Metallurgy, Society and the Bronze/Iron Transition in the East Mediterranean and the Near East

Total Page:16

File Type:pdf, Size:1020Kb

Metallurgy, Society and the Bronze/Iron Transition in the East Mediterranean and the Near East ~I ' ! SYDNEY PICKLES and EDGAR PELTENBURG METALLURGY, SOCIETY AND THE BRONZE/IRON TRANSITION IN THE EAST MEDITERRANEAN AND THE NEAR EAST Reprinted from the Report of the Department of Antiquities, Cyprus 1998 NICOSIA 1998 METALLURGY, SOCIETY AND THE BRONZE/IRON TRANSITION IN THE EAST MEDITERRANEAN AND THE NEAR EAST Sydney Pickles and Edgar Peltenburg INTRODUCTION Stage 2. Iron began to be used for utilitarian objects but bronze still predominated. In so fa r as it refers to the chronological sequ­ ence of dominant technologies in the Old World, Stage 3. Iron was in general use for utilitarian the three ages concept of archaeological classifi­ objects. cation cannot -be challenged. Difficul ties arise Towards the end of the 13th century B.C. the when attempts are made to specify precise bound­ archaeological record of the Near East shows in­ aries between the epochs, both chronologically creasing use of iron for cutting tools and other and technologically, and to associate distinctive working implements (McGovern 1987, Stech­ cultural patterns wi th the technological phases. Wheeler et al. 1981, McNutt 1990), gradually re­ Some increase in cultural complexity was neces­ placing bronze and even wood and stone for uses sary for metallurgical innovation to be possible, for which metal had hitherto been too costly a lu­ but the material cultures and social orders were xury, e.g. its use for ploughshares made possible themselves drastically changed by the availability the culti vati on of ground previously considered and use of metals, initially by an elite but later, in too hard. In the Eastern Mediterranean this pro­ the Iron Age, by even the humblest ploughman in cess occupied most of the 12th, 11 th and 10th the fields. Furthermore, the fact that these changes centuries, and is regarded as the transition from took place at different times in different parts of the Bronze Age to the Iron Age. the world impacts on the question of interactions Early smelted iron was a rather unsatisfactory and influences between ancient peoples, and on material, greatly inferior to bronze in most res­ the argument of diffusion versus independent in­ pects. It could not be melted and cast, but had to vention. be consolidated by repeatedly heating and ham­ Waldbaum (I 978) has surveyed the published mering to expel the slag and produce sinter fu­ archaeological fi nds of iron obj ects from the sion. The same process, known as forgi ng, was ancient Near East. She listed 14 items dated earli­ used to fabricate objects. The metal thus produ­ er than 3000 B.C., 8 between 2000 and 1600 B.C., ced, though harder than unalloyed copper, was and 74 corresponding to the Late Bronze Age, much softer than bronze for cutting purposes, and between 1600 and 1200 B. C. Al I the objects dated rusted rapidly in a damp environment. Despite before 1600 B.C. were of jewellery or from pres­ these failings, once a demand had been created fo r tigious contexts, pointing to the high value placed iron the abundance of its ores made it possible for upon iron at that time. This contrasts with Sher­ the first time to produce a metal which was rela­ ratt's (1994) admittedly incomplete list of 199 tively cheap and widely available. iron objects from the 12th and 11 th centuries in By the start of the 12th century the numbers of the Near East, not including 62 from Cypro-Geo­ utilitarian objects made of iron (mostly in tombs) metric tombs at Kouklia-Skales. began to increase in Cyprus, Syria, Palestine and A useful analysis of the long gestation time the Aegean (Laszlo 1977, McN utt 1990, Sherratt for the adoption of iron was put forward by Snod­ 1994, Waldbaum 1978), though they were greatly grass (197 1) who envisaged three stages in the outnumbered by those of bronze. During the Late progress of iron technology:- Cypriot lllA period (c. 1200-1170 B.C.) the trend Stage l. Iron was used for ornaments and towards iron intensified, and innovative types prestige items. such as the iron pike from Tomb 417 at Lapithos 68 SYDNEY PICKLES AND EDGAR PELTENBURG showed adaptation to the new material. ~arburisa­ However, they all related to one site in one part of tion and quenching, which have been identifi ed in the Near East, with no known association with tin many of the single-edged iron kn ives produced in production. It was clearly desirable to extend the Cyprus at this time (Tholander 197 1; Astrom et study to sites in other regions to see if a consistent al. 1986; Muhly et al. 1990) would have given a pattern were maintained. steel with a better cutting edge than bronze (Tho­ Inevitably, the ava il abil ity of archaeological lander 197 1; Tylecote 1980). material dictated the scope for further work, and Prior to the introduction of carburisation and the authors thank Prof. Hartmut KUhne for mak­ quenching, and until the economic advantages of ing available the whole of the bronze fi nds from cheap, locall y available raw materials were appre­ his excavations at the Syri an sites of Tell Bderi ciated there would seem to be little reason for the and Tell Sheikh Hamad, Prof. George Bass for widespread use of iron. These considerations have material frum the Cape Gelidonya shipwreck, led to speculations that some external factors Prof. Paul Astrom for the Hala Sultan Tekke (Cy­ might have been responsible for the relati vely prus) bronzes and Dr Jonathan Tubb fo r access to rapid increase in iron production after such a long the bronzes from the Briti sh Museum excavations period of apparent indifference and for the social at Tell es Sa'idiyeh (Fig. I). and economic changes which may have resulted. A catalogue of the items analysed is given in For some years the most popular idea was that Table 1. propounded by Snodgrass (197 I , 1980) and oth­ ers, that a shortage of tin, caused either by exhau­ stion of known tin deposits or by disruption of THE SITES international trade routes was the prime factor in Tell Bderi and Tell Sheikh Hamad promoting the use of this seemingly inferior sub­ stitute for bronze. Rescue excavations at Tell Sheikh Hamad and Tell Bderi, in eastern Syria, were part of an interdisciplinary Other hypotheses have been postulated, such research project under the direction of Prof. Dr Hartmut as fuel shortage (Wertime 1982), or Sherratt's so­ Kiihne of the Freie Un iversitat Berlin, prior to the con­ ciological arguments (S herratt 1994) , and these struction of the Habur hydroelectric reservoi r ( Kiihne will be discussed later. Meanwhile, the possibility 1983, 1984, 1986/7, 1989/90, 1990, 1991) . of tin scarcity as a result of disruptions to main ly Tell Bderi is located c.25km. south of the provi ncial palace-based trading networks in the 13th-12th capital of Hasaka, on the right bank of the Habur river. centuries is sti ll open to evaluation through scien­ The excavation was undertaken by Prof. Dr Peter Pfalzn­ tifi c analysis. er ( l 989/90). In the first half of the Early Bronze Age (Early Dynastic l/11) the site held a large walled town Waldbaum (l 978) ori gin all y favoured the wh ich, between Early Dynastic Il/lll to the start of Akka­ Snodgrass hypothesis, but suggested that it might dian times, spread to an area of 5-6 hectares, covered be tested by chemical analyses of a substantial mainly by interconnecting, small-roomed houses. The number of bronze artefacts dated to the period of latest 3rd mi llennium houses were all destroyed at the the Bronze Age/Iron Age transition. A shortage of same time, after which a hiatus in the Middle Bronze Age tin might be expected to show up as a reduced was followed by a revival in the Late Bronze Age, with concentration of the element in the bronzes, with more complex. larger-roomed houses than in the EBA its possible total or partial replacement by other town. hardening additives such as arsenic, antimony, or In the Middle Assyrian period a deep, rectilinear pit zinc. The present work is a continuation of stud­ 4.5X6m. was sunk to the west of a Mittanian road. At a ies undertaken in response to Waldbaum's sug­ depth of 11 meters the bottom had still not been reached. gestion. T he fill was uniform from top to bottom, and fragments of a foundation c~ linder show that the pit was all fi lled at Initiall y a study was made of items from LC the same time. Builders· marks give the town name Dur­ IIIA Kouklia in Western Cyprus (Pickles 1988). Assur-kitte-llslr and inscribed burned clay cylinders pro­ These analyses showed the tin contents to be gen­ vide a rer111i1111s posr quem for the fill as the reign of erally high, with no suggestion of a shortage. Tiglath-Pileser I ( 1114-1076 B.C.). ~IETALLURGY. SOCIETY AN D THE BRONZE/IRON TRANSITION IN THE EAST MEDITERRANEAN AND THE NEAR EAST 69 Table I . Caial ogue of anal ysed bronze objects. Cat. ITEM CONTEXT DESCRIPTION PERIOD No. OBJECTS FROM TELL DDERJ I BD 149 274511 ;T2, Pendan t. fair ly large 1114 - 1076 BC 2 BD346 2745 II; F'S314 F'ibula (?). Middle Assyri an 1114 - 1076 BC 3 BD 198 2745 II ; F'S277 Fragment (rod?) II 14 - 1076 BC 4 BD224 2745 II ; T2, FS247 Fragmen t of sheet l 5 x 3 mm 1114-10761:SC 5 BD275 2745 ; T2. FS247 Pin or nail (2 fragments) 1114- I 076I3C 6 BD 252 2745 Ill ; T3.
Recommended publications
  • “Justice League Detroit”!
    THE RETRO COMICS EXPERIENCE! t 201 2 A ugus o.58 N . 9 5 $ 8 . d e v r e s e R s t h ® g i R l l A . s c i m o C C IN THE BRONZE AGE! D © & THE SATELLITE YEARS M T a c i r e INJUSTICE GANG m A f o e MARVEL’s JLA, u g a e L SQUADRON SUPREME e c i t s u J UNOFFICIAL JLA/AVENGERS CROSSOVERS 7 A SALUTE TO DICK DILLIN 0 8 2 “PRO2PRO” WITH GERRY 6 7 7 CONWAY & DAN JURGENS 2 8 5 6 And the team fans 2 8 love to hate — 1 “JUSTICE LEAGUE DETROIT”! The Retro Comics Experience! Volume 1, Number 58 August 2012 Celebrating the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael “Superman”Eury PUBLISHER John “T.O.” Morrow GUEST DESIGNER Michael “BaTman” Kronenberg COVER ARTIST ISSUE! Luke McDonnell and Bill Wray . s c i m COVER COLORIST o C BACK SEAT DRIVER: Editorial by Michael Eury .........................................................2 Glenn “Green LanTern” WhiTmore C D © PROOFREADER & Whoever was sTuck on MoniTor DuTy FLASHBACK: 22,300 Miles Above the Earth .............................................................3 M T . A look back at the JLA’s “Satellite Years,” with an all-star squadron of creators a c i r SPECIAL THANKS e m Jerry Boyd A Rob Kelly f o Michael Browning EllioT S! Maggin GREATEST STORIES NEVER TOLD: Unofficial JLA/Avengers Crossovers ................29 e u Rich Buckler g Luke McDonnell Never heard of these? Most folks haven’t, even though you might’ve read the stories… a e L Russ Burlingame Brad MelTzer e c i T Snapper Carr Mi ke’s Amazing s u J Dewey Cassell World of DC INTERVIEW: More Than Marvel’s JLA: Squadron Supreme ....................................33 e h T ComicBook.com Comics SS editor Ralph Macchio discusses Mark Gruenwald’s dictatorial do-gooders g n i r Gerry Conway Eri c Nolen- r a T s DC Comics WeaThingTon , ) 6 J.
    [Show full text]
  • Backup Series Issue! 0 8 Green Lantern • Green Arrow & Black Canary 2 6 7 7
    0 4 No.64 May 201 3 $ 8 . 9 5 1 82658 27762 8 METAMORPHO • GOODWIN & SIMONSON’S MANHUNTER GREEN LANTERN • GREEN ARROW & BLACK CANARY COMiCs PASKO & GIFFEN’S DR. FATE & more! , WHATEVER HAPPENED TO…? BACKUP SERIES ISSUE! bROnzE AGE AnD bEYOnD i . Volume 1, Number 64 May 2013 Celebrating the Best Comics of Comics’ Bronze Age and Beyond! the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Mike Grell and Josef Rubinstein COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg BACK SEAT DRIVER: Editorial by Michael Eury . .2 PROOFREADER Rob Smentek FLASHBACK: The Emerald Backups . .3 Green Lantern’s demotion to a Flash backup and gradual return to his own title SPECIAL THANKS Jack Abramowitz Robert Greenberger FLASHBACK: The Ballad of Ollie and Dinah . .10 Marc Andreyko Karl Heitmueller Green Arrow and Black Canary’s Bronze Age romance and adventures Roger Ash Heritage Comics Jason Bard Auctions INTERVIEW: John Calnan discusses Metamorpho in Action Comics . .22 Mike W. Barr James Kingman The Fab Freak of 1001-and-1 Changes returns! With loads of Calnan art Cary Bates Paul Levitz BEYOND CAPES: A Rose by Any Other Name … Would be Thorn . .28 Alex Boney Alan Light In the back pages of Lois Lane—of all places!—sprang the inventive Rose and the Thorn Kelly Borkert Elliot S! Maggin Rich Buckler Donna Olmstead FLASHBACK: Seven Soldiers of Victory: Lost in Time Again . .33 Cary Burkett Dennis O’Neil This Bronze Age backup serial was written during the Golden Age Mike Burkey John Ostrander John Calnan Mike Royer BEYOND CAPES: The Master Crime-File of Jason Bard .
    [Show full text]
  • Jury Convicts Man in Killing
    Project1:Layout 1 6/10/2014 1:13 PM Page 1 Olympics: USA men’s boxing has revival in Tokyo /B1 THURSDAY T O D A Y C I T R U S C O U N T Y & n e x t m o r n i n g HIGH 84 Numerous LOW storms. Localized flooding possible. 73 PAGE A4 www.chronicleonline.com AUGUST 5, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 302 SO YOU KNOW I The Florida Depart- ment of Health Jury convicts man in killing has ceased the daily COVID-19 re- ports that have been used to track Michael Ball, 64, faces possibility of life in prison for shooting of neighbor changes in the MIKE WRIGHT It’s as simple as prison. Sentenc- video recording of an in- video. “I hate it but he number of corona- Staff writer that,” Ball said. ing was set for terview detectives con- didn’t give me no virus cases and A four-man, Sept. 15. ducted with Ball at the choice.” deaths in the state. A Beverly Hills man on two-woman jury Ball, 64, was county jail after the Ball said he had just trial for second-degree held Ball respon- charged in the shooting. finished cleaning the murder in the shooting sible, convicting March 25, 2020, During the interview, handgun when he stuffed NEWS death of a neighbor said him as charged death of 32-year- Ball repeatedly states he it in his waistband, cov- he was afraid for his life Wednesday eve- old Tyler Dorbert shot Dorbert out of fear ered with a sweatshirt, BRIEFS when he pulled the ning at the conclu- Michael on a street outside based on an assault that and went outside to get trigger.
    [Show full text]
  • Or Live Online Via Proxibid! Follow Us on Facebook and Twitter @Back2past for Updates
    5/16 - Golden & Silver Age Comics with Collectible Toys 5/16/2020 This session will be held at 6PM, so join us in the showroom (35045 Plymouth Road, Livonia MI 48150) or live online via Proxibid! Follow us on Facebook and Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast! See site for full terms. LOT # LOT # 1 Auction Announcements 16 Amazing Spider-Man #175/1977/Early Punisher VF/VF+ condition. 2 Super Natural Thrillers #5/1973/Key Issue 1st appearance of the Living Mummy in VG+/F- 17 Amazing Spider-Man #188/1979/Classic Bronze condition. Sharp VF+ condition. 3 Michelangelo GIANT 50" Big-Fig Figure 18 Star Wars Darth Vader Elite Series 10" Figure Not quite 1:1 scale, but this figure is HUGE! New in Great version of Darth Vader! Exclusive to the Disney original packaging. Some storage wear. Store. New/sealed in box. Minor shelf wear. 4 Amazing Spider-Man #63/1968/Vulture Cover 19 Amazing Spider-Man #190/1979/Key Man-Wolf Classic Silver age in VG+/F- condition. VF/VF+ condition. 5 Amazing Spider-Man #64/1968/Vulture Cover 20 Amazing Spider-Man #193/1979/Key Human Fly Sharp Romita cover in VF condition. 1st appearance in VF condition. 6 Star Wars Darth Vader Legacy Pack 40th Ann 21 Monster High Toy Group (10) New/sealed in box. Very clean with minor shelf wear. All new/sealed in box.
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • Doc Savage: #000A - "The Doc Savage Authors" Archived at [.Pdf]
    Doc Savage: #000A - "the Doc Savage Authors" archived at http://www.stealthskater.com/DocSavage/DS000_Authors.doc [.pdf] to read more Doc Savage novels, go to http://www.stealthskater.com/DocSavage.htm Background and History of the Publishing of "Doc Savage" last updated December 10, 2010 Introduction Authors the Bantam Book paperback series Bantam Cover Artists some Doc Savage-related Websites the history of "Kenneth Robeson" (the "author" of the Doc Savage series) an interview with contemporary "Doc Savage" author Will Murray the "Maturing" of the Doc Savage character a Summary of the 3 Decades of Lester Dent's writings "Why 'Kenneth Robeson' Doesn't Write Anymore" the 1975 "Doc Savage" movie Doc Savage: Arch Enemy of Evil (history and interviews) Doc's high-adventure Dictionary List of all Doc Savage Books Theme & Characters of each adventure 1 archived at http://www.stealthskater.com/DocSavage.htm Doc Savage: #000A - "the Doc Savage Authors" Introduction Just under 2 years after "The Shadow" appeared on magazine racks, Doc Savage became the 3rd pulp character to get his own magazine. The World met the 'Man of Bronze' in a novel titled The Man of Bronze (#001), March 1933. "Doc Savage" was created by Street&Smith’s Henry W. Ralston -- with help from editor John L. Nanovic -- in order to capitalize on the surprise success of "The Shadow" magazine. It was Lester Dent, though, who crafted the character into the superman that he became. Dent -- who wrote most of the adventures -- described his hero Clark “Doc” Savage Jr. as a cross between “Sherlock Holmes with his deducting ability, Tarzan of the Apes with his towering physique and muscular ability, Craig Kennedy with his scientific knowledge, and Abraham Lincoln with his Christ-liness.” Through 181 novels, the fight against Evil was on.
    [Show full text]
  • Downloading of Software That Would Enable the Display of Different Characters
    MIAMI UNIVERSITY The Graduate School CERTIFICATE FOR APPROVING THE DISSERTATION We hereby approve the Dissertation Of Jay T. Dolmage Candidate for the Degree: Doctor of Philosophy Director Dr. Cindy Lewiecki-Wilson Reader Dr. Kate Ronald Reader Dr. Morris Young Reader Dr. James Cherney Graduate School Representative ABSTRACT METIS: DISABILITY, RHETORIC AND AVAILABLE MEANS by Jay Dolmage In this dissertation I argue for a critical re-investigation of several connected rhetorical traditions, and then for the re-articulation of theories of composition pedagogy in order to more fully recognize the importance of embodied differences. Metis is the rhetorical art of cunning, the use of embodied strategies—what Certeau calls everyday arts—to transform rhetorical situations. In a world of chance and change, metis is what allows us to craft available means for persuasion. Building on the work of Detienne and Vernant, and Certeau, I argue that metis is a way to recognize that all rhetoric is embodied. I show that embodiment is a feeling for difference, and always references norms of gender, race, sexuality, class, citizenship. Developing the concept of metis I show how embodiment forms and transforms in reference to norms of ability, the constraints and enablements of our bodied knowing. I exercise my own metis as I re-tell the mythical stories of Hephaestus and Metis, and re- examine the dialogues of Plato, Aristotle, Cicero and Quintillian. I weave through the images of embodiment trafficked in phenomenological philosophy, and I apply my own models to the teaching of writing as an embodied practice, forging new tools for learning. I strategically interrogate the ways that academic spaces circumscribe roles for bodies/minds, and critique the discipline of composition’s investment in the erection of boundaries.
    [Show full text]
  • The Sigma Tau Delta Rectangle
    The Sigma Tau Delta Rectangle Journal of Creative Writing Sigma Tau Delta International English Honor Society Volume 89, 2014 Editor of Publications: Karlyn Crowley Associate Editors: Rachel Gintner Kacie Grossmeier Anna Miller Production Editor: Rachel Gintner St. Norbert College De Pere, Wisconsin Honor Members of Sigma Tau Delta Chris Abani Katja Esson Erin McGraw Kim Addonizio Mari Evans Marion Montgomery Edward Albee Anne Fadiman Kyoko Mori Julia Alvarez Philip José Farmer Scott Morris Rudolfo A. Anaya Robert Flynn Azar Nafisi Saul Bellow Shelby Foote Howard Nemerov John Berendt H.E. Francis Naomi Shihab Nye Robert Bly Alexandra Fuller Sharon Olds Vance Bourjaily Neil Gaiman Walter J. Ong, S.J. Cleanth Brooks Charles Ghigna Suzan-Lori Parks Gwendolyn Brooks Nikki Giovanni Laurence Perrine Lorene Cary Donald Hall Michael Perry Judith Ortiz Cofer Robert Hass David Rakoff Henri Cole Frank Herbert Henry Regnery Billy Collins Peter Hessler Richard Rodriguez Pat Conroy Andrew Hudgins Kay Ryan Bernard Cooper William Bradford Huie Mark Salzman Judith Crist E. Nelson James Sir Stephen Spender Jim Daniels X.J. Kennedy William Stafford James Dickey Jamaica Kincaid Lucien Stryk Mark Doty Ted Kooser Amy Tan Ellen Douglas Ursula K. Le Guin Sarah Vowell Richard Eberhart Li-Young Lee Eudora Welty Timothy Egan Valerie Martin Jessamyn West Dave Eggers David McCullough Jacqueline Woodson Delta Award Recipients Richard Cloyed Elizabeth Holtze Elva Bell McLin Sue Yost Beth DeMeo Elaine Hughes Isabel Sparks Bob Halli E. Nelson James Kevin Stemmler Copyright © 2014 by Sigma Tau Delta All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Sigma Tau Delta, Inc., the International English Honor Society, William C.
    [Show full text]
  • RAYMOND V. SCHODER, S.J. (1916-1987) Classical Studies Department
    y RAYMOND V. SCHODER, S.J. (1916-1987) Classical Studies Department SLIDE COLLECTION OF FIFTH CENTURY SCULPTURES 113 slides Prepared by Laszlo Sulyok Ace. No. 89-15 Computer Name:SCULPTSC.SCH 1 Metal Box Loca lion: 17B The following slides of Fifth Century Sculptures arc from the collection of Fr. Raymond V. Schoder, S.J. They are arranged numerically in the order in which they were received at the archives. The list below provides a brief description of the categorical breakdown of the slides and is copied verbatim from Schoder's own notes on the material.· The collection also contains some replicas of the original artifacts. I. SCULPT: Owl, V c (A crop.) # 2. SCULPT: 'Leonidas' (Sparta) c.400 3. SCULPT: Vc: Boy ded. by Lysikleidcs at Rhamnous, c. 420:30" (A) 4. SCULPT: Vc. Girl, Rhamnous (A) 5. SCULPT: V c. hd, c.475 (Cyrene) 6. SCULPT: Peplophoros * B arberini, c. 475 (T) 7. SCUPLT: Horse, fr. Thasos Hcracles T. pediment, c. 465 (Thas) 8. SCULPT: Base for loutrophoros, Attic, c. 410: Hermes (1), Dead w. apples (Elysian?) (A) 9. SCULPT: Aphrod. on Turtle, aft. or.c. 410 1459 (E. Berlin) 10. SCULPT: fem. fig. fr. frieze Arcs T? (Ag) II. SCULPT: V c. style hd: Diomedes (B) 12. SCULPT: v C. Hercules (Mykonos) 13. SCULPT: V c. style goddcs hd. colossal: Roman copy (Istb) 14. SCULPT: Vc Goddes; Farn. 6269; Rom. (N) 15. SCULPT: Gk. Here. pre-Lysippus (Csv) 16. SCULPT: Choiseui-Gouffier Apollo·· aft early V c (BM) 17. SCULPT: Choiseui/Gouffier Apollo, c. 460 (BM) 18.
    [Show full text]
  • From Pulp Hero to Superhero: Culture, Race, and Identity in American Popular Culture, 1900-1940 Julian C
    Rollins College Rollins Scholarship Online Faculty Publications 10-2008 From Pulp Hero to Superhero: Culture, Race, and Identity in American Popular Culture, 1900-1940 Julian C. Chambliss Rollins College, [email protected] William L. Svitavsky Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/as_facpub Part of the American Popular Culture Commons Published In Chambliss, Julian C., and William Svitavsky. 2008. From pulp hero to superhero: Culture, race, and identity in american popular culture, 1900-1940. Studies in American Culture 30 (1) (October 2008). This Article is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. From Pulp Hero to Superhero: Culture, Race, and Identity in American Popular Culture, 1900-1940 Adventure characters in the pulp magazines and comic books of the early twentieth century reflected development in the ongoing American fascination with heroic figures. 1 As the United States declared the frontier closed, established icons such as the cowboy became disconnected from everyday American experience and were supplanted by new popular adventure fantasies with heroes whose adventures stylized the struggle of the American everyman with a modern industrialized, heterogeneous world. The challenges posed by an urbanizing society to traditional masculinity, threatened to a weaken men’s physical and mental form and to disrupt the United States’ vigorous transformation from uncivilized frontier to modern society.2 Many middle-class social commentators embraced modern industrialization while warning against “sexless” reformers who sought to constrain modern society’s excesses through regulations design to prevent social exploitation, environmental spoilage, and urban disorder.
    [Show full text]
  • How to Be a Hero: a Rhetorical Analysis of Superman's First Appearance In
    HOW TO BE A HERO: A RHETORICAL ANALYSIS OF SUPERMAN’S FIRST APPEARANCE IN ACTION COMICS By Sevan Michael Paris Approved: Lauren Ingraham Susan North Professor of Rhetoric and Composition Assistant Professor of Rhetoric and (Director of Thesis) Composition (Committee Member) Bonnie Warren-Kring Associate Professor of Education (Committee Member) Herb Burhenn A. Jerald Ainsworth Dean of the College of Arts and Dean of the Graduate School Sciences i HOW TO BE A HERO: A RHETORICAL ANALYSIS OF SUPERMAN’S FIRST APPEARANCE IN ACTION COMICS By Sevan Michael Paris A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Rhetoric and Writing University of Tennessee at Chattanooga Chattanooga, Tennessee ii ABSTRACT Through a combination of rhetorical heightening, idiom, and structure, Superman creators Jerry Siegel and Joe Shuster influenced their young American audience with the first appearance of Superman in 1938’s Action Comics no. 1. Superman’s lack of distinguishing characteristics, dual identity, and embodiment of American culture allowed the character to become a vehicle for Siegel and Shuster, persuading children to be a helper of those in need and champion of the oppressed. Varying panel size and choosing what to show from what not to show allowed Siegel and Shuster to heighten specific moments within Superman’s story. Through metaphor and symbolic modeling, children recognized the impact of helping others in their lives both as a child and later as an adult. The tools that Siegel and Shuster had available to them in this particular medium—such as being able to simultaneously heighten several different moments within the narrative in one panel—make it a unique form of rhetorical heightening in fiction.
    [Show full text]
  • Central Library of Rochester and Monroe County · Historic
    Central Library of Rochester and Monroe County · Historic Scrapbooks Collection Central Library of Rochester and Monroe County · Historic Scrapbooks Collection ^ When Gotham Paid to Rochester*s First Citizen Homage - AM. 3 - . 0 71 fJEOhoctar Public Ufrf-mr* 64 Court Sti PAVL CLAUDEL iliitn THOMAS* J* \s M.n<J WATSONrw n. * u v *< GEORGE B. DRYDEN GEORGEe> EASTMAN>aoi J.J Genesee. The Kodak is shown with ? rapher who snapped this photo used for the first s an corner of the big dining magnate important ., 'j.^. _r ..-_- T-i__.j 73. .li r> _-_.. _r . _ . _* i :-.- -, Rubber of camera a the Commodore Hotel in New York, the president of the Dryden Company time a new type of press employing who is his niece's husband; President night, when world celebrities gathered Chicago, supersensitive panchromatic film which requires Watson of the of the Genesee, and M. tribute to George Eastman, guest of Society no flashlight. France. The International Ntwareel Photo annual dinner of the of the Claudel, embassador from photog- the Society ? .Rhees Tells Diners of Eastman's Modesty Tn*. Rush Rhees, president of the can enjoy the spectacle. That University oi Rochester, who has spectacle is before his eyes, and accepted from Mr. Ka.it man mil all oyes, on every hand in Roch lions of dollars worth of besetac- ester. We have several buildings lions in behalf of Roche-tor insti tutions, paid the following tribute which bear his name. Rut that for thp community to 'ho Kodak seems not to interest him great he is not in- manu lilanthropist at the ly.
    [Show full text]