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HST Catalogue 170 1 LIST – – JAPANESE INTEREST H ANSHAN TANG B OOKS LTD Unit 3, Ashburton Centre 276 Cortis Road London SW 15 3 AY UK Tel (020) 8788 4464 Fax (020) 8780 1565 Int’l (+44 20) [email protected] www.hanshan.com 4 Boehm, Christian: THE CONCEPT OF DANZO. ‘Sandalwood Images’ in Japanese Buddhist Sculpture of the 8th to 14th Centuries. London, 2012. 264 pp. 165 colour and b/w illustrations. 29x21 cm. Boards. £59.95 A detailed study examining Japanese Buddhist sculpture known as Danzo (sandalwood images) and Dangan (portable sandalwood shrines) dating from the 8th to 14th centuries. Includes Chinese examples dating from the 6th to 13th centuries which were imported into Japan and which played a major role in the establishment of the indigenous Japanese danzo tradition. 28 Little, Stephen & Lewis, Edmund J: VIEW OF THE PINNACLE. Japanese Lacquer Writing Boxes: The Lewis Collection of Suzuribako. Honolulu, 2012. xxvii, 228 pp. Colour plates (many full page) throughout. 28x21 cm. Cloth. £80.00 A beautifully-illustrated and well-written study with detailed descriptions of over 80 suzuribako (writing boxes) dating from the 14th to 20th centuries from the fine collection of Edmund and Julia Lewis. Delicious. 31 Metropolitan Museum of Art: DESIGNING NATURE. The Rinpa Aesthetic in Japanese Art. New York, 2012. 215 pp. Colour plates throughout. 27x24 cm. Wrappers. £20.00 Catalogue of an exhibition at the Metropolitan Museum of Art in New York examining the Rinpa (Rimpa) aesthetic in Japanese art, celebrated for its bold rendering of natural motifs, references to literature and poetry and experimentation with calligraphy. Shows some 100 works, primarily from the Edo and Meiji periods. 42 Rutherston & Bandini: THE SHEILA M. BAKER COLLECTION OF JAPANESE NETSUKE AND INRO. London, 2012. 90 pp. Colour plates throughout. 24x18 cm. Wrappers. £25.00 Catalogue of a fine and pleasing single-owner collection of Japanese netsuke and inro of figures and animals. A total of 66 examples, all illustrated in colour and described. 50 Trinh, Khanh ed: KAMISAKA SEKKA. Dawn of Modern Japanese Design. London, 2012. 195 pp. Colour illustrations throughout. 22x18 cm. Wrappers. £24.95 Catalogue of a loan exhibition at the Art Gallery of New South Wales showing the multifaceted artistic brilliance of the early 20th cen - tury Japanese designer and print maker, Kamisaka Sekka. Covers the range of his creative talent from ceramics and paintings through to innovative print making. The exhibits come from the Hosomi Museum in Kyoto and numerous private collections in Kyoto. Recom - mended. 56 Academy of Lacquer Research ed: SHIKKOSHI: HISTORY OF LACQUER ART. Bulletin of the Academy of Lacquer Research 1-10. N.p. (Tokyo?), 1978-1987. c.60 pp. per volume. Numerous small b/w text illustrations and drawings to each volume. 10 vols. 29x21 cm. Cloth. £300.00 A very scarce run of the first 10 volumes of ‘Shikkoshi: History of Lacquer Art’ which comprises the Bulletin of the Academy of Lac - quer Research in Japan. Each volume typically has 5 articles on detailed aspects of research into Japanese lacquer and its history. Each essay has a brief English abstract, some one page long, some shorter. A typical selection of articles: Omiwa: Medieval Lac - querware Excavated at Kamakura; Suzuki: Unehara, the Makie Artist; Haino: Sutra Box with Chrysanthemum Blossom Design in the Seigan-ji Temple, Kyoto; Ohta: The Technique of Making Rantai-kimma Lacquerware; Kaneko: Maki-e Lacquer Works Attributed to Artists of the Igarashi School. Lost of contents and abstracts to essays in English in each volume. Main text in Japanese. 57 Arakawa Hirokazu: MAKIE. (Gold or Silver Lacquerware). Nihon no Bijutsu No. 35. Tokyo, 1969. 110 pp. 161 plates, 27 in colour. 23x19 cm. Paper. £27.00 Japanese text only. 58 Arakawa Hirokazu ed: HOSOKAWA-KE DENRAI MAKI-E SHITSUGEI. (Gold Lacquer Art inherited by the Hosokawa Family). Kyoto, 1988. 281 pp. 326 colour plates & 17 pp. of b/w illustrations. 39x28 cm. Silk, slip- case. £465.00 Profusely illustrated luxurious record of the gold lacquerware inherited by the Hosokawa family. Foreword by Morisada Hosokawa. Japanese text only. Beautiful production. 59 Arakawa, Hirokazu: WAJIMA TO. (Wajima Lacquerware). Kyoto, 1983. 622 pp. 711 colour plates, numerous b/w illustrations in text. 39x28 cm. Silk cloth, clamshell case. £300.00 Mint copy of an extremely well-produced book with hundreds of superb colour plates. Both old and new Wajima pieces are shown, along with items related to Wajima-style lacquer. Divided into sections on Edo pieces, Meiji and Taisho wares and modern pieces (the largest section). Also includes a series of black and white pictures on the process of lacquer-making. Wajima remains today one of the main lacquer production centres of Japan and uses traditional methods and workmanship in the production of modern lacquer pieces. This is underlined by the many beautiful contemporary pieces illustrated in this work. With a three page introduction in English by Hirokazu Arakawa (curator of the lacquer section at the Tokyo National Museum) on the history of Wajima lacquer and recent developments. Main text in Japanese only. Offered at under half the original price. 2 JAPANESE INTEREST – – HANSHAN TANG BOOKS 60 Atchley, Virginia and Neil K. Davey: THE VIRGINIA ATCHLEY COLLECTION OF JAPANESE MINIATURE ART. 2005. 360 pp. Over 760 colour illustrations. 30x24 cm. Cloth. £100.00 Virginia Atchley is a major American collector of Japanese miniature arts. This catalogue depicts over 400 varied pieces from her col - lection of inro, netsuke and sagemono. Well-illustrated throughout in colour (including signatures) and with a good text. Includes an essay: Goodall: The Fashion for Sagemono in Edo Japan (1615-1808). Also has indexes of netsuke, inro and sagemono artists. 65 Bourne, Jonathan et al: LACQUER. An International History and Collector’s Guide. Marlborough, 1984. 256 pp. Numerous illustrations, 118 in colour. Glossary, bibliography, index. 31x24 cm. Cloth. £45.00 A well illustrated history of lacquer in the Orient and in the West. Includes sections on materials and techniques and how to restore lacquer. Contributors include: Anthony Christie, Craig Clunas, Julia Hutt & O. Impey. 66 Boyer, Martha: CATALOGUE OF JAPANESE LACQUERS. In the Walters Art Gallery. Baltimore, 1970. 94 pp. 172 plates, one coloured and tipped-in. Bibliography and index. 30x25 cm. Cloth. £75.00 400 of the finest lacquer pieces from the William T. Walters collection are described and illustrated in this book, including boxes, cab - inets, inro, hair ornaments, etc. 67 Brommelle, N. S. & Smith, P. ed: URUSHI. Proceedings of the 1985 Urushi Study Group. Malibu, 1988. 260 pp. 133 plates in colour and 148 illustrations in b/w. 30x21 cm. Paper. £40.00 An in-depth examination of the Far Eastern lacquerware known as Urushi, this book considers the art-historical and scientific view - points and presents the priorities for its preservation and conservation. 68 Bruijn, M. de and B. Kist: SAWASA: JAPANESE EXPORT ART IN BLACK AND GOLD 1650-1800. Amsterdam, 1999. 126 pp. Colour plates throughout, some b/w plates. 23x17 cm. Paper. £35.00 Exhibition catalogue from a major exhibition of this ware — also known as chakudo and consisting of gilded and black lacquered met - alware — held at the Rijksmuseum in Amsterdam. English text. 69 Bushell, Raymond: THE INRO HANDBOOK. Studies of Netsuke, Inro, and Lacquer. Tokyo, 2002. 263 pp. 140 colour illustrations, 386 b/w illustrations of signatures, bibliography. 27x20 cm. Cloth. £48.00 A 2002 reprint of the 1979 classic text for the collector and enthusiast. 79 Christie’s: THE DAVID COLLECTION OF FINE INRO, NETSUKE AND OKIMONO. London, 1986. 65 pp. Colour and b/w illustrations. 25x20 cm. Paper. £30.00 151 netsuke, 55 inro, okimono and ivory carvings from the David collection. A total of 227 lots, many illustrated. Christie’s, London 14 October, 1986. Creases to a couple of pages. 80 Christie’s: IMPORTANT JESUIT LACQUERS AND JAPANESE WORKS OF ART FROM THE AGE OF WESTERN INFLUENCE. The Property of Chiddingstone Castle, Kent. London, 1985. 36 pp. 17 b/w and colour plates, 1 folding. 25x20 cm. Paper. £15.00 Auction catalogue. 82 Davies, Barry et al: HIDDEN TREASURES OF JAPANESE ART. The Isaac Kaplan Collection. Cape Town, 2004. 291 pp. Colour plates throughout. Glossary, index of artists, bibliography. 32x25 cm. Cloth. £58.00 Catalogue of a fine private collection of netsuke, ojime, and inro, plus some items of metalwork, exhibited recently in South Africa. With contributions by Davies, Russel Bock, Victor Harris, Joe Earle and Mendel Kaplan. 83 Dean, Michael: JAPANESE LACQUER — AN EXPOSITION BY M. & H. DEAN. Nihon no Shikki. Kyoto, 1984. 151 pp. 346 colour illustrations of 141 objects. Glossary, list of contents & English intro. 30x30 cm. Cloth. £125.00 High quality reproduction of a great variety of lacquers including boxes, inro, tsuba, netsuke and trays. Each illustration is described in Japanese and English, and shows the pieces from various angles. Demonstration board explains the various stages of lacquering. 85 Eskenazi Ltd: JAPANESE INRO FROM PRIVATE COLLECTIONS. London, 1982. 52 pp. 106 illustrations, 41 in colour. Glossary and bibliography. 30x21 cm. Paper. £10.00 Currently ON OFFER at 50% off usual price. The majority of the exhibits are from the Topper collection. Catalogue by Luigi Bandini with interesting introductory essays by Mary Hillier and Julia Hutt. 86 Eskenazi Ltd: JAPANESE LACQUER-WARE FROM THE VERBRUGGE COLLECTION. London, 1989. 104 pp. Bibliography. 74 colour plates, 5 illustrations. 30x22 cm. Boards. £20.00 Currently ON OFFER at 50% off usual price. An introductory essay by Julia Hutt accompanies this catalogue of works from the eigh - teenth and nineteenth centuries. 87 Eskenazi Ltd: THE CHARLES A. GREENFIELD COLLECTION OF JAPANESE LACQUER. London, 1990. 245 pp. 141 items illustrated in colour, 89 signatures in b/w.
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