Blackboard Bodhisattvas
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September 11 & 12 . 2008
n e w y o r k c i t y s e p t e m b e r 11 & 12 . 2008 ServiceNation is a campaign for a new America; an America where citizens come together and take responsibility for the nation’s future. ServiceNation unites leaders from every sector of American society with hundreds of thousands of citizens in a national effort to call on the next President and Congress, leaders from all sectors, and our fellow Americans to create a new era of service and civic engagement in America, an era in which all Americans work together to try and solve our greatest and most persistent societal challenges. The ServiceNation Summit brings together 600 leaders of all ages and from every sector of American life—from universities and foundations, to businesses and government—to celebrate the power and potential of service, and to lay out a bold agenda for addressing society’s challenges through expanded opportunities for community and national service. 11:00-2:00 pm 9/11 DAY OF SERVICE Organized by myGoodDeed l o c a t i o n PS 124, 40 Division Street SEPTEMBER 11.2008 4:00-6:00 pm REGIstRATION l o c a t i o n Columbia University 9/11 DAY OF SERVICE 6:00-7:00 pm OUR ROLE, OUR VOICE, OUR SERVICE PRESIDENTIAL FORUM& 101 Young Leaders Building a Nation of Service l o c a t i o n Columbia University Usher Raymond, IV • RECORDING ARTIST, suMMIT YOUTH CHAIR 7:00-8:00 pm PRESIDEntIAL FORUM ON SERVICE Opening Program l o c a t i o n Columbia University Bill Novelli • CEO, AARP Laysha Ward • PRESIDENT, COMMUNITY RELATIONS AND TARGET FOUNDATION Lee Bollinger • PRESIDENT, COLUMBIA UNIVERSITY Governor David A. -
Curriculum Framework
Curriculum Framework Education for Sustainable A contribution to the UNESCO Global Action Programme Development »Education for Sustainable Development« KMK / BMZ – Curriculum Framework Curriculum – BMZ / KMK Development Sustainable for Education ISBN 978-3-06-230062-2 ,!7ID0G2-daagcc! _218GW_9783062300622 U1+U4_SIV Benutzerdefiniert V 28.11.16 12:14 Curriculum Framework Education for Sustainable Development 2nd updated and extended edition, 2016 edited by Jörg-Robert Schreiber and Hannes Siege A contribution to the Global Action Programme Education for Sustainable Development Result of the joint project of the Standing Conference of the German Ministers of Education and Culture (KMK) and the German Federal Ministry of Economic Cooperation and Development (BMZ) Imprint On behalf of: KMK (Standing Conference of the Ministers of Education and Cultural Affairs) www.kmk.org, E-Mail: [email protected] Taubenstraße 10, D-10117 Berlin Postfach 11 03 42, D-10833 Berlin phone number: +49 (0) 30 254 18-499 Fax +49 (0) 30 254 18-450 BMZ (German Federal Ministry of Economic Cooperation and Development) www.bmz.de, E-Mail: [email protected] Work location Bonn Postfach 12 03 22, D-53045 Bonn phone number: +49 (0) 228 99 535-0 Fax +49 (0) 228 99 535-2500 Work location Berlin Stresemannstraße 94, D-10963 Berlin phone number: +49 (0) 30 18 535-0 Fax +49 (0) 30 18 535-2501 Executed by: ENGAGEMENT GLOBAL gGmbH Service für Entwicklungsinitiativen Tulpenfeld 7, D-53113 Bonn phone number: +49 (0) 228 20717-0 Fax +49 (0) 228 20717-150 www.engagement-global.de -
As a Dispositif: Towards a Critical Ontology of Policy and Power
"Tea~h First" as a Dispositif: Towards a critical ontology of policy and power Patrick L.J. Bailey veL Institute of Education, London PhD Thesis June 2015 . 1 Declaration I, Patrick Bailey, hereby declare that, except where explicit attribution is made, the work presented in this thesis is entirely my own. Word Count 99,854 words Copyright The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the proper acknowledgement of the author. 2 Abstract This thesis is a study of power. More specifically, it is a study of some of the myriad forms and operations of power which animate and condition the present, and which can be observed in the governing of education policy. A material post-structural approach to policy sociology is developed and then deployed in exploring the ontology of the education state and the teacher. The thesis puts to work the 'methods' and 'sensibilities' of Foucauldian genealogy and critical ethnography, and in doing so attends to some of the history of power and its insinuations in the governing and administering of education. Drawing on Michel Foucault's methodological and analytical concept of the dispositif, education policy is conceptualised as an historical and contingent formation of material objects, discourses and practices - a policy dispositij. At the same time, dispositifis applied as an analytical device for investigating the 'micro-physics' and 'immanence' of power, or the different ways in which power operates in minute and molecular ways in individual and heterogeneous encounters. Dispositifis also applied as a critical tool for exposing the ways in which the present is conditioned and fabricated within, and by, multiple forces of enablement and constraint. -
Teach for All. Investing In
SESSION SUMMARY: THE CASE FOR SUPPORT One important element to bolster our The purpose of this session is to seek fundraising strategy is how we make your feedback to inform the next revision. the case for an investment in Teach We’re particularly interested in your For All. We’re sharing a draft feedback on the following questions: presentation that we’ve recently • Does our story come across clearly? revised based on feedback received. • Is it compelling? We are looking forward to the Board’s • Are there parts of this presentation further feedback. While we wouldn’t that are working well? envision using this presentation within • Is this too long or not detailed enough? meetings, the flow is similar to what we talk through with people, and we • What would you like to see that you would envision using slides such as aren’t seeing here? these as follow up. • How would you suggest improving this? We have also included an optional read that describes the global operations and initiatives we raise money for. 1 Investing in the Rising Generation 2 EVERY CHILD HAS THE POTENTIAL TO SHAPE A BRIGHTER FUTURE But around the world children don’t have the education, support, and opportunity they need to fulfill that potential And when millions of children aren’t learning, the results are devastating — perpetuating poverty, dividing societies, and weakening economies. 3 THERE’S NO SINGLE SOLUTION TO SUCH A COMPLEX PROBLEM To change the status quo for children in marginalized communities we have to address their needs both within and beyond the classroom -
OBSCENE, INDECENT, IMMORAL, and OFFENSIVE 100+ Years Of
ch00_5212.qxd 11/24/08 10:17 AM Page iii OBSCENE, INDECENT, IMMORAL, AND OFFENSIVE 100+ Years of Censored, Banned, and Controversial Films STEPHEN TROPIANO ELIG IM HT L E DITIONS LIMELIGHT EDITIONS An Imprint of Hal Leonard Corporation New York ch00_5212.qxd 11/24/08 10:17 AM Page iv Copyright © 2009 by Stephen Tropiano All rights reserved. No part of this book may be reproduced in any form, without written permission, except by a newspaper or magazine reviewer who wishes to quote brief passages in connection with a review. Published in 2009 by Limelight Editions An Imprint of Hal Leonard Corporation 7777 West Bluemound Road Milwaukee, WI 53213 Trade Book Division Editorial Offices 19 West 21st Street, New York, NY 10010 Printed in the United States of America Book design by Publishers’ Design and Production Services, Inc. Library of Congress Cataloging-in-Publication Data is available upon request. ISBN: 978-0-87910-359-0 www.limelighteditions.com ch04_5212.qxd 11/21/08 9:19 AM Page 143 CHAPTER 4 Guns, Gangs, and Random Acts of Ultra-Violence n the silent era, the cinematic treatment of crime and criminals was a major point of contention for those who believed there was a Idirect cause-and-effect link between the depiction of murder, rape, and violence and real crimes committed by real people in the real world. They were particularly concerned about the negative effects of screen violence on impressionable youth, who were supposedly prone to imitate the bad behavior they might witness in a dark movie theatre one sunny Saturday afternoon. -
Van Halen to Tour North America Summer/Fall 2015
VAN HALEN TO TOUR NORTH AMERICA SUMMER/FALL 2015 – VAN HALEN to Perform March 30 on Hollywood Boulevard for Jimmy Kimmel Live in Rare Television Concert Appearance – - Songs from the Concert to Air March 30 and March 31 – LOS ANGELES (March 24, 2015) – In celebration of a 2015 Summer/Fall North American tour, VAN HALEN will perform a special concert for Jimmy Kimmel Live March 30 on Hollywood Boulevard. Featuring some of the band’s essential rock ‘n’ roll classics, the concert will be broadcast over two nights, March 30 and March 31, on the late night talk show and marks VAN HALEN's first U.S. television performance with original lead singer David Lee Roth. Jimmy Kimmel Live airs weeknights at 11:35 p.m. / 10:35 p.m. Central Time on ABC. VAN HALEN is touring North America beginning July 5 in Seattle, Washington at the White River Amphitheatre, with concerts scheduled through Oct. 2 in Los Angeles, California at the legendary Hollywood Bowl. Special guest Kenny Wayne Shepherd Band will support all dates along the tour. Tickets for the Live Nation-promoted tour go on sale beginning April 4 at www.ticketmaster.com and www.livenation.com, with special pre-sale information being announced locally. A complete list of tour dates can be found below. The special Hollywood Boulevard concert will be a hit-heavy set of songs featured on TOKYO DOME LIVE IN CONCERT, the first-ever live album to feature original singer David Lee Roth. Recorded on June 21, 2013 in Tokyo, Japan, TOKYO DOME LIVE IN CONCERT includes 23 songs, spanning all seven of the band’s albums with Roth. -
Rethinking the Intersection of Cinema, Genre, and Youth James Hay, University of Illinois at Urbana-Champaign, USA
Rethinking the Intersection of Cinema, Genre, and Youth James Hay, University of Illinois at Urbana-Champaign, USA The "Teen Film," Genre Theory, and the Moral Universe ofPlanetariums In most accounts of the "teen film," particularly those accounts tracing its origins, films such as Blackboard Jungle (1955) and Rebel Without a Cause (1956) have served as crucial references, not only for assembling and defining a corpus of films as a genre but also for describing the genre's relation to a socio-historical formation/context. I begin this essay not with an elaborate reading of these films, nor with a deep commitment to reading films or charting homologies between them, nor with an abiding interest in defining teen films (though I do want to discuss how teen films and film genres have been defined), nor with a sense that these are adequate ways of understanding the relation of cinema or youth to social and cultural formation. There are in fact many good reasons to begin from other starting points than these films in order to discuss the relation of youth and cinema during the 1950s or thereafter. Because these films regularly have figured into accounts of the teen film, however, two particular scenes in these films offer a useful way to think about the objectives of film genre theory and criticism, particularly as they have informed accounts of the teen film, and to suggest an alternative way of thinking about genre, youth, and cinema. Both of these scenes occur at sites where the films' young characters become the subjects of screenings conducted by adult figures who explain to the students the significance of what they are viewing. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
There Is an Iconic Scene in the 1955 Film the Blackboard Jungle
UC Santa Barbara Journal of Transnational American Studies Title A Transnational Tale of Teenage Terror: The Blackboard Jungle in Global Perspective Permalink https://escholarship.org/uc/item/2bf4k8zq Journal Journal of Transnational American Studies, 6(1) Author Golub, Adam Publication Date 2015 DOI 10.5070/T861025868 eScholarship.org Powered by the California Digital Library University of California A Transnational Tale of Teenage Terror: The Blackboard Jungle in Global Perspective by Adam Golub The Blackboard Jungle remains one of Hollywood’s most iconic depictions of deviant American youth. Based on the bestselling novel by Evan Hunter, the 1955 film shocked and thrilled audiences with its story of a novice teacher and his class of juvenile delinquents in an urban vocational school. Among scholars, the motion picture has been much studied as a cultural artifact of the postwar era that opens a window onto the nation’s juvenile delinquency panic, burgeoning youth culture, and education crisis.1 What is less present in our scholarly discussion and teaching of The Blackboard Jungle is the way in which its cultural meaning was transnationally mediated in the 1950s. In the midst of the Cold War, contemporaries viewed The Blackboard Jungle not just as a sensational teenpic, but as a dangerous portrayal of U.S. public schooling and youth that, if exported, could greatly damage America’s reputation abroad. When the film did arrive in theaters across the globe, foreign critics often read this celluloid image of delinquent youth into broader -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
HOT-FOR-TEACHER-Bio
Formed in 1999 to showcase Van Halen’s David Lee Roth hits, HOT FOR TEACHER has been relentlessly performing throughout the United States, thrilling concert-goers and dedicated fans. HFT brings to the stage everything fans of the world’s greatest party band crave; including the biggest and greatest hits from the Van Hagar era as well. Fans can expect both roaring and melodic lead vocals from Dave & Sam, Eddie Van Halen’s most stunning guitar solos, thundering bass, massive drums, angelic vocal harmonies… and best of all, one helluva good time! HOT FOR TEACHER features four explosive performers that are not only among the most talented musicians on the West Coast, but are also dedicated scholars of the Van Halen musical legacy. 3 distinct packages and custom blends to unlock your favorite eras of the Van Halen family canon Van Halen Experience — “Jump” into the “Best of Both Worlds” when HFT combines the entire catalog of classic Van Halen with Van Hagar into one awesome show. Diamond Dave Experience — Featuring the sounds of the David Lee Roth era Van Halen and DLR Band. So, come “Dance the Night Away” with your favorite gigolo! Red Rocker Experience — Bringing all the great and iconic Sammy Hagar tunes to life from Montrose to Sammy, to Van Hagar and the Wabos, to Chickenfoot and The Circle. HFTROCKS.com Productions & industry favorite HOT FOR TEACHER are "blazing new trails" as the lead in putting together the new "Roll In & Rock Out" drive-in-style "LIVE concerts in Northern California. The ONLY "LIVE music for hundreds of miles in every direction. -
Total Tracks Number: 1108 Total Tracks Length: 76:17:23 Total Tracks Size: 6.7 GB
Total tracks number: 1108 Total tracks length: 76:17:23 Total tracks size: 6.7 GB # Artist Title Length 01 00:00 02 2 Skinnee J's Riot Nrrrd 03:57 03 311 All Mixed Up 03:00 04 311 Amber 03:28 05 311 Beautiful Disaster 04:01 06 311 Come Original 03:42 07 311 Do You Right 04:17 08 311 Don't Stay Home 02:43 09 311 Down 02:52 10 311 Flowing 03:13 11 311 Transistor 03:02 12 311 You Wouldnt Believe 03:40 13 A New Found Glory Hit Or Miss 03:24 14 A Perfect Circle 3 Libras 03:35 15 A Perfect Circle Judith 04:03 16 A Perfect Circle The Hollow 02:55 17 AC/DC Back In Black 04:15 18 AC/DC What Do You Do for Money Honey 03:35 19 Acdc Back In Black 04:14 20 Acdc Highway To Hell 03:27 21 Acdc You Shook Me All Night Long 03:31 22 Adema Giving In 04:34 23 Adema The Way You Like It 03:39 24 Aerosmith Cryin' 05:08 25 Aerosmith Sweet Emotion 05:08 26 Aerosmith Walk This Way 03:39 27 Afi Days Of The Phoenix 03:27 28 Afroman Because I Got High 05:10 29 Alanis Morissette Ironic 03:49 30 Alanis Morissette You Learn 03:55 31 Alanis Morissette You Oughta Know 04:09 32 Alaniss Morrisete Hand In My Pocket 03:41 33 Alice Cooper School's Out 03:30 34 Alice In Chains Again 04:04 35 Alice In Chains Angry Chair 04:47 36 Alice In Chains Don't Follow 04:21 37 Alice In Chains Down In A Hole 05:37 38 Alice In Chains Got Me Wrong 04:11 39 Alice In Chains Grind 04:44 40 Alice In Chains Heaven Beside You 05:27 41 Alice In Chains I Stay Away 04:14 42 Alice In Chains Man In The Box 04:46 43 Alice In Chains No Excuses 04:15 44 Alice In Chains Nutshell 04:19 45 Alice In Chains Over Now 07:03 46 Alice In Chains Rooster 06:15 47 Alice In Chains Sea Of Sorrow 05:49 48 Alice In Chains Them Bones 02:29 49 Alice in Chains Would? 03:28 50 Alice In Chains Would 03:26 51 Alien Ant Farm Movies 03:15 52 Alien Ant Farm Smooth Criminal 03:41 53 American Hifi Flavor Of The Week 03:12 54 Andrew W.K.