NOTICE by Cambridge University Press, Oxford University Press, Inc

Total Page:16

File Type:pdf, Size:1020Kb

NOTICE by Cambridge University Press, Oxford University Press, Inc Cambridge University Press et al v. Patton et al Doc. 372 Att. 1 EXHIBIT 705 PART 4 Dockets.Justia.com Doc Hit Report 8.16.08-12.31.08 with course names.xls Documnt Courée RéervePage Date Rangel HitCount of Total CHEM2400 Organic Chemistry Perm 12/31/2008 Practice Exam Chapters 12 and 2008 Comar 8/16/2008 243 00.22% Practice Exam Answer Key Chapters CHEM2400 Organic Chemistry Perm and Fall 08 2008 Comar 8/16/2008 12/31/2008 228 00.21% Practice Exam Key Chapters and CHEM2400 Chem 2400 Perm 2009 Fall 08 Pascoe 8/16/2008 12/31/2008 386 00.35% CHEM2400 Chem 2400 Perm 2009 Practice Exam Chapters 12 and Fall 08 Pascoe 8/16/2008 12/31/2008 484 00.44% CHEM2400 Chem 2400 Perm 2009 Practice Questions Ch Fall 08 Pascoe 8/16/2008 12/31/2008 104 00.09% Practice Questions Ch CHEM2400 Organic Chemistry Perm Fall 08 2008 Comar 8/16/2008 12/31/2008 24 00.02% Prahalad C.K and Kenneth Lieberthal The MK8620 Product Management Spring End of Corporate Imperialism 2009 Donthu 8/16/2008 12/31/2008 00.01% Prator Robinett Manual of American English Pronunciation Lesson 17 pp 206- AL8320 Sound System of English Spring 12/31/2008 217 -Sound-spelling correspondence 2009 Grant Murphy 8/16/2008 00.01% Prator Robinett Manual of American English Pronunciation Lesson 18 pp 218- 234 Sound-spelling correspondence 57 potentially useful patterns for enabling ESL learners not only to recognize but to predict AL8320 Sound System of English Spring 00.01% sound-spelling correspondence 2009 Grant Murphy 8/16/2008 12/31/2008 Precalculus Functions and Graphs 5/e Appendix Call MC-0869 and MC-0870 MATH 1111 Precalculus Training Videos 8/16/2008 12/31/2008 00.00% perm Perm 2008 Staff Precalculus Functions and Graphs 5/e Chapt Call MC-0848 and MC-0859 MATH 1111 Precalculus Training Videos perm Perm 2008 Staff 8/16/2008 12/31/2008 00.00% Precalculus Functions and Graphs 5/e Chapt Call MC-0849 and MC-0860 MATH 1111 Precalculus Training Videos perm Perm 2008 Staff 8/16/2008 12/31/2008 00.00% Precalculus Functions and Graphs 5/e Chapt Call MC-0850 and MC-0861 MATH1 111 Precalculus Training Videos perm Perm 2008 Staff 8/16/2008 12/31/2008 00.00% GSU007945.O1 4.xls-000331 Doc Hit Report 8.16.08-1 2.31 .08 with course names.xls Document Course Reserves Page Date Range Hit Count of Total Precalculus Functions and Graphs 5/e Chapt Call MC-0855 and MC-0866 MATH 1111 Precalculus Training Videos perm Perm 2008 Staff 8/16/2008 12/31/2008 00.00% Pre-code Hollywood sex immorality and insurrection in American cinema 1930-1 934 Number PN1995.62 .D65 1999 or PC- RELS395O Religion Morality and Film Ruprecht-04 Spring 2009 Ruprecht 8/16/2008 12/31/2008 00.01% Predictors of Subjective Memory in Older GERO8000 Seminar in Gerontology Fall Adults 2008 Kemp 8/16/2008 12/31/2008 00.01% Preissle and Grant 2004 Fieldwork traditions Ethnography and participant observation In de Marrais and Lapan Eds Foundations for research Methods of inquiry in education and the social sciences EP58500 Qualitative/Interpretive Research Mahwah NJ Lawrence Erlbaum Asso in Education Fall 2008 Kaufmann 8/16/2008 12/31/2008 108 00.10% Preissle Judith Feminist Research Ethics In Handbook of Feminist Research Theory EP58500 Qualitative/Interpretive Research and Praxis edited by Sharlene Hesse-Biber in Education Fall 2008 Kaufmann 8/16/2008 12/31/2008 64 00.06% Prettyman Sandra We Aint No Dogs Teenage Mothers Re Define Themselves WST431O Girls FaIl 2008 Kubala 8/16/2008 12/31/2008 00.01% PSYC451O Community Psychology Fall Prevention works Call MC-2067 2008 Kuperminc 8/16/2008 12/31/2008 00.00% Preves Sharon Intersex and Identity The SOCI1 160 Introduction to Social Problems Contested Self Chapters Spring 2009 Jungels 8/16/2008 12/31/2008 20 00.02% Preves Sharon Intersex Narratives Gender Medicine and Identity In Sex Gender and Sexuality The New Basics S0C13156 Sexuality and Society Fall Abby Ferber et al 2008 Palder 8/16/2008 12/31/2008 98 00.09% Prilleltensky Isaac Understanding Resisting and Overcoming Oppression PSYC849O Scientific and Professional Toward Psychopolitcal Validity Ethics in Psychology FaIl 2008 Sevcik 8/16/2008 12/31/2008 00.00% PSYC2O5O Introduction to Drugs and Primer of Drug Action Call PC-Parent-Ui Behavior Fall 2008 Parent 8/16/2008 12/31/2008 00.00% GSU007945.O1 4.xls-000332 Doc Hit Report 8.16.08-1 2.31 .08 with course names.xls Document Course Reserves Page Date Range Hit Count of Total Principles of fluorescence spectroscopy CHEM851O BIOPHYSICAL CHEMISTRY Number QD96.F56 L34 2006 Fall 2008 Smith 8/16/2008 12/31/2008 00.00% Principles of manual medicine Number PT8825 Management of Musculoskeletal RM724 .G74 2003 Disorders Fall 2008 Donnelly 8/16/2008 12/31/2008 00.00% Principles of neural development B10L4094 Developmental Neurobiology Number QP363.5 .P87 1985 Fall 2008 Pallas Rehder 8/16/2008 12/31/2008 00.00% Priscilla Throop trans cERhetoric and Dialectic in Isidore of SevilleTMs Etymologies Volume Charlotte VT ENGL8175 Medieval Rhetoric Fall 2008 MedievalMS 2005 Christie 8/16/2008-12/31/2008 15 00.01% ECE7400 Curriculum in ECE Classroom II Prisms and Pyramids Spring 2009 Hart 8/16/2008 12/31/2008 00.00% B1OL3240 Human Physiology Spring Problem acid base case 2009 Eilertson 8/16/2008 12/31/2008 25 00.02% Problem Posing and Solving with Action Research Jerry Language Teacher Awareness Cambridge Cambridge AL8900 Practicum Spring 2009 Belcher University Press 1995 Larsson Moran Murphy Snell Stowe 8/16/2008 12/31/2008 20 00.02% AL8460 English Grammer for ESL-EFL 12/31/2008 PROBLEM SOLUTION Call PC-Byrd-Ol Teachers Perm 2009 Byrd 8/16/2008 00.00% Process Standards for Grades Pre-K-2 Council of Teachers of Mathematics 2000 Principles and standards for school mathematics Reston VA National Council of Teachers of ECE7400 Curriculum in ECE Classroom II Mathematics Spring 2009 Hart 8/16/2008 12/31/2008 00.00% Professional Responsibilities Problems of Practice 4th ed LAW6O2O Professional Responsibility Fall KF306 .C79 2008 2008 Girth 8/16/2008 12/31/2008 00.00% AL8320 Sound System of English Spring Pronunciation Call PC-Murphy-09 2009 Grant Murphy 8/16/2008 12/31/2008 00.00% Prosser Cases Materials on Torts 11th ed LAW5O61 Torts Spring 2009 Hensel KF1249.P7 2005 Todres 8/16/2008-12/31/2008 00.00% Prosser Cases and Materials on Torts 11th ed.Foundation GSU007945.O1 4.xls-000333 Doc Hit Report 8.16.08-1 2.31 .08 with course names.xls Document Course Reserves Page Date Range Hit Count of Total KF 1249 .P7 2005 LAW5O61 Torts Spring 2009 Hensel 8/16/2008 12/31/2008 00.00% AST1 000 All Documents Perm 2008 Protist Lecture Powerpoint EDiscovery Palmour 8/16/2008 12/31/2008 00.00% Prudentius Psychomachia transs H.J Thompson in Prudentius Volume Loeb ENGL8175 Medieval Rhetoric Fall 2008 Classical Library Christie 8/16/2008 12/31/2008 21 00.02% Psycho Call Video Tape PN 1997 P79 FILM2700 History of Film Perm 2008 1986 perm Staff 8/16/2008 12/31/2008 00.00% IEPO85O Reading and Listening for Academic Purposes Spring 2009 Psychology Introduction Bunting Delk Greene Larsson Lee 8/16/2008 12/31/2008 159 00.14% Puar Jasbir and Amit Rai Monster Terrorist Fag The War on Terrorism and the Production of Docile Patriots Social Text WST8002 Globalization and Gender Fall 72 20 no 2002 117-148 2008 Jarmakani 8/16/2008 12/31/2008 00.00% Puar Jasbir 2005 ceQueer Times Queer Assemblages. Social Text 84-85 WST2O1O Introduction to Womens Studies Volume 23 Nos 3-4 Fall-Winter 2005 Fall 2008 Sinnott 8/16/2008 12/31/2008 00.00% Puar Jasbir Terrorist Assemblages WST8002 Globalization and Gender Fall Homonationalism in Queer Times Ch 2008 Jarmakani 8/16/2008 12/31/2008 13 00.01% Puar Jasbir Terrorist Assemblages Homonationalism in Queer Times WST4760 Activism History and Theory Selections Fall 2008 Kubala 8/16/2008 12/31/2008 17 00.02% Public opinion Number HN9O.P8 P84 J0U4510 Media and Politics Fall 2008 1999 Williams 8/16/2008 12/31/2008 00.00% B1OL3240 Human Physiology Spring Pulmonary Lecture-revised 2009 Eilertson 8/16/2008 12/31/2008 106 00.10% Purcell Henry Dido and Aeneas Recit.-Thy Hand Belinda Aria-When am laid in earth Graves Voce di Donna BMG MUS6I5O Review of Music History Fall Entertainment 1999 2008 Greene 8/16/2008 12/31/2008 00.01% MUS4620 Vocal Literature Spring 2009 Purcell Henry--An Evening Hymn Hartgrove 8/16/2008 12/31/2008 00.00% Purcell Henry--Hark the Eching Air The MUS4620 Vocal Literature Spring 2009 8/16/2008 12/31/2008 00.00% Fairy Queen McNair-sopranoj Hartgrove GSU007945.O1 4.xls-000334 Doc Hit Report 8.16.08-12.31.08 with course names.xls Document Course Resevés Page Date Range Hit Count of Total Purcell Henry--I attempt from loves sickness The Indian Queen/i 695 MUS4620 Vocal Literature Spring 2009 McNair-sopranoj Hartgrove 8/16/2008- 12/31/2008 00.00% Purcell Henry--If music be the food of love MUS4620 Vocal Literature Spring 2009 third setting/1695 McNair-soprano Hartgrove 8/16/2008 12/31/2008 00.00% MUS4620 Vocal Literature Spring 2009 Purcell Henry--Lord what is man Hartgrove 8/i 6/2008 12/31/2008 00.00% Purcell Henry--Music for While MUS4620 Vocal Literature Spring 2009 Oedipus/i 692 McNair-soprano Hartgrove 8/16/2008 12/31/2008 00.00% Purcell Henry--Sleep Adam sleep MUS4620 Vocal Literature Spring 2009 Baker mezzo-soprano Hartgrove 8/16/2008 12/31/2008 00.00% Purcell Henry--Thy Hand Belinda/When am laid in Earth Dido and Aeneus MUS4620 Vocal Literature Spring 2009 McNair-soprano Hartgrove 8/16/2008 12/31/2008 00.00% Purdue Theda and Michael Green Eds.
Recommended publications
  • January – February 2018 Concert Diary
    JAN/ FEB 2017/18 SEASON www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five prices ranges: In Person Stalls C – M Highest price 7 days a week: 10am – 8.30pm. Stalls A – B, N – P 2nd highest price Days without an evening concert 10am – 5pm. Balcony A – D 2nd highest price No advance booking in the half hour prior to Stalls BB, CC, Q – S 3rd highest price a concert. Stalls AA, T – V 4th highest price Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am–7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am–5.00pm. BB BB There is a non-refundable £3.00 administration CC CC A A charge for each transaction. B B C C D D Online: www.wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. G G There is a non-refundable £2.00 administration H H I I charge. J J K K L L Standby Tickets M M N N Standby tickets for students, senior citizens and O O P P the unemployed are available from one hour Q Q before the performance (subject to availability) R R S S with best available seats sold at the lowest price. REAR REAR T STALLS STALLS T U U NB standby tickets are not available for V V Lunchtime and Coffee Concerts.
    [Show full text]
  • Julius Stockhausen's Early Performances of Franz Schubert's
    19TH CENTURY MUSIC Julius Stockhausen’s Early Performances of Franz Schubert’s Die schöne Müllerin NATASHA LOGES Franz Schubert’s huge song cycle Die schöne mances of Die schöne Müllerin by the baritone Müllerin, D. 795, is a staple of recital halls and Julius Stockhausen (1826–1906), as well as the record collections, currently available in no responses of his audiences, collaborators, and fewer than 125 recordings as an uninterrupted critics.3 The circumstances surrounding the first sequence of twenty songs.1 In the liner notes of complete performance in Vienna’s Musikverein one recent release, the tenor Robert Murray on 4 May 1856, more than three decades after observes that the hour-long work requires con- the cycle was composed in 1823, will be traced.4 siderable stamina in comparison with operatic Subsequent performances by Stockhausen will roles.2 Although Murray does not comment on the demands the work makes on its audience, this is surely also a consideration, and certainly 3For an account of early Schubert song performance in a one that shaped the early performance history variety of public and private contexts, see Eric Van Tassel, of the work. This article offers a detailed con- “‘Something Utterly New:’ Listening to Schubert Lieder. sideration of the pioneering complete perfor- 1: Vogl and the Declamatory Style,” Early Music 25/4 (November 1997): 702–14. A general history of the Lied in concert focusing on the late nineteenth century is in Ed- ward F. Kravitt, “The Lied in 19th-Century Concert Life,” This study was generously funded by the British Academy Journal of the American Musicological Society 18 (1965): in 2015–16.
    [Show full text]
  • 2020 - 2021 Season Digital Concert Hall
    2020 - 2021 SEASON DIGITAL CONCERT HALL Schubert TABLE OF CONTENTS SCHUBERT I. Die schöne Müllerin II. Nacht Bonus Concert III. Winterreise IV. Liebe V. Schwanengesang NEW VOICES FESTIVAL: Past/Present/Future I. II. III. TICKETING INFORMATION Schubert FOR ITS 11TH SEASON, Brooklyn Art Song Society celebrates the legacy of the first and greatest composer of Lieder. Six programs of over 100 songs show the brilliance, emotional breadth, and profound beauty of Schubert’s musical voice. TICKETS & DETAILS » AVAILABLE FOR STREAMING SATURDAY, OCTOBER 10TH, 2020 | 7:30 PM Schubert One Die schöne Müllerin This groundbreaking story-in-song is a touching meditation on young love and heartbreak – a landmark in the history of Lieder. Franz Schubert: Die schöne Müllerin D. 795 TICKETS & DETAILS » Tyler Duncan, baritone; Erika Switzer, piano AVAILABLE FOR STREAMING SATURDAY, NOVEMBER 14TH, 2020 | 7:30 PM Schubert Two Nacht For Schubert, Night was at once a place of terror and wonder, of passion and repose, and the inspiration for some of his greatest songs. Franz Schubert: Selected songs including Wilkommen und Abschied, Daniel McGrew, Joseph Tancredi, tenor; Die Sterne, and Der Erikönig Mario Diaz-Moresco, Jorell Williams, baritone; Spencer Myer, Michael Brofman, piano TICKETS & DETAILS » AVAILABLE FOR STREAMING SATURDAY, DECEMBER 12TH, 2020 | 7:30 PM Schubert Bonus Concert This program includes some of Schubert's greatest hits not featured on the mainstage series. Tickets are pay what you will. Franz Schubert: Selected songs including Ave Maria, Die Forelle, and Auf dem Wasser du singen Sarah Craft Nelson, mezzo soprano; Nils Neubert, tenor; TICKETS & DETAILS » Nana Shi, piano AVAILABLE FOR STREAMING SATURDAY, JANUARY 16TH, 2021 | 7:30 PM Schubert Three Winterreise Schubert's magnum opus is a profound statement on loneliness and human suffering.
    [Show full text]
  • Schubert's Winterreise in Nineteenth-Century Concerts
    Detours on a Winter’s Journey: Schubert’s Winterreise in Nineteenth-Century Concerts NATASHA LOGES Downloaded from http://online.ucpress.edu/jams/article-pdf/74/1/1/465161/jams_74_1_1.pdf by American Musicological Society Membership Access user on 03 June 2021 Introduction For a time Schubert’s mood became more gloomy and he seemed upset. When I asked him what was the matter he merely said to me “Well, you will soon hear it and understand.” One day he said to me “Come to Schober’s to-day, I will sing you a cycle of awe-inspiring songs. I am anxious to know what you will say about them. They have affected me more than has been the case with any other songs.” So, in a voice wrought with emotion, he sang the whole of the “Winterreise” through to us.1 In 1858, Schubert’s friend Josef von Spaun published a memoir of Schubert that included this recollection of the composer’s own performance of his Winterreise,D.911.Spaun’s poignant account is quoted in nearly every pro- gram and recording liner note for the work, and many assume that he meant all twenty-four songs in the cycle, roughly seventy-five uninterrupted minutes of music, presented to a rapt, silent audience—in other words, a standard, modern performance.2 Spaun’s emotive recollection raises many questions, however. The first concerns what Spaun meant by “the whole of the ‘Winter- reise,’” and this depends on the date of this performance, which cannot be established. As many scholars have observed, Schubert most likely sang only the twelve songs he had initially composed.3 Susan Youens recounts that the 1.
    [Show full text]
  • Kimberley Boettger-Soller / Mezzosoprano Sylvie Decramer / Pianoforte
    I Concerti Progetto 2020/2021 martedì 29 giugno 2021 - ore 20 Teatro Vittoria, via Gramsci, 4 - Torino SCHUBERTIADE Kimberley Boettger-Soller / mezzosoprano Sylvie Decramer / pianoforte SCHUBERTIADE. I LIEDER In ricordo di Dietrich Fischer-Dieskau Progetto a cura di Erik Battaglia Franz Schubert (1797-1828) Namentagslied (Stadler) D. 695 Der Jüngling am Bache (Schiller) D. 30 Der Schiffer (Schlegel) D. 694 Der Zufriedene (Reissig) D. 320 Tischlerlied (anon.) D. 274 Geheimes (Goethe) D. 719 Lied (Claudius) D. 362 Vaterlandslied (Klopstock) D. 287 Der Alpenjäger (Schiller) D. 588 Die Berge (Schlegel) D. 634 Trost (Mayrhofer) D. 671 Ballade (Kenner) D. 134 Die verfehlte Stunde (Schlegel) D. 409 Versunken (Goethe) D. 715 Hochzeitslied (Jacobi) D. 463 Hoffnung (Schiller) D. 251 Genügsamkeit (Schober) D. 143 Die Erscheinung (Kosegarten) D. 229 Geisternähe (Mastthisson) D. 100 Die Sommernacht (Klopstock) D. 289 Greisengesang (Rückert) D. 778 Schwangesang (Kosegarten) D. 318 Vai alla scheda concerto con approfondimenti e materiali multimediali sul concerto Martedì 29 giugno 2021 l’Unione Musicale mette in scena al Teatro Vittoria (ore 20) un nuovo appuntamento con la Schubertiade, la serie concertistica che non si è interrotta neppure durante il lockdown, quando sono andati in onda due appuntamenti online. L’Unione Musicale sta raggiungendo un traguardo ambizioso: diventare il primo ente musicale in Italia a realizzare l’esecuzione integrale degli oltre 600 Lieder composti da Franz Schubert lungo tutto l’arco della sua vita: da Lebenstraum del
    [Show full text]
  • Schubert Lieder
    CHRISTIAN ELSNER SCHUBERT LIEDER ORCHESTRATED BY MAX REGER & ANTON WEBERN Rundfunk-Sinfonieorchester Berlin Marek Janowski FRANZ SCHUBERT (1797–1828) 6 Prometheus D 674 5. 09 Poem by Johann Wolfgang von Goethe Lieder Orchestrated by Max Reger Orchestrated by Max Reger and Anton Webern 7 Nacht und Träume (Heil’ge Nacht, du sinkest nieder) D 827 2. 38 1 An die Musik (Du holde Kunst) D 547 2. 07 Poem by Matthäus von Collin Poem by Franz von Schober Orchestrated by Max Reger Orchestrated by Max Reger Gesänge des Harfners D 478 2 Erlkönig D 328 3. 49 Lyrics from “Wilhelm Meisters Lehrjahre” by Johann Wolfgang Poem by Johann Wolfgang von Goethe von Goethe Orchestrated by Max Reger Orchestrated by Max Reger 8 No. 1: Wer sich der Einsamkeit ergibt 3. 52 3 Du bist die Ruh’ D 776 3. 09 9 No. 2: Wer nie sein Brot mit Tränen aß 4. 11 Poem by Friedrich Rückert 10 No. 3: An die Türen will ich schleichen 2. 06 Orchestrated by Anton Webern 11 Gruppe aus dem Tartarus D 583 3. 01 4 Greisengesang (Der Frost hat mir bereifet) D 778 6. 02 Poem by Friedrich Schiller Poem by Friedrich Rückert Orchestrated by Max Reger Orchestrated by Max Reger 12 Tränenregen (from “Die schöne Müllerin”) D 795 No. 10 5. 35 5 An den Mond D 296 3. 54 Poem by Wilhelm Müller Poem by Johann Wolfgang von Goethe Orchestrated by Anton Webern Orchestrated by Max Reger 13 Der Wegweiser (from “Die Winterreise”) D 911 No. 20 4. 06 Poem by Wilhelm Müller Orchestrated by Anton Webern 14 Memnon (Den Tag hindurch nur einmal mag ich sprechen) D 541 3.
    [Show full text]
  • Decoding the Music Master Pieces: Schubert's Winterreise
    Decoding the music master pieces: Schubert’s Winterreise Franz Schubert’s Winterreise, completed in 1827, is a set of 24 songs for voice and piano composed almost entirely using minor keys, which unlike the warm sounds of major keys often sound sad to our ears. Its mournful character reflects some of the personal trauma that Schubert himself was experiencing at the time. After years of a rather debauched life Schubert had contracted syphilis. The disease (or perhaps the treatment of it), was ultimately responsible for his death in 1828 at the age of 31. Schubert described Winterreise as being “truly terrible, songs which have affected me more than any others”. The songs take the audience on a journey that it is clear, by the very nature of the opening song, will end fatefully. Even the title, meaning “winter’s journey”, conjures up a visual image of a cold and dark landscape. The lyrics are poems by Wilhelm Müller and tell the story of a lonely traveller who ventures out into the snow on a journey to rid himself of his lost love. Along the way he experiences a turmoil of different emotions, mostly ranging from despair to greater despair. During his short life Schubert wrote over 600 art songs, 20 sonatas for piano, six major works for violin and piano, nine symphonies for orchestra and an impressive amount of chamber music for other groups of instruments. His art song output consists of the three main cycles – Die schöne Müllerin (The Beautiful Miller’s Daughter), Winterreise, and Schwanengesang (Swan Song), which was published after his death.
    [Show full text]
  • Schwanengesang CAN ÇAKMUR Piano
    LISZT / SCHUBERT Schwanengesang CAN ÇAKMUR piano BIS-2530 LISZT, Franz (1811—86) Schwanengesang 59'34 Vierzehn Lieder von Franz Schubert, S 560 (order devised by Can Çakmur) 1 Liebesbotschaft 3'27 8 Der Atlas 2'38 2 Kriegers Ahnung 6'14 9 Das Fischermädchen 3'22 3 Ihr Bild 2'42 10 Am Meer 4'02 4 Frühlingssehnsucht 2'29 11 Aufenthalt 3'12 5 Abschied 5'26 12 Die Stadt 2'45 6 In der Ferne 6'31 13 Der Doppelgänger 4'29 7 Ständchen 5'46 14 Die Taubenpost 5'08 Quatre Valses oubliées, S 215 19'43 15 Première Valse oubliée 3'21 17 Troisième Valse oubliée 5'40 16 Deuxième Valse oubliée 6'58 18 Quatrième Valse oubliée 3'36 TT: 80'12 Can Çakmur piano Instrumentarium: Shigeru Kawai SK-EX Concert Grand Piano 2 Liszt / Schubert: Schwanengesang, S 560 Seeing a transcription of a full song cycle on the programme, one very obvious reac tion from a music lover might be ‘Why?’ In the age of the Urtext, playing mere imitations of the originals seems like heresy. But this is not the case at all: a master- ful arrangement becomes a work of its own and its fame can often transcend that of the original. Think of Liszt’s First Mephisto Waltz or Liebestraum, or Busoni’s piano version of Bach’s Chaconne for solo violin, which has taken its place in the literature next to the original score. First published in 1840, twelve years after Schu- bert’s death, Liszt’s arrangement of Schwanengesang is his very own work that takes only its core from Schubert’s music.
    [Show full text]
  • Sydney Undergraduate Journal of Musicology Volume 1 120216
    Sydney Undergraduate Journal of Musicology Vol. 1, December 2011 Fantastic Fragments: German Romanticism through Modern Ears NICHOLAS YOUNG The emergence of the fragment as a serious component of art and the increasing philosophical importance of the fantastic were not simply two concurrent trends of German Romanticism, but rather a pair of phenomena which related to and influenced the development of each other. Recent critical studies of the fantastic by Tzvetan Todorov, Brian Attebery and Rosemary Jackson allow us to reconsider this relationship in terms of three possible connections: brevity as a symbol of the Todorovian supernatural fantastic; musical asymmetry as fulfilment of Attebery’s fantasy-mode; and musical incompleteness or instability as signifiers of Jackson’s fantasy of desire. The lieder of Schubert and the piano and song cycles of Schumann particularly benefit from such cross-analysis. By synthesising more recent theories with the originating Romantic aesthetic and literary inspirations, including the poetic sources for the lieder themselves, a greater understanding can be obtained of how the fragment served as a powerful and effective vehicle of expression for not only the fantastic as subject matter, but also fantasy as the ultimate Romantic mode of human perception and cognition.1 While both polarities of musical miniature and monumentality may have prevailed in the nineteenth century,2 it is in the brevity of the fragment that the intensity of the fantastic is most well sustained. Todorov’s The Fantastic proposes that the supernatural fantasy “occupies the duration of uncertainty . that hesitation experienced by a person who knows only the laws of nature,” strongly implying that the experience is more temporary than prolonged.3 In art, the 1 Throughout this study, my use of the terms “fantastic” and “fantasy” is synonymous, the former as either adjective or occasionally noun, and the latter as a noun only.
    [Show full text]
  • 15.1. at 20:00 Ritarihuone GERHAHER & HUBER
    15.1. at 20:00 Ritarihuone GERHAHER & HUBER & SCHUBERT Christian Gerhaher baritone Gerold Huber piano Franz Schubert: Schwanengesang D. 957 Lieder nach Ludwig Rellstab D. 957/1–7 Liebesbotschaft Kriegers Ahnung Frühlingssehnsucht 1 Ständchen Aufenthalt In der Ferne Abschied Lieder nach Heinrich Heine D. 957/8–13 Der Atlas Ihr Bild Das Fischermädchen Die Stadt Am Meer Der Doppelgänger Lieder nach Johann Gabriel Seidl Sehnsucht D. 879 Der Wanderer an den Mond D. 870 Am Fenster D. 878 Im Freien D. 880 Die Taubenpost D. 965 A Franz Schubert: Schwanengesang D. 957 The posthumously published Schwanen- he has become reconciled to his fate. gesang by Franz Schubert (1797–1828) is The cunning variation in the verses of not a song cycle in the same sense as Die Frühlingssehnsucht emphasises spring’s schöne Müllerin or Winterreise. It does not vibrant energy. Ständchen is the collec- tell a consecutive story, and nor is there a tion’s best-known song, a melodic love subtext hidden between the lines. Singers call. Aufenthalt could be likened to a tem- can therefore group the songs in different porary breather, but nature does not offer ways. peace. Rhythms collide, generating rebel- Schubert chose his poems for their mu- lion in the singer at both nature’s and his sical potential. When sung, they became own inner turmoil. In der Ferne is the most a new art form. The Schwanengesang son- complex of the Rellstab songs. The disen- gs combine his sovereign handling of his chanted singer has left his homeland, ta- texts with the key and rhythmic shifts king with him only memories and images characteristic of his late works, and he of nature.
    [Show full text]
  • Schubert Schwanengesang James Rutherford Baritone Eugene Asti Piano
    James Rutherford and Eugene Asti Schubert Schwanengesang James Rutherford baritone Eugene Asti piano BIS-2180 BIS-2108_f-b.indd 1 2015-09-30 10:34 SCHUBERT, Franz (1797–1828) Schwanengesang, D.957 Eight songs to poems by Ludwig Rellstab (1799–1860) 1 Liebesbotschaft 2'40 2 Kriegers Ahnung 4'52 3 Frühlingssehnsucht 3'26 4 Ständchen 3'51 5 Aufenthalt 3'07 6 Herbst, D.945* 3'19 7 In der Ferne 6'01 8 Abschied 4'30 Six songs to poems by Heinrich Heine (1797–1856) 9 Der Atlas 2'33 10 Ihr Bild 2'33 11 Das Fischermädchen 2'07 12 Die Stadt 3'18 13 Am Meer 4'38 14 Der Doppelgänger 4'41 To a poem by Johann Gabriel Seidl (1804–75) 15 Die Taubenpost 3'56 *Although not published as part of Schwanengesang, Herbst is sometimes included in performance. 2 Four Miscellaneous Songs: 16 Die Forelle, D.550 (text: C.F.D. Schubart) 2'01 17 Auf der Bruck, D.853 (text: Ernst Schulze) 3'34 18 Gruppe aus dem Tartarus, D.583 (text: Friedrich Schiller) 3'07 19 An die Musik, D.547 (text: Franz von Schober) 2'42 TT: 69'48 James Rutherford baritone Eugene Asti piano 3 electing an edition or specific keys for a performance of Schwanengesang is a tricky business for a baritone! Any time one transposes from the composer’s original key Sthe song changes in colour. It is 15 years since I first performed songs from the cycle with Eugene and each time I have programmed a selection – often the Heine settings – I swear we choose different keys for performance from the last outing! I will admit, therefore, that early preparation for this disc was frustrating! What keys do we choose? I have a wide range and each version I sang felt comfortable vocally whilst also showing dif ferent colours in my voice.
    [Show full text]
  • Johann Michael Vogl's Alterations to Schubert's "Die Schonë Mullerin̈ "
    University of Iowa Iowa Research Online Theses and Dissertations Spring 2009 Johann Michael Vogl's alterations to Schubert's "Die schonë Mullerin̈ " Joseph R Matson University of Iowa Follow this and additional works at: https://ir.uiowa.edu/etd Part of the Music Commons Copyright 2009 Joseph R Matson This thesis is available at Iowa Research Online: https://ir.uiowa.edu/etd/251 Recommended Citation Matson, Joseph R. "Johann Michael Vogl's alterations to Schubert's "Die schonë Mullerin̈ "." MA (Master of Arts) thesis, University of Iowa, 2009. https://doi.org/10.17077/etd.xsg0v6p1 Follow this and additional works at: https://ir.uiowa.edu/etd Part of the Music Commons JOHANN MICHAEL VOGL’S ALTERATIONS TO SCHUBERT’S DIE SCHÖNE MÜLLERIN by Joseph R. Matson A thesis submitted in partial fulfillment of the requirements for the Master of Arts degree in Music in the Graduate College of The University of Iowa May 2009 Thesis Supervisor: Associate Professor Marian Wilson Kimber Copyright by JOSEPH R. MATSON 2009 All Rights Reserved Graduate College The University of Iowa Iowa City, Iowa CERTIFICATE OF APPROVAL __________________________ MASTER’S THESIS _________________ This is to certify the Master’s thesis of Joseph R. Matson has been approved by the Examining Committee for the thesis requirements for the Master of Arts degree in Music at the May 2009 graduation. Thesis Committee: ___________________________________ Marian Wilson Kimber, Thesis Supervisor ___________________________________ Christine Getz ___________________________________ Katherine Eberle ACKNOWLEDGMENTS I wish to acknowledge the support of several people. The faculty, staff, and student body in the School of Music gave me the opportunity and support to pursue my research, in spite of the flood that closed the music building in 2008.
    [Show full text]