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Bruxelles, Capitale De La Bande Dessinée Dossier Thématique 1
Bruxelles, capitale de la bande dessinée dossier thématique 1. BRUXELLES ET LA BANDE DESSINÉE a. Naissance de la BD à Bruxelles b. Du héros de BD à la vedette de cinéma c. Nouvelle génération d’auteurs bruxellois 2. LA BANDE DESSINÉE, PATRIMOINE DE BRUXELLES a. Publications BD b. Les fresques BD c. Les bâtiments et monuments incontournables d. Les musées, expositions et galeries 3. LES ACTIVITÉS ET ÉVÈNEMENTS BD RÉCURRENTS a. Les différents rendez-vous BD b. Visites guidées 4. SHOPPING BD 5. RESTAURANTS & BARS BD 6. CONTACTS UTILES www.visit.brussels/comics BRUXELLES EST LA CAPITALE DE LA BANDE DESSINEE ! DANS CHAQUE QUARTIER, AU DÉTOUR DES RUES ET RUELLES BRUXELLOISES, LA BANDE DESSINÉE EST PAR- TOUT. ELLE EST UNE FIERTÉ NATIONALE ET CELA SE RES- SENT PARTICULIÈREMENT DANS NOTRE CAPITALE. EN EFFET, LES AUTEURS BRUXELLOIS AYANT CONTRIBUÉ À L’ESSOR DU 9ÈME ART SONT NOMBREUX. VOUS L’APPRENDREZ EN VISITANT UN MUSÉE ENTIÈREMENT DÉDIÉ À LA BANDE DESSINÉE, EN VOUS BALADANT À LA RECHERCHE DES FRESQUES BD OU ENCORE EN REN- CONTRANT DES SCULPTURES MONUMENTALES DE PER- SONNAGES ISSUS DE PLUSIEURS ALBUMS D’AUTEURS BELGES. www.visit.brussels/comics 1. BRUXELLES ET LA BANDE DESSINEE A. NAISSANCE DE LA BD À BRUXELLES Raconter des histoires à travers une succession d’images a toujours existé aux quatre coins du monde. Cependant, les spéciali- stes s’accordent à dire que la Belgique est incontournable dans le milieu de ce que l’on appelle aujourd’hui la bande dessinée. Le 9ème art est l’un des thèmes qui font l’identité de sa capitale, Bruxelles, depuis presque 1 siècle. -
Lectures Croisées De Vol 714 Pour Sydney Et De La Revue Planète Maxime Prévost
Document generated on 09/24/2021 5:52 p.m. Études françaises La rédemption par les ovnis : lectures croisées de Vol 714 pour Sydney et de la revue Planète Maxime Prévost Hergé reporter : Tintin en contexte Article abstract Volume 46, Number 2, 2010 With the character of Mik Ezdanitoff (Mik Kanrokitoff in the English-language version), Hergé pays tribute to Jacques Bergier, a frequent contributor to the URI: https://id.erudit.org/iderudit/044537ar magazine Planète. This paper attempts to read Flight 714 for Sydney from the DOI: https://doi.org/10.7202/044537ar perspective of the philosophy, politics and aesthetics expressed in this magazine founded by Louis Pauwels. It contends that Hergé’s interest in See table of contents Unidentified Flying Objects and “extra-terrestrial civilizations” stems from a quest for political redemption, twenty-five years after the German occupation of Belgium. In the introduction to the first issue of Planète, Pauwels had transposed the rhetoric of resistance to the terrain of the supernatural, thus Publisher(s) offering Hergé and other former journalists of the collaborationist press (such Les Presses de l'Université de Montréal as Raymond De Becker and Bernard Heuvelmans) the opportunity to cosmically redeem their misguided past. ISSN 0014-2085 (print) 1492-1405 (digital) Explore this journal Cite this article Prévost, M. (2010). La rédemption par les ovnis : lectures croisées de Vol 714 pour Sydney et de la revue Planète. Études françaises, 46(2), 101–117. https://doi.org/10.7202/044537ar Tous droits réservés © Les Presses de l’Université de Montréal, 2010 This document is protected by copyright law. -
Hergé and Tintin
Hergé and Tintin PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 20 Jan 2012 15:32:26 UTC Contents Articles Hergé 1 Hergé 1 The Adventures of Tintin 11 The Adventures of Tintin 11 Tintin in the Land of the Soviets 30 Tintin in the Congo 37 Tintin in America 44 Cigars of the Pharaoh 47 The Blue Lotus 53 The Broken Ear 58 The Black Island 63 King Ottokar's Sceptre 68 The Crab with the Golden Claws 73 The Shooting Star 76 The Secret of the Unicorn 80 Red Rackham's Treasure 85 The Seven Crystal Balls 90 Prisoners of the Sun 94 Land of Black Gold 97 Destination Moon 102 Explorers on the Moon 105 The Calculus Affair 110 The Red Sea Sharks 114 Tintin in Tibet 118 The Castafiore Emerald 124 Flight 714 126 Tintin and the Picaros 129 Tintin and Alph-Art 132 Publications of Tintin 137 Le Petit Vingtième 137 Le Soir 140 Tintin magazine 141 Casterman 146 Methuen Publishing 147 Tintin characters 150 List of characters 150 Captain Haddock 170 Professor Calculus 173 Thomson and Thompson 177 Rastapopoulos 180 Bianca Castafiore 182 Chang Chong-Chen 184 Nestor 187 Locations in Tintin 188 Settings in The Adventures of Tintin 188 Borduria 192 Bordurian 194 Marlinspike Hall 196 San Theodoros 198 Syldavia 202 Syldavian 207 Tintin in other media 212 Tintin books, films, and media 212 Tintin on postage stamps 216 Tintin coins 217 Books featuring Tintin 218 Tintin's Travel Diaries 218 Tintin television series 219 Hergé's Adventures of Tintin 219 The Adventures of Tintin 222 Tintin films -
Tintin and the Adventure of Transformative and Critical Fandom
. Volume 17, Issue 2 November 2020 Tintin and the adventure of transformative and critical fandom Tem Frank Andersen & Thessa Jensen, Aalborg University, Denmark Abstract: Using Roland Barthes’ and John Fiske’s notion of the readerly, writerly, and producerly text, this article provides an analysis and a tentative categorization of chosen transformative, fanmade texts for the comic book series The Adventures of Tintin. The focus is on the critical transformation of, and engagement with, the original text by academics, professional fans, and fans of popular culture. The analysis identifies different ways of transformational engagement with the original text: ranging from the academic writerly approach of researchers, over professional fans rewriting and critically engaging with the original text, to fanfiction fans reproducing heteroromantic tropes in homoerotic stories, fans of popular culture using Tintin figurines to document their own travels, and finally, fans who use Tintin covers as a way to express critical political sentiments. With Barthes and Fiske these groups are defined by their way of approaching the original text, thus working either in a readerly producerly or writerly producerly way, depending on how critical and political the producerly attitude is in regard to the original text. Keywords: The Adventures of Tintin, fan albums, fanfiction, fan communities; readerly, writerly, producerly reception Introduction In recent years, it has been quiet around the forever young reporter Tintin and his faithful friends Snowy and Captain Haddock. A motion capture movie about three of Tintin’s adventures failed to garner a larger following, despite having Steven Spielberg as the director (The Adventures of Tintin, Columbia Pictures, 2011). -
François Koulischer
François Koulischer https://sites.google.com/site/francoiskoulischer/ University of Luxembourg Department of Finance Kirchberg campus, building F Luxembourg, L-1359 Tel: +352 466644 5618 E-mail: [email protected] Education Université Libre de Bruxelles Ph.D. in Economics (ECARES), 2016 M.Sc. in Economics and Statistics (Faculty of Sciences), 2012 B.Sc. and M.Sc. in Business Economics (Solvay Brussels School), 2009 Resarch Interests Sustainable Finance, Financial Intermediation, Monetary Policy Employment University of Luxembourg Research Associate, Department of Finance, 2018 – Present Banque centrale du Luxembourg Economist, Financial Stability Division, 2016 – 2018 Banque de France Economist, Financial Economics Research Division, 2014 – 2016 Other Affiliations LuxFLAG Finance Labeling Agency External advisor, 2020 – Present National Bank of Belgium Research consultant, Economics Department, 2019 – Present Visiting researcher, Financial Stability Division, 2013 Page 1 François Koulischer https://sites.google.com/site/francoiskoulischer/ Stanford University Visiting scholar, Economics Department, 2013 University of Oxford Visiting scholar, Nuffield College, 2011 European Central Bank Research consultant, Directorate General Market Operations (DG-M), 2011 Intern, DG-M, 2009-2010 Publications Inspecting the Mechanism of Quantitative Easing in the Euro Area (with Ralph Koijen, Benoît Nguyen and Motohiro Yogo). Journal of Financial Economics, Forthcoming. The Collateral Channel of Open Market Operations (with Nuno Cassola). Journal of Financial Stability, April 2019, 41, 73-90. Euro-Area Quantitative Easing and Portfolio Rebalancing (with Ralph Koijen, Benoit Nguyen, and Motohiro Yogo). American Economic Review (P&P), 107(5), 2017. Central Bank Liquidity Provision and Collateral Quality (with Daan Struyven). Journal of Banking and Finance, December 2014, 49(0), 113-130. Work in Progress Assessing the Carbon Footprint of Investor Portfolios. -
A Performance Affair the Panopticon Edition Review
APA • A Performance A Performance Affair Affair During • Brussels Gallery Weekend The Panopticon Edition From 7 to 9 Vanderborght September Building, Review 2018 Brussels Carole Douillard presented by Galerie Michel Rein © Jeroen Verrecht APA • INTRODUCTION This inaugural edition was a resounding success with 23 artist activated performances and 1500 visitors, including world-class collectors, curators, representatives from cultural institutions, luminaries and performance aficionados. We are thankful we could partner with Brussels Gallery Weekend for our first edition. The Panopticon, A Performance Affair’s first edition, transformed the second floor of the Vanderborght Building into an immersive space for three days of performances in collaboration with the Brussels Gallery Weekend (7—9 September 2018). Inspired by the notion of the Panopticon and the building’s unique architecture, continuous and overlapping performance works by international artists were presented throughout the dynamic venue. Presenting a myriad of performances for sale by emerging and mid-career artists selected by a high-level committee, and featuring Violent Incident, an historic performance video by Bruce Nauman, an interactive performance installation by Greg Finger, A Performance Affair put the whole spectrum of the economies of performance art on display and for discussion. Watch the replay on Youtube Joris Van de Moortel presented by Galerie Nathalie Obadia © Jeroen Verrecht Thanks to the Vanderborght’s unique architecture, The Panopticon transformed each visitor from witness to voyeur to performer, while the Bureau broadcasted live the whole duration of the weekend, enabling visitors from around the world to surveil the affair through our two YouTube channels. APA youtube LIVE © Jeroen Verrecht APA • CONCEPT A Performance Affair is a new Brussels based association with international outreach dedicated to performance art. -
Automobile Advertising in Le Soir, Brussels 1905-1950
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography Automobile Advertising in Le Soir, Brussels 1905-1950 As a result of intense mechanization and automation during the second half of the nineteenth century, the market economy in industrialized countries gradually was transformed from a production economy into a consumption economy. In the words of Stanley Resor, head of the leading American advertising agency J. Walter Thompson, cited by Fox in his pioneering work The Mirror Makers: ‘The chief economic problem today is no longer the production of goods but their distribution. The shadow of overproduction, with its attendant periods of unemployment and suffering, is the chief menace to the present industrial system’ (Fox, 1984, 94). Advertisements were to play an important role in this new constellation. During the first decades of the twentieth century a whole array of persuasion techniques were being developed. John E. Kennedy’s ‘reason-why’ shortly after the turn of the century (Fox, 1984, 50), the genteel pictures of the 1920s and the hard-boiled copy of the crisis years (Marchand, 1985, 285-334) were to join the traditional price/quality arguments, in an attempt to convince broad strata of the population of purchasing objects which until then they had produced and exchanged outside of the market, or never even possessed before. This has been called ‘modern advertising’, and the magic word is ‘appeal’. In trying to appeal to the potential customer advertising has made use of about any idea, image or value society had to offer. -
Sammlung Minke, Alfred
BE-A0531_705474_702105_FRE Inventar Archivbestand Sammlung Alfred Minke (1684-2010) Het Rijksarchief in België Archives de l'État en Belgique Das Staatsarchiv in Belgien State Archives in Belgium This finding aid is written in French. 2 Sammlung Minke, Alfred DESCRIPTION DU FONDS D'ARCHIVES:................................................................5 DESCRIPTION DES SÉRIES ET DES ÉLÉMENTS.........................................................7 Sammlung Minke (1914-2011).........................................................................7 I. Unterlagen 1989-2010.........................................................................................7 A. Hospital Eupen...............................................................................................7 B. Stadt Eupen....................................................................................................7 C. Presse............................................................................................................. 9 D. Dokumentation Deutschsprachige Gemeinschaft..........................................9 35 - 37 Dokumente aus der Periode 1914-1946 zur Geschichte Ostbelgiens aus belgischen Archiven. O.D.........................................................................9 E. Tod S.M. König Baudouin..............................................................................10 41 - 52 Grenz-Echo, 66. Jahrgang. August 1993...........................................10 58 - 60 "Het Laatste Nieuws", 106de jaargang. August 1993.......................11 -
Van De Stad Naar De Oceaan
#1717 WEEKBLAD NL HEBDOMADAIRE WEEKLY EEN UITGAVE VAN VLAAMS-BRUSSELSE FR MEDIA VZW FLAGEYPLEIN 18 PLACE FLAGEY 1050 ELSENE/IXELLES EN AFGIFTEKANTOOR ANTWERPEN X P303153 INTERVIEWS | ANALYSES | TIPS 15 | 7 | 2020 DE JACHTHAVEN VAN BRUSSEL Van de stad naar de oceaan DIRECTRICE VERLAAT JOODS MUSEUM LE VIRUS N’A PAS ARRÊTÉ LE STREET ART ‘Het antisemitisme is de Explosion de nouvelles fresques laatste jaren fors toegenomen’ et graffitis à Bruxelles COLOFON Inhoud | Sommaire | Inside BRUZZ Flageyplein 18, 1050 Brussel, 02-650.10.65 ABONNEMENTEN Josiane De Troyer ([email protected]), 02-650.10.80, Gratis in Brussels Hoofdstedelijk Gewest. Rest van België: 25 euro per jaar; IBAN: BE98 3631 6044 3393 van Vlaams Brusselse Media vzw Buiten België: 30 euro per jaar. OPLAGE : 62.609 exemplaren. ADVERTEREN? Marthe Paklons, 02-650 10 61 [email protected] DISTRIBUTIE Ute Otten, 02-650.10.63, [email protected] ALGEMENE DIRECTIE Dirk De Clippeleir HOOFDREDACTIE Kristof Pitteurs (algemeen hoofdredacteur), Mathias Declercq 40 CULTUUR & UIT Gerd Hendrickx Welkom in Broksele! REDACTIE Eva Christiaens, Sara De Sloover, Kris Hendrickx, Bettina Hubo, Jasmijn Geen samenlevings- Post, Kurt Snoekx, Sophie Soukias, Roan Van Eyck, Steven Van Garsse, problemen en een Maarten Verdoodt, Danny Vileyn, Tom Zonderman zakdoek groot, MEDEWERKERS Nicolas Alsteen, Gilles Bechet, Michaël maar wel de zuster- Bellon, Patrick Jordens, Tom Peeters, Niels Ruëll, Nick Trachet, Tom Van Bogaert, Michel Verlinden stad van Brussel EINDREDACTIE Karen De Becker, Geert Van der Hallen, Sophie Soukias VORMGEVING Heleen Rodiers, Ruth Plaizier VERTALING John Arblaster, Frédérique Beuzon, Martin McGarry, Laura Jones FOTOGRAFIE & ILLUSTRATIE Bart Dewaele, Kim, Wauter Mannaert, Noémie Marsily, Steve Michiels, Ivan Put, Saskia Vanderstichele, Wide Vercnocke Voer uw evenement in op Encodez votre événement sur Enter your event on www.agenda.brussels VERANTWOORDELIJKE UITGEVER Kristof Pitteurs Flageyplein 18, 1050 Elsene. -
The Lion, the Rooster, and the Union: National Identity in the Belgian Clandestine Press, 1914-1918
THE LION, THE ROOSTER, AND THE UNION: NATIONAL IDENTITY IN THE BELGIAN CLANDESTINE PRESS, 1914-1918 by MATTHEW R. DUNN Submitted to the Department of History of the University of Kansas in partial fulfillment of the requirements for departmental honors Approved by: _________________________ Dr. Andrew Denning _________________________ Dr. Nathan Wood _________________________ Dr. Erik Scott _________________________ Date Abstract Significant research has been conducted on the trials and tribulations of Belgium during the First World War. While amateur historians can often summarize the “Rape of Belgium” and cite nationalism as a cause of the war, few people are aware of the substantial contributions of the Belgian people to the war effort and their significance, especially in the historical context of Belgian nationalism. Relatively few works have been written about the underground press in Belgium during the war, and even fewer of those works are scholarly. The Belgian underground press attempted to unite the country's two major national identities, Flemings and Walloons, using the German occupation as the catalyst to do so. Belgian nationalists were able to momentarily unite the Belgian people to resist their German occupiers by publishing pro-Belgian newspapers and articles. They relied on three pillars of identity—Catholic heritage, loyalty to the Belgian Crown, and anti-German sentiment. While this expansion of Belgian identity dissipated to an extent after WWI, the efforts of the clandestine press still serve as an important framework for the development of national identity today. By examining how the clandestine press convinced members of two separate nations, Flanders and Wallonia, to re-imagine their community to the nation of Belgium, historians can analyze the successful expansion of a nation in a war-time context. -
Tintin and the War - FT.Com
Tintin and the war - FT.com ft.com > life&arts > Welcome [email protected] Your account Site tour Sign out News FT Magazine Quotes Search Home World Companies Markets Global Economy Lex Comment Management LifeArts & ArtsArts Extra FT Magazine Food & Drink House & Home Style Books Pursuits Travel How To Spend It Tools October 21, 2011 10:08 pm Share Clip Reprints Print Email Tintin and the war By Simon Kuper Much has been written about Hergé the collaborator, but the books themselves reveal all. As Steven Spielberg’s new film opens, Simon Kuper investigates Editor’s Choice LIFE & ARTS LUNCH WITH THE FT Lionel Shriver, author of Mickey Drexler: the man ‘We Need to Talk About behind Michelle Obama’s Kevin’, explores the favourite fashion brand appeal of the unappealing Coming soon: Tintin and the Thomson twins in a scene from Steven Spielberg’s new movie n October 1940, the Belgian cartoonist Georges Remi began publishing a I comic strip about Tintin in the children’s supplement of the pro-Nazi newspaper Le Soir. Hergé (Remi’s pen name) drew the “boy reporter” for over half a century, but he arguably peaked in the war years. Steven Spielberg clearly thinks so. The director’s new film The Adventures of Tintin, released next Wednesday, is based on three Tintin books written from 1941 through 1944: The Crab with the Golden Claws, The Secret of the Unicorn and Red Rackham’s Treasure. Most popular in Life & Arts During the war Hergé mastered storytelling and drawing, created the undying 1. Is there a shadowy plot behind gold? characters Captain Haddock and Professor Calculus, and worked through the 2. -
"The Times They Are Changing"1
1/1 "The times they are changing"1 Belgien - Ein Staat im Wandel Referat2: G. Modard-Girretz, Juristin im Parlament der Deutschsprachigen Gemeinschaft Belgiens Erste Fassung - Stand 21.09.08 Struktur des Referats 1. Einleitung 2. Die bisherigen Staatsstrukturen und -reformen a. Belgien vor Beginn des Föderalisierungsprozesses b. 1968-1971: Die erste große Staatsreform Die Wiege einer neuen institutionellen Ära c. 1980-1983: Die zweite große Staatsreform Ausbau und Stärkung der Errungenschaften von 1970 d. 1988-1989: Die dritte große Staatsreform Klärung der „Brüssel-Frage“ und weiterer Autonomieausbau e. 1993: Die vierte große Staatsreform Der Wandel ist vollzogen - Belgien ist ein Föderalstaat f. 2001: Die fünfte große Staatsreform Weitere Stärkung der Gliedstaaten 3. Vorbereitung einer sechsten großen Staatsreform a. Technische Umsetzungsmöglichkeiten einer Staatsreform b. Forderungen 2001-2007 c. Die 2007 zur Revision freigegebenen Verfassungsartikel d. Was ist seit den Föderalwahlen von Juni 2007 geschehen? 4. Zukunftsaussichten 5. Schlusswort 6. Quellenverzeichnis 1 Titel eines Bob-Dylan-Songs aus dem Jahre 1964; in der Übersetzung „Die Zeiten ändern sich“ 2 Vorliegender Text ist die schriftliche Fassung des Referats, das am 22. September 2008 im Rahmen des Aktualitätsunterrichts des VHS-Bildungskurses gehalten wurde. 2/2 1. Einleitung „Kommt Abgeordnete, bitte achtet auf den Ruf. Steht nicht in der Türe und blockiert nicht die Halle. Denn, wer zu Schaden gekommen ist, der hat auch Zeit geschunden. Draußen wütet eine Schlacht. Er wird schon bald an euren Fenstern rütteln und eure Wände erschüttern, denn die Zeiten ändern sich.3“ frei übersetzter Auszug aus dem Bob-Dylan-Song The times they are changing Die Zeiten ändern sich.