Banlieue 13 Ultimatum Subtitles
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Diplomarbeit / Diploma Thesis
DIPLOMARBEIT / DIPLOMA THESIS Titel der Diplomarbeit / Title of the Diploma Thesis „Representation of Kinship in Suzanne Collins’ The Hunger Games Trilogy“ verfasst von / submitted by Katharina Moritz angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag. phil) Wien, 2017 / Vienna, 2017 Studienkennzahl lt. Studienblatt / A 190 344 313 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Lehramt UF Englisch UF Geschichte, Sozialkunde, degree programme as it appears on Polit.Bildg. the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Alexandra Ganser-Blumenau Acknowledgements Firstly, I would like to thank Univ.-Prof. Mag. Dr. Alexandra Ganser-Blumenau, who supervised this thesis. She was always there with helpful advice whenever I felt stuck. Secondly, I could not have done it without the support of my parents, siblings, friends and my love. Thank you for putting up with me and encouraging me when I was on the verge of giving up. Lastly, I want to thank YouTube for ending my agony by providing essential tutorials for Microsoft Word amateurs such as myself. Table of Contents 1 Introduction 1 2 Theoretical background 4 2.1 Young Adult Literature 4 2.2 Dystopian Literature 7 2.3 Kinship 12 2.3.1 Kinship trough time 13 2.3.2 Traditional notion of kinship 13 2.3.3 Current notion of kinship 15 2.3.4 Kinship and Gender 16 3 The Hunger Games trilogy by Suzanne Collins 18 3.1 The Hunger Games and media 18 3.2 Origin of The Hunger Games – Greek and Roman Mythology 20 3.3 Characters 26 3.3.1 Katniss Everdeen 26 3.3.2 Peeta Mellark 28 3.3.3 Gale Hawthorne 30 3.3.4 Primrose Everdeen 31 3.3.5 Mrs. -
Book Catalog (PDF)
LOT 1 The Dionne Quintuplets – We're Two Years Old The Little House on the Prairie Wilder Boy-Craft for boys 10 to 16 years old 1928 Toy Craft Baxter Christian Pathway 1968 – 1972 (not complete ) R&S Publishers LOT 2 Christian Examples 1971 – 1988 R&S Publishers LOT 3 World Book Encyclopedia 1968 LOT 4 Chain Reference Bible with notebook The Living Bible LOT 5 World Book Encyclopedia dictionary ( 2 volumes ) 1968 LOT 6 Titanic Voices – stories about the Titanic disaster hardcover At the Controls ( The Smithsonian National Air and Space Museum) hardcover Life Magazines – 9 issues from the 1960's and 1970's LOT 7 Youth Messenger Jan 1968 – July 1968 Brotherhood Builder July 1992 – October 2011; includes Index LOT 8 15 Child craft books 1968 ( printed with the World Book encyclopedia) LOT 9 Paramount – as I remember it 50 years ago Lewis Coss Shank Cemeteries Adin Showalter The Pleasant Grove School 1870 – 1925 Preston Showalter The Mennonites of the Beaver Creek District Roy Showalter The Marion Mennonite Congregation Clarence Shank The Strasburg Meetinghouse Burkholder The History of Maugansville 1949 8th and 9th grade students at Maugansville School The New Eden School 1884-1937 Anna Diller Strite Mennonite Bishops, Ministers, and Deacons hardcover Highlights in the History of the Mennonites from the Washington Co. Bishop District Paul Fretz Potomac Magazine – Life in the Heart of America summer 1994 These Are Your Schools – Washington County, MD 1945 The History of Leitersburg MD in a Bicentennial Quilt 1976 Long Meadow Remembered 1730's -
The Hitman's Bodyguard
THE HITMAN’S BODYGUARD ABOUT THE PRODUCTION “I have a job for you …” -- Agent Amelia Roussel Nearly everybody the notoriously lethal hitman Darius Kincaid (Samuel L. Jackson) has ever met across the globe want him dead – but that’s only if Michael Bryce (Ryan Reynolds), the vigilant bodyguard recruited to protect him at all costs, doesn’t shoot him out of sheer infuriation first. The hair-triggering rivalry and potential joining of forces between a high-flying, Triple-A rated hired gun and a protection specialist results in an outrageous, fast-paced action comedy that twists and twines the hitman thriller, the bodyguard romance and the odd-couple buddy comedy into one irreverently fun ride. Featuring a hilarious “bromance” between blockbuster stars Ryan Reynolds and Samuel L. Jackson, creatively choreographed fight scenes and exhilarating high-speed chases THE HITMAN’S BODYGUARD offers a non-stop mashup of laughs and outrageous action. The wild chase begins when Interpol strikes a risky deal with a newly captured Kincaid: if he agrees to be a star witness against the bloodthirsty Belarusian tyrant Vladislav Dukhovich (Gary Oldman) in the International Criminal Court, they’ll free Kincaid’s cherished, and not-to-be-trifled with, wife Sonia (Salma Hayek) from jail. There’s just one problem: Interpol has only 24 hours to transport Kincaid from the North of England to The Hague – knowing full well that cutthroats and assassins will be lying in wait to hit the hitman the entire way to Holland. Things go wrong right off the bat, as Interpol Agent Amelia Roussel (Elodie Yung) leads the prison convoy transporting Kincaid into an ambush. -
Distracted Spectatorship, the Cinematic Experience and Franchise Films
Distracted Spectatorship, the Cinematic Experience and Franchise Films By Elizabeth Nichols BA, MA Lancaster University 2017 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy This thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere P a g e | ii Contents List of Figures ........................................................................................................................... iv Abstract ...................................................................................................................................... v Introduction: Distracted Spectatorship and the Cinematic Experience ..................................... 1 Chapter One: Defining the Cinematic Experience ................................................................... 17 Section One: Defining the Cinematic ................................................................................... 17 Section Two: Defining Experience ...................................................................................... 22 Chapter Two: Defining Distracted Spectatorship .................................................................... 37 Section One: Defining Spectatorship ................................................................................... 37 Section Two: Defining Distraction ....................................................................................... 49 Section Three: Defining Distracted Spectatorship Throughout -
Project Manual Regional School District 13 Frank
PROJECT MANUAL REGIONAL SCHOOL DISTRICT 13 FRANK WARD STRONG MIDDLE SCHOOL GENERATOR REPLACEMENT 191 MAIN STREET DURHAM, CT 06422 S/P+A Project No. 17.093 CD Submission: June 30, 2017 Issued for Bid: July 18, 2017 Architects/Engineers/Interior Designers Silver/Petrucelli + Associates, Inc. 3190 Whitney Avenue, Building 2 Hamden, Connecticut 06518 TABLE OF CONTENTS GENERATOR REPLACEMENT FRANK WARD STRONG MIDDLE SCHOOL 191 MAIN STREET DURHAM, CT 06422 S/P+A PROJECT NO. 17.093 DIVISION 0 – PROCUREMENT AND CONTRACT REQUIREMENTS PAGES Invitation to Bid 1 General Instructions to Bidders (which includes below) 7 Bid Bond Form Statement of Bidders Compliance with Executive Order #3 Affirmative Action Statement Bid Form 3 Standard Form of Agreement between Owner and Contractor for a Project of Limited Scope (AIA A107) 20 Project Application and Project Certificate for Payment (AIA G702) 1 Project Application Continuation Sheet (AIA G703) 1 2017-18 School Calendar 1 Drawing List 2 DIVISION 1 – GENERAL REQUIREMENTS Section 011000 Summary of Work 4 Section 012300 Alternates 2 Section 012500 Substitution Procedures 4 Section 012600 Contract Modification Procedures 2 Section 012900 Payment Procedures 4 Section 013100 Project Management and Coordination 7 Section 013200 Construction Progress Documentation 6 Section 013233 Photographic Documentation 2 Section 013300 Submittal Procedures 10 Section 014000 Quality Requirements 9 Section 014200 References 10 Section 015000 Temporary Facilities and Controls 4 Section 016000 Product Requirements 5 Section -
Introduction 1 Revolutionary Apprenticeship
Notes Introduction 1. Felice Guadagni and Renato Vidal, eds., Omaggio alla memoria imperitura di Carlo Tresca (New York: Il Martello, 1943), 43 (cited hereafter as Omaggio). 2. Ibid., 46. 3. David Montgomery, Workers’ Control in America: Studies in the History of Work, Technology, and Labor Struggles (Cambridge: Cambridge University Press, 1979), 105. 4. Arturo Giovannitti’s foreword to Who Killed Carlo Tresca? (New York: Tresca Memorial Committee, 1945), 3. 5. Normad wrote an unpublished biography of Tresca bearing that title. Copies in the author’s collection and the Tresca Memorial Committee papers at the New York Public Library. 6. Guadagni and Vidal, Omaggio, 46. 1 Revolutionary Apprenticeship 1. See Italia Gualtieri, ed., Carlo Tresca: Vita e morte di un anarchico italiano in America (Chieti: Casa Editrice Tinari, 1994). 2. For details regarding Tresca’s parents, see The Autobiography of Carlo Tresca, edited by Nunzio Pernicone (New York: The John D. Calandra Italian American Institute, 2003), 1–7; Guadagni and Vidal, Omaggio, 6–7. Also, the author’s interview with Tresca’s daughter, Beatrice Tresca Rapport, Arlington, MA, November 12–14, 1973. After the ini- tial interview, Mrs. Rapport provided the author with additional information in several lengthy letters and more than a dozen long-distance telephone calls. For the sake of brevity, only the interview will be cited hereafter. 3. Tresca, Autobiography, 11–15; Interview with Beatrice Tresca Rapport; Cenno Biografico, in the Archivio Centrale dello Stato, Ministero dell’Interno, Direzione Generale di Pubblica Sicurezza, Casellario Politico Centrale: Tresca, Ettore. See also the commemorative issue of Il Martello (February 17, 1942) honoring Ettore after his death on January 15, 1942. -
ENGL 4384: Senior Seminar Student Anthology
ENGL 4384: Senior Seminar Student Anthology Spring 2015 Dr. Debra MacComb, Professor Department of English & Philosophy Printed on campus by UWG Publications and Printing. Behind the Veil: Inspecting and Interrogating Marriage in the Form of Fiction • • Introduction 5 by Dr. Debra MacComb Going, Going, Gone Frankly, My Dear, I Don’t Give a Damn: Scarlett O’Hara’s Battle 9 Against Traditional Southern Gender Roles During the Civil War Era in the Film Gone with the Wind by Carolyn Eaton Fifty Shades of Mocking Gray “The Girl on Fire” Now in the Hearth: Marriage in the Epilogue 23 of Suzanne Collins’ Mockingjay By Jessica Bell Fucking Tradition, Hard: Undressing Marital Form in E.L. 39 James’ Fifty Shades of Grey by Taylor Boltz Everybody Loves Downton Abbey A House Built on Marriages: The Implications of a Continuous 53 Narrative on the Marriage Plot in Downton Abbey by Danielle Smith Everybody Hates Raymond: The Tragi-Comedy’s Repurposing 67 of Traditional Marital Forms and the Unexpected, Retrospective Un-Conventionality of Sitcoms by Sarah Robertson Girls Gone Neverland Seduction of the Gone Girl 85 by Michael Chisholm Becoming Wendy: a Feminist Analysis of Wendy Darling in 99 Peter Pan by Jessica Fountain A Blonde Valentine for a Han Chinese Girl Saying “I Do” In Legally Blonde: The Double-Proposal and 113 Female Power by Courtney Grieb The New Deal: A Need for Renegotiating the Marriage Contract 125 in Blue Valentine by Alex Thompson Let’s Get Down to Business: The Double Proposal Narrative 137 in Disney’s Mulan. by Megan Shirley The Content of the Form ohn Singer Sargent’s late nineteenth-century painting “Mr. -
TOWARDS the LOCALIZATION of the Sdgs
LOCAL AND REGIONAL GOVERNMENTS’ REPORT TOWARDS TO THE 2019 HLPF 3rd REPORT THE LOCALIZATION OF THE SDGs Facilitated by: #HLPF2019 #LISTEN2CITIES TOWARDS THE LOCALIZATION 2 OF THE SDGs © 2019 UCLG All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. United Cities and Local Governments Cités et Gouvernements Locaux Unis Ciudades y Gobiernos Locales Unidos Avinyó 15 08002 Barcelona www.uclg.org DISCLAIMERS The terms used concerning the legal status of any country, territory, city or area, or of its authorities, or concerning delimitation of its frontiers or boundaries, or regarding its economic system or degree of development do not necessarily reflect the opinion of United Cities and Local Governments. The analysis, conclusions and recommendations of this report do not necessarily reflect the views of all the members of United Cities and Local Governments. This publication was produced with the financial support of the European Union. Its contents are the sole responsibility of UCLG and do not necessarily reflect the views of the European Union. Graphic design and lay-out: GlassCube www.glasscubebcn.com Photo Cover: Photo: WRafal-Holes on Unsplas All photos are property of the authors and were published under Creative Commons license (http://creativecommons.org/licenses/). Some rights reserved. LOCAL AND REGIONAL GOVERNMENTS’ REPORT TO THE 2019 HLPF TOWARDS THE LOCALIZATION OF THE SDGs Facilitated by: TOWARDS THE LOCALIZATION 4 OF THE SDGs Abbreviations — page 6 Statement of the Local and Regional Governments constituency — page 8 Executive summary — page 12 1. -
French Banlieue Cinema
Silvester, Hannah (2018) Translating Banlieue film: an integrated analysis of subtitled non-standard language. PhD thesis. https://theses.gla.ac.uk/30976/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Translating Banlieue Film: An integrated analysis of subtitled non-standard language Hannah Silvester BA in French with Hispanic Studies MA in Screen Translation Submitted in fulfilment of the requirements for the Degree of PhD School of Modern Languages and Cultures College of Arts University of Glasgow October 2018 2 Abstract This thesis examines the subtitling of films depicting the French banlieue into English. The banlieues are housing estates situated on the outskirts of large towns and cities, and are primarily home to the underprivileged, and immigrants to France or their descendants. The sociolect spoken in the banlieue differs from standard French in terms of grammar, lexicon and pronunciation. Three films released between 2000 and the present day are studied; La squale (Genestal, 2000), L’esquive (Kechiche, 2003) and Divines (Benyamina, 2016). A new integrated methodology is developed, which examines the films within their broader contexts of release, and in light of paratextual material contributing to the context of reception, and to the viewer’s understanding of the topic at hand. -
VLAISAVLJEVIC, Andjelka
WORK IN PROGRESS – BELGRADE [Est. 2007] ANDJELKA ANGIE VLAISAVLJEVIC LINE PRODUCER / UPM Eastern European Based MINAMATA Infinitum Nihil, Metalwork Prod: Johnny Depp, Andrew Levitas Dir: Andrew Levitas CRAWL Paramount Pictures Prod: Sam Raimi, Craig Flores, Alex Aja Dir: Alexandre Aja ANNA EuropaCorp Prod: Luc Besson Dir: Luc Besson THE WHITE CROW BBC Films Prod: Ralph Fiennes, Gabrielle Tana Dir: Ralph Fiennes INTRIGO Trilogy Enderby Entertainment Prod: Rick Dugdale, Thomas Friedl Dir: Daniel Alfredson IBIZA Good Universe Prod: Will Ferrell, Nathan Kahane Dir: Alex Richancbak EXTINCTION Good Universe Prod: David Hoberman, Todd Lieberman Dir: Ben Young KRYPTON Warner Bros. / DC Ent. Prod: David Goyer Dir: Colm McCharty PAPILLON Red Granite Pictures Prod: Joy McFarland, Ram Bergman Dir: Michael Noer TAU Kaos Theory Entertainment Prod: David Goyer, Paris Latsis Dir: Frederico D'Alessandro MAYHEM Circle of Confusion Prod: Paris Caviani Dir: Joe Lynch AN ORDINARY MAN Enderby Entertainment Prod: Rick Dugdale, Ben Kingsley Dir: Brad Silberling THE LAST PANTHERS Warp Films /, Sky Atlantic, Canal +Creator: Jack Thorne Dir: Johan Renck THE FOREST Lava Bear Films Prod: David Goyer, David Linde Dir: Jason Zada EVERLY Anonimous Content Prod: Rob Paris, Adam Ripp Dir: Joe Lynch NOVEMBER MAN DAS Films Prod: Beau St.Clair, Sriram Das Dir: Rodger Donaldson 3 DAYS TO KILL Europacorp Prod: Luc Besson, Marc Libert Dir: McG IN SECRET LD Entartainment Prod: William Horberg, Mickey Liddell Dir: Charlie Stratton CHERNOBYL DIARIES Film Nation Prod: Oren Peli Dir: Bradley Parker THE RAVEN Intrepid Pictures Prod: Marc Evans Dir: James McTeigue LOCK OUT EuropaCorp Prod: Luc Besson Dir: J. Mather, S. St. -
A Sociological Approach
NON-VIOLENT PROBLEM SOLVING IN PIERRE MOREL’S B13: A SOCIOLOGICAL APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by: DEWAN PRIDITYO A 320 050 018 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 CHAPTER I INTRODUCTION A. Background of the Study B13 film is one of the action films that tell about Paris, 2010, the government has walled in the ghettos of the city to contain crime. But things heat up when a super cop must go in and team up with a lone vigilante to fend off drug dealers and diffuse a bomb that threatens to kill millions. This had been made in 2002 directed by Pierre Morel, a man who has more talent of this work and was collaborate with two famous writers they are Luc Besson and Bibi Nacery. Both of them were good writers who have made many works. This film has 84 minutes of duration full action and adventure there. The big crime was cover there. In the middle of city, this film was setting in Paris building, on top of building, and in the police office also in the prison. The first time released on 10 November 2004 in French. An action crime film was created by the great hands and completed by two mean actors: David Belle (Leito) and Cyril Rafaely (Damien) with them acrobatic act (Parkour). Released on 2004 and on 2006 won one award from golden trailer for category of best foreign action trailer in New York. -
Subtitle Indonesia Film District 13 Ultimatum
Subtitle indonesia film district 13 ultimatum Continue Download dan Nonton film District 13: Ultimatum (2009) subindo IMdB Death of Taha Bemamud, who became ruler in a slum area called District 13, failed to make this area slum safe. Empty power has left five ethnic groups vying for the seat of power left by Taha. The French government does not consider this area of slums useful and plans to destroy the region if its inhabitants do not want to comply with the laws, by virtue in France. This means that some citizens who have never acted have broken the law and have been forced to live there only because the situation should have been an innocent victim. Now the hopes of all the residents of the county depend on Damien (Cyril Raffaelli) and Leito (David Belle). It was these two people who managed to overthrow the power of Taha Amaud in the district three years ago. Unfortunately, there was interference from others who tried to take advantage of the destruction of Area 13. If Damien and Leito failed to convince the five officials of the five ethnic groups in the region, then these slums should unite, then there is no hope for the area. Around 1995, a sport called parkour appeared, although at that time this extreme sport was still in development. This sport for a short time managed to reach many fans and was the intervention of Luc Besson, who then brought the sport to the world through the film YAMAKASI distributed around 2001.download dan nonton film District 13: Ultimatum (2009) Subindo As if dissatisfied Yamakasi Luc Besson then initiated DISTRICT 13, which then went on to be ULTIMATUM in the 13th DISTRICT.