Occasions 9 Ritchie Robertson Anticlericalism in Austrian Literature
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Marching Into History
Marching into History: From the Early Novels of Joseph Roth to Radetzkymarsch and Die Kapuzinergruft Kati Tonkin B.A. (Hons), M.A. (Dist.) This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities German and European Studies February 2005 Acknowledgements I wish to express my gratitude to the Österreichischer Austauschdienst for an Österreich-Stipendium and to the University of Western Australia for a Fay Gale Fellowship. These two awards enabled me to spend the period September 2001 to February 2002 in Vienna conducting the initial research for this thesis. Emeritus Professor Leslie Bodi gave me the benefit of his expertise in Austrian literature and culture in stimulating conversations over a period of several years. I am indebted to him also for providing me with many contacts in Vienna whose assistance in the early stages of my research was invaluable. In Vienna I was fortunate to meet with a number of scholars who have written on the work of Joseph Roth. I would like to thank Professor Moritz Csáky of the Österreichische Akademie der Wissenschaften; Professor Wendelin Schmidt- Dengler from the Universität Wien; and Dr. Heinz Lunzer, director of the Literaturhaus Wien for their interest in my project and their academic advice. Dr. Lutz Musner kindly enabled me to attend lectures at the Internationales Forschungszentrum Kulturwissenschaften of which he is the director. My supervisor, colleague and friend Associate Professor Peter Morgan has been a wonderful mentor and an inspiration since I first attended his classes as an undergraduate. I have greatly appreciated, enjoyed and benefited from our supervision meetings over the years, and I cannot thank him enough for his unfailing support and encouragement while I have been combining work and study. -
The Total Work of Art in European Modernism Series Editor: Peter Uwe Hohendahl, Cornell University
The Total Work of Art in European Modernism Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought publishes new English- language books in literary studies, criticism, cultural studies, and intellectual history pertaining to the German-speaking world, as well as translations of im- portant German-language works. Signale construes “modern” in the broadest terms: the series covers topics ranging from the early modern period to the present. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Please see http://signale.cornell.edu/. The Total Work of Art in European Modernism David Roberts A Signale Book Cornell University Press and Cornell University Library Ithaca, New York Cornell University Press and Cornell University Library gratefully acknowledge the support of The Andrew W. Mellon Foundation for the publication of this volume. Copyright © 2011 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writ- ing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2011 by Cornell University Press and Cornell University Library Printed in the United States of America Library of Congress Cataloging-in-Publication Data Roberts, David, 1937– The total work of art in European modernism / David Roberts. p. cm. — (Signale : modern German letters, cultures, and thought) Includes bibliographical references and index. ISBN 978-0-8014-5023-5 (pbk. : alk. paper) 1. Modernism (Aesthetics) 2. -
«Nirgends Sünde, Nirgends Laster»
Ute Kröger «NIRGENDS SÜNDE, NIRGENDS LASTER» Zürich inspiriert Literaten Mit Texten von Hugo Ball, Johannes R. Becher, Claus Bremer, Max Brod, Elias Canetti, Paul Celan, Walter Matthias Diggelmann, Alfred Döblin, Friedrich Dürrenmatt, Kasimir Edschmid, Nanny von Escher, Robert Faesi, Max Frisch, Manuel Gasser, Friedrich Glauser, Johann Wolfgang Goethe, Kurt Guggenheim, Alexander Xaver Gwerder, Max Herrmann-Neisse, David Hess, Peter Hille, Hans Rudolf Hilty, Rudolf Jakob Humm, Meinrad Inglin, James Joyce, Franz Kafka, Ossip Kalenter, Gottfried Keller, Egon Erwin Kisch, Klabund, Friedrich Gottlieb Klopstock, Arnold Kübler, Meinrad Lienert, Hugo Loetscher, Klaus Mann, Thomas Mann, Nikiaus Meienberg, Conrad Ferdinand Meyer, Oskar Panizza, Joachim Ringelnatz, Max Rychner, Salomon Schinz, Barbara Schulthess, Mario Soldati, Tom Stoppard, Fridolin Tschudi, Grete von Urbanitzky, Richard Wagner, Robert Walser, Maria Waser, PaulWehrli, Ernst Zahn, Albin Zollinger Limmat Verlag Zürich Inhalt Vorwort 10 jm 800 Meinrad Lienert Grundstein für die Wasserkirche 12 Kaiser Karl der Grosse, die Schlange und der Hirsch m 1650 Conrad Ferdinand Meyer Liebesabenteuer auf der Au 18 Der Schuss von der Kanzel rn 1700 Maria Waser Nur fort aus dem Krähennest 32 Die Geschichte der Anna Waser 1750 Friedrich Gottlieb Klopstock Liebeleien auf dem See 44 Der Zürcher See 1774 Salomen Sclunz Aufgeklärte Botanik 50 Die Reise auf den Uethberg 1775 Johann Wolfgang Goethe Skandal um Nackte im Sihlwald 64 Dichtung und Wahrheit m 1780 Robert Faesi Revoluzzer auf dem Lindenhof -
1 Recherchierte Dokumente
Herr der Bücher: Marcel Reich-Ranicki in seiner Frankfurter Wohnung MONIKA ZUCHT / DER SPIEGEL SPIEGEL-GESPRÄCH „Literatur muss Spaß machen“ Marcel Reich-Ranicki über einen neuen Kanon lesenswerter deutschsprachiger Werke SPIEGEL: Herr Reich-Ranicki, Sie haben für die an der Literatur interessiert sind. Gibt es um die Schule geht, für den Unterricht den SPIEGEL Ihren persönlichen literari- es überhaupt einen Bedarf für eine solche besonders geeigneter Werke. Die Frage, ob schen Kanon zusammengestellt, die Sum- Liste literarischer Pflichtlektüre? wir einen solchen Katalog benöti- me Ihrer Erfahrung als Literaturkritiker – Reich-Ranicki: Ein Kanon ist nicht etwa ein gen, ist mir unverständlich, denn für Schüler, Studenten, Lehrer und dar- Gesetzbuch, sondern eine Liste empfehlens- über hinaus für alle, werter, wichtiger, exemplarischer und, wenn Das Gespräch führte Redakteur Volker Hage. Chronik der deutschen Literatur Marcel Reich-Ranickis Kanon Johann Wolfgang von Goethe, Andreas Gryphius, 1749 –1832 1616 –1664 „Die Leiden des Gedichte jungen Werthers“, Gotthold Ephraim Lessing, „Faust I“, „Aus Walther von der Christian Hofmann Johann Christian 1729 –1781 meinem Leben. Das Nibe- Vogelweide, Martin Luther, von Hofmannswaldau, Günther, „Minna von Barnhelm“, Dichtung und lungenlied ca. 1170 –1230 1483 –1546 1616 –1679 1695 –1723 „Hamburgische Dramaturgie“, Wahrheit“, (um 1200) Gedichte Bibelübersetzung Gedichte Gedichte „Nathan der Weise“ Gedichte MITTELALTER16. JAHRHUNDERT 17. JAHRHUNDERT 18. JAHRHUNDERT 212 der spiegel 25/2001 Titel der Verzicht auf einen Kanon würde den der verfassten Rahmenrichtlinien und und auch die liebe Elke Heidenreich. Be- Rückfall in die Barbarei bedeuten. Ein Lehrpläne für den Deutschunterricht an merkenswert der Lehrplan des Sächsischen Streit darüber, wie der Kanon aussehen den Gymnasien haben einen generellen Staatsministeriums für Kultus: Da werden sollte, kann dagegen sehr nützlich sein. -
Introduction
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. INTRODUCTION NO NOVELIST has better described the dissolution of the Haps burg empire than Joseph Roth. Of course it did not collapse with a shudder at the death of the emperor and the end of the Great War, but had been rotting away for years, and the rot created its own luster, which Roth captured with an uncanny accuracy. He caught the rustling silks and sword hilts, the gutted nostalgia, the unwritten and impenetrable rules, the aimless ness and hollow laughter, the Prater and masquerades, the military maneuvers and opera boxes. He described it all as a dying candle, flickering, golden, consumed by the very liquid it had created. I lived in the cheerful, carefree company of young aristo crats whose company, second only to that of artists, I loved best under the old Empire. With them I shared a skeptical frivolity, a melancholy curiosity, a wicked insouciance, and the pride of the doomed, all signs of the disintegration which at that time we still did not see coming. Above the ebullient glasses from which we drank, invisible Death was already crossing his bony hands. We swore without malice and blasphemed without thought. Alone and old, distant and at the same time turning into stone, but still close to us all and omnipresent in the great and brilliant pattern of the Empire, lived and ruled the old Emperor, For general queries, contact [email protected] © Copyright, Princeton University Press. -
Absorber 202 Acetaldehyde 130 Acidic Acid Butyl Ester 119 Activated
219 Index a Aristotle 1 absorber 202 art 207 acetaldehyde 130 art gallery 205 acidic acid butyl ester 119 activated carbon 71 b activation energy 25 B(OCH3)3 167 Adalbert Stifter 211, 213 B(OH)3 167 Adolf von Bayer 61 B.Z. Sakhashiri XIV Ag2O 183 Ba(OH)2 · 8 H2O 39 AgCl 133, 134 banana 149 AgNO3 53, 109, 110, 111 beer can 159 AgSCN 213, 215 bell jar 11 air 169, 171, 181 Belousov–Zhabotinsky reaction 138 Albert Einstein 17, 95, 111, 125 Berzelius 47 Albert Schweizer 7 bisdimethylaminoketone 191 AlBr3 154 blackbody 202 alchemist’s gold 163 Blauer Reiter 209 alcohol 203 bleach 47, 48, 78 alcohol fl ame 167 bleaching 77, 87 alcohol test 129 blood cells 12 aldehyde 69 blue bottle 73 Alexander von Humboldt 159 boiling water 23 Alice’s adventures in bond energy 25 wonderland 217 bones 2 alkali metals 80, 203, 204 boric acid 167 alkali silicates 95 boric esters 167 aluminum 153, 154, 159 brain 2 aluminum foil 154 brass 163 aluminum wire 155 brilliant green E 142 213, 215 ammonia 40, 79, 122, 123, 196 bromine 153, 155, 189, 199 ammonia solution 79, 121, 177, 211 bromocresol green 119 ammonium chloride 178 bromothymol blue 139, 140 ammonium molybdate 63 ammonium thiocyanate 213 c aniline blue 71 C.P. Snow xiii anode 34, 56, 57, 58 C2H5OH 129, 130 Antoine de Saint Exupéry 177 CaCl2 7, 8 aquacomplex 211 CaCl2 · 6H2O 7, 8 aqueous ammonia 212 CaCO3 44 aqueous phase 166 calcium phosphate 28, 170 Spectacular Chemical Experiments. Herbert W. -
Anna Fröhlich]
Fröhlich, Anna dürften die vier Schwestern Fröhlich für die Kunst, na- mentlich für den Gesang, mehr gewirkt haben als so man- che Europa=berühmte Amazone von der Kehle, und wur- den in dankbarer Anerkennung ihrer regen Theilnahme, ihrer unermüdlichen Bestrebungen für diese classischen Concerte von allen Mitgliedern dieses Kunstvereines als die Stützen desselben betrachtet und bewundert.“ (“The participants [at the Kiesewetters’ house] were, as usual, professional musicians or exceptional amateur mu- sicians from the capital [Vienna]. The women’s choir – sopranos and altos – was made up of the more senior sin- ging students from the local conservatorium, directed by their teacher, Miss Nanette Fröhlich [Anna Fröhlich]. Re- cently, the solo parts have been entrusted to her private students or to her sister Josephine Fröhlich, who rise sparkling to the occasion every time. Indeed, the four Fröhlich sisters may have done more for art, and especial- ly for the art of song, than many a Europe-famous vocal Amazon, and were thankfully appreciated for their active participation, their tireless efforts for these classical con- Anna Fröhlich, Portrait von Emanuel Peter, 1830 certs, by all the members of this art society, who consider and admire them as the pillars of said society.”) Anna Fröhlich Birth name: Maria Anna Fröhlich („Aus Wien“ [Report on house concerts by Raphael Ge- org Kiesewetter]. In: Jahrbücher des Deutschen National- * 19 September 1793 in Wien, Österreich vereins für Musik und die Wissenschaft 4.1842, pp. † 11 March 1880 in Wien, Österreich 311-312, see also Waidelich 1997) The date of birth is unclear: both the 19th and the 30th Profile of November, 1793, have been named. -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
Crossing Central Europe
CROSSING CENTRAL EUROPE Continuities and Transformations, 1900 and 2000 Crossing Central Europe Continuities and Transformations, 1900 and 2000 Edited by HELGA MITTERBAUER and CARRIE SMITH-PREI UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2017 Toronto Buffalo London www.utorontopress.com Printed in the U.S.A. ISBN 978-1-4426-4914-9 Printed on acid-free, 100% post-consumer recycled paper with vegetable-based inks. Library and Archives Canada Cataloguing in Publication Crossing Central Europe : continuities and transformations, 1900 and 2000 / edited by Helga Mitterbauer and Carrie Smith-Prei. Includes bibliographical references and index. ISBN 978-1-4426-4914-9 (hardcover) 1. Europe, Central – Civilization − 20th century. I. Mitterbauer, Helga, editor II. Smith-Prei, Carrie, 1975−, editor DAW1024.C76 2017 943.0009’049 C2017-902387-X CC-BY-NC-ND This work is published subject to a Creative Commons Attribution Non-commercial No Derivative License. For permission to publish commercial versions please contact University of Tor onto Press. The editors acknowledge the financial assistance of the Faculty of Arts, University of Alberta; the Wirth Institute for Austrian and Central European Studies, University of Alberta; and Philixte, Centre de recherche de la Faculté de Lettres, Traduction et Communication, Université Libre de Bruxelles. University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council, an agency of the -
The Censorship of Literary Naturalism, 1885-1895: Prussia and Saxony
Grand Valley State University ScholarWorks@GVSU Peer Reviewed Articles History Department 2014 The Censorship of Literary Naturalism, 1885-1895: Prussia and Saxony Gary D. Stark University of Texas at Arlington Follow this and additional works at: https://scholarworks.gvsu.edu/hst_articles Part of the History Commons ScholarWorks Citation Stark, Gary D., "The Censorship of Literary Naturalism, 1885-1895: Prussia and Saxony" (2014). Peer Reviewed Articles. 19. https://scholarworks.gvsu.edu/hst_articles/19 This Article is brought to you for free and open access by the History Department at ScholarWorks@GVSU. It has been accepted for inclusion in Peer Reviewed Articles by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. SYMPOSIUM: THE CENSORSHIP OF LITERARY NATURALISM The of Censorship Literary Naturalism, 1885-1895: Prussia and Saxony GARY D. STARK has been written in recent years about the emergence of modernist culture in^w de siecle Europe and the resistance MUCH it met from cultural traditionalists. The earliest clashes be? tween traditionalism and modernism usually occurred in the legal arena, where police censors sought to uphold traditional norms against the modernist onslaught. How successful was the state in combatting emer? gent modernist cultural movements? Arno Mayer, in a recent analysis ofthe persistence ofthe old regime in Europe before 1914, maintains that: "In the long run, the victory of the modernists may have been inevitable. In the short run, however, the modernists were effectively bridled and isolated, if need be with legal and administrative controls."1 In Germany, the first stirrings of modern literature?if perhaps not yet of full modernism?began with the naturalists, also called the "real- ists," the "youngest Germans," or simply "the Moderns."2 Naturalists Research for this essay was made possible by generous grants from the National En? dowment for the Humanities, the German Academic Exchange Service, and the Uni? versity of Texas at Arlington Organized Research Fund. -
Austriaca, 87 | 2018 Maria Piok, Ulrike Tanzer Und Kyra Waldner (Hg.), Marie Von Ebner-Eschenbach
Austriaca Cahiers universitaires dʼinformation sur lʼAutriche 87 | 2018 Finis Austriae : la chute de l’aigle bicéphale Maria Piok, Ulrike Tanzer und Kyra Waldner (Hg.), Marie von Ebner-Eschenbach. Schriftstellerin zwischen den Welten Marc Lacheny Édition électronique URL : http://journals.openedition.org/austriaca/469 DOI : 10.4000/austriaca.469 ISSN : 2729-0603 Éditeur Presses universitaires de Rouen et du Havre Édition imprimée Date de publication : 1 décembre 2018 Pagination : 279-283 ISBN : 979-10-240-1354-1 ISSN : 0396-4590 Référence électronique Marc Lacheny, « Maria Piok, Ulrike Tanzer und Kyra Waldner (Hg.), Marie von Ebner-Eschenbach. Schriftstellerin zwischen den Welten », Austriaca [En ligne], 87 | 2018, mis en ligne le 01 mars 2020, consulté le 28 janvier 2021. URL : http://journals.openedition.org/austriaca/469 ; DOI : https://doi.org/ 10.4000/austriaca.469 Ce document a été généré automatiquement le 28 janvier 2021. Austriaca. Cahiers universitaires dʼinformation sur lʼAutriche Maria Piok, Ulrike Tanzer und Kyra Waldner (Hg.), Marie von Ebner-Eschenbach.... 1 Maria Piok, Ulrike Tanzer und Kyra Waldner (Hg.), Marie von Ebner- Eschenbach. Schriftstellerin zwischen den Welten Marc Lacheny RÉFÉRENCE Maria Piok, Ulrike Tanzer und Kyra Waldner (Hg.), Marie von Ebner-Eschenbach. Schriftstellerin zwischen den Welten ( =Innsbrucker Beiträge zur Kulturwissenschaft. Germanistische Reihe. Bd. 90), Innsbruck, innsbruck university press, 2018, 236 p., ISBN : 978-3-901064-53-1, 38 €. 1 Marie von Ebner-Eschenbach (1830-1916) s’est imposée comme auteure à une époque de bouleversements politiques, intellectuels et culturels majeurs : se frayant un chemin entre des conceptions et des valeurs traditionnelles d’un côté et sa quête d’évasion par la littérature de l’autre, elle a produit une œuvre littéraire abondante qui interroge à plusieurs niveaux les changements sociopolitiques de son temps sur la voie de la modernité. -
Staging Memory: the Drama Inside the Language of Elfriede Jelinek
Studies in 20th & 21st Century Literature Volume 31 Issue 1 Austrian Literature: Gender, History, and Article 13 Memory 1-1-2007 Staging Memory: The Drama Inside the Language of Elfriede Jelinek Gita Honegger Arizona State University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, and the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Honegger, Gita (2007) "Staging Memory: The Drama Inside the Language of Elfriede Jelinek," Studies in 20th & 21st Century Literature: Vol. 31: Iss. 1, Article 13. https://doi.org/10.4148/2334-4415.1653 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Staging Memory: The Drama Inside the Language of Elfriede Jelinek Abstract This essay focuses on Jelinek's problematic relationship to her native Austria, as it is reflected in some of her most recent plays: Ein Sportstück (A Piece About Sports), In den Alpen (In the Alps) and Das Werk (The Plant). Taking her acceptance speech for the 2004 Nobel Prize for Literature as a starting point, my essay explores Jelinek's unique approach to her native language, which carries both the burden of historic guilt and the challenge of a distinguished, if tortured literary legacy. Furthermore, I examine the performative force of her language. Jelinek's "Dramas" do not unfold in action and dialogue, rather, they are embedded in the grammar itself.