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Orientalism Within the Creation and Presentation of Doctor Strange
Sino-US English Teaching, May 2021, Vol. 18, No. 5, 131-135 doi:10.17265/1539-8072/2021.05.007 D DAVID PUBLISHING Orientalism Within the Creation and Presentation of Doctor Strange XU Hai-hua University of Shanghai for Science and Technology, Shanghai, China Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Considering his identity as Sorcerer Supreme, there is a crucial connection between the Orient and his magic. The paper will discuss the detailed symbols of Orientalism in the process of creation and presentation of Doctor Strange respectively to figure out the change of Orientalism with the times within the texts of Doctor Strange and its existence today. Keywords: Orientalism, Doctor Strange, magic in the world of Marvel Introduction Ever since his debut in 1963, Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Noticeably, a number of eastern elements have never ceased to appear in the Doctor Strange series throughout the times. Several characters are from the east, and the mysterious Asian land is also the birthplace of Doctor Strange’s magic power. Considering his identity as Sorcerer Supreme, the first and strongest sorcerer in Marvel, there must be a crucial connection between the Orient and his magic, both in the entire Marvel world, and in traditional western culture. Eastern elements under the account of westerners can be well interpreted with reference to the general concept of Orientalism. Thus, this paper aims to discuss the way the idea of Orientalism evolves with the times that is showcased within the texts of Doctor Strange. -
An Analysis of Deixis in Students‟ Writing of Recount Text of the Eighth B Grade of Smp N 1 Jeparain the Academic Year 2012/2013
REFERENCES Anggraini, F. (2013). An Analysis Of Deixis In Students‟ Writing Of Recount Text Of The Eighth B Grade Of Smp N 1 Jeparain The Academic Year 2012/2013. Thesis. Kudus: Universitas Muira Kudus Arikunto, S. (2002). Prosedur Penelitian. Jakarta: Rineke, Cipta, Croker, R. A. (2009). An Introduction to Qualitative Research. In Juanita. H. and Robert A. C. (Ed), Qualitative Research in Applied Linguistics: A Practical Introduction. (pp. 3-24). New York: Palgrave Macmillan. Cruse, A. (2000). Meaning in Language: An Introduction to Semantics and Pragmatics. Oxford: Oxford University Press ________. (2006). A Glossary of Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Griffiths, L. (2006). An Introduction to English Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Grundy, P. (2000). Doing Pragmatic. New York: Oxford University press, Horn, L. R. & Gregory W. (2006). The Handbook of Pragmatic. United Kingdom: Blackwell Publishing. Jamjuri. (2015). Social Deixis in Elizabeth the Golden Age Movie Script. Thesis. Yogyakarta: Universitas Islam Negri Sunan Kalijaga Kreidler, C. W. (1998). Introducing English semantics. New York: Routeledge. Kurniyati, L. (2011). Deixis Used in the Readers‟ Forum of the Jakarta Post Newspaper. Thesis. Tulungagung: The State College For Islamic Studies (STAIN) Levinson, S. C. (1983). Pragmatics. London: Cambridge University Press, Mayer, C. F. (2009). Introducing English Linguistics. New York: Oxford University Press, Movie Script of “Doctor Strange”. (n.d). Retrieved from https://transcripts.fandom.com/wiki/Doctor_Strange Noviyanti, E. D. (2013). Deixis Types in President Barac Obama‟s Speech in Universitas Indonesia. Thesis. Tulungagung: IAIN Tulungagung. Saeed, J.I. (2003). Semantics 2nd edition. United Kingdom: Blackwell Publishing. 57 Yule, G. -
Doctor Extraño: Marvel Lo Ha Vuelto a Lograr ¡Por Fin! Por Fin Marvel
FILMHISTORIA Online Vol. 26, nº2 (2016) · ISSN: 2014-668X altura de Iron Man o Los Vengadores — véase los casos de Vengadores: La era de Ultrón o Capitán América: Civil War, y un Ant-Man, que aunque muy divertido, se notaba que estaba hecho a medias—, y ahora ha cogido un personaje nuevo para el Universo Cinematográfico, tan desconocido para el gran público como lo fueron los Guardianes de la Galaxia, y han conseguido hacer un auténtico peliculón… Bueno, un auténtico peliculón dentro de los cánones de Marvel. Sin entrar en demasiados detalles, ya que esta es una película para descubrir en las salas, la historia gira en torno al Dr. Stephen Strange, un neurocirujano obsesionado en su ego como gran médico, y que solo se preocupa por los casos que le pueden reportar un éxito tan tangible como su Doctor Extraño: Marvel lo ha vuelto a ático, su colección de relojes o sus lograr deportivos. Pero todo cambia cuando sufre un terrible accidente que le Por FRANCESC MARÍ COMPANY destroza sus manos y, aunque trata por todos los medios recuperar sus preciadas ¡Por fin! Por fin Marvel Studios herramientas de trabajo, descubre que ha hecho lo que tenía que hacer. nunca más volverá a operar. Salvando todas las diferencias Desesperado decide seguir la misteriosa argumentales, Doctor Extraño es como pista de Kamar-Taj, en Nepal, un lugar Guardianes de la Galaxia. Me explico: en el que alguien supuestamente puede después de unas cuantas películas, que si recuperarse mágicamente de durísimas bien no eran malas, tampoco estaban a la lesiones. Sin embargo, descubrirá un 98 FILMHISTORIA Online Vol. -
Doctor Strange Comics As Post-Fantasy
Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts. -
Doctor Strange Epic Collection: a Separate Reality Pdf, Epub, Ebook
DOCTOR STRANGE EPIC COLLECTION: A SEPARATE REALITY PDF, EPUB, EBOOK Steve Englehart,Roy Thomas,Gardner F. Fox | 472 pages | 08 Nov 2016 | Marvel Comics | 9780785194446 | English | New York, United States Doctor Strange Epic Collection: A Separate Reality PDF Book All rights to cover images reserved by the respective copyright holders. Use your keyboard! The art is right up my alley; '70s psychedelia is among my favorite things. The treatment of Wong made me cringe a few too many times to really enjoy it, but I am delighted at the idea that the Vatican has a copy of the Necronomicon. This will not affect the original upload Small Medium How do you want the image positioned around text? Recent searches Clear All. Table of Contents: 29 Dr. You must be logged in to write a review for this comic. Sort order. Table of Contents: 39 Dr. Howard's Unaussprechlichen Kulten and excellent psycedelic artwork. Sorry, but we can't respond to individual comments. Gorgeous art! Not so great is exactly what you'd expect: the corny plotting and dialogue that goes hand in hand in comic works from the 70's. Learn how to enable JavaScript on your browser. May 13, Laura rated it liked it Shelves: cthulhu , death , fanfiction , graphic-novel , gygaxy , necromancy , nyarlothotep. Marvel , Series. What size image should we insert? Still wonderful to visit. Here at Walmart. Sign in to Purchase Instantly. The Return! Oct 14, Tony Romine rated it it was amazing. Thanks for telling us about the problem. Banner is sent to another dimension where he turns into the Hulk and faces the Night-Crawler. -
The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie
DOI: 10.24843/JH.2018.v22.i03.p30 ISSN: 2302-920X Jurnal Humanis, Fakultas Ilmu Budaya Unud Vol 22.3 Agustus 2018: 771-780 The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie Ni Putu Ayu Mitha Hapsari1*, I Nyoman Tri Ediwan2, Ni Luh Nyoman Seri Malini3 [123]English Department - Faculty of Arts - Udayana University 1[[email protected]] 2[[email protected]] 3[[email protected]] *Corresponding Author Abstract The title of this paper is The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. This study focuses on categorization and function of the characters in the movie and conflicts in the main character (external and internal conflicts). The data of this study were taken from a movie entitled Doctor Strange. The data were collected through documentation method. In analyzing the data, the study used qualitative method. The categorization and function were analyzed based on the theory proposed by Wellek and Warren (1955:227), supported by the theory of literature proposed by Kathleen Morner (1991:31). The conflict was analyzed based on the theory of literature proposed by Kenney (1966:5). The findings show that the categorization and function of the characters in the movie are as follows: Stephen Strange (dynamic protagonist character), Kaecilius (static antagonist character). Secondary characters are The Ancient One (static protagonist character), Mordo (static protagonist character) and Christine (dynamic protagonist character). The supporting character is Wong (static protagonist character). Then there are two types of conflicts found in this movie, internal and external conflicts. Keywords: Character, Conflict, Doctor Strange. Abstrak Judul penelitian ini adalah The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. -
Marvel-Phile: Über-Grim-And-Gritty EXTREME Edition!
10 MAR 2018 1 Marvel-Phile: Über-Grim-and-Gritty EXTREME Edition! It was the best of times, it was the worst of times. It 90s, but you’d be wrong. Then we have Nightwatch, a was a dark time for the Republic. In short, it was...the bald-faced ripoff of Todd MacFarlane’s more ‘90s. The 1990s were an odd time for comic books. A successful Spawn. Next, we have Necromancer… the group of comic book artists, including the likes of Jim Dr. Strange of Counter-Earth. And best for last, Lee and hate-favorite Rob Liefield, splintered off from there’s Adam X the X-TREME! Oh dear Lord -- is there Marvel Comics to start their own little company called anything more 90s than this guy? With his backwards Image. True to its name, Image Comics featured comic baseball cap, combustible blood, a costume seemingly books light on story, heavy on big, flashy art (often made of blades, and a title that features not one but either badly drawn or heavily stylized, depending on TWO “X”s, this guy that was teased as the (thankfully who you ask), and a grim and gritty aesthetic that retconned) “third Summers brother” is literally seemed to take all the wrong lessons from renowned everything about the 90s in comics, all rolled into one. works such as Frank Miller’s Dark Knight Returns. Don’t get me wrong, there were a few gems in the It wasn’t long until the Big Two and other publishers 1990s. Some of my favorite indie books were made hopped on the bandwagon, which was fueled by during that time. -
Representasi Whiteness Dalam Film Doctor Strange
Jurnal SCRIPTURA, Vol. 8, No. 2, Desember 2018, 41-48 DOI: 10.9744/scriptura.8.2.41-48 ISSN 1978-385X (Print) / ISSN 2655-4968 (Online) REPRESENTASI WHITENESS DALAM FILM DOCTOR STRANGE Feliks Hindrawan1*, Agusly Irawan2, Fanny Lesmana3 1,2,3 Program Studi Ilmu Komunikasi, Fakultas Ilmu Komunikasi, Universitas Kristen Petra Surabaya Jl. Siwalankerto 121 – 131, Surabaya 60236, INDONESIA * Penulis korespondensi; Email: [email protected] ABSTRAK Penelitian semiotika pada film Doctor Strange yang mengalami perubahan jalan cerita serta pemerannya dilakukan dengan pendekatan kualitatif deskriptif untuk melihat penggambaran Whiteness sebagai permasalahan yang terjadi di masyarakat Amerika. Melalui analisis menggunakan kode-kode televisi John Fiske ditemukan bahwa film Doctor Strange mengukuhkan permasalahan Whiteness terkait hegemoni kulit putih atas kulit hitam. Secara intelektual dan akademik kulit putih lebih cerdas dan logis, dalam perekonomian kulit putih lebih kaya dan makmur, secara sosial kulit putih lebih diterima, dan dalam aspek politik kulit putih berpeluang lebih akan hak kekuasaan dibanding kulit hitam. Kata kunci: Representasi, Whiteness, Semiotika, Film. ABSTRACT Semiotics research on Doctor Strange (2016) that had a change in its storyline and cast was done by using descriptive qualitative approach, in order to view the portrayal of Whiteness as a problem that happened in America society. Through an analysis using John Fiske's codes of television, it is found that Doctor Strange (2016) strenghtened the problem of Whiteness was related to hegemony of white people over black people. Doctor Strange (2016) represented that intellectually and academically, the white people were more intelligent and logical, economically richer and more prosperous, socially more acceptable and in the political aspect they had more chance toward the right of power than the black people. -
Nightmare Magazine, Issue 43 (April 2016)
TABLE OF CONTENTS Issue 43, April 2016 FROM THE EDITOR Editorial, April 2016 FICTION Reaper’s Rose Ian Whates Death’s Door Café Kaaron Warren The Girl Who Escaped From Hell Rahul Kanakia The Grave P.D. Cacek NONFICTION The H Word: The Monstrous Intimacy of Poetry in Horror Evan J. Peterson Artist Showcase: Yana Moskaluk Marina J. Lostetter Interview: David J. Schow Lisa Morton AUTHOR SPOTLIGHTS Ian Whates Kaaron Warren Rahul Kanakia P.D. Cacek MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Nightmare Team Also Edited by John Joseph Adams © 2016 Nightmare Magazine Cover by Yana Moskaluk www.nightmare-magazine.com FROM THE EDITOR Editorial, April 2016 John Joseph Adams | 750 words Welcome to issue forty-three of Nightmare! This month, we have original fiction from Ian Whates (“Reaper’s Rose”) and Rahul Kanakia (“The Girl Who Escaped From Hell”), along with reprints by Kaaron Warren (“Death’s Door Cafe”) and P.D. Cacek (“The Grave”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, a showcase on our cover artist, and a feature interview with author David J. Schow. Nebula Award Nominations ICYMI last month, awards season is officially upon us, and it looks like 2015 was a terrific year for our publications. The first of the major awards have announced their lists of finalists for last year’s work, and we’re pleased to announce that “Hungry Daughters of Starving Mothers” by Alyssa Wong (Nightmare, Oct. 2015) is a finalist for the Nebula Award this year! Over at Lightspeed, “Madeleine” by Amal El-Mohtar (Lightspeed, June 2015) and “And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb. -
Copyrighted Material
1 Bargaining with Eternity and Numbering One’s Days Medicine, Nietzsche, and Doctor Strange George A. Dunn From the standpoint of modern medicine, death is a failure—and one of the first things that we learn in the 2016 movie Doctor Strange is that Stephen Strange does not like to fail. In fact, at the time of the automobile accident that brought his brilliant career as a neurosur- geon to a tragic end, Stephen Strange and failure had apparently never yet crossed paths. He had a “perfect record,” as he casually reminded Nurse Billy in an offhand boast when Billy proposed that he help a “68‐year‐old female with an advanced brain stem glioma.” Such a diagnosis predicted a poor outcome that he would prefer not to have sully his résumé. At the same time, though, he doesn’t want to build his reputation on easy victories. He declines to help “a 35‐year‐old Air Force colonel who crushed his spine in some sort of experimental armor,” dismissing it as the surgical equivalent of child’s play: “I could help but so can fifty other people.”1 So it’s no surprise that after Stephen’s catastrophic accident that crushes his hands, his world collapses. Physical therapy alone can never restore his hands to what they were before and—ironically, in light of his own practice of rejecting patients who might ruin his perfect record—another doctor rejects him as a candidate for a cutting‐ edge experimentalCOPYRIGHTED treatment lest it fail and ruin MATERIAL the doctor’s reputation. -
Marvel Pop! List Popvinyls.Com
Marvel Pop! List PopVinyls.com Updated December 2016 01 Thor 23 IM3 Iron Man 02 Loki 24 IM3 War Machine 03 Spider-man 25 IM3 Iron Patriot 03 B&W Spider-man (Fugitive) 25 Metallic IM3 Iron Patriot (HT) 03 Metallic Spider-man (SDCC ’11) 26 IM3 Deep Space Suit 03 Red/Black Spider-man (HT) 27 Phoenix (ECCC 13) 04 Iron Man 28 Logan 04 Blue Stealth Iron Man (R.I.CC 14) 29 Unmasked Deadpool (PX) 05 Wolverine 29 Unmasked XForce Deadpool (PX) 05 B&W Wolverine (Fugitive) 30 White Phoenix (Conquest Comics) 05 Classic Brown Wolverine (Zapp) 30 GITD White Phoenix (Conquest Comics) 05 XForce Wolverine (HT) 31 Red Hulk 06 Captain America 31 Metallic Red Hulk (SDCC 13) 06 B&W Captain America (Gemini) 32 Tony Stark (SDCC 13) 06 Metallic Captain America (SDCC ’11) 33 James Rhodes (SDCC 13) 06 Unmasked Captain America (Comikaze) 34 Peter Parker (Comikaze) 06 Metallic Unmasked Capt. America (PC) 35 Dark World Thor 07 Red Skull 35 B&W Dark World Thor (Gemini) 08 The Hulk 36 Dark World Loki 09 The Thing (Blue Eyes) 36 B&W Dark World Loki (Fugitive) 09 The Thing (Black Eyes) 36 Helmeted Loki 09 B&W Thing (Gemini) 36 B&W Helmeted Loki (HT) 09 Metallic The Thing (SDCC 11) 36 Frost Giant Loki (Fugitive/SDCC 14) 10 Captain America <Avengers> 36 GITD Frost Giant Loki (FT/SDCC 14) 11 Iron Man <Avengers> 37 Dark Elf 12 Thor <Avengers> 38 Helmeted Thor (HT) 13 The Hulk <Avengers> 39 Compound Hulk (Toy Anxiety) 14 Nick Fury <Avengers> 39 Metallic Compound Hulk (Toy Anxiety) 15 Amazing Spider-man 40 Unmasked Wolverine (Toytasktik) 15 GITD Spider-man (Gemini) 40 GITD Unmasked Wolverine (Toytastik) 15 GITD Spider-man (Japan Exc) 41 CA2 Captain America 15 Metallic Spider-man (SDCC 12) 41 CA2 B&W Captain America (BN) 16 Gold Helmet Loki (SDCC 12) 41 CA2 GITD Captain America (HT) 17 Dr. -
Howard Wong Justice Wong
#1 HOWARD WONG JUSTICE WONG 0 0 1 1 1 RATED T $3.99US MARVEL.COM 7 59606 08821 8 0 0 1 2 1 T EDITION VARIANT US 1 RATED RATED $3.99 MARVEL.COM 7 59606 08821 8 VARIANT 1 EDITION RATED T $3.99US MARVEL.COM 0 0 1 3 1 7 59606 08821 8 Billionaire playboy and genius industrialist Tony Stark was kidnapped during a routine weapons test. His captors attempted to force him to build a weapon of mass destruction. Instead he created a powered suit of armor that saved his life. From that day on, he used the suit to protect the world as the invincible IRON MAN. When he’s not saving the world as a super hero, Stark uses his global technology company to work with other tech superstars to bring advancements that improve the day-to-day lives of people around the world. “HONG KONG HEROES” Writer: Howard Wong Artist: Justice Wong Letterers: VC’s Joe Sabino w/ Cory Petit Cover Artist: Justice Wong Variant Cover Artists: Gang-Hyuk Lim; Brian Crosby & Jesus Aburtov Production Designer: Carlos Lao Logo Design: Jay Bowen Editors: Mark Paniccia & Mark Basso Editor in Chief: C.B. Cebulski Chief Creative Officer: Joe Quesada President: Dan Buckley Executive Producer: Alan Fine Iron Man created by Stan Lee, Larry Lieber, Don Heck & Jack Kirby IRON MAN: HONG KONG HEROES No. 1, May 2018. Published as a One-Shot by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020.