Canonical Scriptures in Dao- Ism Facilitated the Establishment and Development of the Reli- Gious Tradition
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Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
The Seal of the Unity of the Three SAMPLE
!"# $#%& '( !"# )*+!, '( !"# !"-## By the same author: Great Clarity: Daoism and Alchemy in Early Medieval China (Stanford University Press, 2006) The Encyclopedia of Taoism, editor (Routledge, 2008) Awakening to Reality: The “Regulated Verses” of the Wuzhen pian, a Taoist Classic of Internal Alchemy (Golden Elixir Press, 2009) Fabrizio Pregadio The Seal of the Unity of the Three A Study and Translation of the Cantong qi, the Source of the Taoist Way of the Golden Elixir Golden Elixir Press This sample contains parts of the Introduction, translations of 9 of the 88 sections of the Cantong qi, and parts of the back matter. For other samples and more information visit this web page: www.goldenelixir.com/press/trl_02_ctq.html Golden Elixir Press, Mountain View, CA www.goldenelixir.com [email protected] © 2011 Fabrizio Pregadio ISBN 978-0-9843082-7-9 (cloth) ISBN 978-0-9843082-8-6 (paperback) All rights reserved. Except for brief quotations, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. Typeset in Sabon. Text area proportioned in the Golden Section. Cover: The Chinese character dan 丹 , “Elixir.” To Yoshiko Contents Preface, ix Introduction, 1 The Title of the Cantong qi, 2 A Single Author, or Multiple Authors?, 5 The Dating Riddle, 11 The Three Books and the “Ancient Text,” 28 Main Commentaries, 33 Dao, Cosmos, and Man, 36 The Way of “Non-Doing,” 47 Alchemy in the Cantong qi, 53 From the External Elixir to the Internal Elixir, 58 Translation, 65 Book 1, 69 Book 2, 92 Book 3, 114 Notes, 127 Textual Notes, 231 Tables and Figures, 245 Appendixes, 261 Two Biographies of Wei Boyang, 263 Chinese Text, 266 Index of Main Subjects, 286 Glossary of Chinese Characters, 295 Works Quoted, 303 www.goldenelixir.com/press/trl_02_ctq.html www.goldenelixir.com/press/trl_02_ctq.html Introduction “The Cantong qi is the forefather of the scriptures on the Elixir of all times. -
Xiao Tianshi and Daoist Scriptures
xiao tianshi and daoist scriptures elena valussi War, Nationalism, and Xiao Tianshi’s Transmission of Daoist Scriptures from China to Taiwan INTRODUCTION iao Tianshi 蕭天石 (1909–1986) was born in Wenshan 文山, Shao X yang 邵陽 county, Hunan. A KMT official during the War of Resis tance against Japan, he spent a decade in Nanjing and another decade in Sichuan, working as a writer and editor of wartime publications. In 1949 he moved to Taiwan where, like many others, he had high hopes of rebuilding China and recovering its traditional culture. Xiao’s experi ence in publishing and his personal interest in Daoist scriptures, mainly developed while in Sichuan, led him to establish a publishing house in Taiwan, the Ziyou chubanshe 自由出版社 (Freedom Publishing House). There, he published a large compendium of religious and philosophical works,1 works on the intersection of politics and philosophy,2 several of his own books on selfcultivation,3 and a major Daoist anthology titled Essence of the Daoist Canon (Daozang jinghua 道藏精華), published in Tai pei between 1953 and 1983. His publishing house is still operating in Taipei, run by his son and daughterinlaw. Xiao is an important figure in the field of Daoist scholarship. For several decades after 1949, his Daozang jinghua was one of the very few reliable and welldocumented I wish to thank Xiao Tianshi’s son, Xiao Dake, his wife, and his granddaughter Xiao Minghua for discussing Xiao Tianshi’s life and for their cooperation. I also thank Prof. Lee Fongmao, who introduced them to me. -
Chinese Religions: Evolution, Compatibility and Adaptability - a Historical Perspective
Chinese Religions: Evolution, Compatibility and Adaptability - A Historical Perspective Kow Mei Kao Abstract The Chinese civilization has a long, long history and its religions too, have a history of almost 2000 years. It is interesting and worth our while to have a retrospective examination of its early development as a case study of its nature and characteristics so as to predict its future trend of development. It is widely known that there were three major religions in imperial China; these are Confucianism, Daoism and Buddhism. I shall examine them one by one, tracing their formations, and whenever convenient, demonstrate each of their compatibility and adaptability and mutual influences in the process of their early development. 1. Religious Confucianism Whether Confucianism is a religion is debatable, and most scholars are not in favour of considering it as a religion. A recent publication by Li Shen, of the Chinese Academy of Social Sciences in Beijing, has regarded Confucianism as a religion, though he admitted that many of his friends did not agree with him. The ru Confucianism in Indonesia is being developed into a religion and this may lead one into concluding that Confucianism was a religion. My own impression is that Confucianism was strictly and solemnly observed in imperial China and therefore it had the spirit of a religion. The modern translation of the English word religion is zongjiao, derived and borrowed from the Japanese translation of such a concept, and it is quite difficult to find an equivalent in the Chinese language per se. In fact, Confucianism or rujiao can either mean 64 THE SINGAPORE BAHAT STUDIES REVIEW the teaching of the ru or to the modem Chinese, the ru religion (jiao). -
Revisiting the Yingshe Mode of Representation ∗ in Supplement to Jiang Zong’S Biography of a White Ape
Revisiting the Yingshe Mode of Representation ∗ in Supplement to Jiang Zong’s Biography of a White Ape Jue Chen (Canterbury, New Zealand) One of the three masterpieces of early Tang dynasty chuanqi 傳奇 ,1 Supplement to Jiang Zong’s Biography of a White Ape (Bu Jiang Zong baiyuan zhuan 補江總白猿傳 ), has long been regarded as an example of yingshe 影射 stories,2 which have been labeled by some critics as the Chinese version of roman à clef, produced in the medieval period.3 The author of this chuanqi story remains anonymous. A sketch of the story is as follows. Under the Liang dynasty 梁 (502–557), Ouyang He 歐陽紇 (538–570) went on an expedition, led by Lin Qin 藺欽 , to pacify the southern Man 蠻 minority rebels during the final years of the Datong reign 大同 (535–546). In the mountainous deep south, a white ape that had magic powers kidnapped Ouyang He’s wife. When she was eventually recovered, Ouyang’s wife was pregnant. A year later she gave birth to a son. After a few years, Ouyang He was executed by the emperor, and his son was adopted by Jiang Zong 江總 (519–594), an influential literatus and politician of the time. When the boy grew up, he became a renowned calligrapher, and his fame brought much prestige to his family. The name of Ouyang He’s son, either accidentally or deliberately, is not mentioned in the story. The main point of the story is to insinuate that this boy was in fact not Ouyang He’s son, but the son of Ouyang He’s wife and a white ape. -
University of Hawai'i Library
UNIVERSITY OF HAWAI'I LIBRARY THE FOUR SAINTS INTERCULTURAL EXCHANGE AND THE EVOLUTION OF THEIR ICONOGRAPHY A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAW AI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN RELIGION (ASIAN) AUGUST 2008 By Ryan B. Brooks Thesis Committee: Poul Andersen, Chairperson Helen Baroni Edward Davis We certify that we have read this thesis and that, in our opinion, it is satisfactory in scope and quality as a thesis for the degree of Master of Arts in Religion (Asian). THESIS COMMITTEE ii Copyright © 2008 by Ryan Bruce Brooks All rights reserved. iii Acknowledgments I would like to thank the members of my thesis committee-Poul Andersen, Helen Baroni, and Edward Davis-------for their ongoing support and patience in this long distance endeavor. Extra thanks are due to Poul Andersen for his suggestions regarding the history and iconography ofYisheng and Zhenwu, as well as his help with translation. I would also like to thank Faye Riga for helping me navigate the formalities involved in this process. To the members of my new family, Pete and Jane Dahlin, lowe my most sincere gratitude. Without their help and hospitality, this project would have never seen the light of day. Finally, and most importantly, I would like to thank my wife Nicole and son Eden for putting up with my prolonged schedule, and for inspiring me everyday to do my best. iv Abstract Images of the Four Saints, a group ofDaoist deities popular in the Song period, survive in a Buddhist context and display elements of Buddhist iconography. -
Ritual Innovations and Taoism Under Tang Xuanzong
RITUAL INNOVATIONS AND TAOISM UNDER TANG XUANZONG BY VICTOR XIONG Western Michigan University Table of Contents Tang ritual scholarship .............................................................................. 259 The Palace of Great Clarity (Taiqing gong :;t'/f!fE,') worship ..................... 263 Jiugong guishen :fL E.' j( iii$ ............................................................................. 273 Ritual justification ...................................................................................... 280 Xuanzong and "astroalchemy" .................................................................. 284 Tantrism and other sources of influence ................................................. 295 The legacy ofXuanzong ............................................................................ 301 Conclusion .................................................................................................. 304 A List of Works Cited ................................................................................. 306 Appendixes ................................................................................................. 312 Few emperors in Chinese history were as closely identified with ritual scholarship as Tang Xuanzong Jj~* (r. 712-756). Not long after the promulgation of the Rites of Kaiyuan Era (Kaiyuan li ~5Cil!) in 732, he began to introduce a number of ritual innova tions in the decade of 736-46. In the following pages, I will study these ritual changes in view of traditional ritual theory and prac tice, -
Streetfood Und Stadtkultur – Hawker in Telok Bahang/Malaysia
Asiatische Studien Études Asiatiques LXVI · 2 · 2012 Zeitschrift der Schweizerischen Asiengesellschaft Revue de la Société Suisse – Asie Edited by Roland Altenburger and Robert H. Gassmann Peter Lang Bern · Berlin · Bruxelles · Frankfurt am Main · New York · Oxford · Wien ISSN 0004-4717 © Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern 2012 Hochfeldstrasse 32, CH-3012 Bern, Schweiz [email protected], www.peterlang.com Alle Rechte vorbehalten. Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Printed in Hungary INHALTSVERZEICHNIS – TABLE DES MATIÈRES CONTENTS Aufsätze – Articles – Articles JOHANNES BRONKHORST ............................................................................................................... 227 Levels of Cognition: Did Indian philosophers know something we do not? NADIA CATTONI .................................................................................................................................. 239 Le commentaire littéraire: entre classification et interprétation. Exemples issus de la Śṛṅgāradīpikā et de la Bhāvadīpikā de Vemabhūpāla BOGDAN DIACONESCU .................................................................................................................... 261 On the New Ways -
The Three Sovereigns Tradition: Talismans, Elixirs
THE THREE SOVEREIGNS TRADITION: TALISMANS, ELIXIRS, AND MEDITATION IN EARLY MEDIEVAL CHINA A DISSERTATION SUBMITTED TO THE DEPARTMENT OF RELIGIOUS STUDIES AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dominic Steavu-Balint March 2010 © 2010 by Dominic Emanuel Steavu-Balint. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/sz439qw2285 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Carl Bielefeldt, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Bernard Faure, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Fabrizio Pregadio Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. An original signed hard copy of the signature page is on file in University Archives. iii Abstract This dissertation attempts to elucidate the origins and nature of the lost Sanhuang wen (Writ of the Three Sovereigns), and identify its surviving fragments in the Daoist Canon. -
Revisiting the Yingshe Mode of Representation in Supplement to Jiang Zong's Biography of a White
Revisiting the Yingshe Mode of Representation ∗ in Supplement to Jiang Zong’s Biography of a White Ape Jue Chen (Canterbury, New Zealand) One of the three masterpieces of early Tang dynasty chuanqi 傳奇 ,1 Supplement to Jiang Zong’s View metadata, citation and similarBiography papers of ata core.ac.ukWhite Ape (Bu Jiang Zong baiyuan zhuan 補江總白猿傳 ), has long been brought to you by CORE 2 regarded as an example of yingshe 影射 stories, which have been labeled byprovided some by Nationalcritics Tsing as Hua University Institutional Repository the Chinese version of roman à clef, produced in the medieval period.3 The author of this chuanqi story remains anonymous. A sketch of the story is as follows. Under the Liang dynasty 梁 (502–557), Ouyang He 歐陽紇 (538–570) went on an expedition, led by Lin Qin 藺欽 , to pacify the southern Man 蠻 minority rebels during the final years of the Datong reign 大同 (535–546). In the mountainous deep south, a white ape that had magic powers kidnapped Ouyang He’s wife. When she was eventually recovered, Ouyang’s wife was pregnant. A year later she gave birth to a son. After a few years, Ouyang He was executed by the emperor, and his son was adopted by Jiang Zong 江總 (519–594), an influential literatus and politician of the time. When the boy grew up, he became a renowned calligrapher, and his fame brought much prestige to his family. The name of Ouyang He’s son, either accidentally or deliberately, is not mentioned in the story. The main point of the story is to insinuate that this boy was in fact not Ouyang He’s son, but the son of Ouyang He’s wife and a white ape. -
Volume Two November 1990 Number Two Editor
-. Volume Two November 1990 Number Two Editor Stephen R. Bokenkamp East Asian Studies Center Memorial Hall West 207 Indiana University Bloomington, IN 47405 Associate Editor LiviaKohn Department of Religion 745 Commonwealth Avenue Boston University Boston, MA 02215-1401 Advisory Board Suzanne Cahill, University of California, San Diego Ute Engelhardt, Munich University Norman Girardot, Lehigh University Donald Harper, Bowdoin College Isabelle Robinet, Universite d'Provence Harold Roth, Brown University The publication of Taoist Resources is supported by publication grants from the East Asian Studies Center ofIndiana University and the Inner Asia Council of the Association for Asian Studies. Thejournal appears biannually. Submission of original research, book reviews, announcements of work in progress, and news of the field is encouraged. Manuscripts for consideration should be sent to the Editor. Please submit three copies of articles and two copies of book reviews and notices. Manuscripts should conform, insofar as possible, to the guidelines of the Chicago Manual ofStyle. All submitted work should be double spaced-inclueJinB quotations and endnotes-and typed clearly on 8 112 by 11 inch paper (or the European equivalent), with margins of 1114" on all four sides. Endnotes must be listed sequentially on separate sheets ofpaper appended to the manuscript. Documentation should follow the style recommended in sections 15.36 through 15.56, 16 (Style A), and 17 in the Chicago Manual of Style, 13th ed. (Chicago: University ofChicalo Press, 1982). Give Asian names in the proper Asian order. Any standard system of romanizantion for Asian lanpages is acceptable. Please provide Chinese characters for the first reference of a term in the text. -
Volume Five August 1994 Number One July 6, 1995
Volume Five August 1994 Number One July 6, 1995 Dr. Suzanne Cahill University of California, San Diego Department of History, C-004 La Jolla, CA 92093 Dear Dr. Cahill: We recently ran out of copies of Taoist Resources 5.2 in which your photographs were used. When I went to the file for our printer's originals to order reprints, I discovered that your photo originals were still in the file. Please accept my sincere apology for the delay in returning these to you. That issue was published right at the change over from one Editorial Assistant to another, and returning your photos simply got overlooked. Again, I am deeply sorry for the delay and hope that it has not created too many problems for you. Sincerely, Benita G. Brown Office Coordinator Enc. ~ , ), ~~ ;J\1{ ~~ ~:~ x 3::. L if{. j1.S{ 7\~ f-- ~*?5. ~ , ..,.......',.' . 11 {~it - ( ~'3'; t~- c:::::- 11 • 7= --- .~ ~- - J{!!tE. ?~ .~ 17t *~;ffi ±'d:. ;rt it -,to1( r;qiX{ :3= -- " .z<:.. ~ c:=?--- - ~ ~,~ ~'f( ~- "" ~ - ~I ~? ~- J§{ ~€ ~ ~'3' ~ ).2 ,~A *-~ J\lJ\l *';=1f; ~ m~ l:1$~ E/r.· 1-11 .Wt~· :.:%:.::1: ~ 7C[l:..-- 7Jt -111 /~ - - ~ ;;Z~ E..:ti_ ~~ R1 L.( '~ ~.~ ~ Jt\Jt\ I~!® 7f.:~ 4 ~ j~ ~ ~~ ~~ ~~ 3::. ~* E- . )p-{( ;:l:: ~M. -'l)"~' ~7l'JK .f.5·I~ ' j,;k 2?- - .-.....;.,. - - ""'-~I - ;/Ejc ~2 {1~1}:;:f -1t1 ~~ £ . t -' ~3t 5f:Z: 7E.7t. ~ ~ ~~ ~~ }t ~3' m ,,~ ~}\ JJr !it t1 ~......)."".,. Volume Four .~ February 1993 Number One ~ I ~li- 11~ ~.,...., ...... jFl ro~ ~ ~ .,. ~. x~ ~ , X1{ ~~ :s~ l ~ifC J7C ( -- *~ .x3::. .......: 7\~ f ~ J ~~ 11 4 {~~ -- 11 ~5' t~- c::: • ~ .~ ~ - '~ ~ ~trt .tl!!~ c -~ r; ~~ -,l<:>l( ±~ jT1 *-txrEq 3= Z<...-- E]5 c;:?..- f: - - ~~ ~- :}§{ M~ ~x ~ ~ ~5' tlI( ~ ..».~ AJ\l *-tK.