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Orientalism Within the Creation and Presentation of Doctor Strange
Sino-US English Teaching, May 2021, Vol. 18, No. 5, 131-135 doi:10.17265/1539-8072/2021.05.007 D DAVID PUBLISHING Orientalism Within the Creation and Presentation of Doctor Strange XU Hai-hua University of Shanghai for Science and Technology, Shanghai, China Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Considering his identity as Sorcerer Supreme, there is a crucial connection between the Orient and his magic. The paper will discuss the detailed symbols of Orientalism in the process of creation and presentation of Doctor Strange respectively to figure out the change of Orientalism with the times within the texts of Doctor Strange and its existence today. Keywords: Orientalism, Doctor Strange, magic in the world of Marvel Introduction Ever since his debut in 1963, Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Noticeably, a number of eastern elements have never ceased to appear in the Doctor Strange series throughout the times. Several characters are from the east, and the mysterious Asian land is also the birthplace of Doctor Strange’s magic power. Considering his identity as Sorcerer Supreme, the first and strongest sorcerer in Marvel, there must be a crucial connection between the Orient and his magic, both in the entire Marvel world, and in traditional western culture. Eastern elements under the account of westerners can be well interpreted with reference to the general concept of Orientalism. Thus, this paper aims to discuss the way the idea of Orientalism evolves with the times that is showcased within the texts of Doctor Strange. -
Doctor Extraño: Marvel Lo Ha Vuelto a Lograr ¡Por Fin! Por Fin Marvel
FILMHISTORIA Online Vol. 26, nº2 (2016) · ISSN: 2014-668X altura de Iron Man o Los Vengadores — véase los casos de Vengadores: La era de Ultrón o Capitán América: Civil War, y un Ant-Man, que aunque muy divertido, se notaba que estaba hecho a medias—, y ahora ha cogido un personaje nuevo para el Universo Cinematográfico, tan desconocido para el gran público como lo fueron los Guardianes de la Galaxia, y han conseguido hacer un auténtico peliculón… Bueno, un auténtico peliculón dentro de los cánones de Marvel. Sin entrar en demasiados detalles, ya que esta es una película para descubrir en las salas, la historia gira en torno al Dr. Stephen Strange, un neurocirujano obsesionado en su ego como gran médico, y que solo se preocupa por los casos que le pueden reportar un éxito tan tangible como su Doctor Extraño: Marvel lo ha vuelto a ático, su colección de relojes o sus lograr deportivos. Pero todo cambia cuando sufre un terrible accidente que le Por FRANCESC MARÍ COMPANY destroza sus manos y, aunque trata por todos los medios recuperar sus preciadas ¡Por fin! Por fin Marvel Studios herramientas de trabajo, descubre que ha hecho lo que tenía que hacer. nunca más volverá a operar. Salvando todas las diferencias Desesperado decide seguir la misteriosa argumentales, Doctor Extraño es como pista de Kamar-Taj, en Nepal, un lugar Guardianes de la Galaxia. Me explico: en el que alguien supuestamente puede después de unas cuantas películas, que si recuperarse mágicamente de durísimas bien no eran malas, tampoco estaban a la lesiones. Sin embargo, descubrirá un 98 FILMHISTORIA Online Vol. -
Doctor Strange Comics As Post-Fantasy
Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts. -
Doctor Strange Epic Collection: a Separate Reality Pdf, Epub, Ebook
DOCTOR STRANGE EPIC COLLECTION: A SEPARATE REALITY PDF, EPUB, EBOOK Steve Englehart,Roy Thomas,Gardner F. Fox | 472 pages | 08 Nov 2016 | Marvel Comics | 9780785194446 | English | New York, United States Doctor Strange Epic Collection: A Separate Reality PDF Book All rights to cover images reserved by the respective copyright holders. Use your keyboard! The art is right up my alley; '70s psychedelia is among my favorite things. The treatment of Wong made me cringe a few too many times to really enjoy it, but I am delighted at the idea that the Vatican has a copy of the Necronomicon. This will not affect the original upload Small Medium How do you want the image positioned around text? Recent searches Clear All. Table of Contents: 29 Dr. You must be logged in to write a review for this comic. Sort order. Table of Contents: 39 Dr. Howard's Unaussprechlichen Kulten and excellent psycedelic artwork. Sorry, but we can't respond to individual comments. Gorgeous art! Not so great is exactly what you'd expect: the corny plotting and dialogue that goes hand in hand in comic works from the 70's. Learn how to enable JavaScript on your browser. May 13, Laura rated it liked it Shelves: cthulhu , death , fanfiction , graphic-novel , gygaxy , necromancy , nyarlothotep. Marvel , Series. What size image should we insert? Still wonderful to visit. Here at Walmart. Sign in to Purchase Instantly. The Return! Oct 14, Tony Romine rated it it was amazing. Thanks for telling us about the problem. Banner is sent to another dimension where he turns into the Hulk and faces the Night-Crawler. -
Class of 2020
HARVARD LAW SCHOOL CLASS OF 2020 CLINICAL AND PRO BONO PROGRAMS LEARNING THE LAW, SERVING THE WORLD COMMENCEMENT NEWSLETTER MAY 2020 LEARNING THE LAW SERVING THE WORLD “One of the best aspects of Harvard Law School is working with the remarkable energy, creativity, and dynamism of our students. They come to HLS with a wide range of backgrounds and a wealth of experiences from which our Clinics and our clients benefit and grow. Our Clinical Program is never static—we are constantly reinventing ourselves in response to client needs, student interests, and national and international issues. As we advise and mentor individual students on their path to becoming ethical lawyers, the students, in turn, teach us to look at legal problems with a fresh set of eyes each and every day. This constant sense of wonder permeates our Clinical Programs and invigorates the learning process.” Lisa Dealy Assistant Dean for Clinical and Pro Bono Programs 1 CLASS OF 2020: BY THE NUMBERS IN-HOUSE CLINICS • Animal Law and Policy Clinic • Center for Health Law and Policy Innovation • Food Law and Policy Clinic 72% 52% • Health Law and Policy Clinic OF THE J.D. CLASS DID TWO OR PARTICIPATED IN MORE CLINICS • Criminal Justice Institute CLINICAL WORK • Crimmigration Clinic • Cyberlaw Clinic • Education Law Clinic • Emmett Environmental Law and Policy Clinic • Harvard Immigration and Refugee Clinical Program • Harvard Legal Aid Bureau 364,637 640 AVERAGE # OF PRO • Harvard Dispute Systems Design PRO BONO HOURS Clinic COMPLETED BY THE BONO HOURS • Impact Defense Initiative J.D. CLASS OF 2020 PER STUDENT • International Human Rights Clinic • Making Rights Real: The Ghana Project Clinic • Transactional Law Clinics • WilmerHale Legal Services Center • Domestic Violence and Family 50 1035 Law Clinic PRO BONO HOURS CLINICAL • Federal Tax Clinic REQUIRED OF J.D. -
The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie
DOI: 10.24843/JH.2018.v22.i03.p30 ISSN: 2302-920X Jurnal Humanis, Fakultas Ilmu Budaya Unud Vol 22.3 Agustus 2018: 771-780 The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie Ni Putu Ayu Mitha Hapsari1*, I Nyoman Tri Ediwan2, Ni Luh Nyoman Seri Malini3 [123]English Department - Faculty of Arts - Udayana University 1[[email protected]] 2[[email protected]] 3[[email protected]] *Corresponding Author Abstract The title of this paper is The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. This study focuses on categorization and function of the characters in the movie and conflicts in the main character (external and internal conflicts). The data of this study were taken from a movie entitled Doctor Strange. The data were collected through documentation method. In analyzing the data, the study used qualitative method. The categorization and function were analyzed based on the theory proposed by Wellek and Warren (1955:227), supported by the theory of literature proposed by Kathleen Morner (1991:31). The conflict was analyzed based on the theory of literature proposed by Kenney (1966:5). The findings show that the categorization and function of the characters in the movie are as follows: Stephen Strange (dynamic protagonist character), Kaecilius (static antagonist character). Secondary characters are The Ancient One (static protagonist character), Mordo (static protagonist character) and Christine (dynamic protagonist character). The supporting character is Wong (static protagonist character). Then there are two types of conflicts found in this movie, internal and external conflicts. Keywords: Character, Conflict, Doctor Strange. Abstrak Judul penelitian ini adalah The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. -
Marvel-Phile: Über-Grim-And-Gritty EXTREME Edition!
10 MAR 2018 1 Marvel-Phile: Über-Grim-and-Gritty EXTREME Edition! It was the best of times, it was the worst of times. It 90s, but you’d be wrong. Then we have Nightwatch, a was a dark time for the Republic. In short, it was...the bald-faced ripoff of Todd MacFarlane’s more ‘90s. The 1990s were an odd time for comic books. A successful Spawn. Next, we have Necromancer… the group of comic book artists, including the likes of Jim Dr. Strange of Counter-Earth. And best for last, Lee and hate-favorite Rob Liefield, splintered off from there’s Adam X the X-TREME! Oh dear Lord -- is there Marvel Comics to start their own little company called anything more 90s than this guy? With his backwards Image. True to its name, Image Comics featured comic baseball cap, combustible blood, a costume seemingly books light on story, heavy on big, flashy art (often made of blades, and a title that features not one but either badly drawn or heavily stylized, depending on TWO “X”s, this guy that was teased as the (thankfully who you ask), and a grim and gritty aesthetic that retconned) “third Summers brother” is literally seemed to take all the wrong lessons from renowned everything about the 90s in comics, all rolled into one. works such as Frank Miller’s Dark Knight Returns. Don’t get me wrong, there were a few gems in the It wasn’t long until the Big Two and other publishers 1990s. Some of my favorite indie books were made hopped on the bandwagon, which was fueled by during that time. -
Nightmare Magazine, Issue 43 (April 2016)
TABLE OF CONTENTS Issue 43, April 2016 FROM THE EDITOR Editorial, April 2016 FICTION Reaper’s Rose Ian Whates Death’s Door Café Kaaron Warren The Girl Who Escaped From Hell Rahul Kanakia The Grave P.D. Cacek NONFICTION The H Word: The Monstrous Intimacy of Poetry in Horror Evan J. Peterson Artist Showcase: Yana Moskaluk Marina J. Lostetter Interview: David J. Schow Lisa Morton AUTHOR SPOTLIGHTS Ian Whates Kaaron Warren Rahul Kanakia P.D. Cacek MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Nightmare Team Also Edited by John Joseph Adams © 2016 Nightmare Magazine Cover by Yana Moskaluk www.nightmare-magazine.com FROM THE EDITOR Editorial, April 2016 John Joseph Adams | 750 words Welcome to issue forty-three of Nightmare! This month, we have original fiction from Ian Whates (“Reaper’s Rose”) and Rahul Kanakia (“The Girl Who Escaped From Hell”), along with reprints by Kaaron Warren (“Death’s Door Cafe”) and P.D. Cacek (“The Grave”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, a showcase on our cover artist, and a feature interview with author David J. Schow. Nebula Award Nominations ICYMI last month, awards season is officially upon us, and it looks like 2015 was a terrific year for our publications. The first of the major awards have announced their lists of finalists for last year’s work, and we’re pleased to announce that “Hungry Daughters of Starving Mothers” by Alyssa Wong (Nightmare, Oct. 2015) is a finalist for the Nebula Award this year! Over at Lightspeed, “Madeleine” by Amal El-Mohtar (Lightspeed, June 2015) and “And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb. -
Howard Wong Justice Wong
#1 HOWARD WONG JUSTICE WONG 0 0 1 1 1 RATED T $3.99US MARVEL.COM 7 59606 08821 8 0 0 1 2 1 T EDITION VARIANT US 1 RATED RATED $3.99 MARVEL.COM 7 59606 08821 8 VARIANT 1 EDITION RATED T $3.99US MARVEL.COM 0 0 1 3 1 7 59606 08821 8 Billionaire playboy and genius industrialist Tony Stark was kidnapped during a routine weapons test. His captors attempted to force him to build a weapon of mass destruction. Instead he created a powered suit of armor that saved his life. From that day on, he used the suit to protect the world as the invincible IRON MAN. When he’s not saving the world as a super hero, Stark uses his global technology company to work with other tech superstars to bring advancements that improve the day-to-day lives of people around the world. “HONG KONG HEROES” Writer: Howard Wong Artist: Justice Wong Letterers: VC’s Joe Sabino w/ Cory Petit Cover Artist: Justice Wong Variant Cover Artists: Gang-Hyuk Lim; Brian Crosby & Jesus Aburtov Production Designer: Carlos Lao Logo Design: Jay Bowen Editors: Mark Paniccia & Mark Basso Editor in Chief: C.B. Cebulski Chief Creative Officer: Joe Quesada President: Dan Buckley Executive Producer: Alan Fine Iron Man created by Stan Lee, Larry Lieber, Don Heck & Jack Kirby IRON MAN: HONG KONG HEROES No. 1, May 2018. Published as a One-Shot by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. -
The Portrayal of White Supremacy in Doctor
IR - PERPUSTAKAAN UNIVERSITAS AIRLANGGA CHAPTER I INTRODUCTION In recent days, the equal rights movement has been showing its significance for everyone. Only a few places still have conflicts regarding race and religious differences, yet white people are no longer the main superiors and threats in this problem. However, it is often overlooked that white people will always find another way to continue their supremacy over other races in the world. One of the forms of this supremacy is colonialism. Colonialism can be defined as another form of imperialism (McLeod 2010). The difference is that colonialism is specific to certain places and times. Colonialist also aims to invade and settle in the colonized country to exploit their resources and attempt to govern the indigenous people. Colonialism started as a commercial venture of western nation such as Britain, France, Spain, etc. in the late seventeenth to early eighteenth century(McLeod 2010). This venture is essential to gain wealth and establish control over international market. Some of this act even dated back to the ‘voyages of discovery’ where Christopher Columbus ‘discovered’ America in trying to find the western sea route to the Indies. Their desire to control the international market then motivated them to seize the foreign land to government and settlement. This then will help them to secure the natural resources and labor power with the cheapest cost for Europeans. However, this act will not last for long. The indigenous people are not always 1 SKRIPSI THE PORTRAYAL OF NABILAH ALI DILMURAD IR - PERPUSTAKAAN UNIVERSITAS AIRLANGGA 2 settled with the way of the colonizer. -
CLEA Newsltr 0211.Pub
CLINICAL LEGAL EDUCATION ASSOCIATION Volume XIX No. 2 FEBRUARY, 2011 CLEA Newsletter PRESIDENT’S MESSAGE I am so pleased to serve as the 20 th President of CLEA and continue our work together in support of clinical legal education. With over 900 members, we are America’s largest membership organization of law faculty. We have an ambitious, change- Ian Weinstein Fordham Law School oriented agenda and as an All Volunteer Non-Profit Organization, CLEA President CLEA proudly relies on each of you and the wonderful work you [email protected] do. In this message, I report on the recent CLEA elections, Inside this issue: CLEA advocacy on the ABA’s review of Accreditation Standards, and several ongoing and upcoming projects. The activities noted Committee Reports 4 reflect the hard work of so many people and the exemplary lead- Conferences 6 ership of our Immediate Past President, Bob Kuehn (Washington New Clinicians 12 University Law School) . Bob’s contributions and strengths are 15 too numerous to list here but I think they are quite well known to Transitions 17 most of you. If he were only the go-to guy on political interfer- Promotions, Honors & Awards ence, that would be such a huge contribution in and of itself; but he has done and does so much more. He leaves very big shoes News from Clinical Pro- 21 for my rather compact feet. grams Books & Publications 60 Elections, Officers and Board Members Job Announcements 69 Binny Miller (American University Washington College EDITOR of Law) , Chair of the Elections Committee and Kate Kruse (University of Nevada, Las Vegas Law School) , CLEA Secre- tary , worked hard and conducted our annual elections in the Larry R. -
In This Issue
April, 2014 | Issue IV Newsletter Clinical and Pro Bono Programs LEARNING THE LAW | SERVING THE WORLD IN THIS ISSUE: Center for Health Law & Policy Innovation Judicial Process in Community Courts Clinic Clinical Spotlight Law Student Ethics Award Cyberlaw Clinic Project No One Leaves Family and Domestic Violence Law Clinic Semester in Washington Gary Bellow Public Service Award Shareholder Rights Project Harvard Legal Aid Bureau Sports Law Clinic Harvard Immigration & Refugee Clinic Tenant Advocacy Project Harvard Negotiation & Mediation Clinical Program Teaching Excellence Award Housing Law Clinic CLINICAL AND PRO BONO PROGRAMS PAGE 1 HARVARD LEGAL AID BUREAU HLAB Students Win a Quarter of a Million Dollars By Carolina Kupferman, J.D. ’15 My legs were shaking under me as I stood up in front of office until the early hours of the morning for days in a the judge to give my opening statement. My speech in row looking through documents, searching for front of me, an assortment of possible objections jotted inconsistencies, conceptualizing the financial fraud, and down on post-it notes, and a 3-inch binder of documents I picturing every instance of abuse. scoured for days were my only available weapons. On the day of trial, we argued that the house and bank After just a few weeks at the Harvard Legal Aid Bureau, I account were marital assets and our client deserved 50% had my first trial. I had only three weeks of Evidence class of the equity in the house and the 401K, and the money under my belt, plus one motion hearing I argued in front of removed from their bank account.