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Universiv Micrmlms Internationcil
INFORMATION TO USERS This reproduction was made from a copy o f a document sent to us for microHlming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify m " '<ings or notations which may appear on this reproduction. 1. The sign or “ target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . I f it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting througli an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyriglited materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part o f the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin film ing at the upper le ft hand comer o f a large sheet and to continue from left to right in equal sections w ith small overlaps. I f necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Fomrhi-110.Pdf
v^uaneny INO. nu, iNovcmDer ^uuo FoMRHI Quarterly BULLETIN 110 Christopher Goodwin 2 COMMUNICATIONS 1815 On frets and barring; some useful ideas David E McConnell 5 1816 Modifications to recorder blocks to improve sound production Peter N Madge 9 1817 What is wrong with Vermeer's guitar Peter Forrester 20 1818 A new addition to the instruments of the Mary Rose Jeremy Montagu 24 181*9 Oud or lute? - a study J Downing 25 1820 Some parallels in the ancestry of the viol and violin Ephraim Segerman 30 1821 Notes on the polyphont Ephraim Segerman 31 1822 The 'English' in English violette Ephraim Segerman 34 1823 The identity of tlie lirone Ephraim Segerman 35 1824 On the origins of the tuning peg and some early instrument name:s E Segerman 36 1825 'Twined' strings for clavichords Peter Bavington 38 1826 Wood fit for a king? An investigation J Downing 43 1827 Temperaments for gut-strung and gut-fretted instruments John R Catch 48 1828 Reply to Hebbert's Comm. 1803 on early bending method Ephraim Segerman 58 1829 Reply to Peruffo's Comm. 1804 on gut strings Ephraim Segerman 59 1830 Reply to Downing's Comm. 1805 on silk/catgut Ephraim Segerman 71 1831 On stringing of lutes (Comm. 1807) and guitars (Comms 1797, 8) E Segerman 73 1832 Tapered lute strings and added mas C J Coakley 74 1833 Review: A History of the Lute from Antiquity to the Renaissance by Douglas Alton Smith (Lute Society of America, 2002) Ephraim Segerman 77 1834 Review: Die Renaissanceblockfloeten der Sammlung Alter Musikinstrumenten des Kunsthistorisches Museums (Vienna, 2006) Jan Bouterse 83 The next issue, Quarterly 111, will appear in February 2009. -
(EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli
FAMILY (EN) GROUP (EN) KEYWORD (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli Wind Accordions Accordion Strings Zithers Accord‐zither Percussion Drums Adufe Strings Musical bows Adungu Strings Zithers Aeolian harp Keyboard Organs Aeolian organ Wind Others Aerophone Percussion Bells Agogo Ogebe ; Ugebe Percussion Drums Agual Agwal Wind Trumpets Agwara Wind Oboes Alboka Albogon ; Albogue Wind Oboes Algaita Wind Flutes Algoja Algoza Wind Trumpets Alphorn Alpenhorn Wind Saxhorns Althorn Wind Saxhorns Alto bugle Wind Clarinets Alto clarinet Wind Oboes Alto crumhorn Wind Bassoons Alto dulcian Wind Bassoons Alto fagotto Wind Flugelhorns Alto flugelhorn Tenor horn Wind Flutes Alto flute Wind Saxhorns Alto horn Wind Bugles Alto keyed bugle Wind Ophicleides Alto ophicleide Wind Oboes Alto rothophone Wind Saxhorns Alto saxhorn Wind Saxophones Alto saxophone Wind Tubas Alto saxotromba Wind Oboes Alto shawm Wind Trombones Alto trombone Wind Trumpets Amakondere Percussion Bells Ambassa Wind Flutes Anata Tarca ; Tarka ; Taruma ; Turum Strings Lutes Angel lute Angelica Percussion Rattles Angklung Mechanical Mechanical Antiphonel Wind Saxhorns Antoniophone Percussion Metallophones / Steeldrums Anvil Percussion Rattles Anzona Percussion Bells Aporo Strings Zithers Appalchian dulcimer Strings Citterns Arch harp‐lute Strings Harps Arched harp Strings Citterns Archcittern Strings Lutes Archlute Strings Harps Ardin Wind Clarinets Arghul Argul ; Arghoul Strings Zithers Armandine Strings Zithers Arpanetta Strings Violoncellos Arpeggione Keyboard -
Medium of Performance Thesaurus for Music
A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭. -
N O V E M B E R 2 0
Published by the American Recorder Society, Vol. XLIV, No. 5 november 2003 A Flanders Recorder Quartet Guide for Recorder Players and Teachers BART SPANHOVE With a historical Chapter by DAVID LASOCKI The purpose of this book is to help recorder players become better ensemble members. Bart Spanhove has written the book in response to numerous requests from both amateurs and professionals to set down some practical suggestions based on his own experience and thereby fill a long-felt gap in the literature Alamire Music Publishers about the recorder. Toekomstlaan 5B, BE-3910 Neerpelt Price: 22,06 Euro T. +32 11 610 510 Orders can be placed at F. +32 11 610 511 www.alamire.com [email protected] EDITOR’S ______NOTE ______ ______ ______ ______ Volume XLIV, Number 5 November 2003 Death and music are no strangers. FEATURES Death is often found in operatic context— A Recorder Icon Interviewed . 8 the tragic ending in Giacomo Puccini’s A Talk with Anthony Rowland-Jones, Tosca when the title figure leaps to her by Sue Groskreutz death, and the stirring music composed by The Recorder in the Nineteenth Century. 16 Richard Wagner for Siegfried’s funeral near by Douglas MacMillan the end of the four-part epic Ring cycle, af- 4 Arranging an Orchestral Work for Recorder Quintet . 22 ter which Brunhilde flings herself on the The eleventh in a series of articles by composers and arrangers hero’s funeral pyre and sings for another discussing how they write and arrange music for recorder, 10 minutes or so. by Carolyn Peskin Death’s knock shows up in Tchaikovsky’s symphonies and, under- scoring the underlying sorrow of war, in DEPARTMENTS the theme song from M*A*S*H—titled Advertiser Index . -
Library of Congress Medium of Performance Terms for Music
A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭. -
THE MATHEMATICS of the VIOLIN by Nina Hyatt Spring 1988 1
THE MATHEMATICS OF THE VIOLIN By Nina Hyatt Spring 1988 1 For centuries, men have admired the mellow, resonant tones of Stradivari violins. In fact, the late 17th and early 18th centuries are known as the "Golden Age" of violins because of the skills of luthiers 1 such as Amati, Stradivari, and Guarnari, whose instruments possess a resonant tone quality which today's craftsmen have been unable to reproduce. It is apparent, however, that earlier models of the violin did not meet with as great a success. It is on rare occasion that one may find a modern luthier attempting to imitate the style of a pre-1 7th century instrument, and perhaps as rare is the occasion when we hear one played. Indeed, if we give credence to the words of men who were witness to the quality of the violin's precursors1, perhaps there is little reason to revive interest in the early forms: --Now the musicians Hover with nimble sticks o'er squeaking qrowds Tickling the dried guts of a mewing cat. The fiddler's croud now squeaks aloud, His fidlinge stringes begin to trole; He loves a wake and a wedding cake, A bride-house and a brave May-pole.3 1 For this and other italicized technical terms, see Glossary. 2 William Sandys, F.S.A. and Simon Andrew Forster, The History of the Violin (London: John Russel smith, 1864) 3 1 , as quoted from Marston' s "What You Will." 3 Sandys 31, as quoted from "Cupid's Banishment," 1617. 2 I'th' head of all this warlike rabble Crowdero march'd expert and able, A squeaking engine he applied Unto his neck on north-east side, His warped ear hung o' er the strings, Which was but souse to chitterlings. -
A A- (+Instr.; Prefijo) Acciarino Triángulo Accordéon Acordeón
A A- (+instr.; prefijo) Acciarino Triángulo Accordéon Acordeón Accordio Acordeón Accordion Acordeón Accordo Lirone Accord zither Zither Acordeon Acordeón Adiaphone Aeola Acordeón Aeolian bells Aeolian harp Arpa eólica Aeoline Armonio Aeoliphone Aeolodion Armonio Aeolsglocken Aeolsklavier Armonio Aéro-clavicorde Arpa eólica Aerofoni Aerophon Armonio Afoche Afoxe Afrikanische schlitztrommel Afuche Afuche cabaza Agogo Agogó Agogò Akkordeon Armonio Akkordflöte Flageolet Akkordgitarre Guitarra Akkordzither Zither Ala (medieval) Arpaneta Alamire Albero dei sonagli Medialuna Albisifono Flauta travesera Albisiphon Flauta travesera Alfandoque Aliquot piano Piano Almglocke Cencerro Alpenhorn Trompa de los Alpes Alphorn Trompa de los Alpes Alpine zither Zither Alt... (+instr.) Alt cornett Althorn (ted.) Alto (francés, instr.) Alto (+instr.) Altobasso Alto en mib (francés) Alto-fagotto Altopiano Alto viola Am (+instr.) Amboss Yungue Ambosse Yungue American organ Armonio Amerikanisches organ Armonio Amorschall Ampico Pianola Amplificato (+instr.) Amplifié (+instr.) Amplified (+instr.) Anakreontische leier Anémocorde Arpa eólica Angelica Tiorba Angelika Tiorba Angélique Tiorba Angel lute Tiorba Antikes becken Crótalo Antike zimbeln Crótalo Antique cymbals Crótalo Anvil Yungue Äolsharfe Arpa eólica Äolsklavier Armonio Apolliricon Piano Apollo guitar Apollonion Piano Apollonium Piano Appalachian dulcimer Zither Arabian drum Arabische trommel Araine Cascabel Arceviolyra Lirone Archcittern Archicítola Archets Archi Archicembalo Archiórgano Archicetra Archicítola -
FOMRHI Quarterly
Ekrm Dal Cortirc Quarterly No, 53 October 1988 FOMRHI Quarterly BULLETIN 53 2 Bulletin Supplement 5 Plans; University of Edinburgh Collection of Historic Musical Instruments 6 Membership List Supplement 70 COMMUNICATIONS 882 Review! Renaissance Flute Circle Newsletter) Vol. 1, No. 1 and 2 L. Jones 7 883- REVIEWS: Funf Jahrhunderte Deutsche Musikinstrumentenbau, ed 885 H. MoeckJ Royal College of Music Museum of Instruments postcards; Loan Exhibition of Historic Double Reed Instruments by P. T. Young J. Montagu 8 886 New Grove DoMIJ E.S. no. Ill L entries E. Segerman 13 887 Drum rhythms for dance music ... J. Montagu 15 888 Roman keyed tibiae? B. Galpin 24 889 ,„in death I sing B. Haynes 25 890 Generic 415 B. Haynes 27 891 Eighteenth-century German and French pitches? B. Haynes 32 892 Peculiar tibiae J. Montagu 49 893 Historic and experimental studies on brass used for organ reeds R. Gug 51 FELLOWSHIP OF MAKERS AND RESEARCHERS OF HISTORICAL INSTRUMENTS Hon. Sec. J. Montagu, c/o Faculty of Music, St. Aldate's, Oxford OX1 1DB, U.K. bull_53, p_> FELLOWSHIP of MAKERS and RESEARCHERS of HISTORICAL INSTRUMEMTS Bulletin 53 October, 1988 Well, if we had our fingers crossed they must have been double-crossed. July was the worst we've ever been. First Eph's printer broke down (and when I asked him why he hadn't just typed out his bits - only the Bulletin Supple ment is essential; the rest could have waited till this Q - he said that he hadn't got a typewriter! The trouble is that his computer, being much older than mine, seems to be coming towards the end of its life, and at the moment he can't afford to replace It. -
MIMO Digitisation Standard
ECP 2008 DILI 538013 MIMO MIMO Definition Of Scanning Properties And Recommendations For Photographing Musical Instruments Version 3 Deliverable number D1.8 Dissemination level Restricted Delivery date 29 August 2011 Status Draft Authors Frank P. Bär, Franziska Pfefferkorn (GNM) eContent plus This project is funded under the eContent plus programme 1, a multiannual Community programme to make digital content in Europe more accessible, usable and exploitable. 1 OJ L 79, 24.3.2005, p. 1. Based on partners’ further practical work in digitising musical instruments and in application of version 2 of this paper (D1.5), feedback, MIMO-born images and practical hints were con- tinuously collected by WP1 lead (GNM) in order to prepare the final version 3 of the standard paper. An external evaluation conducted by WP5 among members of ICOM-CIMCIM led to im- provements in form and content. The attached document shall be made public as soon as the English wording will be checked by a native speaker and will be delivered as final version of Deliverable D1.8. Attached document: The MIMO digitization standard. Definition Of Scanning Properties And Recommendations For Photographing Musical Instruments - final Version 3 (draft) 2 The MIMO Digitisation Standard Definition of scanning properties and recommendations for photographing musical instruments final version 3 - draft - Frank P. Bär Franziska Pfefferkorn for Nürnberg, 2011 3 Content: 0. Introduction ...................................................................................................................... -
Alternative Fingerings for Long-Foot Baroque Recorders J
Quarterly No. 90, January 1998 FoMRHI Quarterly BULLETIN 90 J. Montagu 2 Bulletin Supplement E. Segerman 5 Membership List Supplement 48 COMMUNICATIONS 1546 Review: 77?^ Cambridge Companion to Brass Instruments, C. U. P., edited by T. Herbert & J. Wallace J. Montagu 7 1547 Review: Larigot, NO VII Special, April 1997 and NO 20, September 1997, Paris J. Montagu 10 1548 Review: The Violin Explained - Components Mechanism and Sound, O. U. P. by J. Beament E. Segerman 11 1549 Review: The Magpie in Ethnomusicology. by J. Montagu E. Segerman 12 1550 More on draw plate: response to Peter Forrester's Comm. 1469 D. Badiarov 13 1551 [On Musical Iconography] M.Tiella 14 1552 The inventory of the ... instruments of Michel Charles Le Cene (1743) J. Bouterse 18 1553 Repairs to antique brass instruments N.Perry 20 1554 Renaissance woodwind in the Mus. degli strumenti mus., Rome M. Lyndon-Jones 21 1555 Alternative fingerings for long-foot Baroque recorders J. Bouterse 26 1556 Recorder fingerings A. V. Loretto 30 1557 Reply to Comm. 1544 on catlines E. Segerman 31 *>/ 1558 Forqueray's strings and 18th century wound string sound E. Segerman 32 1559 Reply to FoMRHI Comm. 1542 P. Baker 34 1560 On the Lira da Braccio and Lirone Project E. Segerman 36 1561 [Cremona secret] A. Gheorghio 38 1562 The early violino and the viole da braccio family E. Segerman 40 1563 Experimental work on clavichord action J.Barnes 44 1564 On the tan gent-string interaction on a clavichord, reply to Comm 1563 E. Segerman 46 FELLOWSHIP OF MAKERS AND RESEARCHERS OF HISTORICAL INSTRUMENTS Honorary Secretary: Jeremy Montagu, 171 Iffley Road, Oxford OX4 1EL, U. -
Draft Authorized Vocabulary for Medium of Performance Statements
MEDIUM OF PERFORMANCE TERMS FOR LIBRARY OF CONGRESS MEDIUM OF PERFORMANCE THESAURUS FOR MUSIC DRAFT AUTHORIZED VOCABULARY FOR MEDIUM OF PERFORMANCE STATEMENTS IN BIBLIOGRAPHIC RECORDS AS AGREED ON BY THE LIBRARY OF CONGRESS AND THE MUSIC LIBRARY ASSOCIATION February 2013 Introduction The Library of Congress, in cooperation with the Music Library Association, is developing a new thesaurus of terms representing vocabulary for the medium of performance of musical works, Library of Congress Medium of Performance Thesaurus for Music (LCMPT). The vocabulary is intended to be used, at least initially, for two bibliographic purposes: 1) to retrieve music by its medium of performance in library catalogs, as is now done by the controlled vocabulary, Library of Congress Subject Headings (LCSH); 2) to record the element “medium of performance” of musical works according to the cataloging standard, RDA: Resource Description and Access (RDA). The table that follows, which contains approximately 850 terms, updates the previously posted table of terms the collaborators recommend for the new medium of performance thesaurus. The table is a working document, subject to change. Background Medium of performance is now recognized as a separate and distinct bibliographic facet that should have its own vocabulary and vocabulary structure. Searches by medium should enable users to retrieve music by a particular instrument or instrumental group, voice or vocal group, or other medium of performance term or terms the searcher may specify. As presently incorporated into LCSH, medium of performance terms may occur in headings in two ways: either along with a term for genre, form, type, or style of music (as in Sonatas (Violin and piano)), or in headings that have only one or more medium terms in them (as in Violin and piano music).