DOCSLIB.ORG

Copyrighted Material

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Copyrighted Material bindex.qxd 6/26/07 1:14 PM Page 301 INDEX Abbott, “Dimebag” Darryl, 266–267. See problems in Van Halen, 218, 248, 250, also Pantera 256, 257, 261, 268, 274–275, 277 Abbott, Vinnie Paul, 49, 266. See also trumpet playing, 16–17, 20 Pantera Arcadia, CA, 9, 16, 20 AC/DC, 95, 108–110, 156 Arch Enemy, 264 Accept, 108 Arrows, the, 11 Adams, Bryan, 186, 259 ASCAP, 33 Aerosmith, 32, 50, 54, 72, 83, 165, 185, Atlanta Rhythm Section, 49 208, 256 Atomic Punks, 246 After the Fire, 84 Atreyu, 264–265 Aguilera, Christina, 255 Aucoin, Bill, 34–35 Alice in Chains, 174, 195, 204, 264 Australia, 77, 225–226 American Bandstand (TV show), 26 Autograph, 164 Amsterdam, 7, 48, 71, 188 Azoff, Irving, 255, 256, 279 Anderson, “Big Ed,” 85–86 Angel, 44 Bach, Johann Sebastian, 12, 191 Angelus, Pete, 68, 116, 117, 156 Bach, Sebastian, 217 Anka, Paul, 269 Back to the Future (film), 150 Anthony, Michael Baker, Ginger, 17, 37. See also Cream backing vocals,COPYRIGHTED 25, 32, 69, 154, 188, Ballard, MATERIAL Glen, 208 259, 288 Baltimore Orioles, 263 bass solo, 90, 141–142, 159, 227, 259, Barnes, Jimmy, 126 273, 283 Beach Boys, the, 14, 42, 113 childhood, 4, 16–17, 25 Beatles, the, 10, 14, 31, 115, 171, 208, gear, 17, 97, 191, 187, 227 209, 251, 252, 284 family, 67, 187 Beck, 205 Jack Daniel’s bass, 97, 227, 253, 259 Beck, Jeff, 11, 58, 174, 185 Mad Anthony hot sauce, 261, 273 Becker, Jason, 169–170, 209 301 bindex.qxd 6/26/07 1:14 PM Page 302 302 INDEX Bee Gees, the, 60 Cabo Wabo Tequila, 242–243, 261, 266, Beethoven, Ludwig van, 8, 12, 21 272, 274 Berle, Marshall, 38, 45, 50, 53 Cactus, 17 Berle, Milton, 38, 50 Camel Filters cigarettes, 31, 42 Bertinelli, Valerie, 5, 65, 70, 99, 103, Campari, 274 109, 126, 148–149, 158, 160, 182, Cantrell, Jerry, 174, 195, 204. See also 183, 191, 216, 220, 222, 236, 238 Alice in Chains Bettencourt, Nuno, 218, 228. See also Captain Beefheart, 40 Extreme Captain Beyond, 24 Beug, Carolyn Mayer, 238 Caruso, Enrico, 62 Beverly Hills 90210 (TV show), 155 Castle Donington. See Monsters of Rock Bingenheimer, Rodney, 32, 33, 34 (UK festival) Bionic Woman, The (TV show), 37 Chapman, Emmett/Chapman Stick, 28–30 Bissonette, Gregg, 143, 144, 154 Charvel, Wayne/Charvel Guitars, 30, 82, Bissonette, Matt, 154 265 Black Flag, 25, 105 Cheap Trick, 54 Black Oak Arkansas, 21, 35 Cheech and Chong, 49 Black Sabbath, 4, 17, 19, 24, 31, 35, Cherone, Gary, 206, 217, 218–230, 236, 48–49, 68, 72, 91, 99, 101, 158, 226, 248–249, 278, 281, 282 267 childhood, 212, 219 Blue Cheer, 16, 22 See also Extreme Bon Jovi, 108, 123, 158, 193–194, 256 Chesney, Kenny, 275 Bonham, John, 72, 164. See also Led Chicago, 4, 16, 216, 260, 262 Zeppelin Child, Desmond, 203 Boone, Pat, 215 Cinderella, 146, 164, 170 Boston (band), 41, 49 Citizen Kane (film), 276 Bowie, David, 87, 105, 180 Clapton, Eric, 11, 22, 31, 58, 91, 160, Boy Scouts, 14, 155 174, 197. See also Cream Bradley, Tom (LA mayor), 161 Clash, the, 88–90 Briscoe, Jimmy, 77, 82, 88, 103 Clinton, Bill, 192–193 Broken Combs, 10 Cobain, Kurt, 175, 178, 179. See also Brown, James, 24, 152, 196, 197 Nirvana Bruce, Jack, 85. See also Cream cocaine, 23, 63, 100, 101, 109, 110 Bruford, Bill, 136–137 Cocker, Joe, 125, 166 Buell, Bebe, 33 Collins, “Bootsy,” 216 Buffett, Jimmy, 243–244 Collins, Phil, 125. See also Genesis Bugs Bunny, 13, 115 Corabi, John, 283. See also Mötley Crüe Butler, Geezer 48. See also Black Sabbath Cornell, Chris, 204 Costello, Elvis, 59 Cabo Wabo Cantina, 122, 152, 161, 195, Coverdale, David, 217. See also Whitesnake 202, 216, 242–244, 266, 272, 274 Crazy from the Heat (book), 15, 84, 231 bindex.qxd 6/26/07 1:14 PM Page 303 INDEX 303 Cream, 11, 12, 16, 17, 21, 22, 37, 79, 85, Extreme, 206, 212, 218–220, 225, 228, 89, 160, 173. See also Clapton, Eric 282 Creem (magazine), 26, 39, 59, 65, 78, 81, 93, 101, 113, 144, 156 Fairbairn, Bruce, 186, 188, 199, 203 Criss, Peter, 72. See also Kiss Farm Aid, 122, 133, 137 Crosby, David, 174 Fast Times at Ridgemont High (film), 107, Crystal Pepsi, 179 131 Fender guitars, 17, 29, 172, 198, 279 Dale, Dick, 129 5150 (studio), 94–95, 135, 149, 153, Daltrey, Roger, 220. See also Who, the 160–161, 163, 164, 186, 217, 220, Damageplan, 267 235, 257, 275–276 Danniels, Ray, 182–183, 199–200, 201, finger-tapping, 28–29, 37, 43, 53, 73, 202, 203, 207, 218, 219, 229–230, 107, 141, 143–144, 216 252 Fischer, Truman, 20 Dave Clark Five, 10 Fitzgerald, Alan, 192. See also Montrose Deep Purple, 21, 24, 37–38, 53, 174 Fleetwood Mac, 57 Def Leppard, 92, 108, 135, 208 Foghat, 20, 127 Derek and the Dominoes, 164. See also Ford, Lita, 161. See also Runaways, the Clapton, Eric Foreigner, 135 Derringer, Rick, 56 Fowley, Kim, 33 Devo, 50 Frampton, Peter, 50. See also Humble Pie disco, 32, 36, 40, 95, 114, 175, 180 Franken, Al, 174 Disney, Walt/Disneyland, 7, 52, 67, 95, Frankenstrat, 43, 81, 133, 172, 262, 265, 98, 154 279 Dokken, 33, 73, 122, 158 Frehley, Ace, 34, 72. See also Kiss Dolby, Thomas, 173 Doobie Brothers, 38, 40, 41 Gabriel, Peter, 174. See also Genesis Doors, the, 35, 52 Gazzari, Bill, 26, 32, 74, 90–91. See also Dubrow, Kevin, 39. See also Quiet Riot Gazzari’s Teen Dance Club Dugan, Kevin, 90, 97, 227 Gazzari’s Teen Dance Club, 26, 27, 31, Duran Duran, 77, 101, 113 32, 90–91, 116, 225 Dylan, Bob, 14, 185, 259 Geffen Records, 131, 132–133, 138, 150, 184 Ed Sullivan Show, The (TV show), 10 Genesis (UK), 19–20, 28 Electric Flag, 16 Germany, 5, 7, 8, 31, 111, 177, 193, 228 Electric Light Orchestra, 41 Germs, the, 25, 50, 178 Ellis, Chip, 279 Gibson guitars, 29, 69, 79, 172, 198 Entertainment Tonight (TV show), 66, 67, Gilbert, Paul, 154 93, 101 Giuffria, 164. See also Angel Ernie Ball EVH Music Man guitar, Glitter, Gary, 244 172–173, 198–199 Go-Gos, the, 118 bindex.qxd 6/26/07 1:14 PM Page 304 304 INDEX Goldberg, Whoopi, 195 184–185, 191, 199–200, 216, Goodman, Mark, 88. See also MTV 242–249, 258, 266, 272–273 Grand Funk Railroad, 21, 24 See also HSAS, Montrose, Waboritas Grandmaster Flash and the Furious Five, Hamlisch, Marvin, 187 278, 281 Hammett, Kirk, 55. See also Metallica Great White, 156 Harrison, George, 174, 284. See also Green Day, 185, 271 Beatles, the grunge, 175, 179, 208, 264 Hart, Mickey, 216 Guitar (magazine), 55, 91, 159, 174, 191, heavy metal, 48, 49, 68, 87, 90, 131, 157, 206 159, 267 Guitar Player (magazine), 50, 56, 63, 93, Hendrix, Jimi, 11, 14, 29, 38, 40, 170, 138, 168 173, 197, 209, 251 Guitar World (magazine), 9, 10, 34, 79, Hines, Rupert, 135 87, 98, 108, 115, 125, 131, 162, 166, Hit Parader (magazine), 57, 96, 100, 129, 184, 199, 235, 239, 249, 262, 277 132 Guns N’ Roses, 26, 32, 73, 156, 174, 185, Holdsworth, Allan, 58, 85, 92 195, 216, 273, 281 Holland, 4, 7–8, 47–48, 71–72, 94, 177, Gyuto Tantric University, 194 188–189, 194, 261, 276, 283 Hollywood, 17, 21, 26, 32, 35, 38, 50, 72, Hackett, Steve, 28. See also Genesis 74–75, 176, 225, 255 Hagar, Betsy, 127, 130, 184 Hollywood Rose, 73. See also Guns N’ Hagar, Bob, 195 Roses Hagar, Gladys, 128–129 Holmes, Chris, 59, 73 Hagar, Kari Karte, 195, 199, 242, 266 Holmes, John, 74 Hagar, Robert, 128–129 HSAS, 127 Hagar, Sammy, 38, 50 Humble Pie, 18, 35 attacking David Lee Roth 101, 140–141, 204, 246, 247, 248, 249 In Flames, 265 businessman, 130, 161–162, 195, 198, Inside (magazine), 36, 103, 111, 153, 171, 213, 242–244, 274 181, 188, 192, 208, 223, 224, 226, childhood, 122, 128–129 227, 240–241 “I Can’t Drive 55,” 127, 131, 132, 136, INXS, 126, 274–275 141, 184, 221, 229 Iron Maiden, 156 in Montrose, 19, 47, 122, 127, 129–130 Jack Daniel’s, 88, 89, 90, 97, 104, 191, lyricist, 130–131, 132, 137, 151–152, 227, 250, 252, 259 153, 165–166, 222 Jackson, Michael, 92, 107, 118, 197, 268 playing guitar in Van Halen, 141, 191, “Beat It,” 92, 107, 268 198, 258–259 Jagger, Mick, 105, 180, 220, 252. See also solo career, 101, 107, 122, 123, Rolling Stones, the 130–131, 132, 138, 150, 168, 179, Japan, 49, 60, 77, 157, 160, 237 bindex.qxd 6/26/07 1:14 PM Page 305 INDEX 305 Jefferis, Kurt, 102–103 179, 182–183, 184, 185, 187, 200, Jesus Christ Superstar (play), 217, 218 284 Joel, Billy, 157 Leiren, Robin “Rudy,” 29, 144, 203 Johns, Andy, 164–166, 176 Letterman, David, 83, 114, 184, 198 Johnson, Vic, 244, 273. See also Waboritas Lewis, Huey, 216 Jolson, Al, 13, 114 Liebowitz, Annie, 209 Jones, Mick, 135–137 Life (magazine), 83, 104 Jones, Quincy, 92, 135 Limp Bizkit, 255 Jordan, Sass, 217–218 Linkin Park, 248, 271 Journey, 4, 45–46, 49, 56, 139, 255, 273 Little Feat, 153 Judas Priest, 68, 87, 233, 245, 267 Lloyd’s of London, 63, 104 Jungle Studs, 63–64 Los Tres Gusanos, 195, 273 Lowery, John “5,” 233 Kalodner, John, 132 Lukather, Steve, 92, 173, 185, 209, 268.
Load more

Recommended publications
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson
    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • ANDERTON Music Festival Capitalism
    1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667).
    [Show full text]
  • California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman
    ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering.
    [Show full text]
  • Blue Cheer Outsideinside Mp3, Flac, Wma
    Blue Cheer Outsideinside mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Outsideinside Country: UK Released: 1968 Style: Hard Rock, Psychedelic Rock MP3 version RAR size: 1824 mb FLAC version RAR size: 1562 mb WMA version RAR size: 1793 mb Rating: 4.8 Votes: 867 Other Formats: AC3 MOD AUD DTS MP4 AU AAC Tracklist Hide Credits A1 Feathers From Your Tree 3:29 A2 Sun Cycle 4:12 A3 Just A Little Bit 3:24 A4 Gypsy Ball 2:57 A5 Come And Get It 3:13 (I Can't Get No) Satisfaction B1 5:07 Written-By – Jagger-Richards The Hunter B2 4:22 Written-By – Booker T. Jones B3 Magnolia Caboose Babyfinger 1:38 B4 Babylon 4:22 Companies, etc. Recorded At – Gate Five Recorded At – Muir Beach Recorded At – Pier 57, New York City Recorded At – A&R Studios Recorded At – Olmstead Studios Recorded At – Record Plant, N.Y.C. Recorded At – Pacific Recorders Credits Artwork – Arab , Gut Bass, Vocals – Dick Peterson* Drums – Paul Whaley Engineer – Eddie Kramer, Hank McGil*, Jay Snyder, Tony May Guitar – Leigh Stephens Photography By – Gut , Jim Marshall , Stef Leinwohl Producer – Abe "Voco" Kesh* Notes 'Outside' sessions recorded at Gate Five, Sausalito; Muir Beach, California; Pier 57, NYC. 'Inside' sessions recorded at A&R Studio, NYC; Olmstead Studios, NYC; Record Plant, NYC; and Pacific Recorders Inc., San Mateo, California. This type of gatefold is sometimes referred to as Unipack Other versions Category Artist Title (Format) Label Category Country Year Blue Outsideinside (LP, PHS 600-278 Philips PHS 600-278 US 1968 Cheer Album, Gat) Akarma, Blue Outside Inside (CD, AK 012 Comet AK 012 Italy 2003 Cheer Album, RE) Records SBL.7860, SBL Philips, SBL.7860, SBL Blue Outsideinside (LP, 7860, 852 120 Philips, 7860, 852 120 UK 1968 Cheer Album, Gat) BY Philips BY Blue Outsideinside (CD, 314 514 683-2 Mercury 314 514 683-2 US 1993 Cheer Album, RE) Blue Outsideinside (CD, 314 514 683-2 Mercury 314 514 683-2 US Unknown Cheer Album, RE) Related Music albums to Outsideinside by Blue Cheer 1.
    [Show full text]
  • Ernie Ball Strings
    Ernie Ball Strings Ernie Ball Strings Why don't you provide tension information for your strings? Although we do not have published tension values on our website, we are happy to assist you with any technical questions that you may have. In some cases, published string tensions can be misleading or inaccurate depending on the situation. String tension is only one of many important factors that can go into determining the right strings for your instrument and will differ based on scale length and tuning. Furthermore, the perceived tension can be quite different than the theoretical tension as a string's flexibility and responsiveness can be affected by even more factors including string construction, instrument setup, and bridge type. We err on the side of not oversimplifying each string to a number, but we are glad to assist you with these sorts of technical inquiries based on your individual needs. Ernie Ball Strings I experienced a problem with your strings. What should I do? Here at Ernie Ball we employ strict quality control standards and are committed to producing the highest quality musical instrument strings. Unfortunately there are many factors that can lead to a shorter string life. String attack, pick thickness, and finger oils are just a few factors that contribute to some players breaking more strings than others. Most strings break around the bridge. If this is happening repeatedly, you might need to replace the saddles. When the string is tightened, the saddle is the point at which the string makes the most contact and has the most tension, therefore needs special attention.
    [Show full text]
  • Arbiter, July 13 Students of Boise State University
    Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 7-13-2005 Arbiter, July 13 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Cleveland ''The~rrior" Corder Peg Blake resigns, I Wheeler to continue t. as interim Vpi BY RANDALL P05T News Editor Cut locks and computer 'accessorles were strewn abo~t th~ VIllage aparlments computer lab after a break-In on June 20. PHofo BY RANDAll. POSTmlE ARBITER PHaro CDUlmSY UNIVERSITY RELATIONS many milestones, including the completion of a 40-child addi- Computers stolen from Village tion to the Children's Center, de- velopment of an expanded New Student Orientation Program, co-chairing with BSU Provost Sona Andrews on the Preshman apartments -lab, no arrests made Success Task Force, and cham- pioning the $8.5 million Student BY 5ARA BAHN50N the 24-hour lab was closed..The lockedat all times. can be entered ServicesBuildingand a $12.5mil- ASSistant News Editor BSUPolice Department believes through the use of a traditional lion Student Health Wellness and that four all-in-one computers, to keyor a student 10 keycard. Counseling facility. Four computers were stolen which the computer unit and the Video surveillance of the com- "She.will certainly be missed from the Boise State University monitor are attached, were stolen puter lab was in use at the time and was a tireless advocate for the Villageapartments' computerlab by the man follo~ing thedepar- ." of-the theft, but images gathered shideiftii IoZiiiik..:Siiiif"':)' V .
    [Show full text]
  • Blue Cheer There's a Worn Leather Wallet in the Back of My Top Dresser
    Blue Cheer There’s a worn leather wallet in the back of my top dresser drawer. It’s long and thin, calf skin soft and black, with tiny tucks in the leather where the snap on the long edge holds it closed. I love this wallet with its plaid interior, its fine stitching that held until the leather itself started to tear. Finally, too worn to be used, it was relegated to hold something more important: my last tab of Ludiomil. A tab of Ludiomil is not something one saves for a rainy day. It wouldn’t do anything on its own, like a faded hit of acid might, a bit of shriveled mushroom, a nip bottle res- cued from some uncertain vacation. It needs at least thirteen others of its kind to be effective, doled out steadily one per day until two weeks later, swallowing the fourteenth tab, one might feel something a little different; More likely, one would sense an absence of a familiar feeling. Day Fourteen: not so sure about slashing my wrists today. This tiny hard oval of robin’s egg blue is a placeholder, a miniscule iconic bombshell. Just looking at it brings a whole world home to roost. With over 4,000 legitimate variations and an untold number of underground permutations, the ability of pharmaceuticals to provoke a steamer trunk-full of associations, opinions, and emotions, is new only in its industrial and technicolor nature. Drugs have been around. These new drugs, though, bring a cartoonish sheen to the shriveled earthtones of innumerable entheogenic plants and animals.
    [Show full text]
  • GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc.
    [Show full text]
  • How Is It Not a Conspiracy?
    How is it not a Conspiracy? A Conspiracy Proven by Their Own Words And Those in a Position to Know © 2012 www.traditionalcatholicapologetics.com You are free to re-use large portions of this document (as in 30 pages) on your own website, as long as you cite the material as belonging to www.traditionalcatholicapologetics.com (please do this by providing a link to our home page or to the link given below). If you wish to make use of more than 30 pages or the entire document, then please refrain from reproducing any material on your own site and instead link to www.traditionalcatholicapologetics.com/conspiracy-quotes (the link to the document will then be on that page). If you wish to use the document in some other manner (physical copying/distribution, etc.), then ask for permission to do so by emailing [email protected] This entire document is the culmination of roughly 150 hours of work. Care was taken to include only quotes believed to be legitimate (sources are provided for many quotes). However, due to the monumental task of sourcing every quote, not every quote has a citation. I can assure the reader though that many popular conspiracy quotes were excluded from this document when they were found to not be credible (Quotes are sometimes misattributed, misworded, lack primary source material, etc.). Any opinions expressed in this document are solely those of the compiler. 2 Table of Contents Politics/New World Order ............................................................................................................................
    [Show full text]
  • Van Halen to Tour North America Summer/Fall 2015
    VAN HALEN TO TOUR NORTH AMERICA SUMMER/FALL 2015 – VAN HALEN to Perform March 30 on Hollywood Boulevard for Jimmy Kimmel Live in Rare Television Concert Appearance – - Songs from the Concert to Air March 30 and March 31 – LOS ANGELES (March 24, 2015) – In celebration of a 2015 Summer/Fall North American tour, VAN HALEN will perform a special concert for Jimmy Kimmel Live March 30 on Hollywood Boulevard. Featuring some of the band’s essential rock ‘n’ roll classics, the concert will be broadcast over two nights, March 30 and March 31, on the late night talk show and marks VAN HALEN's first U.S. television performance with original lead singer David Lee Roth. Jimmy Kimmel Live airs weeknights at 11:35 p.m. / 10:35 p.m. Central Time on ABC. VAN HALEN is touring North America beginning July 5 in Seattle, Washington at the White River Amphitheatre, with concerts scheduled through Oct. 2 in Los Angeles, California at the legendary Hollywood Bowl. Special guest Kenny Wayne Shepherd Band will support all dates along the tour. Tickets for the Live Nation-promoted tour go on sale beginning April 4 at www.ticketmaster.com and www.livenation.com, with special pre-sale information being announced locally. A complete list of tour dates can be found below. The special Hollywood Boulevard concert will be a hit-heavy set of songs featured on TOKYO DOME LIVE IN CONCERT, the first-ever live album to feature original singer David Lee Roth. Recorded on June 21, 2013 in Tokyo, Japan, TOKYO DOME LIVE IN CONCERT includes 23 songs, spanning all seven of the band’s albums with Roth.
    [Show full text]
  • Music Great Guitar Gathering (DASOTA)
    JACKSONVILLE golfing in north florida entertaining u newspaper free weekly guide to entertainment and more | march 1-7, 2007 | www.eujacksonville.com 2 march 1-7, 2007 | entertaining u newspaper table of contents Cover photo courtesy of World Golf Village feature Golfing In North Florida .............................................................................PAGES 19-23 movies Black Snake Moan (movie review) ...................................................................... PAGE 6 Movies In Theaters This Week .....................................................................PAGES 6-11 Craig Brewer interview (Black Snake Moan) ........................................................ PAGE 7 Seen, Heard, Noted & Quoted ............................................................................. PAGE 7 Reno 911!: Miami (movie review) ....................................................................... PAGE 8 Zodiac (movie review) ........................................................................................ PAGE 9 Amazing Grace (movie review) ....................................................................PAGE 10-11 at home The Departed (DVD review) ............................................................................. PAGE 14 2007 Academy Awards (TV Review) ................................................................ PAGE 15 Video Games ................................................................................................... PAGE 16 food Murray Bros. Caddy Shack .............................................................................PAGES
    [Show full text]