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Publications for Peter Morgan 2020 2019 2018 2017 2016 2014 2013 Publications for Peter Morgan 2020 perspective. Journal of European Studies, 47(1), 3-20. <a Morgan, P. (2020). Literature and lustration: Rebuilding social href="http://dx.doi.org/10.1177/0047244116676685">[More trust through literature. Journal of European Studies, 50(1), 60- Information]</a> 69. <a Morgan, P. (2017). Teaching European Studies as an Academic href="http://dx.doi.org/10.1177/0047244119892864">[More Discipline in Australia. Australian and New Zealand Journal of Information]</a> European Studies, 9(2), 2-8. Morgan, P. (2020). The afterlife of a dictatorship: Ismail Bandhauer, A., Lay, T., Lu, Y., Morgan, P. (2017). The World Kadare's post-communist reckoning with the Albanian past. Within: Self-perception and images of the Other in German Journal of European Studies, 50(3), 281-294. <a literatures and cultures. Melbourne: Australian Scholarly href="http://dx.doi.org/10.1177/0047244120934210">[More Publishing. Information]</a> Bandhauer, A., Lay, T., Lu, Y., Morgan, P. (2017). Vorwort Morgan, P. (2020). The Ethics of Narration in Helen (Preface). In Andrea Bandhauer, Tristan Lay, Yixu Lu, Peter Demidenko's The Hand That Signed the Paper, 1994 and 2017. Morgan (Eds.), The World Within: Self-perception and images AJS Review, 44(2), 368-383. <a of the Other in German literatures and cultures, (pp. 9-10). href="http://dx.doi.org/10.1017/S0364009420000033">[More Melbourne: Australian Scholarly Publishing. Information]</a> Morgan, P. (2020). The three worlds of Ismail Kadare. Modern 2016 Language Review, 115(1), 124-140. <a Morgan, P. (2016). Introduction: World Literature Studies and href="http://dx.doi.org/10.5699/modelangrevi.115.1.0124">[Mo the Transnational Turn. In Peter Morgan (Eds.), Text, re Information]</a> Translation, Transnationalism: World Literature in 21st 2019 Century Australia, (pp. 1-30). Melbourne: Australian Scholarly Publishing. Morgan, P. (2019). Pederasty and Anarchist Individualism in Morgan, P. (2016). Text, Translation, Transnationalism: World the Work of John Henry Mackay. In Christine Magerski, David Literature in 21st Century Australia. Melbourne: Australian Roberts (Eds.), Kulturrebellen � Studien zur anarchistischen Scholarly Publishing. Moderne, (pp. 119-137). Wiesbaden: Springer VS. <a href="http://dx.doi.org/10.1007/978-3-658-22275-8_7">[More Morgan, P. (2016). The European Origins of Albania in Ismail Information]</a> Kadare's The File on H. In Andrew Hammond (Eds.), The Novel and Europe: Imagining the Continent in Post-1945 2018 Fiction, (pp. 101-113). London: Palgrave Macmillan. <a href="http://dx.doi.org/10.1057/978-1-137-52627-4_5">[More Morgan, P. (2018). Changing the Face of Power: The Literary Information]</a> Reeducation of a Dictator. Politics, Religion and Ideology, 19(4), 562-581. <a 2014 href="http://dx.doi.org/10.1080/21567689.2018.1538664">[Mor Morgan, P. (2014). Stefan George's War: The End of the e Information]</a> Homoerotic Dream. Limbus: Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft, 7(2014), 219- Morgan, P. (2018). Germanistik, German Studies and the New 244. World Literature. In Andrea Bandhauer, Tristan Lay, Yixu Lu, Peter Morgan (Eds.), The World Within: Self-perception and Morgan, P. (2014). The Function of Translation in Global images of the Other in German literatures and cultures, (pp. 3- Literary Studies. The AALITRA Review - A Journal of Literary 26). Melbourne: Australian Scholarly Publishing. Translation, 8, 6-11. Morgan, P. (2018). Teaching European Studies in Australian Universities. In Bruce Wilson and Bruno Mascitelli (Eds.), 'So 2013 Distant, So Close': Australia and the European Union in the Morgan, P. (2013). Translating the World: Literature and Re- 21st Century, (pp. 226-243). Melbourne: Australian Scholarly Connection from Goethe to Gao. Revue de Litterature Publishing. Comparee, 345(1), 63-79. <a href="http://dx.doi.org/10.3917/rlc.345.0063">[More Bandhauer, A., Lay, T., Lu, Y., Morgan, P. (2018). The World Information]</a> Within: Self-perception and images of the Other in German literatures and cultures. Melbourne: Australian Scholarly Publishing. 2012 Morgan, P. (2012). Coming out in Weimar: Crisis and Morgan, P. (2018). Worlds and Letters. New Left Review, homosexuality in the Weimar Republic. Thesis Eleven, 111(1), 109(jan-feb 2018), 151-159. 48-65. <a 2017 href="http://dx.doi.org/10.1177/0725513612445366">[More Information]</a> Morgan, P. (2017). Between the World and the Work: Morgan, P. (2012). Ismail Kadare e l'orientalismo albanese. In Civilisational Analysis in World Literature Studies. Australian Alessandra Scarsella and Giuseppina Turano (Eds.), La Humanities Review, 62, 135-156. Scrittura Obliqua di Ismail Kadare, (pp. 31-46). Venice, Italy: Morgan, P. (2017). Literary transnationalism: A Europeanist's Granviale Editori. Morgan, P. (2007). "Die Heimat meiner Seele": The 2011 Significance of Hans Pfitzner's Palestrina for Thomas Mann's Doktor Faustus. In Christine Magerski, Robert Ian Savage, Morgan, P. (2011). Greek Civilisation as a Theme of Christiane Weller (Eds.), Moderne Begreifen: zur Paradoxie Dissidence in the Work of Ismail Kadare. Modern Greek eines sozio-asthetischen Deutungsmusters, (pp. 205-220). Studies (Australia and New Zealand), 15, 16-32. Germany: DUV verlag. <a href="http://dx.doi.org/10.1007/978- 3-8350-9676-9">[More Information]</a> Morgan, P. (2011). Ismail Kadare's Inner Emigration. In Sara Jones and Meesha Nehru (Eds.), Writing under Socialism, (pp. Morgan, P. (2007). Consequences of Secondary Literature 131-142). Nottingham, UK: Critical, Cultural and Study at University Level. Directions in Education, 16(14). Communications (CCC) Press. 2006 Morgan, P. (2011). Literature and Witnessing. In Deiters, Franz-Josef; Fliethmann, Axel; Weller Christiane (Eds.), Morgan, P. (2006). Ismail Kadare: Modern Homer or Albanian Groteske Moderne - Moderne Groteske, (pp. 285-304). St. Dissident? World Literature Today, 80(5), 7-11. <a Ingbert: Roehrig Universitaetsverlag GmbH. href="http://dx.doi.org/10.1080/07374836.2008.10523978">[M ore Information]</a> Morgan, P. (2011). Sacrifice, Modernite et perte dans Le Pont aux trois arches de Kadare [Sacrifice, modernity and loss in the Morgan, P. (2006). Kadare - një Homer modern. Studia "Three-Arched Bridge" by Kadare]. In Ariane Eissen and Albanica, 62, 102-105. Veronique Gely (Eds.), Lectures dIsmail Kadare [Readings of Morgan, P. (2006). Kadare, një Homer modern. Shekulli (The Ismail Kadare], (pp. 195-210). Paris: Presses Universitaires de Century), 10. Paris Ouest. <a href="http://dx.doi.org/10.4000/books.pupo.3787">[More Morgan, P. (2006). Paradigm Change in European Studies in Information]</a> Australia. In Axel Fliethmann, Christine Weller (Eds.), Tendenzen der internationalen Germanistik, (pp. 11-28). Sankt 2010 Augustin, Germany: Asgard Verlag. Morgan, P. (2010). Ismail Kadare: The Writer and the Dictatorship, 1957-1990. Leeds, United Kingdom: Maney 2005 Publishing. Morgan, P. (2005). Georges Kien and the 'Diagnosis of Delusion' in Elias Canetti's Die Blendung. Twentieth-Century Morgan, P. (2010). Ismail Kadare: Writing under Dictatorship. Literary Criticism Volume 157. United States: Gale. Arts: the Proceedings of the Sydney University Arts Association, 32, 69-88. Morgan, P. (2005). Ismail Kadare: Creativity under Communism. The Australian Newspaper. Morgan, P. (2010). The Wrong Side of History: Albania's Greco-Illyrian Heritage in Ismail Kadare's 'Aeschylus or the Morgan, P. (2005). Look Wider for Laureates. The Australian Great Loser'. Modern Greek Studies (Australia and New Newspaper. Zealand), 14(2010), 92-111. Morgan, P. (2005). The Sign Of Saturn: Melancholy, Morgan, P. (2010). Translation and Dictatorship: The Case of Homelessness and Apocalypse in W.G. Sebald's Prose- Ismail Kadare. The AALITRA Review - A Journal of Literary Narratives. German Life and Letters, 58, 76-92. <a Translation, 2(November 2010), 37-41. href="http://dx.doi.org/10.1111/j.0016- 8777.2005.00305.x">[More Information]</a> 2009 Morgan, P. (2009). "Your Story is now My Story": The Ethics 2004 of Narration in Grass and Sebald. Monatshefte für Morgan, P. (2004). Leslie Bodi: Literatur, Politik, Identität- deutschsprachige Literatur und Kultur, 101(2), 186-206. Literature, Politics, Cultural Identity: Review. AUMLA, 102, 140-145. Morgan, P. (2009). Kadare after Communism: Albania, the Balkans, and Europe in the Post-1990 Work of Ismail Kadare. In Christian Moraru (Eds.), Postcommunism, Postmodernism, 2003 and the Global Imagination, (pp. 137-167). New York, United Morgan, P. (2003). The Spirit of the Place: Idyll as 'Imagined States: Columbia University Press. Community' in Goethe's Werther. AUMLA, (Special Issue) February, 42-55. Morgan, P. (2009). Literature and National Redemption in W.G. Sebald's On the Natural History of Destruction. In Gerhard Fischer (Eds.), W.G. Sebald: Schreiben ex patria / 2002 Expatriate Writing, (pp. 213-229). Amsterdam: Rodopi. Morgan, P. (2002). Ancient Names … Marked by Fate . Ethnicity and the "Man without Qualities" in Ismail Kadare's 2008 Palace of Dreams. The European Legacy, 7(1), 45-60. Morgan, P. (2008). Ismail Kadaré's The Shadow Literature, Morgan, P. (2002). Between Albanian Identity and Imperial Dissidence, and Albanian Identity. East European Politics and Politics: Ismail Kadare's "The Palace of Dreams". Modern Societies, 22(2), 402-424. <a Language Review, 97(2), 365-379. href="http://dx.doi.org/10.1177/0888325408315769">[More Information]</a> Morgan, P. (2008). The Failure to Invent the Truth: W.G. Sebald's Critique of West German Literature. Limbus: Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft, 1, 35-52. 2007.
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