARP Odyssey his touring gear, and the Monk tribute he’s always dreamed of making.
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The Bosstown Sound. PUB DATE Mar 88 NOTE 39P.; Paper Presented at the Annual Meeting of the American Culture Association (10Th, New Orleans, LA, March 23-26, 1988)
DOCUMENT RESUME ED 292 153 CS 506 070 AUTHOR Burns, Gary TITLE The Bosstown Sound. PUB DATE Mar 88 NOTE 39p.; Paper presented at the Annual Meeting of the American Culture Association (10th, New Orleans, LA, March 23-26, 1988). PUB TYPE Viewpoints (120) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Bands (Music); Content Analysis; Discographies; *Music; Musicians; *Popular Culture IDENTIFIERS Media History; Music Ensembles; *Rock and Roll; *Rock Music ABSTRACT Based on the argument that (contrary to critical opinion) the musicians in the various bands associated with Bosstown Sound were indeed talented, cohesive individuals and that the bands' lack of renown was partially a result of ill-treatment by record companies and the press, this paper traces the development of the Bosstown Sound from its beginnings in the nightclubs of Boston in 1967 to its end in 1969. In addition, the paper provides complete discographies, including critical commentary, of records produced by bands associated with the Bosstown Sound. The bands of the Bosstown Sound include: The Apple Pie Motherhood Band, The Bagatelle, The Beacon Street Union, Bo Grumpus, Eagle, Earth Opera, Eden's Children, Sure Looks Real, The Ill Wind, Jolliver Arkansaw, Orpheus, Phluph, Puff, and Ultimate Spinach. (Thirty-three references are attached.) (ARH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** The Bosstown Sound Gary Burns, Assistant Professor Department of Communication University of Missouri-St. Louis St. Louis, MO 63121 314-553-5485 American Culture Association, New Orleans, March 24, 1988 My thanks to Jeff Tamarkin of Goldmine magazine.
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11C Software 1034-1187
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Wavelength (July 1984)
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Vol. 56 Friday. April 20,1979- ■lames Madison University, . llarrisonburg. Virginia No. 4# ; SGA approves budgeting $ 190,000 divided among student groups By BRUCE OSBORNE totalling $190,000 will be account $29,020, The Breeze The Student Government divided among the University $27,500, SGA contingency Association approved front Program Board, Bluestone, account $8000, Honor Council end budgeting bottom line the SGA operating account, $1900, CSC $1180, IFC $450 and figures for student The Breeze, the SGA IHC $140. organizations Tuesday night. contingency account, Honor Each figure was voted on These budgets must now be Council, Commuter Student individually because of a approved by the SGA Committee, Inter-Fraternity motion brought before the executive council and Council and Inter-Hall senate by Don Haag, SGA administration officials Council. treasurer. Each figure was before being sent back to the The senate voted to give passed with little or no organizations involved. UPB $85,000, Bluestone discussion with the exception Student activities fees $36,810, SGA operating of The Breeze and the SGA contingency account. The Breeze pays $28,000 annually in undergraduate scholarships to its employees, said SGA President Darrell Budget Breakdown Pile, who declared that he was Related story, UPB 000 Bluestone see Page 2 30,760 SGA "not speaking against or in 29,020 favor of" cutting The Breeze. Three students on The 32,859 Breeze—the editor, business The Breeze ,500 manager and managing editor—are* paid 20 hour scholarships, whereas only Honor Council the president of the SGA and the chairman of UPB get paid CSC this much.
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NEW RELEASE GUIDE May 15 May 22 ORDERS DUE APRIL 10 ORDERS DUE APRIL 17
ada–music.com @ada_music NEW RELEASE GUIDE May 15 May 22 ORDERS DUE APRIL 10 ORDERS DUE APRIL 17 2020 ISSUE 11 May 15 ORDERS DUE APRIL 10 MOBY All Visible Objects Street Date: 5/15/20 Mute is excited to announce the release of Moby’s Massive Attack, David Bowie, Air, dance-heavy album, All Visible Objects, out May 15 FOR FANS OF: UNKLE, Chemical Brothers, Orbital on CD, double gatefold vinyl, and all digital platforms. 2xLP: 724596993811 Recorded in the legendary EastWest studios, Moby SLRP: 27.98 created this album in Studio 3 where Pet Sounds was File Under: Electronic recorded, using the same board that was used in the Box Lot: 25 making of Ziggy Stardust and the same piano that LP Non-Returnable Sinatra used to record some of his most notable hits. NOT FOR EXPORT CD: 724596993828 Keeping with Moby’s history of donating to charity (in SLRP: 14.98 2018, he started selling off his records and collection of File Under: Electronic synthesizers and drum machines, donating the proceeds Box Lot: 30 to charity), he is using this album as a sounding board NOT FOR EXPORT to bring attention to a long list of charities dedicated to preserving our planet and all its inhabitants. Digital UPC: 724596993859 Moby Supports Many Charities Including... TRACKLISTING: Brighter Green Mercy For Animals 1) Morningside 7) Forever Rainforest Action Network (RAN) 2) My Only Love 8) Too Much Change Extinction Rebellion (Roxy Music Cover) 9) Separation The American Civil Liberties Union (ACLU) 3) Refuge 10) Tecie Animal Equality 4) One Last Time 11) All Visible Objects The Humane League 5) Power Is Taken The Physicians Comittee 6) Rise Up In Love International Anti-Poaching Foundation The Good Food Institute The Indivisible Project ALSO AVAILABLE FROM MOBY: Moby will be performing a live concert in LA in early 2020.
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A D V E N T U R
THE U'HAUL ADVENTURES COLLECTED COLUMNS 1996 TUESDAY MOR N I NG BY MIKE FALOON W riter Mike Faloon Presents The Choose an Intro S weepstakes ! Greetings, reader. I’ll be damned if I can decide which introduction to use for the The U- Haul Adventures, so I’ll leave the choice to you. Simply select your favorite intro, and inform me of your choice via mail or email. I’ll tally the votes and the most popular introduction will be the one that everyone reads! Tally ho! Mike #1 - For those who like the literary approach: “A prologue is written last but placed first to explain the book's shortcomings and to ask the reader to be kind. But a prologue is also a note of farewell from a writer to his book. For years the writer and his book have been together—friends or bitter enemies but very close as only love and fighting can accomplish. ” —John Steinbeck, Journal o f a Novel #2 - For those who dig the dry details: The U-Haul Adventures could be accurately subtitled “Columns I Wrote for Other Zines That My Friends Never Got to Read, Along with New Stuff I Wrote for Tour.” Last summer I went through the box in which I keep copies of zines I’ve written for. Flipping through the stack I realized that most of my friends never had a chance to read the columns, and never would given that all but one of the zines is now extinct. (Josh Rutledge’s fab Now Wave being the noteworthy exception.) And that’s not right because I often write with my friends in mind.
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Billboard 1976-02-21
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Grasso Request Boosts Funds .007% House
d Qhmttfrttrut iatlg dampus Serving Storrs Since 1896 VOL. LXXV1II NO. yu STORRS, CONNECTICUT FRIDAY. FEBRUARY 28. 1975 5 CENTS OFF CAMPUS Grasso request boosts funds .007% By MARK DUPUIS requested $61.7 million for next attempt to regain some of the ed UConn receive $100,000 for is being compiled, Assistant News Editor year, but Gov. Grasso recommen- money Grasso cut. this area. Hanna said Me anticipates no A $3,430 increase in the Uni- ded that UConn receive $51.75 President Icrguson told the Grasso's recommendation of staff layoffs and that money will versity's 1975-76 operating bud- million. Board of Trustees several weeks $71,000 for student loan pro- be saved by not filling vacant po- get will create the worst financial UConn's original 1974-75 bud- ago he will continue to seek the grams will be sufficient to meet sitions. He said several support situation in 19 years, according get was $51.72 million. Grasso entire $61-million request, but federal matching requirements, positions, such as secretaries, now to UConn's chief fiscal officer. recently cut it by $1 million. that he expects it will be cut. Hanna said. The loan matching remain unfilled. C. Edward Hanna, assistant Hanna said increasing enrol- Student work-study funds requirements are based on a dif- The major "shortfall" will vice president for finance and ad- lments each year and a 12 per face a loss of $200,000 from fed- ferent scale than work-study, lie come in the area of personal ser- ministration, said Thursday night cent inflation rate add to the eral sources in addition to Grasso said.
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