The J. T. Oliver Photo Collection
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Incredible, Once-In-A-Lifetime Munsey/Popular Publications Auction – Part 2!
The Incredible, Once-in-a-Lifetime Munsey/Popular Publications Auction – Part 2! As part of the Windy City Pulp and Paperback Convention’s Saturday night auction (beginning at approximately 8:00 p.m., following the Guest of Honor presentation), we will be presenting more material from the Munsey and Popular Publications archives. These lots will be mixed-in with the other lots during the auction. Please note that the listing below is subject to change and does not necessarily represent the order in which items will be auctioned. While we have endeavored to describe these lots carefully, bidders should personally examine the lots they’re interested in and raise any questions prior to the auction; the convention is not responsible for errors in descriptions. Purchase of any of these items at auction does not transfer copyright permissions or grant reprint permissions. When carbon letters are mentioned in connection with lots containing author correspondence, these are usually carbon copies of letters coming from various editors at Munsey or Popular Publications, replying to the author. * * * * * 1. REX STOUT - Munsey check endorsed by Stout for his novel, The Great Legend, from 1914. 2. JAMES FRANCIS DWYER - Munsey check (and copyright notice also) both endorsed by Dwyer for his novel, The White Waterfall, from 1912. 3. MODEST STEIN - Munsey check endorsed by Stein for his cover painting for The Radio Planet from 1926. 4. RAY CUMMINGS - Munsey check endorsed by Cummings for his novel, Tama of the Flying Virgins from 1930. 5. CHARLES WILLIAMS - Munsey check endorsed by Williams for his cover painting for Edgar Rice Burroughs’ The Girl from Farris’s from 1916. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Program Book Is Edited and Published by the St.Louiscon Committee, for the Members of the 27Th World Science Fiction Convention, August 2, 1969
\6u name them. gat them all __ 2 Brian TP. Aldiss Poul Anderson Piers Anthony Isaac Asimov J. G. Ballard John Boyd Ray Bradbury John Brunner Arthur C. Clarke Edmund Cooper Samuel R. Delany Philip K. Dick Harlan Ellison Robert A. Heinlein Damon Knight Ursula K. LeGuin Fritz Leiber Judith Merril James H. Schmitz Robert Sheckley Robert Silverberg Clifford D. Simak Kurt Vonnegut, Jr. Kate Wilhelm John Wyndham Roger Zelazny THE SCIENCE FICTION KOOK €1 JIB 3 cience on onuen lion Post Office Box 3008, St. Louis, Missouri 63130 Ray & Joyce Fisher . Co-Chairmen Leigh Couch . Secretary Rich Wannen . Treasurer Norbert Couch . Special Assistant to the Chairmen Railee Bothman Bob Schoenfeld Hospitality Director Publications Editor Chris Couch Hank Luttrell Special Functions Publicity Director Lesleigh Couch W ayne F inch & Gary C obb Registrations Special Procurements committee Ron Whittington Sue Robinson Keith Fieldhammer Mike Couch Pam Janisch Doug Lovenstein "Doc" Clark Jim Reuss George Foster and supported by the Ozark SF Association Toastmaster . Harlan Ellison Hugo Presentations . Bob Bloch Parliamentarian . John Trimble Hucksters Room . Howard. DeVore Masquerade Ball . Fred Hollander Advertising Sales . Andrew Porter West Coast Advisor . Earl Thompson Comic Program Manager . Bob Schoenfeld Project Art Show . Bjo Trimble & Bruce Pelz g Movie Programming . Herb Carlson & Rich Wannen Rock Band Auditions . Hank Luttrell & Lesleigh Couch The St.Louiscon Program Book is edited and published by the St.Louiscon Committee, for the members of the 27th World Science Fiction Convention, August 2, 1969. contents FRONT COVER Jack Gaughan 1 CHASE-PARK PLAZA FLOOR PLAN 8 PROGRAM 10 JACK GAUGHAN Terry Carr 13 JACK GAUGHAN Dick Lupoff 15 TAFF WINNERS TO DATE 21 EDDIE JONES, FAN Ethel Lindsay 23 MISCELLANEA 31 HUGO WINNERS 1953 - 1968 32 HUGO NOMINEES FOR 1969 35 WORLD SCIENCE FICTION CONVENTIONS 1939 - 1969 37 OF CABBAGES AND...MASQUERADES Fred Hollander 46 BUSINESS MEETING RULES 54 SCHOOL FOR APPRENTICE SORCERERS Harlan Ellison 73 ACKNOWLEDGEMENTS 77 MEMBERS - AUGUST 2, 1969 100 St. -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
Please Read These Instructions Carefully Please Return Ballot To
Please Read These Instructions Carefully Please return ballot to: CONZEALAND HUGO ADMINISTRATION c/o TAMMY COXEN 508 LITTLE LAKE DR ANN ARBOR MI 48103 USA This ballot must be received by: Wednesday 15 July 2020 at 11:59pm PDT (GMT-7) Thank you for participating in the 1945 Retrospective Hugo Awards and the 2020 Hugo, Astounding and Lodestar Awards. To vote online, visit the members area on the CoNZealand website and login. Once online voting opens your ballot will be available under “My Memberships.” If you need assistance contact [email protected]. Reproduction Reproduction and distribution of this ballot is permitted and encouraged, provided that it is reproduced verbatim (including voting instructions), with no additional materials other than the name of the person or publication responsible for the reproduction. For more information about the 2020 Hugo Awards and 1945 Retro Hugo Awards, please visit our web page at conzealand.nz/about/explore-worldcon/world-science-fiction-society-about/hugo-awards "World Science Fiction Society", "WSFS", "World Science Fiction Convention", "Worldcon", "NASFiC", "Hugo Award", the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. Eligibility to Vote You may vote for the 2020 Hugo Awards, the Astounding Award for Best New Writer and the Lodestar Award for Best YA Book, and the 1945 Retro Hugo Awards, if you are an Adult Attending or Supporting member of CoNZealand. Please complete the eligibility section, and remember to sign your ballot. How to vote: ● This ballot uses a modified version of the Single Transferable Vote for a single winner, sometimes known as the Alternative Vote or Instant Runoff Ballot. -
JB's Extensive Listing of Pulp-Related Gaming Resources
- LASTJB UPDATED:’s Extensive 6/8/2012 8:09:07 PM Listing of Pulp Related Gaming Resources I was one of the original co-authors for what would eventually become The Ravaged Earth Society (a Savage Worlds sourcebook). Although I had nothing to do with the final version Pulpof the product Gaming I did do a huge Resources amount of research on the genre while working on the original draft -- my original list of resources is 12 typewritten pages long). Whether you’re looking for adventure seeds, information to use in expanding your campaign or simply inspiration while creating your next intrepid hero, the information that follows will prove both useful and insightful. In compiling this resource, I have deviated from the standard definition of “Classic Pulp”, instead adopting a much broader interpretation in which camp and over-the-top actions are the defining factors. Ultimately, the deciding factor as to whether to include a reference or not was the answer to the following question: “Does this reference contain information that could easily be used in a pulp adventure or campaign?” If the answer was yes, it was included; otherwise, it got the boot! ROLEPLAYING GAMES Some of these games are out of print, while others are available only as electronic files, so getting your hands on them may require a trip to an online vendor such as RPGNow or perhaps even eBay. When attempting to locate these games, we suggest making the Pen & Paper website your first stop. Adventure! (White Wolf) The Adventures of Indiana Jones (TSR) Barbarians of Lemuria - with the Dicey Tales Companion (BBG) Blood Shadows (West End Games) Boomtown Planet (Timeless Games) Buck Rogers: High Adventure Cliffhangers (TSR) Call of Cthulhu (Chaosium) Castle Falkenstein (R. -
The Following Is a Transcript of a Presentation I Made at the in Your Write Mind Conference at Seton Hill University on 22 June 2018
The following is a transcript of a presentation I made at the In Your Write Mind Conference at Seton Hill University on 22 June 2018. The audience comprised largely graduates of the University's MFA program for novelists. - FAJr. WRITING FOR THE NEW PULP FICTION MARKET Ever hear of The Purple Scar? Lady Domino? The Black Bat? How about the Shadow? Doc Savage? Conan the Barbarian? Ah, I see recognition lighting up a few faces. The aforementioned heroes and heroine are members of the pantheon of pulp fiction characters popular in the magazines of the 1930s and 40s. Literary types are fond of tagging Pulp Fiction as "escapist literature named after the cheap pulp paper on which the magazines were printed." I prefer to think that Pulp Fiction is named after the state in which the villains are left after the hero is finished beating the living snot out of them. Hundreds of pulp magazines graced the newsstands and magazine racks of America, some monthly and some weekly in the 1930s and 40s. And they kept authors like H.P. Lovecraft, Fritz Leiber, Ray Bradbury, Robert E. Howard, Robert Bloch, Kenneth Robeson, Dashiell Hammett, Raymond Chandler and a host of others from starving to death in the hard times of the Great Depression. As a matter of fact, during the Depression, the prolific Robert E. Howard had a greater income than the President of the bank in his hometown of Cross Plains, Texas. The magazines had titles like Spicy Detective Stories, Weird Tales, Astounding Science Fiction, THRILLING ADVENTURE, THRILLING DETECTIVE, THRILLING MYSTERY, THRILLING RANCH, THRILLING SPORTS, THRILLING WESTERN, and THRILLING WONDER STORIES. -
The Imperial Superhero
............................................................................................................................................................................................................................................... SYMPOSIUM ............................................................................................................................................................................................................................................... The Imperial Superhero Chris Gavaler, Washington and Lee University ............................................................................................................................................................................................................................................... et in 1978, the year Edward Said published Orien- THE FIRST SUPERHERO talism, Salman Rushdie’s Midnight’s Children The superhero’s constituent genres—fantasy, adventure, sci- depicts “magic children” born in the first hour of ence fiction, and detective fiction—originated and developed August 15, 1947, “within the frontiers of the infant in direct relationship to nineteenth-century British colonial- sovereign state of India” (1981, 226, 224). Through ism, and by absorbing their elements, the superhero consoli- Ssome “freak of biology” or “preternatural power,” the children dates a myriad of imperial attitudes into a single character receive “miraculous” abilities, including such superhero sta- type. The earliest manifestation is Spring-Heeled Jack who, ples -
Doc Savage: #000A - "The Doc Savage Authors" Archived at [.Pdf]
Doc Savage: #000A - "the Doc Savage Authors" archived at http://www.stealthskater.com/DocSavage/DS000_Authors.doc [.pdf] to read more Doc Savage novels, go to http://www.stealthskater.com/DocSavage.htm Background and History of the Publishing of "Doc Savage" last updated December 10, 2010 Introduction Authors the Bantam Book paperback series Bantam Cover Artists some Doc Savage-related Websites the history of "Kenneth Robeson" (the "author" of the Doc Savage series) an interview with contemporary "Doc Savage" author Will Murray the "Maturing" of the Doc Savage character a Summary of the 3 Decades of Lester Dent's writings "Why 'Kenneth Robeson' Doesn't Write Anymore" the 1975 "Doc Savage" movie Doc Savage: Arch Enemy of Evil (history and interviews) Doc's high-adventure Dictionary List of all Doc Savage Books Theme & Characters of each adventure 1 archived at http://www.stealthskater.com/DocSavage.htm Doc Savage: #000A - "the Doc Savage Authors" Introduction Just under 2 years after "The Shadow" appeared on magazine racks, Doc Savage became the 3rd pulp character to get his own magazine. The World met the 'Man of Bronze' in a novel titled The Man of Bronze (#001), March 1933. "Doc Savage" was created by Street&Smith’s Henry W. Ralston -- with help from editor John L. Nanovic -- in order to capitalize on the surprise success of "The Shadow" magazine. It was Lester Dent, though, who crafted the character into the superman that he became. Dent -- who wrote most of the adventures -- described his hero Clark “Doc” Savage Jr. as a cross between “Sherlock Holmes with his deducting ability, Tarzan of the Apes with his towering physique and muscular ability, Craig Kennedy with his scientific knowledge, and Abraham Lincoln with his Christ-liness.” Through 181 novels, the fight against Evil was on. -
Inside 1 (October 1962)
m w Mi Mtm . •. .?^u>; v:* ?• • 'i^J*®*.** WM^M k>*"t October 1962 Issue Number One October, 1962 editor assistant editors Jori White Ron Smith, Leland Saplro 1 THINK •••••editorials 4 TECHNIQUE AS CREATION Leland Saplro ••••••• article 16 HOW TO BE A SF CRITIC Robert Bloch, ••••••• article 18 CIRCULATION Joseph Farrell, •••••,, story 23 PIPSQUEAK PROMETHEUS: Some Remarks 221 the Vi/ritinKS of L, Ron Hubbard William Blackboard. •article Cover by Marvin Bryer Interior illustrations by anonymous, Neil Austin, Dave Jenrette, Bob Miller, Ronnie Wertheimer, and A1 Williamson. ADVERTISING RATES FULL PAGE $8 HALF PAGE 4 FOURTH PAGE 2 EIGTHTH PAGE t SIXTEENTH PAGE .50 SMALLER .02 A WORD PREPARE TO A 6X10 PAGE SIZE IN BLACK INK ALL RATES DOUBLE FOR PUBLISHERS INSIDE is published bi-monthly at 90 River- side Drive, New York 24, N.Y* Subscriptions: four for |1, 25^ the copy. Make all checks payable to Jon White ^ and not to the name of the magaziinet @ Copyright 1962 by Jonathan He White# All rights reserved. THINK THE ETERNAL FANZINE And so we come full cycle once more and Inside Science Fiction, alias Science Fiction Advertiser , alias Fantasy Advertiser , passes on once again to a younger and more enterprising enthusiasm. Jon \Vhite, I am confident, will do as good a Job as you could desire putting out a fanzine about science fiction for those of you on Inside rs list who are still interested and those undoubtedly countless thousands of fans who have joined up since I last published an issue four years ago, and he*ll have a hell of a good time while he's doing it* I hope all of the good aind faithful readers of Inside will give him the assistance he needs (after all, we all need money) For all those same good and faithful readers who have, I have no doubt whatsoever, been sitting disconsolately by your mailboxes these past four years waiting, waiting — here at last is your reward. -
From Pulp Hero to Superhero: Culture, Race, and Identity in American Popular Culture, 1900-1940 Julian C
Rollins College Rollins Scholarship Online Faculty Publications 10-2008 From Pulp Hero to Superhero: Culture, Race, and Identity in American Popular Culture, 1900-1940 Julian C. Chambliss Rollins College, [email protected] William L. Svitavsky Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/as_facpub Part of the American Popular Culture Commons Published In Chambliss, Julian C., and William Svitavsky. 2008. From pulp hero to superhero: Culture, race, and identity in american popular culture, 1900-1940. Studies in American Culture 30 (1) (October 2008). This Article is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. From Pulp Hero to Superhero: Culture, Race, and Identity in American Popular Culture, 1900-1940 Adventure characters in the pulp magazines and comic books of the early twentieth century reflected development in the ongoing American fascination with heroic figures. 1 As the United States declared the frontier closed, established icons such as the cowboy became disconnected from everyday American experience and were supplanted by new popular adventure fantasies with heroes whose adventures stylized the struggle of the American everyman with a modern industrialized, heterogeneous world. The challenges posed by an urbanizing society to traditional masculinity, threatened to a weaken men’s physical and mental form and to disrupt the United States’ vigorous transformation from uncivilized frontier to modern society.2 Many middle-class social commentators embraced modern industrialization while warning against “sexless” reformers who sought to constrain modern society’s excesses through regulations design to prevent social exploitation, environmental spoilage, and urban disorder. -
New Pulp-Related Books and Periodicals Available from Michael Chomko for October 2007
New pulp-related books and periodicals available from Michael Chomko for October 2007 As mentioned in my September list, I shipped a ton of books during the second week of September. Almost every regular customer received something or other from me. Our house is now quiet, with both kids off at college. My wife and I will be away from home beginning 10/4, celebrating our 29 th anniversary. We’ll be vacationing in Nova Scotia until 10/14. So if you write during that time, you won’t receive your answer until after the middle of the month. There are several pulp-related book shows coming up in the next few months. Gary Lovisi’s 19th Annual NYC Collectable Paperback & Pulp Fiction Expo will be held on Sunday October 7, 2007 at the Holiday Inn, 440 West 57th Street, New York City. For further information, please visit the Gryphon Book’s website at http://www.gryphonbooks.com/ . On Saturday and Sunday, October 20-21, in LaPlata, MO, the second annual DocCon will take place. Held in the hometown of Lester Dent, the creator of Doc Savage, the convention will feature a tour of the author’s home, a sneak preview of the Lester Dent Museum of Pulp History, special guests Anthony Tollin, current publisher of Doc and The Shadow, and Dr. Peter Koogan, a Wold Newton expert, and more. There are no membership fees, dealer fees, or anything of that nature. For further information, please visit the convention website at http://www.freewebs.com/doccon2/index.htm . On Saturday, November 3, 2007, Rich Harvey’s seventh annual Pulp Adventurecon will be held at the Ramada Inn, 1083 Rte 206 North, Bordentown, NJ.