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Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): 41–56 ISSN 0210-6124 Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality Christopher Rollason Metz, France [email protected] This article shows how the poetry and prose of Edgar Allan Poe (1809-1849) cast a long shadow over the work of America’s greatest living songwriter, Bob Dylan (1941-). The work of both artists straddles the dividing-line between ‘high’ and ‘mass’ culture by pertaining to both: read through Poe, Dylan’s work may be seen as a significant manifestation of American Gothic. It is further suggested, in the context of nineteenth- century and contemporary debates on alleged ‘plagiarism’, that the textual strategy of ‘embedded’ quotation, as employed by both Poe and Dylan, points up the need today for an open and inclusive model of intertextuality. Keywords: culture; Dylan; Gothic; intertextuality; Poe; quotation Tell-tale signs - Edgar Allan Poe y Bob Dylan: hacia un modelo de intertextualidad Este artículo explica cómo la poesía y la prosa de Edgar Allan Poe (1809-1849) proyectan una larga sombra sobre la obra del mayor cantautor vivo de Estados Unidos, Bob Dylan (1941-). Ambos artistas se ubican en una encrucijada entre la cultura ‘de elite’ y la ‘de masas’, puesto que la obra de cada uno se sitúa en ambos dominios a la vez: leída a través de Poe, la obra dylaniana aparece como una importante manifestación del gótico norteamericano. Se plantea igualmente la hipótesis de que, en el marco de los debates, tanto decimonónicos como contemporáneos, sobre el supuesto ‘plagio’, la estrategia textual, empleada tanto por Poe como por Dylan, de la cita ‘encajada’ señala la necesidad urgente de plantear un modelo abierto y global de la intertextualidad. -
Cedar City As Well," He Said
THE THUNDE _88_TH_ YEAR;___ NUM-- B-ER_ l _____.,,,,, fffihiif itili§flHlfiiidfiiiifl---T-UES-D-A-Y,-SEPTEMB---ER-2-I-,l -99-3 SUUparking changes 'With zoties for all > BY MADISON B.RI.GGS Thunderbird Sto.ff Writer The SUU campus has recently become segregated. This segregation has taken the fo rm ' of designated pa rki ng spaces for students and faotlty. The reason for the change? In a word: Progress. For the past five years, SU U has conducted annual committee meetings, polled other Utah schools., compiled results from surveys and initiated discussions as research for possible changes in the parking siruati.on on campus. This summer, after a committee meeti.ng chaired by Robert 0. Salmon, dean of the college of business, technology and communication, u niversity officials in itiated some changes in campus parking, including the designated .ones (See mnp on page 9). Other changes are forthcoming, including, by year's end, the das ificatlon of a upay and park~ lot in front of the Auditorium. This particular lot is under renovation now, and wilJ have o nl y one large, central entrance rather d1an tl1e two it currently has. "We collaborated with the Utah Depamnenc ofTransportation in an effort ro make that particular lo more safe,u said Michael D. Richards, vi~ i;>resident fo r university affairs. He also pointed out that the lot will be advertised Gigantic machine.i, such as the tmicher, dig awa;y rhe campus grounds between the Business BM i!ding and the Student Center. The as a visitor's lot-somerl1 ing the university does constTMction crews are c1mentl;y working 12-hou.r da;ys to try to open the en1Tance.3 to the Stledent CenteT to the Mpper pan of the campw . -
AXS TV Schedule for Mon. September 21, 2020 to Sun. September 27, 2020
AXS TV Schedule for Mon. September 21, 2020 to Sun. September 27, 2020 Monday September 21, 2020 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Plain Spoken: John Mellencamp TrunkFest with Eddie Trunk This stunning, cinematic concert film captures John with his full band, along with special guest Sturgis Motorycycle Rally - Eddie heads to South Dakota for the Sturgis Motorcycle Rally at the Carlene Carter, performing his most cherished songs. “Small Town,” “Minutes to Memories,” “Pop Buffalo Chip. Special guests George Thorogood and Jesse James Dupree join Eddie as he explores Singer,” “Longest Days,” “The Full Catastrophe,” “Rain on the Scarecrow,” “Paper in Fire,” “Authority one of America’s largest gatherings of motorcycle enthusiasts. Song,” “Pink Houses” and “Cherry Bomb” are some of the gems found on this spectacular concert film. 8:30 AM ET / 5:30 AM PT Rock & Roll Road Trip With Sammy Hagar 6:40 PM ET / 3:40 PM PT Livin’ Live - The season 2 Best of Rock and Roll Road Trip with Sammy Hagar brings you never- AXS TV Insider before-seen performances featuring Sammy and various season 2 guests. Featuring highlights and interviews with the biggest names in music. 9:00 AM ET / 6:00 AM PT 6:50 PM ET / 3:50 PM PT The Big Interview Cat Stevens: A Cat’s Attic Joan Baez - Dan Rather sits down with folk trailblazer and human rights activist Joan Baez to Filmed in London, “A Cat’s Attic” celebrates the illustrious career of one of the most important discuss her music, past loves, and recent decision to step away from the stage. -
“The Music Man” -‐ Rehearsal Schedule
“The Music Man” - Rehearsal Schedule January 2014 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 4 WINTER BREAK- WINTER BREAK- WINTER BREAK- NO SCHOOL NO SCHOOL NO SCHOOL 5 6 Read-Thru 7 Music Rehearsal 8 Music 9 Music Rehearsal 10 Music 11 FULL CAST 3:30-3:45 “Shipoopi” Rehearsal 3:30-4:00 “Rock Island” Rehearsal 3:30-5:30 pm 3:45-3:55 “76 Trom.” Pick-a-little Ladies 4:00-4:30 Marcellus 3:30-4:15 Harold/ 3:55-4:00 “Columbia” 3:30-4:00 4:30-5:00 “Gary, IN” Marian 4:00-4:30 “Iowa” Barbershop Quartet Mrs. Paroo/Marian 4:15-4:30 Marian/ 4:30-5:00 “Trouble” 4:00-5:30 5:00-5:30 Amaryllis 5:00-5:30 “Wagon” 4:30-5:00 Marian 5:00-5:30 Harold 12 13 Staging 14 Music 15 Staging 16 Music 17 Dance 18 3:30-4:30 Act I, Sc. 2 Rehearsal 3:30-3:45 Act I, Sc. 3 Rehearsal Rehearsal Including “Iowa” & 3:30-3:45 “Shipoopi” 3:45-4:30 Act I, Sc. 4 3:30-4:30 Barbershop “Shipoopi” “Trouble” 3:45-3:55 “76 Trom.” 4:30-5:30 Act I, Sc. 10 4:30-5:00 Harold 3:30-5:30 pm 4:30-5:30 Act I, Sc. 1 3:55-4:00 “Columbia” 5:00-5:30 Marian Including “Rock 4:00-4:30 “Iowa” Island” 4:30-5:00 “Trouble” 5:00-5:30 “Wagon” 19 20 21 Dance 22 Staging 23 Staging 24 Dance 25 MLK JR. -
JAKOB DYLAN Chasing New Sounds with an Old Friend
MARCH/APRIL 2010 ISSUE MMUSICMAG.COM Q&A James Minchin JAKOB DYLAN Chasing new sounds with an old friend WOMEN AND COUNTRY, THE SECOND or what the particular instrumentation was. Did you work out the harmonies on solo album from Wallfl owers frontman Jakob I’ve spent a lot of time in the studio making the spot? Dylan, came together in the studio within things go backwards and forwards and going The two of them had worked on their days. But that doesn’t worry him. “I’ve done through different amplifi ers, and I don’t think stuff beforehand. So a lot of it was records that have taken eight months, and we got too hung up on that. very prepared, but a lot happened in the I don’t know what happened in all that studio on the fl y. What they did was very time,” he says with a laugh. Perhaps credit Did the songs evolve much once you surprising to my ears. for that effi ciency should go to the crack got into the studio? team of professionals he assembled for There’s always a natural process—as soon What guitars did you play on the record, including producer T Bone as you put a drum or a bass in, something the album? Burnett—back in the studio with Dylan for the different happens. But that’s the exciting I only brought my Martin 000-42. I’ve gone fi rst time since the Wallfl owers’ multiplatinum part. I enjoy bringing a song that’s hopefully through phases of collecting guitars, but I Bringing Down the Horse—and alt-country as fully formed as possible into a room with don’t much anymore. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
INTERVIEWS from the 90'S
INTERVIEWS FROM THE 90’s 1 INTERVIEWS FROM THE 90’S p4. THE SONG TALK INTERVIEW, 1991 p27. THE AGE, APRIL 3, 1992 (MELBOURNE, AUSTRALIA) p30. TIMES THEY ARE A CHANGIN'.... DYLAN SPEAKS, APRIL 7, 1994 p33. NEWSWEEK, MARCH 20, 1995 p36. EDNA GUNDERSEN INTERVIEW, USA TODAY, MAY 5, 1995 p40. SUN-SENTINEL TODAY, FORT LAUDERDALE, SEPT. 29, 1995 p45. NEW YORK TIMES, SEPT. 27, 1997 p52. USA TODAY, SEPT. 28, 1997 p57. DER SPIEGEL, OCT. 16, 1997 p66. GUITAR WORLD MAGAZINE, MARCH 1999 Source: http://www.interferenza.com/bcs/interv.htm 2 3 THE SONG TALK INTERVIEW, 1991 Bob Dylan: The Song Talk Interview. By: Paul Zollo Date: 1991 Transcribed from GBS #3 booklet "I've made shoes for everyone, even you, while I still go barefoot" from "I and I" By Bob Dylan Songwriting? What do I know about songwriting? Bob Dylan asked, and then broke into laughter. He was wearing blue jeans and a white tank-top T-shirt, and drinking coffee out of a glass. "It tastes better out of a glass," he said grinning. His blonde acoustic guitar was leaning on a couch near where we sat. Bob Dylan's guitar . His influence is so vast that everything that surrounds takes on enlarged significance: Bob Dylan's moccasins. Bob Dylan's coat . "And the ghost of 'lectricity howls in the bones of her face Where these visions of Johanna have now taken my place. The harmonicas play the skeleton keys and the rain And these visions of Johanna are now all that remain" from "Visions of Johanna" Pete Seeger said, "All songwriters are links in a chain," yet there are few artists in this evolutionary arc whose influence is as profound as that of Bob Dylan. -
Music Man SG Final
Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community. -
The Wallflowers "Exit Wounds" Press Release
THE WALLFLOWERS RETURN WITH EXIT WOUNDS JULY 9th VIA NEW WEST RECORDS FIRST ALBUM IN NEARLY A DECADE PRODUCED BY BUTCH WALKER AND FEATURES SHELBY LYNNE PERFORM FIRST SINGLE “ROOTS AND WINGS” ON JIMMY KIMMEL LIVE! LAST NIGHT ANNOUNCE 53-DATE ARENA TOUR LAUNCHING JULY 16th The Wallflowers will release Exit Wounds on July 9th via New West Records. The 10-song set is their first album in nearly a decade and was produced by Butch Walker (Taylor Swift, Weezer). Exit Wounds was mixed by Chris Dugan (Green Day) and features the acclaimed singer-songwriter Shelby Lynne on four songs. While it’s been nearly a decade since we’ve heard from the group with whom Jakob Dylan first made his mark, he always knew they’d return. “The Wallflowers is much of my life’s work,” he says simply. The much-anticipated record finds the band’s signature sound — lean, potent and eminently entrancing — intact. The Wallflowers announced their return with a live performance of the first single “Roots and Wings” last night on ABC’s Jimmy Kimmel Live! See the performance HERE. For the past 30 years, The Wallflowers have stood as one of rock’s most dynamic and purposeful bands — a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over. -
OPEN AUDITIONS Ages 6 – 15 Monday August 3Rd & Tuesday August 4Th from 5:30- 8:30Pm
Disney’s Music Man Jr. THE MUSICAL OPEN AUDITIONS Ages 6 – 15 Monday August 3rd & Tuesday August 4th from 5:30- 8:30pm Callbacks: Wednesday August 5th from 5:30-10:00pm At the Forever After Rehearsal Studio in Cherry Hill Village 50429 Independence Street, Canton, MI 48188 You MUST BE between the age of 6 – 15 on August 4th to be cast in this production. The Audition Process 1. Read through this packet COMPLETELY. 2. Practice one of the songs we have included in the packet (your choice). Everyone who auditions will need to sing with the piano accompanist. Also be ready to do a short dance sequence at the audition. 3. Pick ONE audition day. It does not benefit auditionees to attend both nights of auditions. 4. Enter the Forever After Rehearsal Studio through the front door and register at the counter. 5. Arrive between 6:00-8:30pm and expect to stay for at least an hour. 6. There is a $5 audition fee and can be paid in cash or a check payable to Forever After Productions. 7. Hand in your completed Audition Form and head shot. 8. Auditionees only are allowed in the audition room. 9. Auditionees needed to sing for specific character roles, to be seen again will be asked to return August 5th from 5:30pm-10:00pm for Call Backs at the Forever After Rehearsal Studio. DO NOT CONTACT Forever After Productions regarding Call Backs. DO check your email and iheartforeverafter.com on August 4th after 11pm to find who has been called back. -
ADMINISTRATION to Complete, and How They Are Proposed to Be the OABCIG Facilities Committee Continues to Funded
OCTOBER 2018 VOLUME XVIII, NUMBER 53 OABCIG The newsletter of the Odebolt-Arthur and Battle Creek-IdaINSIGHTS Grove Community School Districts From the Superintendent WHAT’S INSIDE ... Mr. Matt Alexander, Superintendent Homecoming 4 It is hard to believe that mid-term of the first with these needed projects in order to be a quarter has come and gone, and that the quarter future-ready district with quality facilities. Senior Information 5 will be ending this month on October 25 th . Having an excellent school system with quality Students and staff have been doing great things facilities that are modern, safe and secure can both in and out of the classroom. Our students serve as a draw for potential families, employees, Health Education 8 are enjoying many extra-curricular activities and businesses to our communities. The district and are practicing and competing in activities is committed to these projects, as can be seen Book Fair 10 that they enjoy. Seeing their dedication and by the recent model classroom renovations and commitment to all areas of their education the accessibility projects (elevator & stair lifts in Menus 13-14 makes me proud of them and proud to be a Odebolt) that were completed this past summer Falcon! If you haven’t had the opportunity to at a cost of over $1.5 million. The remaining JMC Corner 15 visit one of our buildings or attend one of our projects will require a bond issue to complete events, I would like to invite you to do so. Come them, and the goal is for it to have the smallest Falcon Pride 16 see for yourself the great things our kids are impact on taxpayers as possible.