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Filme Im Jahr 2010
FILME IM JAHR 2010 SHEVA DAKOT BA’GAN EDEN / SIEBEN MINUTEN IM HIMMEL (IL 2008) Der Film wurde 2008 auf dem Internationalen Filmfestival Haifa mit einem Preis ausgezeichnet. Jerusalem in der Purimzeit, eine junge Frau sucht nach ihren Erinnerungen, nach Liebe, nach einer Berührung ohne Schmerz. Ein Jahr zuvor war sie bei einem Terroranschlag schwer verletzt worden, ihr Freund überlebt nicht. Sie sucht den Sanitäter, der sie aus dem brennenden Bus gerettet hat, sie sucht ihre Erinnerungen an das Leben, an die Zweisamkeit davor. Sie sucht sich selbst. Es ist auch eine Suche nach einer weltlichen Spiritualität, in der Schmerzen und das alte Glück im neuen nicht zu trennen sind. Wie viele Chancen hat eine Seele, ein Schmetterling, dessen Flügelschlag nur manchmal in bestimmten Momenten zu spüren ist? * REGIE, BUCH: Omri Givon | KAMERA: Nitai Netzer | MIT: Reymonde Amsellem, Eldad Prives, Nadav Nates, Ronit Yudkevitz | PRODUZENT: Marek Rozenbaum für EZ Films Israel. 94 min, Hebräisch mit engl. UT Sonntag, 24. Januar 2010, 19:30. METRO Kinokulturhaus In Kooperation mit HELLO GOODBYE (F/I/IL 2008) Nach mehreren Experimenten mit den unterschiedlichsten Genren – vom Thriller (Le pacte du silence 2003) bis zur Actionkomödie (Les kindnappeurs, 1998) – ist Regisseur Graham Guit (geboren 1968 in Neuilly-sur-Seine) nun mit „Hello Goodybye“ eine wirklich charmante Kultur-Clash Komödie gelungen. Bereits in „Le pacte du silence“ hatte er erfolgreich mit Gérard Depardieu zusammengearbeitet, der in „Hello Goodbye“ die vielleicht überraschendste Rolle seiner Karriere spielt. Depardieu ist Alain Gaash, ein Pariser Jude mit ostjüdischen Wurzeln, der gleich mit zwei Krisen konfrontiert wird: seine jüdische Identität und seine Ehe geraten aus den Fugen. -
Movieguide.Pdf
Movies Without Nudity A guide to nudity in 8,345 movies From www.movieswithoutnudity.com Red - Contains Nudity Movies I Own 300: Rise of an Empire (2014) A. I. - Artificial Intelligence (2001) A La Mala (aka Falling for Mala) (2014) A-X-L (2018) A.C.O.D. (2013) [Male rear nudity] Abandon (2002) The Abandoned (2007) Abe Lincoln in Illinois (1940) Abel's Field (2012) The Abolitionists (2016) Abominable (2019) Abominable (2020) About a Boy (2002) About Adam (2001) About Last Night (1986) About Last Night (2014) About Schmidt (2002) About Time (2013) Above and Beyond (2014) Above Suspicion (1995) Above the Rim (1994) Abraham (1994) [Full nudity of boys playing in water] The Absent-Minded Professor (1961) Absolute Power (1997) Absolutely Fabulous: The Movie (2016) An Acceptable Loss (2019) Accepted (2006) The Accountant (2016) Ace in the Hole (1951) Ace Ventura: When Nature Calls (1995) [male rear nudity] Achilles' Love (2000) Across the Moon (1995) Across the Universe (2007) Action Jackson (1988) Action Point (2018) Acts of Violence (2018) Ad Astra (2019) Adam (2009) Adam at 6 A.M. (1970) Adam Had Four Sons (1941) Adam Sandler's Eight Crazy Nights (2002) Adam's Apples (2007) Adam's Rib (1949) Adaptation (2002) The Addams Family (2019) Addams Family Values (1993) Addicted (2014) Addicted to Love (1997) [Depends on who you ask, but dark shadows obscure any nudity.] The Adjuster (1991) The Adjustment Bureau (2011) The Admiral: Roaring Currents (aka Myeong-ryang) (2014) Admission (2013) Adrenaline Rush (2002) Adrift (2018) Adult Beginners (2015) Adult Life Skills (2019) [Drawings of penises] Adventures in Dinosaur City (1992) Adventures of Baron Munchausen (1989) Adventures of Buckaroo Banzai Across the 8th Dimension (1984) The Adventures of Elmo In Grouchland (1999) The Adventures of Huck Finn (1993) Adventures of Icabod and Mr. -
Miranda, 15 | 2017, « Lolita at 60 / Staging American Bodies » [En Ligne], Mis En Ligne Le 18 Septembre 2017, Consulté Le 16 Février 2021
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 15 | 2017 Lolita at 60 / Staging American Bodies Édition électronique URL : http://journals.openedition.org/miranda/10470 DOI : 10.4000/miranda.10470 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Miranda, 15 | 2017, « Lolita at 60 / Staging American Bodies » [En ligne], mis en ligne le 18 septembre 2017, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/10470 ; DOI : https:// doi.org/10.4000/miranda.10470 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Les 60 ans de Lolita Introduction Marie Bouchet, Yannicke Chupin, Agnès Edel-Roy et Julie Loison-Charles Nabokov et la censure Julie Loison-Charles Lolita, le livre « impossible » ? L'histoire de sa publication française (1956-1959) dans les archives Gallimard Agnès Edel-Roy Fallait-il annoter Lolita? Suzanne Fraysse The patterning of obsessive love in Lolita and Possessed Wilson Orozco Publicités, magazines, et autres textes non littéraires dans Lolita : pour une autre poétique intertextuelle Marie Bouchet Solipsizing Martine in Le Roi des Aulnes by Michel Tournier: thematic, stylistic and intertextual similarities with Nabokov's Lolita Marjolein Corjanus Les « Variations Dolores » - 2010-2016 Nouvelles lectures-réécritures de Lolita Yannicke Chupin Staging American Bodies Staging American Bodies – Introduction Nathalie Massip Spectacle Lynching and Textual Responses Wendy Harding Bodies of War and Memory: Embodying, Framing and Staging the Korean War in the United States Thibaud Danel Singing and Painting the Body: Walt Whitman and Thomas Eakins’ Approach to Corporeality Hélène Gaillard “It’s so queer—in the next room”: Docile/ Deviant Bodies and Spatiality in Lillian Hellman’s The Children’s Hour Sarah A. -
The Year in Preview 2018-2019
THE YEAR IN PREVIEW 2018-2019 “In this house beats the heart of a family, In this house is the center of a community; We study and we pray, find meaning in each day— In this house, in this house, in this house.” —Beth A. Schafer YOU ASKED. TEMPLE ANSWERED. Welcome to the 2018-2019 program year, with a rich new slate of offerings for adult learning, prayer, families, music and gathering as a community. You’ll find plenty of learning opportunities with Temple clergy, expanded adult learning during the day, more Shabbat services for families with children of all ages, and a full schedule of community Shabbat dinners and lunches. Use this guide as a planner for an amazing journey of discovery ahead. And remember to watch weekly communications as schedules sometimes change. Could Temple be any more exciting? Yes, once you arrive, the real fun begins. CONTENTS Adult Learning 4 Shabbat 18 Endowed Letureships 8 Sharing Shabbat 20 Book Clubs 9 Women of Reform Judaism 22 Small Group Experiences 10 Brotherhood 23 Music Around Emanu-El 12 As We Age 24 Early Childhood 14 Social Justice 25 Youth Learning+Engagement 16 Temple Cares 26 3 ADULT LEARNING NEW 2018 Reform Judaism in the 21st Century Thursday, Oct. 4, 7PM, Stern Chapel Join the leaders of our movement for an inside look at the current landscape of Reform Judaism. • Rabbi Steven A. Fox, Chief Executive, Central Conference of American Rabbis • Rabbi Rick Jacobs, President, Union for Reform Judaism • Joshua Holo, Dean, Hebrew Union College-Los Angeles-Skirball Campus • Rabbi David E. -
Contributors
Contributors Rabbi Judith Z. Abrams, PhD, z”l, was the founder and direc- tor of Maqom (www.maqom.com), which was a pioneer in the area of online teaching of Talmud to adults. She authored over twenty books for adults and children, including The Other Talmud. Rabbi Richard F. Address, DMin, is the founder/director of www. jewishsacredaging.com. He served for over three decades on the staff of the Union for Reform Judaism as a regional director and as founder/ director of the Department of Jewish Family Concerns. Most recently he completed tenure as senior rabbi of Congregation M’kor Shalom in Cherry Hill, New Jersey. He currently serves as adjunct faculty at Hebrew Union College–Jewish Institute of Religion in New York. He was ordained by HUC-JIR in Cincinnati in 1972. Rabbi Carole B. Balin, PhD, is a professor of history at Hebrew Union College–Jewish Institute of Religion in New York. She is the 753 From The Sacred Calling: Four Decades of Women in the Rabbinate. Copyright © 2016 by the Central Conference of American Rabbis. Used by permission of Central Conference of American Rabbis. All rights reserved. Not to be distributed, sold or copied without express written permission. 754 • T HE S ACRED C ALLING narrator for the PBS special The Jewish People: A Story of Survival and a blogger for the Huffington Post, and she writes on topics ranging from the Maxwell House Haggadah to the history of bat mitzvah. Her most recent book, co-edited with Wendy Zierler, “To Tread on New Ground”: From the Hebrew Writings of Hava Shapiro, contains the life story and writing of the first woman to keep a diary in Hebrew, to compose a feminist manifesto in Hebrew, and to contribute prolifically to the Hebrew press. -
Thinking About Women
SHALOM HARTMAN INSTITUTE A JOURNAL OF JEWISH CONVERSATION • • CONVERSATION JEWISH OF JOURNAL A A JOURNAL OF JEWISH CONVERSATION Number 5 / Summer 2010 / $7.95 Number 5 / Summer 2010 • • 2010 Summer / 5 Number Thinking About SHALOM HARTMAN INSTITUTE HARTMAN SHALOM Women HAVRUTA A Journal of Jewish Conversation Table of Contents Number 5 / Summer 2010 Editor A Letter to our Readers ............................................. 2 Stuart Schoffman Associate Editors Thinking about Women ............................................. 4 Laura Major Feminism and Jewish Tradition Orr Scharf A Symposium Editorial Advisory Board Breaking the Silence ................................................. 28 Bill Berk Women’s Voices and Men’s Anxieties Alfredo Borodowski Ariel Picard By Channa Pinchasi Rachel Sabath- Beit Halachmi Dror Yinon Leah’s Prayers: A Feminist Reading .......................... 36 Noam Zion By Noam Zion Graphic Design Studio Rami & Jaki Jewish Poetry and the Feminist Imagination ............. 46 Cover photograph by Bruce Damonte The Gifts of Muriel Rukeyser By Laura Major From Silence to Empowerment ............................... 54 Women Reading Women in the Talmud Seder Nashim: A Women’s Beit Midrash Divine Qualities and Real Women .............................. 62 The Feminine Image in Kabbalah By Biti Roi Who is In and Who is Out.......................................... 70 The Two Voices of Ruth By Orit Avnery Published by the Shalom Hartman Institute, Jerusalem Afikoman /// Old Texts for New Times Contact us: “Without Regard -
The Price of a Woman (Novel) and Bride Price and Literary Activism in Uganda (Critical Commentary) Felicity Atuki Turner, Phd Ca
The Price of a Woman (novel) and Bride Price and Literary Activism in Uganda (critical commentary) Felicity Atuki Turner, PhD candidate Goldsmiths University, London, April 2019 DECLARATION I Felicity Atuki Turner hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed Date: 22nd April 2019 2 Acknowledgements Heartfelt thanks go to my supervisors: Professor Blake Morrison for his guidance and support and for teaching me the art of writing; and Dr Kai Easton for helping me find the common thread through which my story could be told. Working with them was profoundly instructive and most inspiring. Warm thanks to my friends and colleagues for their encouragement and for the many discussions we’ve had on the phone, via email and over coffees - Dr Ravi Thiara, Professor Pippa Dell and Dr Maureen Owor. Thanks to Jackie Wacha, Evelyn Schiller and Patrick Ndira for their invaluable help in the early stages of the novel; To Dr Simon Ndira for encouraging me to think of a creative writing PhD as a route towards writing a novel; To Gromyko, fellow PhD candidate, to Donna, Beatrice and Patricia for their support. Special thanks go to my family: to my dear partner Glyn for his support throughout the years when I never stopped talking about doing a PhD and to my daughter June for putting up with my absences when she would rather I had been there to play with her; to the Okoth Ndira family: Dr Catherine Keko, Dr Jane Okoth (RIP), Dr Anthony Okoth, Fr. -
Yiddish and the Construction of Memory Diasporas and Local
PORTRAYALS OF HASIDIM IN YIDDISH TELEVISION AND CINEMA Yiddish on the Screen zoom series Rebecca Margolis, ACJC May 24, 2020 YIDDISH INTONATION/CADENCE 1. Terminology: I ate by him for shabes. 2. Pronunciation: voiced -t, -ng at end of words 3. The singsong cadence: roots in gemoro nign; rise-fall contour 4. Associations with humour, e.g. Chazan Shepsl Kanarik https://www.youtube.com/watch?v=JxVqVmbQhPg 5. Element in representation of Yiddish speakers in other languages THE RISE OF HASIDISM CENTER OF HASIDIC SETTLEMENT TODAY HASIDIC POPULAR CULTURE Edification vs entertainment (bitl toyre) 1. Newspapers and publications 2. Literature: novels, children’s books 3. Videos: educational, adaptations of Bible tales, etc. 4. Podcasts, recordings of rebbes 5. Websites/social media 6. Music: “Orthodox Pop” (Lipa Shmeltzer, Chaim Shlomo Mayes, etc) 7. Films EXAMPLES OF HASIDIC FILM AND VIDEO Educational: e.g. Hakhel Video (2015, Sparks Next/Daniel Finkelman, USA) https://chabadinfo.com/video/incr edible-hakhel-video-special-for- children/ (4:00) Music videos: Bas Kol wedding video (Israeli Hasid Chaim Shlomo Mayes) https://www.youtube.com/watch? v=bUvu3VZHBAY A GESHEFT /A BUSINESS (YAKOV & MENDEL KIRSH, 2005, USA) Heterolingual: Yiddish, some English terms Drama/action film, 90 mins Produced, directed: Yakov & Mendel Kirsh, Monsey, NY (Kosher Entertainment Productions) Amateur Hasidic actors Made by and for the Hasidic community: not vehicular matching but vernacular usage Opening scene (0:45-1:30), closing scene (last 2 mins) REPRESENTATIONS OF HASSIDIM IN MAINSTREAM CULTURE 1. Memoirs of Hassidim who have left the fold (“frayd up”) Devorah Feldman, The Scandalous Rejection of My Hasidic Roots (2012) Shulem Deen, All Who Go Do Not Return (2015) 2. -
Love and Family in the Jewish Past
University of California at San Diego HITO 106 LOVE AND FAMILY IN THE JEWISH PAST Winter quarter 2015 Professor Deborah Hertz Department of History HSS 6024 858 534 5501 Office Hours: Tuesdays and Thursdays 11-12 Class meets Tuesdays and Thursdays 12:30—1:50 in HSS 1305 Rather than sending me emails, it is better to speak to me before or after class or call me in my office during my office hour. Better yet, come to office hours!!!! Course Description. This course explores Jewish women’s experiences from the seventeenth century to the present, covering Europe, the United States, and Israel. We examine work, marriage, motherhood, spirituality, education, community and politics across three centuries and three continents. Requirements. Students should do the reading and come prepared for discussion in class. This is a small class and we shall rely on each student for vigorous debate in the classroom!!! Ongoing conversations on our TED web site: please post a very short [no more than five sentences] comment on the readings on the evening before those texts are discussed in class, for at least 10 out of the class sessions. Your contributions to our TED conversations will count toward the 10 points of your grade focused on class participation. [If you have difficulty logging onto the site, please visit the Academic Computing Services office in the AP and M Building, 2113, 858 822 3315. Log in by visiting the site http://TED.ucsd.edu.] 1 Essays and class presentations. Students are expected to write a 15 page essay, due at the end of the quarter. -
Cultivating Curiosity About the Teaching of Classical Jewish Texts Jon A
Turn IT and Turn IT agaIn Studies in the Teaching and Learning of Classical Jewish Texts Jewish Identity in Post-Modern Society Series Editor: Roberta Rosenberg Farber – Yeshiva University Editorial Board: Sara Abosch – University of Memphis Geoffrey Alderman – University of Buckingham Yoram Bilu – Hebrew University Steven M. Cohen – Hebrew Union College – Jewish Institute of Religion Bryan Daves – Yeshiva University Sergio Della Pergola – Hebrew University Simcha Fishbane – Touro College Deborah Dash Moore – University of Michigan Uzi Rebhun – Hebrew University Reeva Simon – Yeshiva University Chaim I. Waxman – Rutgers University Turn IT and Turn IT agaIn Studies in the Teaching and Learning of Classical Jewish Texts Edited by Jon a. LEvISohn and SuSan P. FEndrICk Boston 2013 Library of Congress Cataloging-in-Publication Data: The bibliographic data for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-936235-63-6 (cloth) ISBN 978-1-61811-081-7 (electronic) Effective July 19, 2016, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. Cover design by Ivan Grave Published by Academic Studies Press in 2011 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com For our parents Steve and Sybil Levisohn Camille Munz Fendrick and David Fendrick And for our children Ariella, Maya, and Jesse Meira, Shoshana, Adina, Matan, and Elianna Contents Acknowledgements 8 Foreword Sharon Feiman-Nemser 11 1 Cultivating Curiosity about the Teaching of Classical Jewish Texts Jon A. -
Z FOUR STAR FILMS Top Rated Movies and Made-For-TV Films Airing
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of May 16 - 22, 2021 An American in Paris (1951) TCM Sun. 1 p.m. The Conversation (1974) TMC Thur. 11:45 p.m. Dances With Wolves (1990) EPIX Fri. 9:30 p.m. Dead Man Walking (1995) Cinemax Mon. 8 p.m. Cinemax Sat. 9:49 p.m. Dinner at Eight (1933) TCM Thur. 1:15 p.m. The Exorcist (1973) Showtime Thur. 10:35 p.m. Father of the Bride (1950) TCM Thur. 11:30 a.m. Forrest Gump (1994) Paramount Mon. 7 p.m. Paramount Mon. 10 p.m. Hannah and Her Sisters (1986) TMC Tues. 6 p.m. TMC Wed. 4 a.m. Judgment at Nuremberg (1961) TCM Wed. 5 p.m. The Last Picture Show (1971) KCET Fri. 8 p.m. KCET Sat. 4 p.m. A Man for All Seasons (1966) TCM Tues. 12:45 p.m. Paths of Glory (1957) TCM Wed. 8:30 p.m. Platoon (1986) Sundance Mon. 2:30 p.m. Raiders of the Lost Ark (1981) Paramount Sun. 8 a.m. Paramount Sat. 1 a.m. Saving Private Ryan (1998) Paramount Tues. 7 p.m. The Silence of the Lambs (1991) AMC Tues. 12:01 p.m. AMC Tues. 2 p.m. BBC America Thur. 8 p.m. BBC America Fri. 1:30 a.m. Stagecoach (1939) TCM Sat. 3:15 p.m. Terminator 2: Judgment Day (1991) BBC America Fri. -
Narratives Crossing Borders
NARRATIVES CROSSING BORDERS BORDERS CROSSING NARRATIVES Which is the identity of a traveler who is constantly on the move between cultures and languages? What happens with stories when they are transmitted from one place to another, when they are retold, remade, translated and re- translated? What happens with the scholars themselves, when they try to grapple with the kaleidoscopic diversity of human expression in a constantly changing world? These and related questions are explored in the chapters of this collection. Its overall topic, narratives that pass over national, language and ethnical borders includes studies about transcultural novels, poetry, drama, and the narratives of journalism. There is a broad geographic diversity, not only in the collection as a whole, but also in each of the single contributions. This in turn demands a multitude of theoretical and methodological approaches, which cover a spectrum of concepts from such different sources as post-colonial studies, linguistics, religion, aesthetics, art, and media studies, often going beyond the well-known Western frameworks. The works of authors like Miriam Toews, Yoko Tawada, Javier Moreno, Leila Abouela, Marguerite Duras, Kyoko Mori, Francesca Duranti, Donato Ndongo-Bidyogo, Riibi (eds.) al. et Jonsson Herbert Hideo, and François Cheng are studied from a variety of perspectives. Other chapters deal with code-switching NARRATIVES in West African novels, border crossing in the Japanese noh drama, translational anthologies of Italian literature, urban legends on the US-Mexico border, migration in CROSSING BORDERS German children’s books, and war trauma in poetry. Most of the chapters are case studies of specific works THE DYNAMICS OF CULTURAL INTERACTION and authors, and may thus be of interest, not only for specialists, but also for the general reader.