DOCSLIB.ORG

1 Sept. 1999 #113 New Releases Agents of the Shadow #7

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CONTENTS NEW RELEASES.........................................................1 LETTERS .....................................................................1 FILLERS........................................................................2 PULPCON 28................................................................3 SEPT. 1999 $1.00 Month or $12.00 yr COMING ATTRACTIONS.........................................6 CANADIAN & OVERSEAS RATES: ADS...............................................................................8 FADING SHADOWS $1.50 Month 504 E. MORRIS ST AD RATES - Full Page- $15 SEYMOUR, TX 76380 ½ page $8 - ¼ page $5 AD DEADLINE IS THE 15TH OF EACH MONTH #113 The Evils” by L.L. Stewart, “Time Spent” by Gary Stoker, NEW RELEASES “Aboard The Wings of Night” by Charles Gramlich, “Sally At The Laundromat” by Tom Condarcure, “Lucky Cat” by Ginger AGENTS OF THE SHADOW #7, $2.50 from Joseph Johnson, “Pirate” by Richard Reeve, and “Can See Them” by McCullough, 201 S. Elam Ave., Greensboro, NC 27403. I had J. Richard Reed. Order from FADING SHADOWS. to look over my back issues for pricing data and address, so I hope I have this correct. This issue contains a nice listing of DOUBLE DANGER TALES #31: Contains “The Merchant of Shadow radio titles, as well as lots of other information on The Doom” (Rockne Callahan) by Gene Girardier, “Thursday's Shadow. While Joseph was away on vacation, Albert Emery Child” (Dreadstone) by Maxentius Andor Scarlatti, and put together this issue, and did a very nice job of it. I think “Crimson Harvest” (Black Bat) by Therese Drippe and Tom four issue subs are available for $10.00. Nice artwork by Johnson. Order from FADING SHADOWS. Kaluta and others. A good issue! TALES Of THE SECRET SERVICE #1: $8.00 from Wild Cat THE BRONZE GAZETTE, June 1999. $6.00, from Green Books, 17803 Superior St. #204, Northbridge, CA 91325. One Eagle Publications, 2900 Standiford Ave., Suite #136, of Ron Hanna's new publications, Tales of the Secret Service Modesto, CA 95350. $18.00 for three issue subscription. This reprints four King Brady dime novel detective stories from issue covers the 1934 Doc Savage movie, with several articles November 24, 1916; March 9, 1917, March 1, 1918; and April and numerous photos of Norman Dent and Ron Ely. Also 5, 1918. I've never been able to read dime novels, mainly contains some information on the new Doc Savage novel because they were so dated. However, the genre has many running on the Internet, “The Bleeding Sun”. followers, and these reprinted stories meet the readers desire to relive those glorious days of the turn of the century New York. BEHIND THE MASK #47, 48 & 49 are still available. See Exciting stories when automobiles and airplanes were new, the last issue for contents. Order from FADING SHADOWS, 504 streets were lighted by gaslights, and the world was seen in a E. Morris St., Seymour, TX 76380. $6.30 per issue, post paid, slower pace. These are fun little stories, and whether you are a for one book, or $18.00 post paid for all three books. All fan of dime novels or not, you will enjoy the King Brady FADING SHADOWS publications are priced the same. detective series. ACTION ADVENTURE STORIES #57 & 58. #57 contains “THE LOST CONTINENT” by Edgar Rice Burroughs: $10.00 Captain Combat in “The Sky Beast of Berlin” (#1), by Barry from Wild Cat Books, 17803 Superior St, #204, Northbridge, Barton. #58 contains Secret Agent X in “The Murder Brain” CA 91325. This is a special edition of this fantastic ERB by Brant House (G. T. Fleming-Roberts), plus a couple story, printed in Ron Hanna’s new publishing house, ERB surprises to fill out the issue. Order from FADING remains one of our favorite authors, and if the reader is looking SHADOWS. for an exciting, action-packed romantic adventure, you will thrill to this story by Burroughs. CLASSIC PULP FICTION STORIES #52: Contains “The Black Stone” by Gary Every, “Lucky Seven” by Paul Fornatar, LETTERS “Caves By The Sea” by Gerard Houarner, “Guard Dog” by Joy Smith, “Sam Goes To A Wedding” by Dickson Thorpe, “Luck Dear Tom & Ginger, And Swords” by Charles Gramlich, “Angel Of The Bear Lodge Wow! It's been another year for “Echoes”. Mountains” by Aaron B. Larson, “A Changed Man” by Sorry to see the UFO convention did not work out. My Richard Reeve, “Those They Mourn” by Edward O'Brien, “Sea wife and I went through Roswell a few years back. I have friends Flow” by Geoff Jackson, and “The White Feather” by Nick that grew up in Roswell. They never knew about the UFO Carr. Order from FADING SHADOWS. convention until moving to Austin. (MIKE COPPO-401 N. RAINBOW RANCH RD.- STARTLING SCIENCE STORIES #26: Contains “Asia and WIMBERLEY, TX 78676) 1 Dear Tom & Ginger, California stone quarry contracted in 1851 to provide Enclosed is a check in the amount of $12.00 with which I housing for convicts in return for their labor in the quarry. will gladly renew my subscription to the “Echoes” For security reasons, they housed the prisoners aboard a Newsletter for another year. I am pleased that you continue ship, too far out at sea for anyone to swim to freedom. It was to produce “Echoes” in this format. It contains a wealth of crowded and unpleasant but after a year it was replaced by a information, and I always look forward to the next issue. stone cell house built on Point San Quentin, on the very spot Keep up the outstanding work. (ALBERT EMERY-4026 that would later be the site of the famous penitentiary. BOUNCE DO.-ORLANDO, FL 32812) THE END WHY I READ FILLERS - THOSE OTHER ARGONOTES Dear Tom & Ginger, by Everett Lange The latest “Echoes” just arrived and, as usual, I stopped everything and read it from cover to cover. Great stuff. Got Any Argosy fan knows that “Argonotes” was the long a kick out of the account of your trip to Roswell, and of running feature that told about upcoming stones. But Argosy course, I devoured everything in Coming Attractions. ran fillers and they’re a kind of Argonotes, too. Take for All goes well here, even my new Pumpkin novel doesn't instance the issue of June 27, 1936. seem to be available in the U.S. yet. Pumpkin's head man, On page 95, Charles Dorman tells us about Leslie A. David Marshall, sent me some copies a few days ago, and it's Peltier, an amateur astronomer considered one of the best in a handsome book with a really creepy jacket. Amazon seems the world, whose newly discovered comet would, later that to have it on the Internet. I guess it will turn up in Barnes & year, be the first one visible from the earth since 1927. Noble and elsewhere, too. And, hey, Tom Roberts is doing a There's another excursion into science on page 114, by J. terrific job with his Black Dog Books. Lots of great pulp Wentworth Tilden. Did you know that fishing worms can't reprints! see red? That's right, according to Tilden. So the next time Upcoming are a new Hugh Cave novel, “The Dawning” you go out at night to hunt up bait for your early morning from Leisure, a collection of my Peter Kane Dime Detective fishing trip, use a flashlight with a red filter. It won't scare tales, “Bottled in Blonde” from Fedogan & Bremer, and more them away! Black Dog reprints. Along with new short stuff in Cemetery THE END Dance, Weird Tales, and a bunch of anthologies. WHY I READ FILLERS - A DOLLAR FOR YOUR (HUGH B. CAVE-437 THOMAS ST-SEBASTIAN, FL, THOUGHTS 32958) by Everett Lange Dear Tom & Ginger, A filler on page 37 of Top-Notch for June 10, 1914 offers On July 7th and today (August 1st), I sent letters to this explanation for the evolution of the dollar mark ($) as BLACK DOG BOOKS asking for information on how and used for American money. when purchase of their reprints can be made. I have had no Early Spanish colonists abbreviated the word “pesos” - in reply to the July letter. And I did include an SASE to those days equivalent to a dollar according to the story - as facilitate a reply. Now, I realize that you certainly are not “ps”. After a time the p was written over the s and this slowly involved or responsible for reprints of old pulps issued by evolved into today's familiar $. The change was made about BLACK DOG BOOKS, but I wonder if you can shed any 1775 by English-Americans who came into business contact light on BDB's non-response. Seems to me BDB ought to be with Spanish Americans. It first appeared in print in 1797. interested in making sales - as reported in ECHOES. (Robert THE END DeRosicr,-28 Westminster Do.-West Hartford, CT 06107) Robert, WHY I READ FILLERS - A RAILROAD GHOST STORY some times publishers do not like to make personal by Everett Lange responses, relying on passing out the information when their books become available to a wider audience. Although, we Here’s a ghost story found in a filler in the September think an SASE should be enough to obtain the information 1934 Railroad Stories, a personal experience related by A. T. you seek, you may have to wait until books are available for Wilkins an engineer on a British line. the sales release. Watch for this information in future While passing through a long tunnel on route to columns in ECHOES. Manchester, Wilkins' attention was called by his fireman to a strange apparition outside the train. The shadow of a figure WHY I READ FILLERS - THE HELL BOAT PRISON with moving arms was seen on the wall of the tunnel.
Recommended publications
  • Network Map of Knowledge And

    Network Map of Knowledge And

    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
  • Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A

    Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A

    Kirby: The WonderThe WonderYears Years Lee & Kirby: The Wonder Years (a.k.a. Jack Kirby Collector #58) Written by Mark Alexander (1955-2011) Edited, designed, and proofread by John Morrow, publisher Softcover ISBN: 978-1-60549-038-0 First Printing • December 2011 • Printed in the USA The Jack Kirby Collector, Vol. 18, No. 58, Winter 2011 (hey, it’s Dec. 3 as I type this!). Published quarterly by and ©2011 TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. 919-449-0344. John Morrow, Editor/Publisher. Four-issue subscriptions: $50 US, $65 Canada, $72 elsewhere. Editorial package ©2011 TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All artwork is ©2011 Jack Kirby Estate unless otherwise noted. Editorial matter ©2011 the respective authors. ISSN 1932-6912 Visit us on the web at: www.twomorrows.com • e-mail: [email protected] All rights reserved. No portion of this publication may be reproduced in any manner without permission from the publisher. (above and title page) Kirby pencils from What If? #11 (Oct. 1978). (opposite) Original Kirby collage for Fantastic Four #51, page 14. Acknowledgements First and foremost, thanks to my Aunt June for buying my first Marvel comic, and for everything else. Next, big thanks to my son Nicholas for endless research. From the age of three, the kid had the good taste to request the Marvel Masterworks for bedtime stories over Mother Goose. He still holds the record as the youngest contributor to The Jack Kirby Collector (see issue #21). Shout-out to my partners in rock ’n’ roll, the incomparable Hitmen—the best band and best pals I’ve ever had.
  • Please Read These Instructions Carefully Please Return Ballot To

    Please Read These Instructions Carefully Please Return Ballot To

    Please Read These Instructions Carefully Please return ballot to: CONZEALAND HUGO ADMINISTRATION c/o TAMMY COXEN 508 LITTLE LAKE DR ANN ARBOR MI 48103 USA This ballot must be received by: Wednesday 15 July 2020 at 11:59pm PDT (GMT-7) Thank you for participating in the 1945 Retrospective Hugo Awards and the 2020 Hugo, Astounding and Lodestar Awards. To vote online, visit the members area on the CoNZealand website and login. Once online voting opens your ballot will be available under “My Memberships.” If you need assistance contact [email protected]. Reproduction Reproduction and distribution of this ballot is permitted and encouraged, provided that it is reproduced verbatim (including voting instructions), with no additional materials other than the name of the person or publication responsible for the reproduction. For more information about the 2020 Hugo Awards and 1945 Retro Hugo Awards, please visit our web page at conzealand.nz/about/explore-worldcon/world-science-fiction-society-about/hugo-awards "World Science Fiction Society", "WSFS", "World Science Fiction Convention", "Worldcon", "NASFiC", "Hugo Award", the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. Eligibility to Vote You may vote for the 2020 Hugo Awards, the Astounding Award for Best New Writer and the Lodestar Award for Best YA Book, and the 1945 Retro Hugo Awards, if you are an Adult Attending or Supporting member of CoNZealand. Please complete the eligibility section, and remember to sign your ballot. How to vote: ● This ballot uses a modified version of the Single Transferable Vote for a single winner, sometimes known as the Alternative Vote or Instant Runoff Ballot.
  • Mcwilliams Ku 0099D 16650

    Mcwilliams Ku 0099D 16650

    ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.
  • JB's Extensive Listing of Pulp-Related Gaming Resources

    JB's Extensive Listing of Pulp-Related Gaming Resources

    - LASTJB UPDATED:’s Extensive 6/8/2012 8:09:07 PM Listing of Pulp Related Gaming Resources I was one of the original co-authors for what would eventually become The Ravaged Earth Society (a Savage Worlds sourcebook). Although I had nothing to do with the final version Pulpof the product Gaming I did do a huge Resources amount of research on the genre while working on the original draft -- my original list of resources is 12 typewritten pages long). Whether you’re looking for adventure seeds, information to use in expanding your campaign or simply inspiration while creating your next intrepid hero, the information that follows will prove both useful and insightful. In compiling this resource, I have deviated from the standard definition of “Classic Pulp”, instead adopting a much broader interpretation in which camp and over-the-top actions are the defining factors. Ultimately, the deciding factor as to whether to include a reference or not was the answer to the following question: “Does this reference contain information that could easily be used in a pulp adventure or campaign?” If the answer was yes, it was included; otherwise, it got the boot! ROLEPLAYING GAMES Some of these games are out of print, while others are available only as electronic files, so getting your hands on them may require a trip to an online vendor such as RPGNow or perhaps even eBay. When attempting to locate these games, we suggest making the Pen & Paper website your first stop. Adventure! (White Wolf) The Adventures of Indiana Jones (TSR) Barbarians of Lemuria - with the Dicey Tales Companion (BBG) Blood Shadows (West End Games) Boomtown Planet (Timeless Games) Buck Rogers: High Adventure Cliffhangers (TSR) Call of Cthulhu (Chaosium) Castle Falkenstein (R.
  • The Following Is a Transcript of a Presentation I Made at the in Your Write Mind Conference at Seton Hill University on 22 June 2018

    The Following Is a Transcript of a Presentation I Made at the in Your Write Mind Conference at Seton Hill University on 22 June 2018

    The following is a transcript of a presentation I made at the In Your Write Mind Conference at Seton Hill University on 22 June 2018. The audience comprised largely graduates of the University's MFA program for novelists. - FAJr. WRITING FOR THE NEW PULP FICTION MARKET Ever hear of The Purple Scar? Lady Domino? The Black Bat? How about the Shadow? Doc Savage? Conan the Barbarian? Ah, I see recognition lighting up a few faces. The aforementioned heroes and heroine are members of the pantheon of pulp fiction characters popular in the magazines of the 1930s and 40s. Literary types are fond of tagging Pulp Fiction as "escapist literature named after the cheap pulp paper on which the magazines were printed." I prefer to think that Pulp Fiction is named after the state in which the villains are left after the hero is finished beating the living snot out of them. Hundreds of pulp magazines graced the newsstands and magazine racks of America, some monthly and some weekly in the 1930s and 40s. And they kept authors like H.P. Lovecraft, Fritz Leiber, Ray Bradbury, Robert E. Howard, Robert Bloch, Kenneth Robeson, Dashiell Hammett, Raymond Chandler and a host of others from starving to death in the hard times of the Great Depression. As a matter of fact, during the Depression, the prolific Robert E. Howard had a greater income than the President of the bank in his hometown of Cross Plains, Texas. The magazines had titles like Spicy Detective Stories, Weird Tales, Astounding Science Fiction, THRILLING ADVENTURE, THRILLING DETECTIVE, THRILLING MYSTERY, THRILLING RANCH, THRILLING SPORTS, THRILLING WESTERN, and THRILLING WONDER STORIES.
  • The Imperial Superhero

    The Imperial Superhero

    ............................................................................................................................................................................................................................................... SYMPOSIUM ............................................................................................................................................................................................................................................... The Imperial Superhero Chris Gavaler, Washington and Lee University ............................................................................................................................................................................................................................................... et in 1978, the year Edward Said published Orien- THE FIRST SUPERHERO talism, Salman Rushdie’s Midnight’s Children The superhero’s constituent genres—fantasy, adventure, sci- depicts “magic children” born in the first hour of ence fiction, and detective fiction—originated and developed August 15, 1947, “within the frontiers of the infant in direct relationship to nineteenth-century British colonial- sovereign state of India” (1981, 226, 224). Through ism, and by absorbing their elements, the superhero consoli- Ssome “freak of biology” or “preternatural power,” the children dates a myriad of imperial attitudes into a single character receive “miraculous” abilities, including such superhero sta- type. The earliest manifestation is Spring-Heeled Jack who, ples
  • The J. T. Oliver Photo Collection

    The J. T. Oliver Photo Collection

    The J. T. Oliver Photo Collection The J. T. Oliver Photo Collection, May 2013, is a one-shot published by Bill Plott, 190 Crestview Circle, Montevallo, AL 35115 for SFPA Mailing 293. Other contact information: 205- 665-5538; [email protected]. Editing assistance by Lillian Plott. This is Banshee Press publication No. 34. J.T. Oliver’s house at 315 27th Street, Columbus, Ga. The J. T. Oliver Photo Collection In my teenage years when Southern fans were few and far between I picked up the nickname of “The Traveling Fan” for a while, largely due to my quest to find kindred spirits. I made trips to meet Al Andrews in Birmingham, Dave Hulan in Huntsville, James ayers in Attalla, AL, Shelby and Suzy Vick and Norm Metcalfe in Panama City, James Ayers in Attalla, Ala., and Emile Greenleaf in New Orleans. I also visited J.T. Oliver in Columbus, Ga. J.T. was among a small group of active fans in the 1950s in Georgia. Others included Lee Hoffman in Savannah, Roger D. Aycock in Rome, and the coterie of fans that formed that Atlanta Science Fiction Organization. Aycock, by the way, was also a pro who wrote under the name of Roger Dee. Since Columbus was only 30 miles from Opelika, I made several trips to visit J.T. I thought nothing of it at the time but realized later that he lived in one of the mill villages and probably worked in one of the mills. I remember him explaining that the Columbus high schools were culturally dispersed.
  • The Founder of the Christian Comic Arts Society

    The Founder of the Christian Comic Arts Society

    1948 - 2014 THE FOUNDER OF THE CHRISTIAN COMIC ARTS SOCIETY A COLLECTION OF THOUGHTS, AUTOBIOGRAPHY AND RARE FACTS ON CHRISTIAN COMIC HISTORY Page 1 This booklet is dedicated to Don Ensign’s Life and Legacy. Don Ensign: The Founder of the Christian Comic Arts Society is Copyright © 2020 CCAS Illustrations and Photographs are from Don Ensign’s archives Copyright © 2020 Christian Comic Arts Society. All rights reserved. The CCAS balloon logo and other CCAS artwork and publications are owned by CCAS. All other art is owned by their respective owners. Any resemblance to actual persons, living or dead, is purely coincidental. No part of this booklet may be reproduced, stored in a retrieval system, or transmitted in any form or by any means — electronic, mechanical, photocopy, recording, or any other without the prior written permission of the CCAS Board of Directors. Scripture from KJV. Page 2 INTRODUCTION page book was printed and is available through CCAS). by Robert Flores I think everyone in CCAS (and in Christian comics) owes something to Don Ensign. He somehow was able Don Ensign was truly a humble man. to mobilize a lot of lonewolf Christian comic artists into a cohesive whole (not an easy task, I might add). He was I first heard of him through the CCAS newsletter in 1996, always in the background; not in the spotlight. That’s what I will remember him for. God used Don Ensign in many called New Creation. I picked up this newsletter at the Comic-Con in San Diego. I would read his articles which mighty ways that are still continuing to this day.
  • A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964

    A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964

    AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Notes Introductory Note about the Chronological Structure of American Comic Book Chronicles The monthly date that appears on a comic book head as most Direct Market-exclusive publishers cover doesn’t usually indicate the exact month chose not to put cover dates on their comic books the comic book arrived at the newsstand or at the while some put cover dates that matched the comic book store. Since their inception, American issue’s release date. periodical publishers—including but not limited to comic book publishers—postdated
  • Doc Savage: #000A - "The Doc Savage Authors" Archived at [.Pdf]

    Doc Savage: #000A - "The Doc Savage Authors" Archived at [.Pdf]

    Doc Savage: #000A - "the Doc Savage Authors" archived at http://www.stealthskater.com/DocSavage/DS000_Authors.doc [.pdf] to read more Doc Savage novels, go to http://www.stealthskater.com/DocSavage.htm Background and History of the Publishing of "Doc Savage" last updated December 10, 2010 Introduction Authors the Bantam Book paperback series Bantam Cover Artists some Doc Savage-related Websites the history of "Kenneth Robeson" (the "author" of the Doc Savage series) an interview with contemporary "Doc Savage" author Will Murray the "Maturing" of the Doc Savage character a Summary of the 3 Decades of Lester Dent's writings "Why 'Kenneth Robeson' Doesn't Write Anymore" the 1975 "Doc Savage" movie Doc Savage: Arch Enemy of Evil (history and interviews) Doc's high-adventure Dictionary List of all Doc Savage Books Theme & Characters of each adventure 1 archived at http://www.stealthskater.com/DocSavage.htm Doc Savage: #000A - "the Doc Savage Authors" Introduction Just under 2 years after "The Shadow" appeared on magazine racks, Doc Savage became the 3rd pulp character to get his own magazine. The World met the 'Man of Bronze' in a novel titled The Man of Bronze (#001), March 1933. "Doc Savage" was created by Street&Smith’s Henry W. Ralston -- with help from editor John L. Nanovic -- in order to capitalize on the surprise success of "The Shadow" magazine. It was Lester Dent, though, who crafted the character into the superman that he became. Dent -- who wrote most of the adventures -- described his hero Clark “Doc” Savage Jr. as a cross between “Sherlock Holmes with his deducting ability, Tarzan of the Apes with his towering physique and muscular ability, Craig Kennedy with his scientific knowledge, and Abraham Lincoln with his Christ-liness.” Through 181 novels, the fight against Evil was on.
  • FREE! Take One!

    FREE! Take One!

    FREE! Take One! Volume 14 #1 “News, reviews and opinions from the world of comics” Winter 2010 Pulp Heroes Return in “First Wave” With last year’s Batman/ Doc Savage special, You didn’t think First Wave would be relegated to a Azzarello showed us single book, did you? Here’s a look at a couple of a new DC Universe, other titles that reside in the First Wave universe! where in the ‘20s Batman is a beginning crime- fighter packing a .45, and Doc Savage is the Doc Savage true power on the scene. This was the intro for Writer: Paul Malmont a new setting of pulp- Artist: Howard Porter styled action, bringing together all of the action Pulp fiction’s greatest heroes of DC, from the hero returns in his gun-toting Batman of the very own monthly early Detective Comics, to series! Will Eisner’s detective The Spirit, and the international ace pilot team of the Black- hawks. In this gritty world, there are The Spirit no supermen, just mortals trying to fight against the Writer: Mark Schultz rampant corruption of the Artist: Moritat Golden Tree cabal. Expect two-fisted action and heroics, The adventures of all drawn by Rags Morales Will Eisner’s most in some of his best work yet enduring creation (samples have been popping continue! up in DC books, but they will be all-color in the series!) “OLD MAN LOGAN” CREATIVE TEAM RETURNS WITH “NEMESIS”! Missing Kick-Ass, now that it finally criminal/terrorist/evil-doer in the wrapped up? Have no fear, Mark world does all kinds of bad things Millar is back--this time with his in Asia, then sets his sight on our old partner on Civil War, Steve very own Washington, DC.