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THE HUMBLE BEGINNINGS of the INQUIRER LIFESTYLE SERIES: FITNESS FASHION with SAMSUNG July 9, 2014 FASHION SHOW]
1 The Humble Beginnings of “Inquirer Lifestyle Series: Fitness and Fashion with Samsung Show” Contents Presidents of the Republic of the Philippines ................................................................ 8 Vice-Presidents of the Republic of the Philippines ....................................................... 9 Popes .................................................................................................................................. 9 Board Members .............................................................................................................. 15 Inquirer Fitness and Fashion Board ........................................................................... 15 July 1, 2013 - present ............................................................................................... 15 Philippine Daily Inquirer Executives .......................................................................... 16 Fitness.Fashion Show Project Directors ..................................................................... 16 Metro Manila Council................................................................................................. 16 June 30, 2010 to June 30, 2016 .............................................................................. 16 June 30, 2013 to present ........................................................................................ 17 Days to Remember (January 1, AD 1 to June 30, 2013) ........................................... 17 The Philippines under Spain ...................................................................................... -
1 Target Texts Sourced in Fontes Anglo
Target Texts Sourced in Fontes Anglo-Saxonici Database (arranged alphabetically, by text title) Text Reference Title Author Edition Contributor C.B.19.139 Abdo, Sennes ANON (OE Martyrology) Kotzor 1981, 2, 163.7-164.3 C. Rauer C.B.19.038 Adrian, Natalia ANON (OE Martyrology) Kotzor 1981, 2, 28.1-29.12 C. Rauer C.B.19.204 Aethelburh ANON (OE Martyrology) Kotzor 1981, 2, 228.4-13 C. Rauer C.B.19.110 Aethelthryth ANON (OE Martyrology) Kotzor 1981, 2, 127.13-129.12 C. Rauer C.B.19.066 Aethelwald ANON (OE Martyrology) Kotzor 1981, 2, 58.1-11 C. Rauer C.B.19.149 Afra, Hilaria etc. ANON (OE Martyrology) Kotzor 1981, 2, 173.12-175.4 C. Rauer C.B.19.059 Agape, Chionia (Irene) ANON (OE Martyrology) Kotzor 1981, 2, 49.1-50.9 C. Rauer C.B.19.030 Agnes ANON (OE Martyrology) Kotzor 1981, 2, 22.14-23.12 C. Rauer C.B.19.171 Aidan ANON (OE Martyrology) Kotzor 1981, 2, 195.7-196.2 C. Rauer C.B.19.109 Alban ANON (OE Martyrology) Kotzor 1981, 2, 126.10-127.12 C. Rauer C.B.22.1 Alexander's Letter to Aristotle ANON (OE) Orchard 1995 C. Rauer C.B.19.071 Alexandria ANON (OE Martyrology) Kotzor 1981, 2, 66.3-67.7 C. Rauer C.B.19.218 All Saints ANON (OE Martyrology) Kotzor 1981, 2, 243.7-244.7 C. Rauer C.B.19.060 Ambrose of Milan ANON (OE Martyrology) Kotzor 1981, 2, 50.10-51.13 C. -
Galileo in Rome: the Rise and Fall of a Troublesome Genius (2004) By: William R
Galileo in Rome: The Rise and Fall of a Troublesome Genius (2004) by: William R. Shea & Mariano Artigas Review on Galileo’s Fifth and Sixth Trip to Rome Maria Briones 1. Overview William R. Shea is a professor of history of science in the University of Padua located in Italy, and Mariano Artigas is both a physicist and a Roman Catholic Priest.1 Shea and Artigas decided to connect their extensive knowledge in order to collaborate together and publish a book counteracting the overall dominant response of the Galileo affair. The Galileo affair is often seen as a black/white dilemma in which the Roman Catholic Church was at complete fault for persecuting Galileo based on his revolutionary discoveries, while Galileo, on the other hand, is often, and almost naturally, seen as being completely innocent of a genuine wrongdoing. Traveling back in time and analyzing each of the six trips Galileo took to Rome, Shea and Artigas attempt to find flaw in the black/white logic by pointing out life changing mistakes Galileo made during the course of his lifetime and ultimately put together an argument stating that, although the Roman Catholic Church was at fault, Galileo played an equal part in digging his own grave. Although Shea and Artigas discuss the six trips made to Rome, this review will cover the most controversial chapters; trips five and six are covered in their respective chapter (five and six) and highlight the argument attempted by the authors. 2. Background !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 1 Pg. xi Galileo’s fifth trip to Rome was when he was just over 60-years-old and took place on May 3rd 1630, lasting a little over a month until June 26th.2 During this time, Galileo published The Dialogue on the Two Chief World Systems; a play in four acts about three friends (Filippo Salvati, Giovanfrancesco Sagredo, and Simplicio). -
Grabmalskultur Und Soziale Strategien Im Frühneuzeitlichen Rom Am Beispiel Der Familie Papst Urbans VIII
Grabmalskultur und soziale Strategien im frühneuzeitlichen Rom am Beispiel der Familie Papst Urbans VIII. Barberini Autor(en): Köchli, Ulrich Objekttyp: Article Zeitschrift: Zeitschrift für schweizerische Kirchengeschichte = Revue d'histoire ecclésiastique suisse Band (Jahr): 97 (2003) PDF erstellt am: 11.10.2021 Persistenter Link: http://doi.org/10.5169/seals-130330 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Grabmalskultur und soziale Strategien im frühneuzeitlichen Rom am Beispiel der Familie Papst Urbans Vili. Barberini Ulrich Köchli Wer je die römische Petersbasilika mit offenen Augen durchmessen hat, dem werden die zahlreichen, zum Teil monumentalen Grablegen vergangener Päpste in Erinnerung geblieben sein. -
Hippolytus of Rome
Hippolytus of Rome For places named after the saint, see Saint-Hippolyte Pope Pontian (230–235).[2] (disambiguation). For the character in Greek mythology, Under the persecution at the time of Emperor Maximinus see Hippolytus (mythology). Thrax, Hippolytus and Pontian were exiled together in 235 to Sardinia, and it is quite probable that, before Hippolytus of Rome (170–235) was the most impor- his death there, he was reconciled to the other party at tant 3rd-century theologian in the Christian Church in Rome, for, under Pope Fabian (236–250), his body and Rome,[2] where he was probably born.[3] Photios I of that of Pontian were brought to Rome. From the so- Constantinople describes him in his Bibliotheca (cod. called chronography of the year 354 (more precisely, the 121) as a disciple of Irenaeus, who was said to be a dis- Catalogus Liberianus, or Liberian Catalogue) we learn ciple of Polycarp, and from the context of this passage that on August 13, probably in 236, the two bodies were it is supposed that he suggested that Hippolytus himself interred in Rome, that of Hippolytus in a cemetery on the so styled himself. However, this assertion is doubtful.[2] Via Tiburtina, his funeral being conducted by Justin the He came into conflict with the popes of his time and Confessor. This document indicates that, by about 255, seems to have headed a schismatic group as a rival bishop Hippolytus was considered a martyr and gives him the of Rome.[2] For that reason he is sometimes considered rank of a priest, not of a bishop, an indication that be- the first antipope. -
Domenichino's Scenes from the Life
DOMENICHINO’S SCENES FROM THE LIFE OF ST. CECILIA: ARTISTIC INTERPRETATION AND THE COUNTER-REFORMATION by Emily Freeman Bachelor of Arts, 2005 The University of Texas at Austin Austin, Texas Submitted to the Faculty Graduate Division of the College of Fine Arts Texas Christian University in partial fulfillment of requirements for the degree of MASTER OF ARTS May 2008 DOMENICHINO’S SCENES FROM THE LIFE OF ST. CECILIA: ARTISTIC INTERPRETATION AND THE COUNTER-REFORMATION Thesis approved: Major Professor, Dr. Babette Bohn Dr. Mark Thistlethwaite Dr. Nadia Lahutsky Graduate Studies Representative For the College of Fine Arts ii Copyright © 2008 by Emily Freeman All Rights Reserved iii TABLE OF CONTENTS List of Illustrations.................................................................................................. v Introduction............................................................................................................. 1 St. Cecilia and the Revival of Her Cult................................................................... 4 St. Cecilia in Art and Literature............................................................................ 13 Early Life and the Carracci Academy................................................................... 22 Conclusion ............................................................................................................ 43 Images................................................................................................................... 45 Bibliography ........................................................................................................ -
Being Seen: an Art Historical and Statistical Analysis of Feminized Worship in Early Modern Rome Olivia J
Macalester College DigitalCommons@Macalester College History Honors Projects History Department Spring 4-21-2011 Being Seen: An Art Historical and Statistical Analysis of Feminized Worship in Early Modern Rome Olivia J. Belote Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/history_honors Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, History of Gender Commons, and the Other Applied Mathematics Commons Recommended Citation Belote, Olivia J., "Being Seen: An Art Historical and Statistical Analysis of Feminized Worship in Early Modern Rome" (2011). History Honors Projects. Paper 9. http://digitalcommons.macalester.edu/history_honors/9 This Honors Project is brought to you for free and open access by the History Department at DigitalCommons@Macalester College. It has been accepted for inclusion in History Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Being Seen: An Art Historical and Statistical Analysis of Feminized Worship in Early Modern Rome Olivia Joy Belote Honors Project, History 2011 1 History Honors 2011 Advisor: Peter Weisensel Second Readers: Kristin Lanzoni and Susanna Drake Contents Page Introduction..................................................................................................................3 Feminist History and Females in Christianity..............................................................6 The -
Guide to Saints and Symbols in Stained Glass
Guide to Saints and Symbols in Stained Glass In churches and chapels, stained glass windows help create the sense of a sacred space. Stained glass windows of the saints can provide worshipers with inspirational illustrations of the venerated. The various saints may be depicted in stained glass either symbolically or in scenes from their lives. One of the challenges facing church designers, building committees and pastors doing church construction or remodeling is finding the right stained Saint Matthew Saint Mark glass images for your church or chapel. Panel #1001 Panel #1000 To help you, Stained Glass Inc. offers the largest selection of stained glass in the world. You will find Stained Glass Inc. windows to be of the finest quality, affordable and custom made to the size and shape of your window. If your church or organization is looking for a stained glass window of a saint, we can help. Not all the saints are listed here. If you are looking for a particular saint and you don’t find him or her listed here, just contact us, we can create a stained glass artwork for you. Saint Luke Saint John Panel #1005 Panel #1006 4400 Oneal, Greenville, TX • Phone: (903) 454-8376 [email protected] • www.StainedGlassInc.com To see more Saints in stained glass, click here: http://stainedglassinc.com/religious/saints-and-angels/saints.html The following is a list of the saints and their symbols in stained glass: Saint Symbol in Stained Glass and Art About the Saint St. Acathius may be illustrated in Bishop of Melitene in the third century. -
Flesh As Relic: Painting Early Christian Female Martyrs Within
FLESH AS RELIC: PAINTING EARLY CHRISTIAN FEMALE MARTYRS WITHIN BAROQUE SACRED SPACES by Stormy Lee DuBois A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art in Art History MONTANA STATE UNIVERSITY Bozeman, Montana November 2019 ©COPYRIGHT by Stormy Lee DuBois 2019 All Rights Reserved ii ACKNOWLEDGEMENTS I would like to offer my sincerest gratitude to my committee, Dr. Todd Larkin, Dr. Regina Gee, and Dr. Melissa Ragain, for supporting me throughout my coursework at Montana State University and facilitating both graduate research and pedagogical inspiration during the study abroad program in Italy. I would also like to thank School of Art Director, Vaughan Judge for his continued support of art historical research and for the opportunities the program has afforded me. My thanks also go my husband, Josh Lever for his love and support. Thanks are also in order to Dani Huvaere for reading every draft and considering every possibility. iii TABLE OF CONTENTS 1. INTRODUCTION ....................................................................................................... 1 2. BAROQUE PAINTING CONVENTIONS: STYLISTIC INTERPRETATIONS OF TRIDENTINE REQUIREMENTS FOR RELIGIOUS ART ............................................................................................... 4 Baroque Classicism and Naturalism ............................................................................. 4 Burial of Saint Lucy.................................................................................................. -
Timeline1800 18001600
TIMELINE1800 18001600 Date York Date Britain Date Rest of World 8000BCE Sharpened stone heads used as axes, spears and arrows. 7000BCE Walls in Jericho built. 6100BCE North Atlantic Ocean – Tsunami. 6000BCE Dry farming developed in Mesopotamian hills. - 4000BCE Tigris-Euphrates planes colonized. - 3000BCE Farming communities spread from south-east to northwest Europe. 5000BCE 4000BCE 3900BCE 3800BCE 3760BCE Dynastic conflicts in Upper and Lower Egypt. The first metal tools commonly used in agriculture (rakes, digging blades and ploughs) used as weapons by slaves and peasant ‘infantry’ – first mass usage of expendable foot soldiers. 3700BCE 3600BCE © PastSearch2012 - T i m e l i n e Page 1 Date York Date Britain Date Rest of World 3500BCE King Menes the Fighter is victorious in Nile conflicts, establishes ruling dynasties. Blast furnace used for smelting bronze used in Bohemia. Sumerian civilization developed in south-east of Tigris-Euphrates river area, Akkadian civilization developed in north-west area – continual warfare. 3400BCE 3300BCE 3200BCE 3100BCE 3000BCE Bronze Age begins in Greece and China. Egyptian military civilization developed. Composite re-curved bows being used. In Mesopotamia, helmets made of copper-arsenic bronze with padded linings. Gilgamesh, king of Uruk, first to use iron for weapons. Sage Kings in China refine use of bamboo weaponry. 2900BCE 2800BCE Sumer city-states unite for first time. 2700BCE Palestine invaded and occupied by Egyptian infantry and cavalry after Palestinian attacks on trade caravans in Sinai. 2600BCE 2500BCE Harrapan civilization developed in Indian valley. Copper, used for mace heads, found in Mesopotamia, Syria, Palestine and Egypt. Sumerians make helmets, spearheads and axe blades from bronze. -
The Theater of Piety: Sacred Operas for the Barberini Family In
The Theater of Piety: Sacred Operas for the Barberini Family (Rome, 1632-1643) Virginia Christy Lamothe A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2009 Approved by: Tim Carter, chair Annegret Fauser Anne MacNeil John Nádas Jocelyn Neal © 2009 Virginia Christy Lamothe ALL RIGHTS RESERVED ii Abstract Virginia Christy Lamothe: “The Theater of Piety: Sacred Operas for the Barberini Family (Rome, 1632-1643)” (Under the direction of Tim Carter) In a time of religious war, plague, and reformation, Pope Urban VIII and his cardinal- nephews Antonio and Francesco Barberini sought to establish the authority of the Catholic Church by inspiring audiences of Rome with visions of the heroic deeds of saints. One way in which they did this was by commissioning operas based on the lives of saints from the poet Giulio Rospigliosi (later Pope Clement IX), and papal musicians Stefano Landi and Virgilio Mazzocchi. Aside from the merit of providing an in-depth look at four of these little-known works, Sant’Alessio (1632, 1634), Santi Didimo e Teodora (1635), San Bonifatio (1638), and Sant’Eustachio (1643), this dissertation also discusses how these operas reveal changing ideas of faith, civic pride, death and salvation, education, and the role of women during the first half of the seventeenth century. The analysis of the music and the drama stems from studies of the surviving manuscript scores, libretti, payment records and letters about the first performances. -
August 11, 2019 Formation
CLERGY Sacred Heart Catholic Church 502 2nd Ave SE - Aberdeen, SD Reverend Mark Lichter Phone: 605-225-7065 Fax: 605-226-5992 Pastor .sacredheartaberdeen.net [email protected] www Parish Office Hours: Mon-Thurs: 8:30-4:30 - Friday 8:30-12:30 Reverend Patrick Grode Parochial Vicar Sacred Heart Catholic Church: Inviting Everyone to Passionately Live the Gospel [email protected] PARISH STAFF Janean Block Office Manager [email protected] Paulette Hay Financial Secretary [email protected] Open Position Director of Music [email protected] Thomas Eskro Director of Evangelization & Discipleship [email protected] Dawn Wanttie Asst. Director of Rel. Education [email protected] Jeff Swank Maintenance, Grounds & Cemetery [email protected] Aberdeen Catholic Foundation David Vetch - Executive Director [email protected] MASS SCHEDULE Sat. Vigil 5:00pm Sun. 7:30, 9:30, &11:30am DAILY MASS Mon. 5:30pm, Tues. 7:30am Wed. 5:30pm Thur. & Fri. 7:30am Sat. 8:15am CONFESSIONS Mon. 5:00pm, Tues. 7:00am, Wed. 5:00pm Thur. & Fri. 7:00am Sat. 7:30-8:00am & 3:30-4:30pm BAPTISM Must attend 1 class - first Thursday of the month, 7:00pm in the school library. Call office for info and to register for class. MARRIAGE Date must be set 6 months prior to marriage to allow time for classes & August 11, 2019 formation. Call priests at the office. From the Parochial Vicar Here’s some Catholic trivia for you: who is the only canonized antipope? The answer is St. Hippolytus. We cele- brate his feast day, along with that of Pope St.