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Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Beaver Suites to Provide Additional Housing
November 17, 2011 Inside this edition: Minot State University KMSU Auction - Page 3 Minot, N.D. 58701 Global Sights - Page 6 Volume 93 , Number 11 Sports - Page 9 www.minotstateu.edu/redgreen Red &Green Signing the egg Submitted Photo Students from MSU and Brandon University met at the Peace Garden Conference to discuss contemporary issues. Students attend Peace Garden conference Nicole Love and Nicole Stivers began to boldly present their Guest Writers opinions. On Oct. 21, students from The 2011 summer flooding Photo by Anthony Anderson Minot State University and caused the most discussion at the Jared French, Mu Sigma Tau pledge, attempts a pushup with an egg balanced on a spoon in Brandon University met at the conference. Students from both his mouth and weights balance on his back. Actives (from the left) Jordan Visina, Roger 59th annual Peace Garden universities experienced and Herrmann, Dennis Norwood, Jerad Aasen, Jordan Kluck, Mickhail Hernandez and Chase Lee Conference to discuss important were affected by the flood. look on. As part of the pledge process, each pledge receives an egg and must collect a international issues. Students Attendees discussed the preven - signature on it from each active. Before the active will return the egg, he has the right to ask and faculty from both universi - the pledge to complete a task, such as the above pushup. tive measures, management of ties presented papers on interna - the flood waters themselves and tional topics such as environ - the consequences in both cities. mental concerns, water issues National security was also a Beaver Suites to provide and national security. -
Dave Edmunds
Dave Edmunds 1 / 4 Dave Edmunds 2 / 4 3 / 4 2020 Ultimate Classic Rock is part of the Loudwire Network, Townsquare Media, Inc. All rights reserved. This website uses cookies. By clicking on "Accept All .... En 2017 el guitarrista, cantante y productor Dave Edmunds, uno de los puntales del rock clásico británico de los años 70, comunicó su .... Dave Edmunds is about to immerse himself in those trees, brooks and stones, because after a long career in rock and roll, the legendary musician is calling it a .... Edmunds' final performance? On July 21, Setzer wrote: “It's with bittersweet announcement that my good friend and guitar legend Dave Edmunds is retiring after .... Dave Edmunds The Best Of Dave Edmunds song chart history, lyrics, and more on Billboard, the go-to source for what's hot in music... ... was about to turn 60. Then a few weeks ago, Nick Lowe was 65. And today, it turns out, Dave Edmunds, Nick's former best mate and partner in Rockpile, is 70. Guitar hero DAVE EDMUNDS has never followed music trends, and throughout what Edmunds jokingly remarks as a “semi- retired” music career, has probably .... Online shopping from a great selection at CDs & Vinyl Store.. Dave Edmunds (nacido el 15 de abril de 1944 en Cardiff, Glamorgan, Wales) es un cantante galés, guitarrista y productor musical. Aunque se le suele asociar .... Get Dave Edmunds setlists - view them, share them, discuss them with other Dave Edmunds fans for free on setlist.fm!. Check out Dave Edmunds on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Table of Contents
Administrative Services and Property Management SPECIFICATIONS SOLICITATION #: 15-22173 BUILDING: U-89 Uplands Campus Ottawa, Ontario PROJECT: U-89 Washroom Renovation PROJECT #: U89-5054 Date: January 2015 SPECIFICATION TABLE OF CONTENTS Construction Tender Form Buyandsell Notice Instructions to Bidders Ontario Sales Tax Acceptable Bonding Companies Articles of Agreement Plans and Specifications A Terms of Payment B General Conditions C Labour Conditions and Fair Wage Schedule D N/A Insurance Conditions E Contract Security Conditions F Security Requirement Check List G Directions to the Ottawa Research Facilities — Uplands NRC Institute for Aerospace Research (NRC-IAR) Research Road Ottawa, Ontario, Canada Tel: 613-991-5738 NRC Centre for Surface Transportation Technology (NRC-CSTT) 2320 Lester Road Ottawa, Ontario, Canada Tel: 613-998-9639 NRC Institutes/Branch/Program Buildings NRC Administrative Services and Property Management (NRC-ASPM) U-62 NRC Institute For Aerospace Research (NRC-IAR) U-61, U-66, U-67, U-69, U-70 NRC Centre for Surface Transportation Technology (NRC-CSTT) U-84, U-86, U-87, U-88, U89, U-90, U-91 By Road, from the MONTREAL RD FACILITIES to NRC-CSTT, 2320 Lester Road 1. Drive EAST on MONTREAL RD 2. Turn RIGHT on BLAIR RD, cross OGILVIE RD 3. Take the ramp and follow Highway 174 WEST 4. Keep RIGHT and take first exit on ramp Highway 417 EAST towards Cornwall/Montreal 5. Exit at WALKLEY RD, merge RIGHT on WALKLEY 6. Turn LEFT at CONROY RD 7. Turn RIGHT at DAVIDSON RD, cross BANK ST – name changes to LESTER RD 8. Continue on LESTER RD and watch for NRC Research Facilities signs Directions to the Ottawa Research Facilities — Uplands PAGE 2 of 4 By Road, from the MONTREAL RD FACILITIES to NRC-IAR, Research Road 1. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
The Aura of Dubplate Specials in Finnish Reggae Sound System Culture
“Chase Sound Boys Out of Earth”: The Aura of Dubplate Specials in Finnish Reggae Sound System Culture Feature Article Kim Ramstedt Åbo Akademi University (Finland) Abstract This study seeks to expand our understanding of how dubplate specials are produced, circulated, and culturally valued in the international reggae sound system culture of the dub diaspora by analysing the production and performance of “Chase the Devil” (2005), a dubplate special commissioned by the Finnish MPV sound system from Jamaican reggae singer Max Romeo. A dubplate special is a unique recording where, typically, a reggae artist re-records the vocals to one of his or her popular songs with new lyrics that praise the sound system that commissioned the recording. Scholars have previously theorized dubplates using Walter Benjamin’s concept of aura, thereby drawing attention to the exclusivity and uniqueness of these traditionally analog recordings. However, since the advent of digital technologies in both recording and sound system performance, what Benjamin calls the “cult value” of producing and performing dubplates has become increasingly complex and multi-layered, as digital dubplates now remediate prior aesthetic forms of the analog. By turning to ethnographic accounts from the sound system’s DJ selectors, I investigate how digital dubplates are still culturally valued for their aura, even as the very concept of aura falls into question when applied to the recording and performance of digital dubplates. Keywords: aura, dubplate special, DJ, performance, reggae, recording, authenticity Kim Ramstedt is a PhD candidate in musicology at Åbo Akademi University in Finland. In his dissertation project, Ramstedt is studying DJs as cultural intermediaries and the localization of musical cultures through DJ practices. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
BUG: Moby Special at BFI Southbank
PRESS RELEASE: May 2011 11/38 BUG: Moby Special at BFI Southbank On June 1 the smash hit, audio visual event BUG will celebrate the career of the multi-award- winning and internationally renowned musician Moby, with an exclusive event dedicated to his work, to date, at BFI Southbank. This month BUG is delighted to mark the arrival of Moby’s new album Destroyed, with a retrospective of the artist’s output and involvement in moving image, including memorable videos such as Natural Blues, We Are All Made of Stars, Bodyrock, Run On and Honey. This dedicated evening will reflect on Moby’s remarkable career and his collaborations with such directors as David Lynch, David LaChapelle, Mike Mills, Jonas Åkerlund and Roman Coppola. BUG host Adam Buxton will also reveal some of the videos made for the new album and talk to Moby on stage at BFI Southbank. Festivities continue into the evening with DJs and music in the benugo bar. After 4 years of sell-out shows at BFI Southbank and further afield, BUG continues to celebrate music video creativity and innovation with another artist-led special show. Previous artist specials have celebrated the work of Massive Attack, UNKLE and most recently, Royksopp. Now celebrating its fifth successful year, BUG events are presented on a bi-monthly basis at BFI Southbank, hosted by Adam Buxton and featuring leading guest directors from the world of music video. Tickets for this special event are in huge demand. Tickets are £13, with concessions at £9.75 (Members pay £1.50 less) at www.bfi.org.uk/southbank or by calling 020 7928 3232. -
Technician North Carolina State University's Student Newspaper
TeChnician North Carolina State University's Student Newspaper Since 1920 Volume LXl. Number 62 Monday, February 23, 1981 Raleigh, North Carolina Phone: 737-2411, 2412 \ DH. Hill Library reaches goal of 1 million volumes by Fred Brown Littleton said the library's drive to Beta Kappa chapter." he said. “There acquire 1 million books had nothing to are some schools that have Phi Beta Assistant News Editor do with the proposed 1981.82 budget. Kappa chapters that have smaller D.H. Hill Library’s drive to reach which requests an increase of approx‘ libraries than we do." the goal of 1 million books will be imately $400,000 over last year's Philosophy and Religion Depart- realized when the February statistics budget. or last year's budget pro ment Head Robert S. Bryan. who are compiled at the end of the month. blems. headed the committee that compiled The drive officially began Jan. l. The library had to adopt such State's Phi Beta Kappa application. 191:), when the library had approx- measures as a book moratorium and agreed with Littleton's assessment. imately 850.0w :olumes. the cancellation of over 300 periodical “The number of volumes in the “We are adding enough so that we subscriptions in order to keep from library was not a factor in the applica- have reached the million-volume level running out of money. tion being turned down." he said. already." Library Director Isaac T. “The reason for the increase (in the Littleton said Friday. “At the end of 1981-82 budget) is purely to give us Planning expansion January we only lacked 3.000 enough money to meet inflation." he volumes." said.