SEC News Digest, 06-10-1969
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The Leading Edge
ANN ISSUEISSSUE OF WOMEN’SWOM WEAR DAILY THE LEADING EDGE ONE FOR ALL? THE DEMOCRATIZATION OF DISTRIBUTION YOUNG HOLLYWOOD AT PLAY THE ORIGINAL MODEL MOGUL TELLS ALL WAL-MART’S CHANGE OF FACE REDEFINING PICTURE FAB PERFECT FOUR BREAKOUT BEAUTIES FOR THE MODERN AGE HIND SAHLI, JOAN SMALLS, ILVIE WITTEK AND TATI COTLIAR BB1005.001.Cover.a;14.indd 1 4/28/10 3:53:41 PM © 2010 Estée Lauder Inc. © 2010 Estée Lauder Inc. DNA damage and skin aging. The #1 Repair formula womenNow you around have morethe world control can’tover itlive than without. you think.* AdvancedAdvanced NightNight Repair InspiredThe one by revolutionary 25 years of formulagroundbreaking millions of DNAwomen research. can’t live without. Inspired by 25 years of groundbreaking DNA research, There’s a reason why millions of women love it. Estée Lauder scientists bring you this high-performance They start seeing the dramatic reduction in the serum to help continuously repair the appearance of visible signs of aging in just 4 weeks and can’t past damage. With the age-defying power of our exclusive imagine trusting their skin to anything else. In fact, Chronolux™ Technology, you’ll see a dramatic reduction women love sharing their secret for beautiful skin: in the visible signs of aging. “My skin looks younger and feels softer. It just looks *Based on unit sales of Advanced Night Repair as reported by the NPD for FY 2010 among select brands sold in fi ne department stores in the U.S. © 2010 Estée Lauder Inc. sold in fi the NPD for FY 2010 among select brands Night Repair as reported by Advanced *Based on unit sales of healthier, smoother and I have a more even skin tone.” CARLA,New USA For Eyes All the proven repair of our #1 Serum. -
Model Commodities: Gender and Value in Contemporary Couture
Model Commodities: Gender and Value in Contemporary Couture By Xiaoyu Elena Wang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Wendy L. Brown, Chair Professor Shannon C. Stimson Professor Ramona Naddaff Professor Julia Q. Bryan-Wilson Spring 2015 Abstract Model Commodities: Gender and Value in Contemporary Couture by Xiaoyu Elena Wang Doctor of Philosophy in Political Science University of California, Berkeley Professor Wendy L. Brown, Chair Every January and June, the most exclusive and influential sector of the global apparel industry stages a series of runway shows in the high fashion, or, couture capitals of New York, Milan, London and Paris. This dissertation explores the production of material goods and cultural ideals in contemporary couture, drawing on scholarly and anecdotal accounts of the business of couture clothes as well as the business of couture models to understand the disquieting success of marketing luxury goods through bodies that appear to signify both extreme wealth and extreme privation. This dissertation argues that the contemporary couture industry idealizes a mode of violence that is unique in couture’s history. The industry’s shift of emphasis toward the mass market in the late 20th-century entailed divestments in the integrity of garment production and modeling employment. Contemporary couture clothes and models are promoted as high-value objects, belying however a material impoverishment that can be read from the models’ physiques and miens. 1 Table of Contents I. The enigma of couture…………………………………………………………………………..1 1. -
A Queer History of Modeling Work! Elspeth H
A Queer History of Modeling Work! Elspeth H. Brown Work! 218-77755_ch00_4P.indd 1 02/25/19 2:33 pm WoDuke University Press Durham and London 218-77755_ch00_4P.indd 2 02/25/19 2:33 pm A ueer History of Modeling Wo rk! . 218-77755_ch00_4P.indd 3 02/25/19 2:33 pm © . All rights reserved. Printed in Korea by Four Colour Print Group, Louisville, Kentucky. Designed by Courtney Leigh Baker Typeset in Garamond Premier Pro by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Brown, Elspeth H., [date] author. Title: Work! : a queer history of modeling / Elspeth H. Brown. Other titles: Queer history of modeling Description: Durham : Duke University Press, . | Includes bibliographical references and index. Identiers: (print) | (ebook) (ebook) (hardcover : alk. paper) (pbk. : alk. paper) Subjects: : Photography of women— Social aspects— United States. | Fashion photography— United States— History—th century. | Commercial photography— United States— History—th century. | Models (Persons)— United States. | Women in popu lar culture— United States— History— th century. | Femininity in popu lar culture— United States— History—th century. | Sex in advertising— United States— History—th century. | Queer theory. Classication: . (ebook) | . (print) | /.— dc rec ord available at https:// lccn . loc . gov / Duke University Press gratefully acknowledges the Social Sciences and Humanities Research Council of Canada, which provided funds toward the publication of this book. Cover art: Donyale Luna, -
Model Woman: Eileen Ford and the Business of Beauty Model Woman: Eileen Ford and the Business of Beauty
[Download] Model Woman: Eileen Ford and the Business of Beauty Model Woman: Eileen Ford and the Business of Beauty ptQouFi8b Model Woman: Eileen Ford and the Business of Beauty v34z046bB EB-62724 ZrquE3zIm US/Data/Biographies-Memoirs 3FtEY0NFh 4/5 From 885 Reviews jnhRsjfcx Robert Lacey 6GQOqU2MD ebooks | Download PDF | *ePub | DOC | audiobook EWqDCtGZw xCO3WUAge GNefQh6X4 hfODlC2YP SUrKFY0eo 2Yg0D4GbA gF8pMpmM1 YmhR1BtHf 9 of 9 people found the following review helpful. Interesting look at how the ljw1yVRXF agency got started; but leaves you wanting more!By Reading RocksThis book is HixtVrmKC an Eileen Ford bio combined; how the Ford Modeling Agency started; how the Rw7SxDfEz agency dealt with the changing times of modeling agencies. I've read lots of RJENDmOEs other books by Robert Lacey (primarily about England's Royals) so I knew that y3xqwnBrS I would like his writing style - and I did with this book.The book gets into great gqqZpopfl detail on her bio + how the agency got started and how it functioned in its first SctSIU2bJ 5-10 years. The detail wanes off when the author gets into the 1960's and SiepP6nMI beyond. It leaves the reader really wanting more than what is written. The nRRkPMvo1 reader learns about how the Ford Agency tried to quash Casablancas from rALRiwWpI opening in New York and in Paris. The Ford Agency really stomped on anybody iIh52sXzM trying to open a modeling agency and for the longest time, the Ford Agency was KKxlAmsX8 a monopoly. Then ultimately, Casablancas - as did many others - did open an 1eFMwTAyK agency in both places.What this book lacked - and what I thought it would uCtYWLjjx include - was more interesting information and details about the models that the agency worked with. -
Title Page Design
1 Title page design 2 Note from Your Dramaturg 9/7/2020 Hello all! This is the casebook for our production of Let Me Down Easy. Within it is some research on the characters, the playwright, and other topics surrounding the play. There are 6 main sections of the casebook including a glossary and bibliography. Throughout the rehearsal process, I will be adding additional information to this casebook if it is needed. Anyone can request research, elaboration on a subject, or anything of interest to be added to the casebook. I also am always thinking of more fun things to add and expand on. I am more than glad to alter what is already written and add whatever is needed. Let’s create a magnificent show! Your Dramaturg, Ambree Feaster 3 Table of Contents The Playwright…………………………………………………………………………….4 The Play………………………………………………………………………………………6 Genre and Style……………………………………………………………………………………6 Anna Deavere Smith and Let Me Down Easy…………………………………….……7 Themes……………………………………………………………………………………………….7 Why This Play Now?........................................................................................8 Notable Productions……………………………………………………………………………..8 The World of Let Me Down Easy…………………………………………………….9 Fluidity………………………………………………………………………………………………..9 Early 2000s in American……………………………………………………………………….9 The Characters……………………………………………………………………..……..11 James H. Cone………………………………………………………………………………..……11 Elisabeth Streb…………………………………………………………………………………..…12 Lance Armstrong……………………………………………………………………………..……14 Sally Jenkins…………………………………………………………………………..…………….16 -
Thewomanwhocreated Thesupermodel
opposite: Eileen ThEwomaN who crEaTEd Ford at her daughter Katie’s home in NewYork. this page: Ford ThE supErmodEl models in 1966 To her competitors, Eileen Ford was a monster; to her models, she was a mother figure. Tim Teeman meets the 89-year-old New Yo rker who changed the face of fashion Portrait Erik Madigan Heck ileen Ford is approaching 90 in a resolutely uncuddly mood: she rolls her eyes at the notion of ‘What gets me is the permanent, ever present mortality, derides “tear-jerking” questions and notes, of the nastiness of Eileen Ford. She is Machiavellian radiation she has had to treat a brain tumour, that she had great and Byzantine, like a snake with seven heads’ fun teaching the hospital staff to E jitterbug. Her toughness isn’t icy, merely practical, brisk. She is Does she miss Jerry? “Yes, but it doesn’t 1981, Eileen initiated the first Ford Supermodel scornful of pat sentimentality. Ford do any good to sit around and moan. Nobody of the World award, won by Annette Stai (the loves, and is loved and cherished in return, by wants to see that. If when people asked how annual competition continues today). “My her three daughters, son, eight grandchildren you were, you said [she puts on a pathetic income surpassed my dad’s in my first year of and four great-grandchildren: she calls them voice], ‘Oh, I’m sad,’ you wouldn’t have any modelling – and my dad made a good living,” “marvellous human beings” and lists their friends at all. -
© 2017 Thomson Reuters. No Claim to Original U.S. Government Works. 1 Carolyn FEARS, Donna Gibbs, Ann Rogan (A/K/A Anne..., 2003 WL 23951399
Carolyn FEARS, Donna Gibbs, Ann Rogan (a/k/a Anne..., 2003 WL 23951399... 2003 WL 23951399 (S.D.N.Y.) (Trial Pleading) United States District Court, S.D. New York. Carolyn FEARS, Donna Gibbs, Ann Rogan (a/k/a Anne Hopson), Angela Shelton, Carol Mcilvaine (a/k/a Carol Alston), Sharon Simon, Tiffany Connor, and Monica Walker, on their own behalf and on behalf of a class of similarly situated persons, Plaintiffs, v. WILHELMINA MODEL AGENCY, INC.; Ford Models, Inc. (f/k/a Ford Model Agency); Gerard W. Ford; Elite Model Management, Inc.; Click Model Management, Inc.; Next Management Corp.; Mfme Model Management Company Ltd. (a/k/a Company Management); Boss Models, Inc.; Zoli Management, Inc.; Q Model Management; Dna Model Management, LLC; Images Management; IMG Models, Inc.; and Model Management Corporation (f/k/a International Model Managers Association, Inc.), Defendants. No. 02-CV-4911 (HB) (HBP). April 30, 2003. Jury Trial Demanded Third Consolidated Amended Complaint Pursuant to the Court's Opinion and Order dated April 28, 2003, plaintiffs, on their own behalf and on behalf of a class of all those similarly situated persons described below, by their undersigned counsel, as and for their Third Consolidated Amended Complaint in this action, aver as follows, with knowledge of their own actions and conduct and events occurring in their presence, and upon information and belief as to all other matters: NATURE OF THE ACTION 1 This is a class action under federal law on behalf of present and former professional models who are or have been under contract to Defendants, various New York modeling agencies. -
Fragmentów Nowego Testamentu, W Któ- – Pracować Z Nią W Jednym Biurze to Jak Siedzieć Pod Gilotyną Koło Rych Mowa O Judaszu Iskariocie
PRZEŁOŻYŁA POLA SOBAŚ-MIKOŁAJCZYK Dla Jane, KTÓRA JEST MODELEM KOBIETY Model Woman copyright © 2015 by Robert Lacey copyright © for the translation by Pola Sobaś-Mikołajczyk copyright © by Wydawnictwo Marginesy, Warszawa 2016 Prolog SUPERMODELKI NA ŚNIADANIE model – osoba lub rzecz uważana za doskonały przykład bądź wzór jakości. model(ka) – osoba zatrudniona do prezentowania ubrań. OKSFORDZKI SŁOWNIK JĘZYKA ANGIELSKIEGO a Manhattanie dopiero się rozwidniało i zapowiadał się rześ- ki poranek. John Casablancas smacznie spał, sam w wiel- kim łóżku w hotelu Carlyle, choć temu zabójczo przystoj- nemu trzydziestotrzylatkowi zwykle się to nie zdarzało. Był Nwłaścicielem i jednocześnie menadżerem agencji Elite Model Mana- gement, która zatrzęsła paryskim światem mody, więc to właśnie on, człowiek, zwany paryskim Sundance Kidem, decydował o przyszłości najbardziej wielbionych kobiet świata. Ale tamtego poranka późną je- sienią 1976 roku miał na głowie ważniejsze sprawy. Przyleciał do Nowego Jorku poprzedniej nocy, rzekomo w celach „rozrywkowych”, i prosto z lotniska czmychnął do hotelu, zadając sobie wiele trudu, żeby nie dowiedział się o tym nikt ze świata mody. Cel jego podróży był ściśle tajny, więc mało komu w ogóle o niej wspominał. Po szalonym sukcesie Elite w Paryżu zastanawiał się, jak złamać zasadę wyłączności obowiązującą za oceanem od samego początku istnienia branży i otworzyć agencję w Nowym Jorku. Chciał rzucić wyzwanie menadżerom największych i najlepszych agencji modelek, które zdominowały amerykański rynek: Zolemu, Wilhelminie, Stewartowi 8 AGENCJA MODELEK EILEEN FORD PROLOG. SUPERMODELKI NA Ś NIADANIE 9 Cowleyowi oraz najpotężniejszej i działającej najdłużej z nich wszyst- – A czemu nie? – odpowiadała Eileen, kiedy pytano ją o wystrój. – kich – Eileen Ford. Podoba mi się ten styl od czasów, kiedy w dzieciństwie czytałam Heidi³. -
ABC Orders 1970S Model Wars Drama Pilot Inspired by Eileen Ford Biography
Reviews Box Office Heat Vision Coming Soon 4M:2O5 VPIMES PDT 10/20/2016 by Rebecca Ford TV FACE BTOWOITK TEEMRAI LC MOME MENTS BUSINESS STYLE POLITICS TECH CULTURE AWARDS VIDEO SITES SUBSCRIBE SITE TOOLS Tara Ziemba/WireImage Justin Chatwin Justin Chatwin (Shameless), Peter Stormare (Fargo), and Mark Thompson (KLOS’ The Mark and Brian Show) have signed on to star in crime drama Legacy, directed by David A. Armstrong. With a script by Edward Cornett and Valerie Grant, Legacy follows a rookie Cleveland detective who is desperate to escape from under the shadow of his late father, a disgraced cop killed in the line of duty. He works to solve his first important case while unwittingly under the watchful eye of a ghost- like assassin. William K. Baker is producing in association with Think Media. Principal photography will begin later in October. Armstrong, previously the cinematographer on the Saw film franchise, is repped by Original Artists and Felker Toczek. Grant also is repped by Original Artists and Felker Toczek. Chatwin, who’s appeared on Shameless, Orphan Black and American Gothic on TV, will soon be seen in the film CHiPs with Dax Shepard. He is repped by UTA. Stormare is repped by ICM, and Thompson is managed by The Beddingfield Company. READ MORE MET GALA WILL BE THE BACKDROP FOR NOT ONE, BUT TWO UPCOMING HEIST FILMS 12:28 PM PDT 8/18/2016 by Sam Reed FACE TBWOOITK TEEMRAI LC MOMEMENTS AP Images/Invision Rihanna at the 2015 Met Gala Fashion's biggest night is headed to the big screen. -
Financing a Columbia Gs Degree
THE ALUMNI MAGAZINE OF THE SCHOOL OF GENERAL STUDIES FINANCING A COLUMBIA GS DEGREE FINANCING A COLUMBIA GS DEGREE 2009 Table of CONTENTS Letter from the Dean PETER J. AWN DEAN This issue of The Owl explores what it means to be a nontraditional student who is 4 MALCOLM A. BORG ’65 CHAIR, GS ADVISORY COUNCIL trying to finance an Ivy League degree in the 21st century. As our alumni know well, the sacrifices are significant, and the efforts, at times, Herculean. For many GS CURTIS RODGERS students, paying for a Columbia education is the most serious challenge they will face DEAN OF CommunicaTIONS 14 during their time on Morningside Heights. In the current economic environment, JOSE R. GONZALEZ the challenges are more daunting and the difficulties greater than at any other time EXECUTIVE DIRECTOR FOR ALUMNI RELATIONS 10 in the history of the School of General Studies. ERICH ERVING ’06 ASSISTANT DIRECTOR FOR ALUMNI RELATIONS Fortunately, GS is positioned well to withstand these difficult times. The School EDITOR continues to solidify its place as the nation’s premier undergraduate college for ALLISON SCOLA ASSOCIATE DIRECTOR nontraditional students. For much of its history GS has been a well-kept secret, 28 OF COMMUNICATIONS with a student body drawn primarily from the New York metropolitan area; now, ASSOCIATE EDITOR however, GS is truly a national school, with all 50 states represented in an increasingly roberT AST select, exceedingly diverse and talented student body. At no other elite university are NO MONEY, MORE PROBLEMS communicaTIONS OFFICER nontraditional students—now estimated to comprise roughly 73 percent of all college 4 GS students attempting to finance a Columbia education face an array of obstacles, ASSOCIATE EDITOR students—so fully integrated into the larger undergraduate community, a distinction ANNA O’SULLIVAN most evident in the classroom. -
Fashion Models As Ideal Embodiments of Normative Identity
Trípodos, número 18, Barcelona, 2006 Fashion Models as Ideal Embodiments of Normative Identity Patrícia Soley-Beltran Patrícia Soley-Beltran wor- This paper examines fashion models as gender myths ked as a professional model and cultural icons through a cultural history of mode- and actress for ten years. She lling. It reveals the construction of models’ personas by holds a Master of Arts degree the successive addition of meaningful signs: physique, in Cultural History from the manner, attitude, nationality, class, race, salary, cha- University of Aberdeen and a 23 maleonism, slenderness, and so on. The author argues PhD in Sociology of Gender that models’ glamour expresses economic and social from the University of Edin- burgh. She is an Honorary power and promotes the values of consumerism, while Fellow at the Science Studies exporting cultural ideals through visual neo-colonialism. Unit, University of Edinburgh On the basis of empirical material on models’ experien- and member of the research ces gathered from interviews, second oral sources and group “Business and Institu- autobiographical material, the author approaches tional Communication in models’ bodies, identities and public personas as arte- Society”, Universitat Ramon facts performed through the reiteration of collectively Llull (Barcelona). She is defined gender standards and practices. This approach currently lecturing at the overcomes the contrast cast in fashion discourse betwe- Blanquerna School of Com- en visibility/invisibility, private/public, real/unreal while munication Studies, University disclosing the hegemonic beauty standards as fiction. Ramon Llull, Institute for the International Education of Student (IES - Barcelona) and at the Escola de la Dona- Diputació de Barcelona, as well as conducting postdocto- ral research in Barcelona, the UK and France on fashion models as examples of in- gender performativity. -
National Journalism Awards
Joan Ganz Cooney & Lloyd Morrisett Claudia Eller & Andrew Wallenstein The Storyteller Award The Luminary Award Kareem Tippi Hedren Jodi Kantor & Megan Twohey Abdul-Jabbar The Visionary The Impact Award The Legend Award Award 2017 TENTH ANNUAL NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB 10TH ANNUAL 10TH ANNUAL National Arts & Entertainment Journalism Awards National Arts & Entertainment Journalism Awards Los Angeles Press Club Awards for Editorial Excellence in A non-profit organization with 501(c)(3) status A Message From the President Tax ID 01-0761875 2016 and 2017, Honorary Awards for 2017 Good Evening – as an animal rights activist. What E-mail: [email protected] few know about is her dedication to Website: www.lapressclub.org On behalf of the Board of Directors of helping immigrants with job training, Phone: (323) 669-8081 the Los Angeles Press Club, we want to something which earned her the Fax: (310) 464-3577 welcome our nominees, our honorees affectionate nickname “The Godmother and all our guests to the 10th annual of the Vietnamese Nail Industry.” She is PRESS CLUB OFFICERS National Arts and Entertainment a Visionary indeed, and the award she PRESIDENT: Robert Kovacik Journalism Awards. receives tonight is fitting for someone NBC4 SoCal To be honest, this gathering is a tough who has used her high profile to make VICE PRESIDENT: Cher Calvin one for me: I am saying goodbye as the world a better place. KTLA Distinguished Storyteller The Luminary Award President after serving the limit of three Who better to receive our first TREASURER: Christopher Palmeri Award For Career Achievement consecutive terms.