DOCSLIB.ORG

Pop Art Design Organized by the Vitra Design Museum January 7-April 2, 2017 Illustrated Checklist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pop Art Design Organized by the Vitra Design Museum January 7-April 2, 2017 Illustrated Checklist Updated 11/9/16 Pop Art Design Organized by the Vitra Design Museum January 7-April 2, 2017 Illustrated Checklist REALITY AS COLLAGE Charles Eames, Ray Eames (American, 1907-1978, 1912-1988) Giant House of Cards, 1953 Card game Printed card stock Tigrett Enterprises, Chicago, IL, USA 45,5 x 132 x 67 cm Vitra Design Museum Charles Eames, Ray Eames (American, 1907-1978, 1912-1988) RKR-2, 1951/52 Rocking chair Lacquered steel wire, two-piece vinyl pad, wood Herman Miller, Inc., Zeeland, MI, USA 71.4 x 48.6 x 69.1 cm Vitra Design Museum Achille Castiglioni, Pier Giacomo Castiglioni (Italian, 1918-2002, 1913-1968) No. 200 / Sella, 1957/1983 Stool Chrome-plated and lacquered steel,lacquered cast iron, leather, copper Zanotta SpA, Nova Milanese, MI, Italy 88 x 27.5 x 27.5 cm Alexander von Vegesack, Lessac Richard Hamilton (British, 1922-2011) Hommage à Chrysler Corp., 1958 Illustration for the magazine “Architectural Design” 28, No. 3, 1958 30.3 x 23.3 x 0.5 cm Vitra Design Museum 1 Updated 11/9/16 Roy Lichtenstein Untitled, 1965 Screen print on metallic plastic 50.5 x 60.8 x 1 cm Museum of Contemporary Art Chicago Larry Rivers (American, 1923-2002) Portrait of Leo Singer at 50, 1982-1985 Oil on canvas laid on shaped wood support 37 1/2 x 28 3/4 x 3 inches Palm Springs Art Museum, Gift of Hortense G. Singer Wallace Berman Untitled, c.1964-1976 verifax collage, negative printing 30 x 32-1/2 inches Museum purchase with additional funds provided by Robert Rowan, Pasadena 1982.015 Billy Al Bengston Birmingham Small Arms I (B.S.A.), 1961 Oil on canvas 34-1/2 x 37 inches Gift of Dr. and Mrs. Merle S. Glick THINKING AUTOMATONS 2 Updated 11/9/16 Eduardo Paolozzi (Scottish 1924-2005) Diana as an Engine, 1963 Welded and painted aluminum 163.7 x 97.5 x 35.6 cm British Council Collection, London John McHale (Scottish, 1922-1978) Untitled Magazine cover, “Architectural Review” CXXI, no. 724, May 1957 (Machine Made America) Offset print 30.7 x 25 x 1.5 cm Vitra Design Museum Anonymous High Wheel Robot, 1965 Toy robot Tin, plastic Yoshiya, Japan 25.5 x 11 x 10 cm Fifo Stricker Anonymous Forbidden Planet, 1956 Poster for the movie by Fred M. Wilcox Color lithograph on paper 110 x 70 cm Vitra Design Museum Charles Eames, Ray Eames (American, 19071978,1912-1988) A Communications Primer, 1953 16-mm film, digitized 22 min 30 sec, color Courtesy Eames Office QUOTING BRANDS 3 Updated 11/9/16 Anonymous Mod. 44, 1947–51 Vending machine Lacquered sheet steel, cast aluminium The Vendo Company, Kansas City, MO, USA 148 x 41.5 x 53.5 cm Vitra Design Museum Simon International Omaggio ad Andy Warhol (American, 1928- 1987), 1973 Stool Paint drum with silkscreen, fabric upholstery Gavina SpA, Bologna, BO, Italy 45 x 31 x 31 cm Vitra Design Museum Andy Warhol (American, 1928-1987) Campbells Soup Cans II, 1969 Edition 17/250 Screenprint on paper 95 x 64 cm Collection Museum of Contemporary Art Chicago. Gift of Beatrice Cummings Mayer 1991.89.1 Andy Warhol (American, 1928-1987) Souper Dress, 1966-67 Silkscreen ink on paper 124.5 x 66 x 1 cm Collection of Jay Dandy and Melissa Weber FROM FOLK ART TO POP Alexander Girard (American, 1907-1993) Untitled, 1953 Shopping bag for the Textiles & Objects store Printed paper 56 x 33.5 x 0.3 cm Vitra Design Museum 4 Updated 11/9/16 Alexander Girard (American, 1907-1993) Untitled, 1959/60 Tableware for the La Fonda del Sol restaurant Painted porcelain 10 x 8.7 x 8.7 cm Vitra Design Museum Alexander Girard (American, 1907-1993) To Susan and Sansi from Sandro, 1960–70 Wood, sugar cubes, printed paper, gold foil 67.5 x 69.5 cm Vitra Design Museum Alexander Girard (American, 1907-1993) 8 Table Settings by Alexander Girard (American, 1907-1993) for Georg Jensen Inc., 1955 Shop window decoration Painted wood 96.5 x 76.5 x 1 cm Vitra Design Museum Alexander Girard (American, 1907-1993) Untitled, 1960 Lacquered wood, plaster, metal 86,5 x 48 x 3,9 cm Vitra Design Museum Alexander Girard (American, 1907-1993) Untitled, Undated Drawer from Alexander Girard (American, 1907-1993)’s collection of matchboxes and matchbooks 40 x 26.5 x 1.8 cm Vitra Design Museum 5 Updated 11/9/16 Images of interiors designed by Alexander Girard: the Girard family home in Santa Fe (where they took up residence in 1953), the Herman Miller showroom in San Francisco (1959), the theme restaurant La Fonda del Sol in New York (1959/60) and the Textiles & Objects home furnishings store, also in New York (1961). 64.5 x 135.5 x 11 cm Backlit Transparency Most of these photographs were taken by Charles Eames. Saul Steinberg (Romanian, 1914-1999) Eames Chair, 1950 Ink on paper 44 x 37 x 3 cm Vitra Design Museum PRODUCTS IN MUSEUMS Konrad Lueg, Gerhard Richter (German 1936-1996, b. 1932) Leben mit Pop – eine Demonstration für den kapitalistischen Realismus, 1963 Exhibition/happening at Möbelhaus Berges, Düsseldorf 43.4 x 61.4 x 11 cm Backlit Transparency © VG Bild-Kunst, Bonn 2012 Charles Eames, Ray Eames (American, 1907-1978,1912-1988) Exhibition for Modern Living, 1949 Installation of their own works for the exhibition at the Detroit Institute of Arts 43.4 x 61.4 x 11 cm Backlit Transparency © Eames Office, LLC Achille Castiglioni, Pier Giacomo Castiglioni (Italian, 1918-2002, 1913-1968) Colori e forme nella casa d’oggi, 1957 Installation of a living room and workspace for the exhibition at Villa Olmo, Como (decoration: Giuseppe Ajmone) 43.4 x 38.4 x 11 cm Backlit Transparency © Fondazione Achille Castiglioni 6 Updated 11/9/16 Emilio Ambasz, Thomas Czarnowski Italy: The New Domestic Landscape, 1972 Installation of the exhibition in the Sculpture Garden of the Museum of Modern Art (MoMA), New York 43.4 x 60.4 x 11 cm Backlit Transparency © 2012 The Museum of Modern Art, New York / Scala, photo: Leonardo LeGrand Gene Moore (American, 1910-1998) Untitled, 1956 Shop window with a painting by Jasper Johns, Bonwit Teller department store, New York 43.4 x 36.4 x 11 cm Backlit Transparency © VG Bild-Kunst, Bonn 2012 Gene Moore (American, 1910-1998) Untitled, 1956 Shop window with a painting by Robert Rauschenberg, Bonwit Teller department store, New York 43.4 x 31.4 x 11 cm Backlit Transparency © VG Bild-Kunst, Bonn 2012 Gene Moore (American, 1910-1998) Untitled, 1961 Shop window with paintings by Andy Warhol (American, 1928-1987), Bonwit Teller department store, New York 43.4 x 62.4 x 11 cm Backlit Transparency © 2012 The Andy Warhol (American, 1928- 1987) Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York Ben Birillo, Paul Bianchini (American, b. 1928, 1928-2000) The American Supermarket, 1964 Project organized by Bianchini Gallery, New York 43.4 x 60.4 x 11 cm Backlit Transparency © Henri Dauman/Daumanpictures.com, All Rights Reserved DISSOLUTION OF IMAGES 7 Updated 11/9/16 George Nelson Associates, Inc. (Irving Harper) (American, 1916-2015) Marshmallow, 1956 Sofa Lacquered steel tubing, vinyl cushions, aluminium Herman Miller Furniture Company, Zeeland, MI, USA 79 x 131.5 x 80 cm Vitra Design Museum Richard Hamilton (British, 1922-2011) Untitled Double-page spread of exhibition catalogue, “This Is Tomorrow”, Whitechapel Gallery, London, 1956 Offset print 16.5 x 17 x 1 cm Vitra Design Museum Eames Office (Charles Kratka) (American 1922-2007) Untitled, ca. 1950 Full-page advertisement, “D_M” chair by Charles and Ray Eames for Herman Miller Reproduction Courtesy Eames Office Michael Childers (American, b. 1944) Ultra Violet, Andy Warhol (American, 1928- 1987) Supersar, in Robert Rauschenberg’s bed, New York City, 1968, 1968 Gelatin silver print 11 x 14 inches Palm Springs Art Museum, Gift of the Artist Roy Lichtenstein (American, 1923-1997) Untitled (China set), 1966 Screen print on metallic plastic Collection of Jay Dandy and Melissa Weber 8 Updated 11/9/16 Roy Lichtenstein Chem 1A, 1970 Serigraph, edition 34 of 100 30 x 20-3/8 inches OCMA Collection; Gift of Richard Dean Lewis 1977.025 Roy Lichtenstein Two Paintings: Beach Ball (From the Series PAINTINGS), 1984 Woodcut, lithograph and serigraph, Edition of 60 40 x 39 inches OCMA Collection; Gift of the Richard H. Mumper estate A.1994.026 FROM FONT TO IMAGE Gunnar Aagaard Andersen (Danish, 1919- 1982) Letters, 1955 Wall hanging and upholstery fabric Cotton, wool, nylon Kvadrat, Ebeltoft, Denmark 129 x 231 x 3.5 cm Vitra Design Museum Gift of the manufacturer 9 Updated 11/9/16 Alexander Girard (American, 1907-1993) Alphabet, c.1952 Wallpaper pattern Printed paper Herman Miller, Inc., Zeeland, MI, USA Vitra Design Museum (6 prints) Ed Ruscha (American, b. 1937) Honk, 1964 Powdered graphite on paper 53.34 x 73.66 x 3.81 cm Courtesy/Collection of Donald B. Marron, New York Ed Ruscha Annie, 1965 Oil on canvas 22-3/8 x 20-3/8 inches (f) Museum purchase with additional funds provided by the National Endowment for the Arts, a federal agency 1978.011 SHOP WINDOWS AND TROMPE L’ OEIL 10 Updated 11/9/16 Pierre Paulin (French, 1927-2009) No. 437, 1959 Armchair Moulded plywood, chrome-plated tubular steel, foam upholstery, fabric cover Artifort, Maastricht, Netherlands 69 x 83 x 80 cm Vitra Design Museum Olivier Mourgue (French, b. 1939) Bouloum, 1968 Lounge chair Lacquered fibreglass Arconas Corporation, Mississauga, Ontario, Canada 56.5 x 60.5 x 142 cm Vitra Design Museum Verner Panton (Danish, 1926-1998) Heart-Shaped Cone Chair / K3, 1959 Swivel chair Steel sheet, foam rubber, fabric cover Gebrüder Nehl, Germany 89 x 103.2 x 70.6 cm Vitra Design Museum Valerio Adami (Italian, b.
Load more

Recommended publications
  • The Guardian 082218
    8/25/2018 Back to the Futuro: the spaceship house that landed in Yorkshire | Art and design | The Guardian Back to the Futuro: the spaceship house that landed in Yorkshire Dreamed up in Finland and shaped like a flying saucer, Matti Suuronen’s ‘house of the future’ turned out to be an impractical curio but its atomicage aesthetics are still alluring Mark Hodkinson Wed 22 Aug 2018 01.00 EDT ike jetpacks, flying cars and robot butlers, the Futuro was supposed to revolutionise the way we lived. Unlike those other staples of an imagined future, however, this architectural oddity actually existed. A colourful pod in the shape of an ellipse, the Futuro was a sci-fi vision of the future, offering us a living space light years away from what most of us were used to. Nicknamed the Flying L Saucer and the UFO House, it was symbolic of the ambitious space-race era. But as the Futuro celebrates its 50th anniversary, the revolution it promised clearly never happened. Aficionados estimate that of the 100 or so made, only 68½ (more on the half later) remain. One belongs to Craig Barnes, an artist based in London, who saw a Futuro in a “dishevelled and tired” state while on holiday in Port Alfred, South Africa. He decided to mount a rescue mission. “I have family out there,” he says, “and I’d been seeing this Futuro since I was about three. I viewed it as a spaceship. I drove past in 2013 and workers were knocking down a garage next to it.
    [Show full text]
  • Esbo En Internationell Mötesplats
    WORLD DESIGN CAPITAL HELSINKI 2012 WORLD DESIGN CAPITAL HELSINKI 2012 ESPOOESBO KANSAINVÄLINENEN INTERNATIONELL KAUPUNKIRAPORTTI SIVU 20 KOHTAUSPAIKKAMÖTESPLATS CITIES OF HELSINKI, ESPOO, CITIES OF HELSINKI, ESPOO, VANTAA, KAUNIAINEN AND LAHTI VANTAA, KAUNIAINEN AND LAHTI WORLD DESIGN CAPITAL HELSINKI 2012 WORLD DESIGN CAPITAL HELSINKI 2012 KAUPUNKIRAPORTTI SIVU 21 CITIES OF HELSINKI, ESPOO, CITIES OF HELSINKI, ESPOO, VANTAA, KAUNIAINEN AND LAHTI VANTAA, KAUNIAINEN AND LAHTI WORLD DESIGN CAPITAL HELSINKI 2012 WORLD DESIGN CAPITAL HELSINKI 2012 EspooEsbo inledde käynnisti förberedelserna designpääkaupunkivuoden inför året som valmistelutyöndesignhuvudstad heti, så kunfort meddelandettieto Icsid:n (The om InternationalICSID:s (The International Council of Societies Council of SocietiesIndustrial Design)of Industrial päätöksestä Design) besluttuli. Designpääkaupunkivuoden kom. Temat för designåret, teeman Embedded Embeddeddesign – design design som – designen del av osana livet, elämää förenar yhdistää medborgarnas kansalaisten behov av det estetiska och det praktiska. tarpeet esteettisyyteen ja käytännöllisyyteen. Esbo närmade sig året via definitionen av termen design; med hjälp Espoo lähestyi vuotta design-termin määrittelyn kautta; designin av design söker man nya, fungerande lösningar samtidigt som man keinoin etsitään uusia, toimivia ratkaisuja samalla varmistaen, että försäkrar sig om att innovationer, teknologier och system är hållbara innovaatiot, teknologiat ja järjestelmät ovat kestäviä ja sopivat och lämpar sig för dagligt bruk.
    [Show full text]
  • Suomalainen Arkkitehtuuri
    A. Vanhan Porvoon kartta / MFA. B. Porvoo, Porvoonjoen maisemaa ranta-aittoineen vanhan Porvoon kohdalla. Kuva Simo Rista /MFA. C. Katunäkymä. Kuva Kari Hakli / MFA. 1. Porvoo A B 1300-luvulla perustettu Porvoo on Suomen toiseksi vanhin kaupunki Turun jälkeen. Suomen kaupungeista Porvoo on ainoa, jossa keski- aikainen asemakaava on vielä havaittavissa, vaikka katuja onkin suoristettu sittemmin useaan otteeseen. Vapaamuotoisen katuverkon keskipisteenä on 1400-luvun alussa rakennettu kivikirkko. Sen historiallista merkitystä korostaa kirkon asema vuoden 1809 valtio- päivien näyttämönä. C Porvoo paloi vuonna 1760. Kaupungin tunnusmerkkeinä toimivista punamultaisista ranta-aitoista ja suolavarastoista suurin osa on säily- nyt heti palon jälkeiseltä ajalta. Samuel Bernerin suunnittelema vanha kymnaasi on vuodelta 1759. Porvoon torin laidalla sijaitseva, oletetta- vasti ruotsalaista käsialaa oleva rokokooajan raatihuone rakennettiin vuosina1762-64. Porvoon keskustan eteläisen ruutuasemakaavan laati C. L. Engel vuonna 1832. Tämä matalan rakennuskannan kaupunginosa on parhaitensäilyneitä puuempirenedustajiamaassamme. A. Turun linna / K.E. Ståflberg /MFA B. Turun linnan sisäpiha /MFA C. Kuninkaansali / Kari Hakli / MFA 2. Turun linna 1200-luku A B Lounais-Suomen alue liitettiin Ruotsin valtakuntaan Ruotsin ku- ninkaan Eerikin ensimmäisen ristiretken yhteydessä vuonna 1155. Turun linnaa alettiin rakentaa 1200-luvun lopulla. Linna oli aluksi erillisellä saarella ja sen ulkomuoto on muuttunut vuosisatojen kuluessa eri rakennusvaiheissa. Alkujaan linna oli suorakaiteen muotoinen leirilinna, kastelli, jonka molemmissa päissä C kohosi torni. 1300-luvulla muodostuivat esilinna ja päälinna. Silloin huoneisiin kuljettiin sisäpihalta puisia portaita pitkin. Nykyinen pyörötorni eli rondeli rakennettiin 1569-1575. Linnan loiston kausi sijoittui 1500-luvulle. Kulkuyhteyksiä lin- nan huoneista toisiin parannettiin ja uusia huoneita rakennettiin. Renessanssin aikakauden sanotaan alkaneen Suomessa Juhana- herttuan ja Katarina Jagellonican ylläpitämän hovinmyötä.
    [Show full text]
  • 06 | Arquitectura Sin Lugar. La Casa Futuro De Matti Suuronen. No-Place Architecture
    rita_15 | mayo 2021 ISSN: 2340-9711 e-ISSN 2386-7027 06 | Arquitectura sin lugar. La casa futuro de Matti Suuronen. No-place architecture. The futuro house by Matti Suuronen _Mario Sánchez Samos Resumen pág 55 | Bibliografía pág 61 Universidad de Granada. Mario Sánchez Samos, arquitecto por la Escuela Técnica Superior de Arquitectura de Granada en el 2019. Su trabajo de fin de grado “La Carrera Espacial en la arquitectura norteamericana 1950-1980” fue el comienzo de una línea de investigación para una futura tesis. Ganador del Premio Alonso Cano 2020 de la Universidad de Granada en las categorías de Arquitectura por su trabajo de Fin de Máster “Hic Svnt Tumultum” y de Diseño por el proyecto “Micro exposición atemporaL”, exposición artística de la cual es comisario. Finalista en el año 2018 del concurso UGR Emprendedora con el proyecto “Mapa del Forastero”, expuesto en la Facultad de Bellas [1] Artes de Granada en el Festival Internacional de Arte Contemporáneo El encargo BAG. Profesor de “Illustrator para Arquitectura” como parte del En 1965, Matti Suuronen (Finlandia, 1933-2013) recibe un encargo de su amigo el Dr. Jaakko programa Intercambia en la Escuela Hiidenkari, con una petición muy particular: necesitaba una cabaña donde resguardarse del frío de Arquitectura de Granada durante dos años. Ha colaborado en el estudio en una zona de alta montaña tras una jornada de esquí. Debía ser “rápida de calentar y fácil Jiménez Brasa. 1 de construir en un terreno irregular”. Las condiciones de partida hacían imposible un tipo de [email protected] arquitectura al uso, con sistemas de construcción clásicos y anclados al lugar de ejecución.
    [Show full text]
  • Download Spring 2020
    TABLE OF CONTENTS RIZZOLI 50 Lessons to Learn from Frank Lloyd Wright . .17 Rashid Al Khalifa: Full Circle . .45 Alicia Rountree: Fresh Island Style . .25 Rika’s Japanese Home Cooking . .22 The Appalachian Trail . .54 Rooms of Splendor . .18 At Home in the English Countryside: Schumann’s Whisk(e)y Lexicon . .26 Designers and Their Dogs . .2 Scott Mitchell Houses . .10 Automobili Lamborghini . .51 Sicily . .56 The Best Things to Do in Los Angeles: Revised Edition . .52 Skylines of New York . .54 The Candy Book of Transversal Creativity . .34 Taking Time . .44 Christian Louboutin: Exhibition . .27 Voyages Intérieurs . .16 Classicism at Home . .19 Watches International Vol. XXI . .50 Climbing Bare . .41 Wayne Thiebaud Mountains . .42 The Cobrasnake: All Yesterday’s Parties . .35 We Protest . .33 Dan Colen . .46 Wine Country Living . .11 de Gournay: Art on the Walls . .5 The Women’s Heritage Sourcebook . .21 Decorate Happy . .4 You’re Invited . .20 Design Fix . .8 Zeng Fanzhi: Untitled . .43 Designing History . .3 Diana Vreeland: Bon Mots . .28 RIZZOLI ELECTA Dior Joaillerie . .29 Alice Trumbull Mason . .73 Elan: The Interior Design on Kate Hume . .15 Alma Allen . .72 Eva Hesse and Hannah Wilke . .42 At First Light . .66 Eyes Over the World . .37 BATA Shoe Museum . .65 Federico Fellini . .38 Bosco Sodi . .70 From the Archive: RIMOWA . .49 City/Game . .63 Futura . .36 David Wiseman . .62 Garden Design Master Class . .6 A Garden for All Seasons . .77 Gathering . .24 I Was a Teenage Banshee . .75 Hamilton: Portraits of a Revolution . .31 Laurent Grasso . .74 The Heart of Cooking . .50 Lens on American Art .
    [Show full text]
  • Sotheby's Reports Second Quarter
    Press Release New York For Immediate Release New York | +1 212 606 7176 | Andrew Gully | [email protected] | Lauren Gioia | [email protected] London | +44 (0) 20 7293 6000 | Matthew Weigman | [email protected] | Mitzi Mina | [email protected] SOTHEBY’S REPORTS SECOND QUARTER AND FIRST HALF 2012 FINANCIAL RESULTS • Edvard Munch’s The Scream Sells for $119.9 million, the Highest Price for Any Work of Art at Auction, in Record Impressionist & Modern Sale in New York • Net Income of $85.4 Million for Second Quarter • Total Revenues Down 18%, Total Expenses Down 8% in the Second Quarter August 7, 2012, New York -- Sotheby's (NYSE: BID) today reported financial results for the second quarter and first half ended June 30, 2012. Sotheby’s reported second quarter 2012 net income of $85.4 million, a decrease of 33% from the prior year period, and total revenues of $303.9 million, down 18%, when compared to the prior year period. For the six months ended June 30, 2012, the Company reported net income of $74.8 million, a decrease of 42%, and total revenues of $408.9 million, down 16%, when compared to the prior year period. The lower levels of revenues and profitability in the current periods reflect a decrease in net auction sales when compared to the prior year periods and in particular, a 67% decline in single owner sales volume in the second quarter and a 55% decline in the first half. The impact of the decline in total revenues is partially offset by reductions in total expenses of $13.6 million, or 8%, in the second quarter and $8.5 million, or 3%, in the first half.
    [Show full text]
  • Frieze Film Program
    SOMETHING SIMILAR SCREENING FILMMAKER FOCUS MIKA TAANILA, FUTURE IS NOT WHAT IT USED TO BE, 2002, 35MM FILM STILL, COURTESY THE ARTIST AND KINOTAR OY, HELSINKI FUTURO: A NEW STANCE SCREENING FILMMAKER FOCUS FOR TOMORROW FUTURE IS NOT WHAT IT USED TO BE Mika Taanila Directed by Mika Taanila TUESDAY JANUARY 21 2014 | 7:30PM Documentary portrait of Finnish electronic arts pioneer, philosopher, and artist Erkki Kurenniemi. FEBRUARY 25 7:30PM A LITTLE BIT DIFFERENT COURTESY OF THE ARTIST PERFORMANCE PERADAM Robert Aiki Aubrey Lowe + Sabrina Ratté Artists Robert A. A. Lowe and Sabrina Ratté collaborate on Peradam, a new audio and visual work utilizing modular synthesizer and the human body to inform modular video synthesis in real time. JANUARY 25 8PM MIKA TAANILA, FUTURO: A NEW STANCE FOR TOMORROW, 1998, 35MM FILM STILL, EMPAC COURTESY THE ARTIST AND KINOTAR OY, HELSINKI SCREENING FILMMAKER FOCUS FUTURO: A NEW STANCE FOR TOMORROW Mika Taanila TUESDAY JANUARY 21 2014 | 7:30PM Finnish filmmaker Mika Taanila’s Futuro: A New Stance for Tomorrow, uses amateur film and archival footage to investigate the futuristic imaginings of the Futuro House, designed and developed in 1968 by architect Matti Suuronen as a mass produced, mobile plastic housing unit that could be used singularly as a holiday home or multiplied to create a larger, integrated structure of pods. This functionalist and socialist utopian idea, however, was shattered by the 1972 oil crisis, as the use of plastic as building material became unviable. This film expresses and encapsulates the optimism of the post-war era in a joyful but melancholic study on the perceived failure of the 1960s vision of the future.
    [Show full text]
  • 09 07 39 Well Woerthersee.KPB
    DIE SPRAYBOYS Gunter Sachs hätte für seinen Kärnter Wohnsitz auch einfach Möbel kaufen und Bilder seiner exquisiten Sammlung aufhängen können. Aber das war ihm wohl zu langweilig VELDEN INTERVIEW RALF EIBL FOTOS GUNTER SACHS Zwei Schweizer Künstler, Toast und Dare, gestalte- ten Sachs’ Turmwohnung am Wörthersee. Hier das Schlafzimmer mit Passage zum Bad. Die lazy lady ist aus Tusche. Zähren und Spritzer verweisen bewusst auf den Ursprung von Graffiti: die Straße, wo für die Entstehung solcher Werke oft nur eine Nacht bleibt. ast vierzig Jahre ist es her, da holte Gunter Sachs schon einmal ein paar junge Künstler in die Turm- wohnung eines Hotels. 1969 war das, die Wohnung lag im „Palace“ in Sankt Moritz, und die Eingeladenen F hießen Andy Warhol, Roy Lichtenstein, Tom Wesselmann und Allen Jones. Diesmal steht das Luxushotel am österrei- chischen Wörthersee, die Künstler heißen Dare und Toast – und der Sammler, Förderer, Fotograf und Lebenskünstler Sachs, der sich die feudalsten Interiors der Welt leisten könn- te, hat erneut getan, was er am besten kann: überraschen. Viereinhalb Wochen lang, meist nachts, stiegen die zwei Sprayer im malerisch gelegenen „Schlosshotel Velden“ (be- kannt als Schauplatz der TV-Serie „Ein Schloss am Wörther- see“) die Treppen hoch, packten ihre Rucksäcke aus, nahmen die Kappen von den Sprühdosen und machten sich an die Ar- beit. Die beiden sind keine Unbekannten. Dare ist mit seinen 39 Jahren einer der erfahrensten und renommiertesten Graf- fiti-Artists der Schweiz; er stellte bereits mit Banksy aus, dem Superstar der Szene. Auch Mitstreiter Toast ist kein unbe- schriebenes Blatt. Im Oktober veröffentlicht der 33-Jährige unter dem Titel „Black Ink“ ein Buch mit seinen Arbeiten aus den vergangenen fünfzehn Jahren.
    [Show full text]
  • ~P.À Q 9(Ô 3 (Moi
    CNAC Georges POMPIDOU Service des Archives P . À q 9(Ô 3 ( SOMMAIRE ~ moi Pages Communiqué général 1-3 Communiqué cinéma 45 Warhol : - Biographie 6-10 - Repères historiques 11-14 Warhol vu par : - Extraits textes catalogue 15-17 - Extraits textes catalogue cinéma 18-22 Autour de l'exposition : - Animations et Atelier des Enfants 23-24 - Publications 25 - Conférences 26 - Partenaires 27-28 Heures d'ouverture Semaine 12 - 22 h Samedi, dimanche . 10 - 22 h (Fermé le mardi) Tarif : 35 et 28 F " Je est un autre " Arthur Rimbaud ANDY WARHOL - Rétrospective du 21 Juin au 10 Septembre 1990 Le Musée national d'art moderne présente du 21 juin au 10 septembre dans l'ensemble de la Grande Galerie du 5ème étage du Centre Georges Pompidou une exposition rétrospective de l'oeuvre d'Andy Warhol. Cette exposition conçue en collaboration étroite avec Kynaston McShine pour le MOMA regroupera quelques 200 oeuvres retraçant le parcours de l'artiste mort en 1987. Pour la circonstance, les plus grandes collections privées et publiques ont accepté de se séparer d'oeuvres majeures. L'ensemble réuni est le plus important montré en France à ce jour . Seule l'exposition à l'ARC en 1970 ainsi que la présentation de l'ensemble des oeuvres autour de Mao Tsetong au Palais Gallieria en 1974 avaient donné au public en France la possibilité d'une première vision de son oeuvre . L'exposition du Musée national d'art moderne offre de salle en salle des ensembles à même de développer une vision thématique et chronologique couvrant les années 1960-1987.
    [Show full text]
  • Editor of the Fourth Issue (2020 Vol
    Address https://journal.fi/architecturalresearchfinland Publisher Aalto University Tampere University Oulu University Finnish Association of Architects / Suomen arkkitehtiliittoSAFA Editor-in-chief Kimmo Lapintie [email protected] Editor of the fourth issue (2020 Vol. 1, no.1) Helena Teräväinen [email protected] Editorial Board 2019-2020 Professor Kimmo Lapintie, Aalto University School of Arts, Design and Architecture Dr. Mina di Marino, Norwegian University of Life Sciences Dr. Helena Teräväinen, Aalto University School of Arts, Design and Architecture Professor Olli-Paavo Koponen, Tampere University Professor Panu Lehtovuori, Tampere University Dr. Pekka Passinmäki, Tampere University Professor Anna-Maija Ylimaula, Oulu School of Architecture, Oulu University Dr. Aulikki Herneoja, Oulu School of Architecture, Oulu University Dr. Sari Hirvonen-Kantola, Oulu School of Architecture, Oulu University Architectural Research in Finland ISSN 2489-6799 Architectural Research in Finland Vol 4, No 1 (2020) Table of contest Preface of Editor-in-chief 5 Kimmo Lapintie Editor’s Foreword 7 Helena Teräväinen Keynote Speeches The 1950s and 1960s Modern Home 10 Magazines as research material Pirjo Sanaksenaho Symbolic Geographies, Nordic Inspirations and Baltic Identities 21 Finnish Influence on the Development of Post-war Modernist Architecture in Lithuania during the State Socialist Period Marija Drėmaitė Peer-reviewed articles Shouldn’t All Architecture be Designed with Empathy? 36 A case of affordable-housing design in Zanzibar Helena
    [Show full text]
  • Evaluating the Functional Performance of Small-Scale Public Demountable Buildings
    Evaluating the Functional Performance of Small-Scale Public Demountable Buildings Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor of Philosophy by: Junjie Xi June, 2013 ii Abstract This thesis investigates the design, operation and use of contemporary demountable buildings, and explores how functional performance can be assessed in small-scale examples for public use alongside with their relationship to other design elements. The research focuses on three case studies that do not require a high-technology building environment or complex construction skills. Demountable buildings are defined as those that are transported in a number of parts for assembly on site. Contemporary demountable buildings respond to ecological issues, social impacts, technological innovation and economic demands. They can be used to measure a society’s development in environmental sustainability, innovation and economic growth through various forms. Small-scale demountable buildings fulfil many temporary habitation needs in diverse roles, such as non-emergency transitional housing, ephemeral exhibition buildings and seasonal entertainment facilities. The purpose of examining functional performance is to assess if, and how, the requirements of the design have been achieved. This enables project operators to address functional performance from a public perspective by reflecting on the scope and ambition of their projects. This thesis draws on existing literature to investigate previous and on-going research relating to demountable buildings, including classification, the construction process and project management. It also examines selected existing evaluation methods that cover principles, modelling and computer- based solutions from a wider research area, including Guidelines Developed by City Council and Culture Sectors; Assessment Methods in Humanitarian Response and Methods in Environmental Assessment.
    [Show full text]
  • Wn173 Schneider.Pdf
    wespennest // 173 // leseprobe wespennest Nr. 173_november 2017 2_ 54_ wespennest buch Editorial Sophie Schasiepen 102_ Kein schöner Land, waiata tangi. Helmut Neundlinger 4_ Ahnen der Māori kehren nach Günther Kaip: Ankerplätze Valentin Groebner Aotearoa/Neuseeland zurück 103_ Glaub mir, ich lüge. Die guten Seiten 59_ Florian Neuner der falschen Nachrichten Melissa Hacker Elisabeth Wandeler-Deck: Prisma der Vergangenheit. Das Heimweh der Meeresschildkröten Das Erbe meines Großvaters 104_ 62_ Thomas Ballhausen 10_ Hazel Rosenstrauch Roberto Bolaño: Sabine Küchler Zwischen Weltchronik und Die romantischen Hunde Gedichte Einwickelpapier. 105_ 13_ Wohin mit den vielen Büchern? Teresa Falk Luca Manuel Kieser 65_ Lisa Spalt: Die zwei Henriettas Vom Geschmack auf der Kellertreppe Konstantin Akinscha 106_ (Auszug) Restitution als Diagnostikum. Politische Markus Köhle 16_ Aspekte des «Beutekunstproblems» und Lucas Cejpek: Ein weißes Feld Jani Virk die russisch-deutschen Beziehungen 107_ Zwischen Bäumen 70_ Hazel Rosenstrauch Ilija Trojanow Jeanette Erazo Heufelder: Was bleibt? Soll bleiben? Der argentinische Krösus. Spaziergänge mit Dževad Karahasan Kleine Wirtschaftsgeschichte schwerpunkt durch die Vergangenheiten Sarajevos der Frankfurter Schule Fotos: Christian Muhrbeck 108_ KULTUR ERBEN 75_ Ulrich Schneider 24_ Angela von Rahden George Prochnik: Das unmögliche Exil. Ulrich Schneider Totengespräche. Wer sich in die Stefan Zweig am Ende der Welt Lieber stiften gehen … Von privaten Vergangenheit begibt, führt Kunstsammlungen und ihrem Schicksal Unterhaltungen besonderer Art 110_ 28_ 80_ AutorInnen, Anmerkungen, Andreas Schmidt-Colinet Johan Öberg Buchhandel Wir tun da gar nichts! Über die 58°42’4”N 11°20’8”E. Felsritzungen zwi - Geschichte, die Zerstörung und den schen Ahnenerbe und Kulturtourismus Wiederaufbau von Palmyra 34_ Georg Traska Das perfekte Haus Tugendhat – und 88_ die ästhetische Abwesenheit seiner András J.
    [Show full text]