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Duckduckgo Search Engines Android
Duckduckgo search engines android Continue 1 5.65.0 10.8MB DuckduckGo Privacy Browser 1 5.64.0 10.8MB DuckduckGo Privacy Browser 1 5.63.1 10.78MB DuckduckGo Privacy Browser 1 5.62.0 10.36MB DuckduckGo Privacy Browser 1 5.61.2 10.36MB DuckduckGo Privacy Browser 1 5.60.0 10.35MB DuckduckGo Privacy Browser 1 5.59.1 10.35MB DuckduckGo Privacy Browser 1 5.58.1 10.33MB DuckduckGo Privacy Browser 1 5.57.1 10.31MB DuckduckGo Privacy browser © DuckduckGo. Privacy, simplified. This article is about the search engine. For children's play, see duck, duck, goose. Internet search engine DuckDuckGoScreenshot home page DuckDuckGo on 2018Type search engine siteWeb Unavailable inMultilingualHeadquarters20 Paoli PikePaoli, Pennsylvania, USA Area servedWorldwideOwnerDuck Duck Go, Inc., createdGabriel WeinbergURLduckduckgo.comAlexa rank 158 (October 2020 update) CommercialRegregedSeptember 25, 2008; 12 years ago (2008-09-25) was an Internet search engine that emphasized the privacy of search engines and avoided the filter bubble of personalized search results. DuckDuckGo differs from other search engines by not profiling its users and showing all users the same search results for this search term. The company is based in Paoli, Pennsylvania, in Greater Philadelphia and has 111 employees since October 2020. The name of the company is a reference to the children's game duck, duck, goose. The results of the DuckDuckGo Survey are a compilation of more than 400 sources, including Yahoo! Search BOSS, Wolfram Alpha, Bing, Yandex, own web scanner (DuckDuckBot) and others. It also uses data from crowdsourcing sites, including Wikipedia, to fill in the knowledge panel boxes to the right of the results. -
Orientalism Within the Creation and Presentation of Doctor Strange
Sino-US English Teaching, May 2021, Vol. 18, No. 5, 131-135 doi:10.17265/1539-8072/2021.05.007 D DAVID PUBLISHING Orientalism Within the Creation and Presentation of Doctor Strange XU Hai-hua University of Shanghai for Science and Technology, Shanghai, China Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Considering his identity as Sorcerer Supreme, there is a crucial connection between the Orient and his magic. The paper will discuss the detailed symbols of Orientalism in the process of creation and presentation of Doctor Strange respectively to figure out the change of Orientalism with the times within the texts of Doctor Strange and its existence today. Keywords: Orientalism, Doctor Strange, magic in the world of Marvel Introduction Ever since his debut in 1963, Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Noticeably, a number of eastern elements have never ceased to appear in the Doctor Strange series throughout the times. Several characters are from the east, and the mysterious Asian land is also the birthplace of Doctor Strange’s magic power. Considering his identity as Sorcerer Supreme, the first and strongest sorcerer in Marvel, there must be a crucial connection between the Orient and his magic, both in the entire Marvel world, and in traditional western culture. Eastern elements under the account of westerners can be well interpreted with reference to the general concept of Orientalism. Thus, this paper aims to discuss the way the idea of Orientalism evolves with the times that is showcased within the texts of Doctor Strange. -
How Law Made Silicon Valley
Emory Law Journal Volume 63 Issue 3 2014 How Law Made Silicon Valley Anupam Chander Follow this and additional works at: https://scholarlycommons.law.emory.edu/elj Recommended Citation Anupam Chander, How Law Made Silicon Valley, 63 Emory L. J. 639 (2014). Available at: https://scholarlycommons.law.emory.edu/elj/vol63/iss3/3 This Article is brought to you for free and open access by the Journals at Emory Law Scholarly Commons. It has been accepted for inclusion in Emory Law Journal by an authorized editor of Emory Law Scholarly Commons. For more information, please contact [email protected]. CHANDER GALLEYSPROOFS2 2/17/2014 9:02 AM HOW LAW MADE SILICON VALLEY Anupam Chander* ABSTRACT Explanations for the success of Silicon Valley focus on the confluence of capital and education. In this Article, I put forward a new explanation, one that better elucidates the rise of Silicon Valley as a global trader. Just as nineteenth-century American judges altered the common law in order to subsidize industrial development, American judges and legislators altered the law at the turn of the Millennium to promote the development of Internet enterprise. Europe and Asia, by contrast, imposed strict intermediary liability regimes, inflexible intellectual property rules, and strong privacy constraints, impeding local Internet entrepreneurs. This study challenges the conventional wisdom that holds that strong intellectual property rights undergird innovation. While American law favored both commerce and speech enabled by this new medium, European and Asian jurisdictions attended more to the risks to intellectual property rights holders and, to a lesser extent, ordinary individuals. -
Doctor Extraño: Marvel Lo Ha Vuelto a Lograr ¡Por Fin! Por Fin Marvel
FILMHISTORIA Online Vol. 26, nº2 (2016) · ISSN: 2014-668X altura de Iron Man o Los Vengadores — véase los casos de Vengadores: La era de Ultrón o Capitán América: Civil War, y un Ant-Man, que aunque muy divertido, se notaba que estaba hecho a medias—, y ahora ha cogido un personaje nuevo para el Universo Cinematográfico, tan desconocido para el gran público como lo fueron los Guardianes de la Galaxia, y han conseguido hacer un auténtico peliculón… Bueno, un auténtico peliculón dentro de los cánones de Marvel. Sin entrar en demasiados detalles, ya que esta es una película para descubrir en las salas, la historia gira en torno al Dr. Stephen Strange, un neurocirujano obsesionado en su ego como gran médico, y que solo se preocupa por los casos que le pueden reportar un éxito tan tangible como su Doctor Extraño: Marvel lo ha vuelto a ático, su colección de relojes o sus lograr deportivos. Pero todo cambia cuando sufre un terrible accidente que le Por FRANCESC MARÍ COMPANY destroza sus manos y, aunque trata por todos los medios recuperar sus preciadas ¡Por fin! Por fin Marvel Studios herramientas de trabajo, descubre que ha hecho lo que tenía que hacer. nunca más volverá a operar. Salvando todas las diferencias Desesperado decide seguir la misteriosa argumentales, Doctor Extraño es como pista de Kamar-Taj, en Nepal, un lugar Guardianes de la Galaxia. Me explico: en el que alguien supuestamente puede después de unas cuantas películas, que si recuperarse mágicamente de durísimas bien no eran malas, tampoco estaban a la lesiones. Sin embargo, descubrirá un 98 FILMHISTORIA Online Vol. -
Marvel Universe 3.75" Action Figure Checklist
Marvel Universe 3.75" Action Figure Checklist Series 1 - Fury Files Wave 1 • 001 - Iron Man (Modern Armor) • 002 - Spider-Man (red/blue costume) (Light Paint Variant) • 002 - Spider-Man (red/blue costume) (Dark Paint Variant) • 003 - Silver Surfer • 004 - Punisher • 005 - Black Panther • 006 - Wolverine (X-Force costume) • 007 - Human Torch (Flamed On) • 008 - Daredevil (Light Red Variant) • 008 - Daredevil (Dark Red Variant) • 009 - Iron Man (Stealth Ops) • 010 - Bullseye (Light Paint Variant) • 010 - Bullseye (Dark Paint Variant) • 011 - Human Torch (Light Blue Costume) • 011 - Human Torch (Dark Blue Costume) Wave 2 • 012 - Captain America (Ultimates) • 013 - Hulk (Green) • 014 - Hulk (Grey) • 015 - Green Goblin • 016 - Ronin • 017 - Iron Fist (Yellow Dragon) • 017 - Iron Fist (Black Dragon Variant) Wave 3 • 018 - Black Costume Spider-Man • 019 - The Thing (Light Pants) • 019 - The Thing (Dark Pants) • 020 - Punisher (Modern Costume & New Head Sculpt) • 021 - Iron Man (Classic Armor) • 022 - Ms. Marvel (Modern Costume) • 023 - Ms. Marvel (Classic Red, Carol Danvers) • 023 - Ms. Marvel (Classic Red, Karla Sofen) • 024 - Hand Ninja (Red) Wave 4 • 026 - Union Jack • 027 - Moon Knight • 028 - Red Hulk • 029 - Blade • 030 - Hobgoblin Wave 5 • 025 - Electro • 031 - Guardian • 032 - Spider-man (Red and Blue, right side up) • 032 - Spider-man (Black and Red, upside down Variant) • 033 - Iron man (Red/Silver Centurion) • 034 - Sub-Mariner (Modern) Series 2 - HAMMER Files Wave 6 • 001 - Spider-Man (House of M) • 002 - Wolverine (Xavier School) -
An Eden with No Snake in It: Pure Comedy and Chaste Camp in The
An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 ABSTRACT An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 Copyright by Joshua Gibbons Striker 2019 Abstract In this dissertation I use an old and unfashionable form of literary criticism, close reading, to offer a new and unfashionable account of the literary subgenre called camp. Drawing on the work of, among many others, Susan Sontag, Rita Felski, and Peter Lamarque, I argue that P.G. Wodehouse, E.F. Benson, and Angela Thirkell wrote a type of pure comedy I call chaste camp. Chaste camp is a strange beast. On the one hand it is a sort of children’s literature written for and about adults; on the other hand it rises to a level of literary merit that children’s books, even the best of them, cannot hope to reach. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
Doctor Strange Comics As Post-Fantasy
Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts. -
Doctor Strange Epic Collection: a Separate Reality Pdf, Epub, Ebook
DOCTOR STRANGE EPIC COLLECTION: A SEPARATE REALITY PDF, EPUB, EBOOK Steve Englehart,Roy Thomas,Gardner F. Fox | 472 pages | 08 Nov 2016 | Marvel Comics | 9780785194446 | English | New York, United States Doctor Strange Epic Collection: A Separate Reality PDF Book All rights to cover images reserved by the respective copyright holders. Use your keyboard! The art is right up my alley; '70s psychedelia is among my favorite things. The treatment of Wong made me cringe a few too many times to really enjoy it, but I am delighted at the idea that the Vatican has a copy of the Necronomicon. This will not affect the original upload Small Medium How do you want the image positioned around text? Recent searches Clear All. Table of Contents: 29 Dr. You must be logged in to write a review for this comic. Sort order. Table of Contents: 39 Dr. Howard's Unaussprechlichen Kulten and excellent psycedelic artwork. Sorry, but we can't respond to individual comments. Gorgeous art! Not so great is exactly what you'd expect: the corny plotting and dialogue that goes hand in hand in comic works from the 70's. Learn how to enable JavaScript on your browser. May 13, Laura rated it liked it Shelves: cthulhu , death , fanfiction , graphic-novel , gygaxy , necromancy , nyarlothotep. Marvel , Series. What size image should we insert? Still wonderful to visit. Here at Walmart. Sign in to Purchase Instantly. The Return! Oct 14, Tony Romine rated it it was amazing. Thanks for telling us about the problem. Banner is sent to another dimension where he turns into the Hulk and faces the Night-Crawler. -
Volume XV, Issue 1 February 2021 PERSPECTIVES on TERRORISM Volume 15, Issue 1
ISSN 2334-3745 Volume XV, Issue 1 February 2021 PERSPECTIVES ON TERRORISM Volume 15, Issue 1 Table of Content Welcome from the Editors...............................................................................................................................1 Articles Bringing Religiosity Back In: Critical Reflection on the Explanation of Western Homegrown Religious Terrorism (Part I)............................................................................................................................................2 by Lorne L. Dawson Dying to Live: The “Love to Death” Narrative Driving the Taliban’s Suicide Bombings............................17 by Atal Ahmadzai The Use of Bay’ah by the Main Salafi-Jihadist Groups..................................................................................39 by Carlos Igualada and Javier Yagüe Counter-Terrorism in the Philippines: Review of Key Issues.......................................................................49 by Ronald U. Mendoza, Rommel Jude G. Ong and Dion Lorenz L. Romano Variations on a Theme? Comparing 4chan, 8kun, and other chans’ Far-right “/pol” Boards....................65 by Stephane J. Baele, Lewys Brace, and Travis G. Coan Research Notes Climate Change—Terrorism Nexus? A Preliminary Review/Analysis of the Literature...................................81 by Jeremiah O. Asaka Inventory of 200+ Institutions and Centres in the Field of Terrorism and Counter-Terrorism Research.....93 by Reinier Bergema and Olivia Kearney Resources Counterterrorism Bookshelf: Eight Books -
MEDIATING SCANDAL in CONTEMPORARY JAPAN Igor
French Journal For Media Research – n° 7/2017 – ISSN 2264-4733 ------------------------------------------------------------------------------------ MEDIATING SCANDAL IN CONTEMPORARY JAPAN Igor Prusa PhD The University of Tokyo, Graduate School of Interdisciplinary Information Studies1 [email protected] Abstract Cet article aborde des traits essentiels des affaires médiatiques dans le Japon contemporain. Il s'agit d'une étude interdisciplinaire qui enrichit non seulement le discours des sciences de médias et du journalisme, mais aussi la pholologie japonaise. L’inspiration théorique s'appuie sur la conception néo-fonctionnaliste du scandale en tant que performance sociale située à la limite du « rituel » (la conduite expressive à la motivation socioculturelle) et de la « stratégie » (une action stratégique délibéreée). La première partie de cette étude est consacrée aux caractéristiques du journalisme politique et du contexte médiatico-politique du Japon d’après-guerre. La seconde partie analyse le procès du scandale médiatique lui-même et quelques techniques ritualisées des organisations médiatiques japonaises. Mots-clés Médias japonais, pratiques de journalisme, affaire médiatique, rituel médiatique, procès de la scandalisation Abstract This paper investigates the main features of media scandal in contemporary Japan. This is important because it can add a fresh interdisciplinary direction in the fields of media studies, journalism, and Japanese philology. Furthermore, the sources from the mainstream media, semi-mainstream tabloids and foreign press were examined vie the lens of contemporary neofunctionalist theory, where scandal is approached as a social performance between ritual (motivated expressive behavior) and strategy (conscious strategic action). Moreover, this research illuminates the logic behind the scandal mediation process in Japan, including the performances of both the journalists and the non-media actors, who become decisive for the development of every media scandal. -
Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance
BETWEEN LIMINALITY AND TRANSGRESSION: EXPERIMENTAL VOICE IN AVANT-GARDE PERFORMANCE _________________________________________________________________ A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Theatre and Film Studies in the University of Canterbury by Emma Johnston ______________________ University of Canterbury 2014 ii Abstract This thesis explores the notion of ‘experimental voice’ in avant-garde performance, in the way it transgresses conventional forms of vocal expression as a means of both extending and enhancing the expressive capabilities of the voice, and reframing the social and political contexts in which these voices are heard. I examine these avant-garde voices in relation to three different liminal contexts in which the voice plays a central role: in ritual vocal expressions, such as Greek lament and Māori karanga, where the voice forms a bridge between the living and the dead; in electroacoustic music and film, where the voice is dissociated from its source body and can be heard to resound somewhere between human and machine; and from a psychoanalytic perspective, where the voice may bring to consciousness the repressed fears and desires of the unconscious. The liminal phase of ritual performance is a time of inherent possibility, where the usual social structures are inverted or subverted, but the liminal is ultimately temporary and conservative. Victor Turner suggests the concept of the ‘liminoid’ as a more transgressive alternative to the liminal, allowing for permanent and lasting social change. It may be in the liminoid realm of avant-garde performance that voices can be reimagined inside the frame of performance, as a means of exploring new forms of expression in life.