Imbibing the Universe: Methods of Ingesting the Five Sprouts1
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The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
Canonical Scriptures in Dao- Ism Facilitated the Establishment and Development of the Reli- Gious Tradition
Postscripts 10.1–2 (2019) 122–143 Postscripts ISSN (print) 1743-887x https://doi.org/10.1558/post.38025 Postscripts ISSN (online) 1743-8888 DAOIST WRITS ANd SCRIPTURES AS SACREd BEINGS JIHYUN KIM Seoul National University [email protected] The formation and solidification of canonical scriptures in Dao- ism facilitated the establishment and development of the reli- gious tradition. In particular, medieval Daoism was grounded on a unique conception of writs and scriptures. The Daoist concept of scripture is founded on a belief system in which letters and sounds are particular forms of qi, or the omnipresent “pneuma and energy.” Such a way of thinking provides a lead for under- standing the Daoist veneration of scriptures and other various practices. The aim of this paper is to explore the characteris- tics of Daoist canonical scriptures as “sacred beings,” mainly through an investigation of the Daoist perspective on scriptures, scripture-worship, and the relationship between scripture and practice. The Chinese equivalent of “sutra” or “canonical scripture” is jing 經, which literally means “vertical thread” in weaving, from which various strata of meaning are derived, such as “the axis of life,” “the orthodox way,” or “unchanging rule.” What are called jing are prolific in the Dao- ist tradition. Since the fifth century CE, when Daoism was recognized as a jiao 敎 “teaching” of a different system from that of Confucian- ism and Buddhism, Daoist scriptures have played an important role in enabling Daoism to gain a position on a par with that -
Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
The Seal of the Unity of the Three SAMPLE
!"# $#%& '( !"# )*+!, '( !"# !"-## By the same author: Great Clarity: Daoism and Alchemy in Early Medieval China (Stanford University Press, 2006) The Encyclopedia of Taoism, editor (Routledge, 2008) Awakening to Reality: The “Regulated Verses” of the Wuzhen pian, a Taoist Classic of Internal Alchemy (Golden Elixir Press, 2009) Fabrizio Pregadio The Seal of the Unity of the Three A Study and Translation of the Cantong qi, the Source of the Taoist Way of the Golden Elixir Golden Elixir Press This sample contains parts of the Introduction, translations of 9 of the 88 sections of the Cantong qi, and parts of the back matter. For other samples and more information visit this web page: www.goldenelixir.com/press/trl_02_ctq.html Golden Elixir Press, Mountain View, CA www.goldenelixir.com [email protected] © 2011 Fabrizio Pregadio ISBN 978-0-9843082-7-9 (cloth) ISBN 978-0-9843082-8-6 (paperback) All rights reserved. Except for brief quotations, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. Typeset in Sabon. Text area proportioned in the Golden Section. Cover: The Chinese character dan 丹 , “Elixir.” To Yoshiko Contents Preface, ix Introduction, 1 The Title of the Cantong qi, 2 A Single Author, or Multiple Authors?, 5 The Dating Riddle, 11 The Three Books and the “Ancient Text,” 28 Main Commentaries, 33 Dao, Cosmos, and Man, 36 The Way of “Non-Doing,” 47 Alchemy in the Cantong qi, 53 From the External Elixir to the Internal Elixir, 58 Translation, 65 Book 1, 69 Book 2, 92 Book 3, 114 Notes, 127 Textual Notes, 231 Tables and Figures, 245 Appendixes, 261 Two Biographies of Wei Boyang, 263 Chinese Text, 266 Index of Main Subjects, 286 Glossary of Chinese Characters, 295 Works Quoted, 303 www.goldenelixir.com/press/trl_02_ctq.html www.goldenelixir.com/press/trl_02_ctq.html Introduction “The Cantong qi is the forefather of the scriptures on the Elixir of all times. -
内經圖 Nei-Ching T'u Diagram of the Inner Channels
内經圖 Nei-ching T'u Diagram of the Inner Channels Contents The Diagram 2 Introductory Passages 8 Translation 12 Bilingual Text 16 Transcription and Word-by-Word Translation 22 Bibliography 32 Diagram of the Inner Channels Nei-ching T'u (Neijing Tu; Jap. Daikeizu) 内經圖 Ink rubbing; ink on paper Diagram of the Inner Channels with printed Chinese characters Diagram of the Inner Channels with printed Chinese characters Diagram of the Inner Effulgences Nei-ching T'u 内景圖 The diagram of Taoist anatomy and physiology in the Shih Lin Kuang Chi encyclopedia, from the edition of + 1478. The picture is probably of the early + 13th century. Several wheels of water-raising machinery for circulating the chhi are seen, with the co-operation of Yang dragon and Yin tiger to produce the 'baby boy' enchymoma. The upward passage of the ching to nourish the brain is drawn in a railway-line convention, and at the top on the right the 'three corpses (or worms)' of death and decay are seen leaving the regenerated body. (Needham, 1983: 112) This is the thirteenth-century diagram entitled the "Section on Medical Learning" (I-hsüeh Lei 醫學類), which is preserved in the fifteenth-century encyclopedia Shih-lin Kuang-chi 事林廣記. Some editions of this diagram are titled "Diagram of Master Smoke Curtain" (Yen-luo-tzu T'u 煙蘿子圖). Introductory Passages Introductory passages selected from various sources Neijing tu and Xiuzhen tu 内經圖 or 内景圖・修真圖 Chart of the Inner Warp (or: Chart of the Inner Landscape); Chart for the Cultivation of Perfection The Neijing tu and Xiuzhen tu are two charts of the human body. -
Xiao Tianshi and Daoist Scriptures
xiao tianshi and daoist scriptures elena valussi War, Nationalism, and Xiao Tianshi’s Transmission of Daoist Scriptures from China to Taiwan INTRODUCTION iao Tianshi 蕭天石 (1909–1986) was born in Wenshan 文山, Shao X yang 邵陽 county, Hunan. A KMT official during the War of Resis tance against Japan, he spent a decade in Nanjing and another decade in Sichuan, working as a writer and editor of wartime publications. In 1949 he moved to Taiwan where, like many others, he had high hopes of rebuilding China and recovering its traditional culture. Xiao’s experi ence in publishing and his personal interest in Daoist scriptures, mainly developed while in Sichuan, led him to establish a publishing house in Taiwan, the Ziyou chubanshe 自由出版社 (Freedom Publishing House). There, he published a large compendium of religious and philosophical works,1 works on the intersection of politics and philosophy,2 several of his own books on selfcultivation,3 and a major Daoist anthology titled Essence of the Daoist Canon (Daozang jinghua 道藏精華), published in Tai pei between 1953 and 1983. His publishing house is still operating in Taipei, run by his son and daughterinlaw. Xiao is an important figure in the field of Daoist scholarship. For several decades after 1949, his Daozang jinghua was one of the very few reliable and welldocumented I wish to thank Xiao Tianshi’s son, Xiao Dake, his wife, and his granddaughter Xiao Minghua for discussing Xiao Tianshi’s life and for their cooperation. I also thank Prof. Lee Fongmao, who introduced them to me. -
A Survey of Taoist Literature : Tenth to Seventeenth Centuries
32 INSTITUTE OF EAST ASIAN STUDIES UNIVERSITY OF CALIFORNIA • BERKELEY CENTER FOR CHINESE STUDIES A Survey of Taoist Literature Tenth to Seventeenth Centuries Judith M. Boltz • \r<ye ^855#* INTERNATIONAL AND AREA STUDIES Richard Buxbaum, Dean International and Area Studies at the University of California, Berkeley, comprises four groups: international and comparative studies, area studies, teaching pro grams, and services to international programs. INSTITUTE OF EAST ASIAN STUDIES UNIVERSITY OF CALIFORNIA, BERKELEY The Institute of East Asian Studies, now a part of Berkeley International and Area Studies, was established at the University of California at Berkeley in the fall of 1978 to promote research and teaching on the cultures and societies of China, Japan, and Korea. It amalgamates the following research and instructional centers and programs: the Center for Chinese Studies, the Center for Japanese Studies, the Center for Korean Studies, the Group in Asian Studies, the Indochina Studies Pro ject, and the East Asia National Resource Center. INSTITUTE OF EAST ASIAN STUDIES Director: Frederic E. Wakeman, Jr. Associate Director: Joyce K. Kallgren Assistant Director: Joan P. Kask Executive Committee: Mary Elizabeth Berry Lowell Dittmer Thomas Gold Thomas Havens Joyce K. Kallgren Joan P. Kask Hong Yung Lee Jeffrey Riegel Ting Pang-hsin Wen-hsin Yeh CENTER FOR CHINESE STUDIES Chair: Wen-hsin Yeh CENTER FOR JAPANESE STUDIES Chair: Mary Elizabeth Berry CENTER FOR KOREAN STUDIES Chair: Hong Yung Lee GROUP IN ASIAN STUDIES Chair: Lowell Dittmer INDOCHINA STUDIES PROJECT Chair: Douglas Pike EAST ASIA NATIONAL RESOURCE CENTER Director: Frederic E. Wakeman, Jr. A Survey of Taoist Literature, Tenth to Seventeenth Centuries A publication of the Institute of East Asian Studies University of California Berkeley, California 94720 The China Research Monograph series is one of several publications series sponsored by the Institute of East Asian Studies in conjunction with its constituent units. -
Seeking Immortality in Ge Hong's Baopuzi Neipian
Dao Companions to Chinese Philosophy 14 David Chai Editor Dao Companion to Xuanxue (Neo-Daoism) Dao Companions to Chinese Philosophy Volume 14 Series Editor Yong Huang Department of Philosophy The Chinese University of Hong Kong Shatin, New Territories, Hong Kong E-mail: [email protected] David Chai Editor Dao Companion to Xuanxue (Neo-Daoism) Editor David Chai Department of Philosophy Chinese University of Hong Kong Shatin, New Territories, Hong Kong ISSN 2211-0275 ISSN 2542-8780 (electronic) Dao Companions to Chinese Philosophy ISBN 978-3-030-49227-4 ISBN 978-3-030-49228-1 (eBook) https://doi.org/10.1007/978-3-030-49228-1 © Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, speci"cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on micro"lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a speci"c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Stanford Encyclopedia of Philosophy) Stanford Encyclopedia of Philosophy Religious Daoism
03/05/2017 Religious Daoism (Stanford Encyclopedia of Philosophy) Stanford Encyclopedia of Philosophy Religious Daoism First published Fri Aug 19, 2016 It has become a sinological dogma to distinguish between the socalled Taoist school (Daojia), said to have produced the classical mystical texts …, and the socalled Taoist religion (Daojiao), often said to have begun in the Later Han period [i.e., the 1st–2nd centuries CE]. The successive Daozang [Daoist Canons] never made this distinction. When we look at the way the terms Daojia and Daojiao occur in the texts preserved in the Ming Canon [published in 1445], we see that they are practically synonymous and interchangeable. —Kristofer Schipper (Schipper and Verellen 2004: 6) There could be no better introduction to the present article than the passage quoted above from one of the main Western scholarly works on Daoism (or Taoism), even though it calls into question not only the relevance of this entry, but also the actual existence of its subject. Daoist texts do not speak of “philosophy” or “religion”, two words that do not even exist in the premodern Chinese language. They speak, instead, of what they call the “house”, “family” or “lineage of the Dao” (daojia; also translatable in the plural), and of what they call the “teachings of the Dao” or “teachings on the Dao” (daojiao). Daoists, who obviously have understood these terms in their literal senses, have seen them as defining the same entity: there cannot be “teaching” without “lineage”, and vice versa. Even if the term “religious Daoism” is accepted, it is not clear which entity it should define: different scholars might explain its meaning in different ways. -
Modern Daoism 149 New Texts and Gods 150 Ritual Masters 152 Complete Perfection 154 Imperial Adaptations 157 an Expanded Pantheon 161
Contents Illustrations v Map of China vii Dynastic Chart viii Pronunciation Guide x Background to Daoism 1 Shang Ancestors and Divination 2 The Yijing 4 Ancient Philosophical Schools 8 Confucianism 10 Part I: Foundations 15 The Daoism That Can’t Be Told 16 The Text of the Daode Jing 17 The Dao 20 Creation and Decline 22 The Sage 23 Interpreting the Daode Jing 25 Lord Lao 28 Ritual Application 30 At Ease in Perfect Happiness 35 The Zhuangzi 36 The World of ZHuang ZHou 38 The Ideal Life 41 Poetic Adaptations 43 The Zen Connection 46 From Health to Immortality 50 i Body Energetics 51 Qi Cultivation 52 Healing Exercises 54 Magical Practitioners and Immortals 59 Major Schools of the Middle Ages 64 Celestial Masters 65 Highest Clarity 66 Numinous Treasure 68 The Theocracy 70 The Three Caverns 71 State Religion 74 Cosmos, Gods, and Governance 80 Yin and Yang 81 The Five Phases 82 The Chinese Calendar 85 Deities, Demons, and Divine Rulers 87 The Ideal of Great Peace 92 Cosmic Cycles 94 Part II: Development 96 Ethics and the Community 97 The Celestial Connection 98 Millenarian Structures 100 Self-Cultivation Groups 103 Lay Organizations 105 The Monastic Life 108 Creation and the Pantheon 114 Creation 115 Spells, Charts, and Talismans 118 Heavens and Hells 122 ii Gods, Ancestors, and Immortals 125 Religious Practices 130 Longevity Techniques 131 Breath and Sex 134 Forms of Meditation 136 Body Transformation 140 Ritual Activation 143 Part III: Modernity 148 Modern Daoism 149 New Texts and Gods 150 Ritual Masters 152 Complete Perfection 154 Imperial -
The Illumination of Ritual: Lu Xiujing's Reflections on the Retreat
The Illumination of Ritual: Lu Xiujing’s reflections on the Retreat Franciscus Verellen To cite this version: Franciscus Verellen. The Illumination of Ritual: Lu Xiujing’s reflections on the Retreat. Chūgoku shūkyō bunken kenkyū kokusai shinpojiumu hōkokusho Actes du colloque international “ Recherches sur la littérature religieuse en Chine ”, , pp.239-257, 2004. halshs-02427127 HAL Id: halshs-02427127 https://halshs.archives-ouvertes.fr/halshs-02427127 Submitted on 3 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 中國宗教文獻研究國際シンポジウム報告書( The Title Illumination of Ritual: Lu Xiujing's 陸修靜 Reflections on the Retreat / Franciscus Verellen ) Author(s) Citation (2004) Issue Date 2004-12 URL http://hdl.handle.net/2433/65875 Right Type Conference Paper Textversion publisher Kyoto University The Illumination of Ritual: Lu Xiujing’s reflections on the Retreat Franciscus Verellen I rejoice in the Law, my betrothed Scripture I covet, like a jewel Holding fast to the precepts, I master the Six Senses Mindful of the Way, I banish desire These opening lines of the Triple Announcement Hymn , intoned by Lu Xiujing (406-477) and his followers at the beginning of the Retreat ritual, capture several features of the patriarch’s religious temperament: a man of fervent faith and a devotee of holy scripture, he was also an ascetic moralist and a stern preacher. -
Doumu: the Mother of the Dipper
Livia Kohn DOUMU: THE MOTHER OF THE DIPPER Introduction The goddess Doumu 4- f.J:, the Mother of the Dipper, is a Daoist stellar deity of high popularity. Shrines to her are found today in many major Daoist sanctuaries, from the Qingyang gong. jf.i;inChengduA lllthrough Louguan tttfL plearXi'an iN~)to Mount Tai * t1Jin Shandong. She represents the genninal, creative power behind one of the most central Daoist constellations, the Northern Dipper, roler offates and central orderer of the universe, which is said to consist of seven or nine stars, called the Seven Primes or the Nine Perfected. 1 The Mother of the Dipper appears in Daoist literature from Yuan times onward, there is no trace of any scripture or material associated with her in Song sources or libraries. 2 Her major scripture, the Doumu jing4- f.J: ~I (translated below), survives in both the Daoist canon of 1445 and in a Ming dynasty manuscript dated to 1439. The goddess can be seen as part of a general tendency among Daoists of the Ming to include more popular and female deities into their pantheon, which in turn is related to the greater emphasis on goddesses in popular religion and Buddhism at the time. 3 In I Edward Schafer calls them the Nine Quintessences (1977, p. 233). 2 Van der Loon (1984) has no entry on any te;-.."t regarding her worship. 3 A prominent example of a popular goddess at the time is Mazu ~ 111 or Tianfei f:. 9(.. who was also adopted into the Daoist pantheon. On her development, see Wädow 1992: on her Daoist adoption, see Bohz 1986.