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The Avenger #1: Justice, Inc. and the Yellow Hoard, 2009, Kenneth Robeson, Paul Ernst, Will Murray, Anthony Tollin, 0982203306, 9780982203309, Sanctum Books, 2009
The Avenger #1: Justice, Inc. and the Yellow Hoard, 2009, Kenneth Robeson, Paul Ernst, Will Murray, Anthony Tollin, 0982203306, 9780982203309, Sanctum Books, 2009 DOWNLOAD http://bit.ly/1RKqD7E http://www.powells.com/s?kw=The+Avenger+%231%3A+Justice%2C+Inc.+and+the+Yellow+Hoard The Pulp Era's most intriguing superhero returns in his first two epic adventures by Paul Ernst writing as "Kenneth Robeson." First, a devastating personal tragedy forges adventurer Richard Henry Benson into a "Man of Steel," leading him to assemble the crime-fighting team called "Justice, Inc." Then, murder sets The Avenger on the trail of "The Yellow Horde," the secret treasure of the Aztecs. This instant collector's item showcases H. W. Scott's classic pulp covers, and reprints all the original interior illustrations by Paul Orban. Pulp historian Will Murray provides commentary, revealing how The Shadow's Walter Gibson and Doc Savage's Lester Dent helped develop The Avenger, a character who also appeared in Street & Smith and DC comics. DOWNLOAD http://u.to/ZvfsZv http://thepiratebay.sx/torrent/73618217570926 http://bit.ly/1lkf0kg Secret Agent "X" The Legions of the Living Dead, Brant House, 2004, Fiction, 136 pages. From the pages of the September, 1935 issue of Secret Agent X comes this sensational full length novel, Legions of the Living Dead: occupants. They were not of the earth, for. The Avenger , Samuel Gordon, 1921, , 378 pages. History of the Dc Universe , Marv Wolfman, 1986, Comics & Graphic Novels, 104 pages. A perfect companion to CRISIS ON INFINITE EARTHS, this is a definitive history of the DC Universe based on the consequences of that epic tale. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
PDF EPUB} the Avenger Vol
Read Ebook {PDF EPUB} The Avenger Vol. 4 The Blood Ring & Stockholders in Death by Kenneth Robeson The Avenger Vol. 4: The Blood Ring & Stockholders in Death by Kenneth Robeson. Real Name : Richard Henry "Dick" Benson. Identity/Class : Human mutate (?) Affiliations : Justice, Inc. (Fergus "Mac" MacMurdie, Algernon Heathcote "Smitty" Smith, Nellie Gray, Joshua "Josh" Elijah Newton, Rosabel Newton, Cole Wilson - group also referred to as "Justice and Co."), honourary member of U.S. Secret Service. Known Relatives : Alicia (wife, deceased), Alice (daughter, deceased), unidentified mother-in-law (deceased) Base of Operations : Justice, Inc. Headquarters, Bleek Street, New York City. First Appearance : "Justice, Inc." The Avenger #1 (Street and Smith, September 1st 1939) Powers/Abilities : Benson was able to remold his face to appear like anyone he wants, had enhanced hearing and vision, and possessed low level superhuman strength (after a while he was exposed to a machine which restored his face's normal appearance, though he remained a skilled disguise artist). He is a skilled fighter, trained in Savate, knowing pressure points that can render a man unconscious with a pinch, and an expert hatchet and knife thrower. A man of eclectic knowledge, he is also an excellent physician and expert on tropical diseases, a linguist who speaks Aztec and various other native Central American languages, knows sign language, is an engineer and chemist, can read lips, and is an escapologist and hypnotist. Benson wore a bulletproof vest composed from "celluglass, a plastic of his own invention that was stronger than spun steel." He armed himself with two unique weapons, a knife he christened Ike, and a pistol he christened Mike; the former was strapped to his left calf, the latter to his right. -
The Empowering Squirrel Girl Jayme Horne Submitted for History of Art 390 Feminism and History of Art Professor Ellen Shortell M
The Empowering Squirrel Girl Jayme Horne Submitted for History of Art 390 Feminism and History of Art Professor Ellen Shortell Massachusetts College of Art and Design All the strength of a squirrel multiplied to the size of a girl? That must be the Unbeatable Squirrel Girl (fig. 1)! This paper will explore Marvel’s Squirrel Girl character, from her introduction as a joke character to her 2015 The Unbeatable Squirrel Girl comic series which is being harold as being extremely empowering. This paper aims to understand why a hero like Squirrel Girl would be harold and celebrated by fans, while other female heroes with feminist qualities like Captain Marvel or the New Almighty Thor might be receiving not as much praise. Squirrel Girl was created by Will Murray and artist Steve Ditko. Despite both of them having both worked for Marvel and DC, and having written stories about fan favorites like Spider-Man, Wonder Woman, Iron Man, and others, they are most known for creating Squirrel Girl, also known as Doreen Green. Her powers include superhuman strength, a furry, prehensile tail (roughly 3-4 feet long), squirrel-like buck teeth, squirrel-like retractable knuckle claws, as well as being able to communicate with squirrels and summon a squirrel army. She was first introduced in 1991, where she ambushed Iron Man in attempt to impress him and convince him to make her an Avenger. That’s when they were attacked one of Marvel’s most infamous and deadly villains, Doctor Doom. After Doctor Doom has defeated Iron Man, Squirrel Girl jumps in with her squirrel army and saves Iron Man1 (fig. -
The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France
names, Vol. 58 No. 3, September, 2010, 127–38 Teratonymy: The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France Lovecraft’s teratonyms are monstrous inventions that estrange the sound patterns of English and obscure the kinds of meaning traditionally associ- ated with literary onomastics. J.R.R. Tolkien’s notion of linguistic style pro- vides a useful concept to examine how these names play upon a distance from and proximity to English, so as to give rise to specific historical and cultural connotations. Some imitate the sounds and forms of foreign nomen- clatures that hold “weird” connotations due to being linked in the popular imagination with kabbalism and decadent antiquity. Others introduce sounds-patterns that lie outside English phonetics or run contrary to the phonotactics of the language to result in anti-aesthetic constructions that are awkward to pronounce. In terms of sense, teratonyms invite comparison with the “esoteric” words discussed by Jean-Jacques Lecercle, as they dimi- nish or obscure semantic content, while augmenting affective values and heightening the reader’s awareness of the bodily production of speech. keywords literary onomastics, linguistic invention, HP Lovecraft, twentieth- century literature, American literature, weird fiction, horror fiction, teratology Text Cult author H.P. Lovecraft is best known as the creator of an original mythology often referred to as the “Cthulhu Mythos.” Named after his most popular creature, this mythos is elaborated throughout Lovecraft’s poetry and fiction with the help of three “devices.” The first is an outlandish array of monsters of extraterrestrial origin, such as Cthulhu itself, described as “vaguely anthropoid [in] outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind” (1963: 134). -
Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A
Kirby: The WonderThe WonderYears Years Lee & Kirby: The Wonder Years (a.k.a. Jack Kirby Collector #58) Written by Mark Alexander (1955-2011) Edited, designed, and proofread by John Morrow, publisher Softcover ISBN: 978-1-60549-038-0 First Printing • December 2011 • Printed in the USA The Jack Kirby Collector, Vol. 18, No. 58, Winter 2011 (hey, it’s Dec. 3 as I type this!). Published quarterly by and ©2011 TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. 919-449-0344. John Morrow, Editor/Publisher. Four-issue subscriptions: $50 US, $65 Canada, $72 elsewhere. Editorial package ©2011 TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All artwork is ©2011 Jack Kirby Estate unless otherwise noted. Editorial matter ©2011 the respective authors. ISSN 1932-6912 Visit us on the web at: www.twomorrows.com • e-mail: [email protected] All rights reserved. No portion of this publication may be reproduced in any manner without permission from the publisher. (above and title page) Kirby pencils from What If? #11 (Oct. 1978). (opposite) Original Kirby collage for Fantastic Four #51, page 14. Acknowledgements First and foremost, thanks to my Aunt June for buying my first Marvel comic, and for everything else. Next, big thanks to my son Nicholas for endless research. From the age of three, the kid had the good taste to request the Marvel Masterworks for bedtime stories over Mother Goose. He still holds the record as the youngest contributor to The Jack Kirby Collector (see issue #21). Shout-out to my partners in rock ’n’ roll, the incomparable Hitmen—the best band and best pals I’ve ever had. -
“Justice League Detroit”!
THE RETRO COMICS EXPERIENCE! t 201 2 A ugus o.58 N . 9 5 $ 8 . d e v r e s e R s t h ® g i R l l A . s c i m o C C IN THE BRONZE AGE! D © & THE SATELLITE YEARS M T a c i r e INJUSTICE GANG m A f o e MARVEL’s JLA, u g a e L SQUADRON SUPREME e c i t s u J UNOFFICIAL JLA/AVENGERS CROSSOVERS 7 A SALUTE TO DICK DILLIN 0 8 2 “PRO2PRO” WITH GERRY 6 7 7 CONWAY & DAN JURGENS 2 8 5 6 And the team fans 2 8 love to hate — 1 “JUSTICE LEAGUE DETROIT”! The Retro Comics Experience! Volume 1, Number 58 August 2012 Celebrating the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael “Superman”Eury PUBLISHER John “T.O.” Morrow GUEST DESIGNER Michael “BaTman” Kronenberg COVER ARTIST ISSUE! Luke McDonnell and Bill Wray . s c i m COVER COLORIST o C BACK SEAT DRIVER: Editorial by Michael Eury .........................................................2 Glenn “Green LanTern” WhiTmore C D © PROOFREADER & Whoever was sTuck on MoniTor DuTy FLASHBACK: 22,300 Miles Above the Earth .............................................................3 M T . A look back at the JLA’s “Satellite Years,” with an all-star squadron of creators a c i r SPECIAL THANKS e m Jerry Boyd A Rob Kelly f o Michael Browning EllioT S! Maggin GREATEST STORIES NEVER TOLD: Unofficial JLA/Avengers Crossovers ................29 e u Rich Buckler g Luke McDonnell Never heard of these? Most folks haven’t, even though you might’ve read the stories… a e L Russ Burlingame Brad MelTzer e c i T Snapper Carr Mi ke’s Amazing s u J Dewey Cassell World of DC INTERVIEW: More Than Marvel’s JLA: Squadron Supreme ....................................33 e h T ComicBook.com Comics SS editor Ralph Macchio discusses Mark Gruenwald’s dictatorial do-gooders g n i r Gerry Conway Eri c Nolen- r a T s DC Comics WeaThingTon , ) 6 J. -
Backup Series Issue! 0 8 Green Lantern • Green Arrow & Black Canary 2 6 7 7
0 4 No.64 May 201 3 $ 8 . 9 5 1 82658 27762 8 METAMORPHO • GOODWIN & SIMONSON’S MANHUNTER GREEN LANTERN • GREEN ARROW & BLACK CANARY COMiCs PASKO & GIFFEN’S DR. FATE & more! , WHATEVER HAPPENED TO…? BACKUP SERIES ISSUE! bROnzE AGE AnD bEYOnD i . Volume 1, Number 64 May 2013 Celebrating the Best Comics of Comics’ Bronze Age and Beyond! the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Mike Grell and Josef Rubinstein COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg BACK SEAT DRIVER: Editorial by Michael Eury . .2 PROOFREADER Rob Smentek FLASHBACK: The Emerald Backups . .3 Green Lantern’s demotion to a Flash backup and gradual return to his own title SPECIAL THANKS Jack Abramowitz Robert Greenberger FLASHBACK: The Ballad of Ollie and Dinah . .10 Marc Andreyko Karl Heitmueller Green Arrow and Black Canary’s Bronze Age romance and adventures Roger Ash Heritage Comics Jason Bard Auctions INTERVIEW: John Calnan discusses Metamorpho in Action Comics . .22 Mike W. Barr James Kingman The Fab Freak of 1001-and-1 Changes returns! With loads of Calnan art Cary Bates Paul Levitz BEYOND CAPES: A Rose by Any Other Name … Would be Thorn . .28 Alex Boney Alan Light In the back pages of Lois Lane—of all places!—sprang the inventive Rose and the Thorn Kelly Borkert Elliot S! Maggin Rich Buckler Donna Olmstead FLASHBACK: Seven Soldiers of Victory: Lost in Time Again . .33 Cary Burkett Dennis O’Neil This Bronze Age backup serial was written during the Golden Age Mike Burkey John Ostrander John Calnan Mike Royer BEYOND CAPES: The Master Crime-File of Jason Bard . -
Metallurgy, Society and the Bronze/Iron Transition in the East Mediterranean and the Near East
~I ' ! SYDNEY PICKLES and EDGAR PELTENBURG METALLURGY, SOCIETY AND THE BRONZE/IRON TRANSITION IN THE EAST MEDITERRANEAN AND THE NEAR EAST Reprinted from the Report of the Department of Antiquities, Cyprus 1998 NICOSIA 1998 METALLURGY, SOCIETY AND THE BRONZE/IRON TRANSITION IN THE EAST MEDITERRANEAN AND THE NEAR EAST Sydney Pickles and Edgar Peltenburg INTRODUCTION Stage 2. Iron began to be used for utilitarian objects but bronze still predominated. In so fa r as it refers to the chronological sequ ence of dominant technologies in the Old World, Stage 3. Iron was in general use for utilitarian the three ages concept of archaeological classifi objects. cation cannot -be challenged. Difficul ties arise Towards the end of the 13th century B.C. the when attempts are made to specify precise bound archaeological record of the Near East shows in aries between the epochs, both chronologically creasing use of iron for cutting tools and other and technologically, and to associate distinctive working implements (McGovern 1987, Stech cultural patterns wi th the technological phases. Wheeler et al. 1981, McNutt 1990), gradually re Some increase in cultural complexity was neces placing bronze and even wood and stone for uses sary for metallurgical innovation to be possible, for which metal had hitherto been too costly a lu but the material cultures and social orders were xury, e.g. its use for ploughshares made possible themselves drastically changed by the availability the culti vati on of ground previously considered and use of metals, initially by an elite but later, in too hard. In the Eastern Mediterranean this pro the Iron Age, by even the humblest ploughman in cess occupied most of the 12th, 11 th and 10th the fields. -
Please Read These Instructions Carefully Please Return Ballot To
Please Read These Instructions Carefully Please return ballot to: CONZEALAND HUGO ADMINISTRATION c/o TAMMY COXEN 508 LITTLE LAKE DR ANN ARBOR MI 48103 USA This ballot must be received by: Wednesday 15 July 2020 at 11:59pm PDT (GMT-7) Thank you for participating in the 1945 Retrospective Hugo Awards and the 2020 Hugo, Astounding and Lodestar Awards. To vote online, visit the members area on the CoNZealand website and login. Once online voting opens your ballot will be available under “My Memberships.” If you need assistance contact [email protected]. Reproduction Reproduction and distribution of this ballot is permitted and encouraged, provided that it is reproduced verbatim (including voting instructions), with no additional materials other than the name of the person or publication responsible for the reproduction. For more information about the 2020 Hugo Awards and 1945 Retro Hugo Awards, please visit our web page at conzealand.nz/about/explore-worldcon/world-science-fiction-society-about/hugo-awards "World Science Fiction Society", "WSFS", "World Science Fiction Convention", "Worldcon", "NASFiC", "Hugo Award", the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. Eligibility to Vote You may vote for the 2020 Hugo Awards, the Astounding Award for Best New Writer and the Lodestar Award for Best YA Book, and the 1945 Retro Hugo Awards, if you are an Adult Attending or Supporting member of CoNZealand. Please complete the eligibility section, and remember to sign your ballot. How to vote: ● This ballot uses a modified version of the Single Transferable Vote for a single winner, sometimes known as the Alternative Vote or Instant Runoff Ballot. -
Jury Convicts Man in Killing
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Olympics: USA men’s boxing has revival in Tokyo /B1 THURSDAY T O D A Y C I T R U S C O U N T Y & n e x t m o r n i n g HIGH 84 Numerous LOW storms. Localized flooding possible. 73 PAGE A4 www.chronicleonline.com AUGUST 5, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 302 SO YOU KNOW I The Florida Depart- ment of Health Jury convicts man in killing has ceased the daily COVID-19 re- ports that have been used to track Michael Ball, 64, faces possibility of life in prison for shooting of neighbor changes in the MIKE WRIGHT It’s as simple as prison. Sentenc- video recording of an in- video. “I hate it but he number of corona- Staff writer that,” Ball said. ing was set for terview detectives con- didn’t give me no virus cases and A four-man, Sept. 15. ducted with Ball at the choice.” deaths in the state. A Beverly Hills man on two-woman jury Ball, 64, was county jail after the Ball said he had just trial for second-degree held Ball respon- charged in the shooting. finished cleaning the murder in the shooting sible, convicting March 25, 2020, During the interview, handgun when he stuffed NEWS death of a neighbor said him as charged death of 32-year- Ball repeatedly states he it in his waistband, cov- he was afraid for his life Wednesday eve- old Tyler Dorbert shot Dorbert out of fear ered with a sweatshirt, BRIEFS when he pulled the ning at the conclu- Michael on a street outside based on an assault that and went outside to get trigger. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.