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Rooted Elements a Kinesthetic Approach Connecting Our Children to Their Nnei R and Outer World Alisha Meyer the University of Montana
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Graduate School Professional Papers 2012 Rooted Elements A Kinesthetic Approach Connecting Our Children to Their nneI r and Outer World Alisha Meyer The University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/etd Recommended Citation Meyer, Alisha, "Rooted Elements A Kinesthetic Approach Connecting Our Children to Their nneI r and Outer World" (2012). Graduate Student Theses, Dissertations, & Professional Papers. 1385. https://scholarworks.umt.edu/etd/1385 This Professional Paper is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. ROOTED ELEMENTS A KINESTHETIC APPROACH CONNECTING OUR CHILDREN TO THEIR INNER AND OUTER WORLD By ALISHA BRIANNE MEYER BA Elementary Education, University of Montana, Missoula, Montana, 2003 Professional Paper presented in partial fulfillment of the requirements for the degree of Master of Arts Fine Arts, Integrated Arts and Education The University of Montana Missoula, MT May 2012 Approved by: Sandy Ross, Associate Dean of The Graduate School Graduate School Karen Kaufmann, Chair Fine Arts Jillian Campana, Committee Member Fine Arts Rick Hughes, Committee Member Fine Arts © COPYRIGHT by Alisha Brianne Meyer 2012 All Rights Reserved ii Meyer, Alisha, M.A., May 2012 Integrating Arts into Education Rooted Elements Chairperson: Karen Kaufmann Rooted Elements is a thematic naturalistic guide for classroom teachers to design engaging lessons focused in the earth elements. -
Varieties of Modernist Dystopia
Towson University Office of Graduate Studies BETWEEN THE IDEA AND THE REALITY FALLS THE SHADOW: VARIETIES OF MODERNIST DYSTOPIA by Jonathan R. Moore A thesis Presented to the faculty of Towson University in partial fulfillment of the requirements for the degree Master of Arts Department of Humanities Towson University Towson, Maryland 21252 May, 2014 Abstract Between the Idea and the Reality Falls the Shadow: Varieties of Modernist Dystopia Jonathan Moore By tracing the literary heritage of dystopia from its inception in Joseph Hall and its modern development under Aldous Huxley, George Orwell, Samuel Beckett, and Anthony Burgess, modern dystopia emerges as a distinct type of utopian literature. The literary environments created by these authors are constructed as intricate social commentaries that ridicule the foolishness of yearning for a leisurely existence in a world of industrial ideals. Modern dystopian narratives approach civilization differently yet predict similarly dismal limitations to autonomy, which focuses attention on the individual and the cultural crisis propagated by shattering conflicts in the modern era. During this era the imaginary nowhere of utopian fables was infected by pessimism and, as the modern era trundled forward, any hope for autonomous individuality contracted. Utopian ideals were invalidated by the oppressive nature of unbridled technology. The resulting societal assessment offers a dark vision of progress. iii Table of Contents Introduction: No Place 1 Chapter 1: Bad Places 19 Chapter 2: Beleaguered Bodies 47 Chapter 3: Cyclical Cacotopias 72 Bibliography 94 Curriculum Vitae 99 iv 1 Introduction: No Place The word dystopia has its origin in ancient Greek, stemming from the root topos which means place. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Construing the Elaborate Discourse of Thomas More's Utopia
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2006 Irony, rhetoric, and the portrayal of "no place": Construing the elaborate discourse of Thomas More's Utopia Davina Sun Padgett Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the English Language and Literature Commons, and the Rhetoric Commons Recommended Citation Padgett, Davina Sun, "Irony, rhetoric, and the portrayal of "no place": Construing the elaborate discourse of Thomas More's Utopia" (2006). Theses Digitization Project. 2879. https://scholarworks.lib.csusb.edu/etd-project/2879 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. IRONY, RHETORIC, AND THE PORTRAYAL OF "NO PLACE" CONSTRUING THE ELABORATE DISCOURSE OF THOMAS MORE'S UTOPIA A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Davina Sun Padgett June 2006 IRONY,'RHETORIC, AND THE PORTRAYAL OF "NO PLACE": CONSTRUING THE ELABORATE DISCOURSE OF THOMAS MORE'S UTOPIA A Thesis Presented to the Faculty of California State University, San Bernardino by Davina Sun Padgett June 2006 Approved by: Copyright 2006 Davina Sun Padgett ABSTRACT Since its publication in 1516, Thomas More's Utopia has provoked considerable discussion and debate. Readers have long grappled with the implications of this text in order to determine the extent to which More's imaginary island-nation is intended to be seen as a description of the ideal commonwealth. -
This Work Has Been Submitted to Chesterrep – the University of Chester’S Online Research Repository
'Every Irishman is an Arab': James Clarence Mangan's Eastern 'Translations' Item Type Article Authors Fegan, Melissa Citation Translation and Literature, Summer 2013, 22(2), pp. 195-214 DOI 10.3366/tal.2013.0113 Publisher Edinburgh University Press Journal Translation and Literature Download date 28/09/2021 04:50:05 Link to Item http://hdl.handle.net/10034/336545 This work has been submitted to ChesterRep – the University of Chester’s online research repository http://chesterrep.openrepository.com Author(s): Melissa Fegan Title: 'Every Irishman is an Arab': James Clarence Mangan's Eastern 'Translations' Date: Summer 2013 Originally published in: Translation and Literature Example citation: Fegan, M. (2013). 'Every Irishman is an Arab': James Clarence Mangan's Eastern 'Translations', Translation and Literature, 22(2), 195-214. http://dx.doi.org/10.3366/tal.2013.0113 Version of item: Accepted manuscript Available at: http://hdl.handle.net/10034/336545 ‘Every Irishman is an Arab’: James Clarence Mangan’s Eastern ‘Translations’ If the vagrant Imagination is at home anywhere, it is the East, proclaimed James Clarence Mangan (1803-1849) – even if its conception of the East is somewhat illusory, and dominated by ‘images of Genii-land’ rather than a realistic Orient.1 Mangan – unkindly described by Valentine Cunningham as the ‘archetypical drunken- Irish poet’2 – is chiefly remembered for stirring nationalist anthems like ‘Dark Rosaleen’, or his depictions of the horrors of the Great Famine. The young James Joyce described him as ‘the national poet’,3 but Mangan’s leanings were international, and his delight in the East emerged in a series of six articles on Oriental poetry, titled ‘Literæ Orientales’, published in the Dublin University Magazine between September 1837 and January 1846. -
Jonathan Swift Address by Dr Don Thornhill, St Patrick's Cathedral
Jonathan Swift Address by Dr Don Thornhill, St Patrick’s Cathedral, Dublin, 17 October, 2010 I would like to thank my friend and neighbour from Co Waterford, the Very Reverend Dr Robert McCarthy for giving me the honour and pleasure of speaking here this afternoon. But some caveats and acknowledgements are in order. As regards the caveats I hope that in inviting me here, as the Dean himself wrote, to speak, and I quote, “on any aspect of Swift”, the Dean was not, like his predecessor, being ironic. I am not a historian or a literary scholar. My interests are some distance away in economic policy, taxation and competitiveness, public sector reform and education policy. In the arenas where these topics are discussed I and other have preached from time to time – but never before from a pulpit! But I was helped by the patience, support and critical contributions (critical in both senses of the word!) of my family, particularly Maura, and of my friends during the past few months. I would like to thank Dr Ronan Kelly, author of Bard of Erin, a much acclaimed biography of Thomas Moore, who gave me essential advice and guidance. In our current economic circumstances it would, of course be tempting in response to the Dean’s invitation by quoting liberally from Swift’s commentaries on human foolishness and injustices. His saeva indignatio/ savage indignation, some of which he directed at bankers, undoubtedly has a contemporary resonance 1. A “What would Swift say if he were alive today ” exercise could be entertaining and maybe cause some bitter amusement but others are better equipped to do it. -
Anniversary Season
th ASOLO REPERTORY THEATRE o ANNIVERSARY6 SEASON ASOLO REPERTORY THEATRE th 6oANNIVERSARY DINNER November 26, 2018 The Westin | Sarasota 6pm | Cocktail Reception 7pm | Dinner, Presentation and Award Ceremony • Vic Meyrich Tech Award • Bradford Wallace Acting Award 03 HONOREES Honoring 12 artists who made an indelible impact on the first decade and beyond. 04-05 WELCOME LETTER 06-11 60 YEARS OF HISTORY 12-23 HONOREE INTERVIEWS 24-27 LIST OF PRODUCTIONS From 1959 through today rep 31 TRIBUTES o l aso HONOREES Steve Hogan Assistant Technical Director, 1969-1982 Master Carpenter, 1982-2001 Shop Foreman, 2001-Present Polly Holliday Resident Acting Company, 1962-1972 Vic Meyrich Technical Director, 1968-1992 Production Manager, 1992-2017 Production Manager & Operations Director, 2017-Present Howard Millman Actor, 1959 Managing Director, Stage Director, 1968-1980 Producing Artistic Director, 1995-2006 Stephanie Moss Resident Acting Company, 1969-1970 Assistant Stage Manager, 1972-1990 Bob Naismith Property Master, 1967-2000 Barbara Redmond Resident Acting Company, 1968-2011 Director, Playwright, 1996-2003 Acting Faculty/Head of Acting, FSU/Asolo Conservatory, 1998-2011 Sharon Spelman Resident Acting Company, 1968-1971 and 1996-2010 Eberle Thomas Director, Actor, Playwright, 1960-1966 rep Co-Artistic Director, 1966-1973 Director, Actor, Playwright, 1976-2007 Brad Wallace o Resident Acting Company, 1961-2008 l Marian Wallace Box Office Associate, 1967-1968 Stage Manager, 1968-1969 Production Stage Manager, 1969-2010 John M. Wilson Master Carpenter, 1969-1977 asolorep.org | 03 aso We are grateful you are here tonight to celebrate and support Asolo Rep — MDE/LDG PHOTO WHICH ONE ??? Nationally renowned, world-class theatre, made in Sarasota. -
Lambeth Palace Library Research Guide Biographical Sources for Archbishops of Canterbury from 1052 to the Present Day
Lambeth Palace Library Research Guide Biographical Sources for Archbishops of Canterbury from 1052 to the Present Day 1 Introduction .................................................................................................................... 3 2 Abbreviations Used ....................................................................................................... 4 3 Archbishops of Canterbury 1052- .................................................................................. 5 Stigand (1052-70) .............................................................................................................. 5 Lanfranc (1070-89) ............................................................................................................ 5 Anselm (1093-1109) .......................................................................................................... 5 Ralph d’Escures (1114-22) ................................................................................................ 5 William de Corbeil (1123-36) ............................................................................................. 5 Theobold of Bec (1139-61) ................................................................................................ 5 Thomas Becket (1162-70) ................................................................................................. 6 Richard of Dover (1174-84) ............................................................................................... 6 Baldwin (1184-90) ............................................................................................................ -
Afrin Zeenat. “Writing Irish Nationhood: Jonathan Swift's Coming to Terms
Nebula 6.2 , June 2009 Writing Irish Nationhood: Jonathan Swift’s Coming to Terms with his Birthplace. By Afrin Zeenat “Swift can…combine contraries of the most compelling kind.” 1 Seamus Deane. “… the Janus-faced ambivalence of language… in the construction of the Janus-faced discourse of the nation.” 2 Homi K. Bhabha Echoing Bhabha’s statement, Jonathan Swift’s “Janus-faced ambivalence” toward his birthplace Ireland has puzzled many readers making it difficult for them to identify him as an Irish patriot. 3 Despite Swift’s works on Ireland in which he rallies for Ireland and the native Irish, many critics continue to stress Swift’s anathema and contempt for people of his native land. 4 Such an essentialist reading of Swift would fail to understand the innate ambivalence that is a salient feature of his works. Swift’s Irish tracts point to a change in his attitude towards his native land, which asserts itself forcefully as his love for England and things English ebb, and can be attributed to personal, political and historical reasons. Swift’s life and works presage the ambivalence that is later pronounced in the works of post-colonial writers, who often vacillate between the country of their colonial overlords and their native countries. Based on Frantz Fanon’s ideas on the formation of a national consciousness,5 this chapter will trace a similar formation of Swift’s national consciousness for his native country, which finds a voice in his works on Ireland. 1 Seamus Deane, “Classic Swift,” The Cambridge Companion to Jonathan Swift, (Cambridge: Cambridge University Press, 2003), 245. -
Remembering St. Thomas More's Vocation Veryl Victoria Miles
Notre Dame Journal of Law, Ethics & Public Policy Volume 20 Article 16 Issue 1 Symposium on Law & Politics as Vocation February 2014 A Legal Career for All Seasons: Remembering St. Thomas More's Vocation Veryl Victoria Miles Follow this and additional works at: http://scholarship.law.nd.edu/ndjlepp Recommended Citation Veryl V. Miles, A Legal Career for All Seasons: Remembering St. Thomas More's Vocation, 20 Notre Dame J.L. Ethics & Pub. Pol'y 419 (2006). Available at: http://scholarship.law.nd.edu/ndjlepp/vol20/iss1/16 This Speech is brought to you for free and open access by the Notre Dame Journal of Law, Ethics & Public Policy at NDLScholarship. It has been accepted for inclusion in Notre Dame Journal of Law, Ethics & Public Policy by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. A LEGAL CAREER FOR ALL SEASONS: REMEMBERING ST. THOMAS MORE'S VOCATION VERYL VICTORIA MILES* The vast majority of the work taking place in most law schools is the preparation of law students for the practice of law; namely, to teach legal theory and doctrine, legal analysis, writing, and advocacy. In sum, the goal of most law schools is to teach the many different skills required in law practice and the profes- sional rules of legal ethics. What appears to be lacking in the preparation of future lawyers are lessons on how to incorporate this vast amount of specialized learning and skill in ways that will be harmonious with the personal, moral, and ethical values that they possessed at the commencement of their legal education. -
Clothes Playbill
Ticketing Services Provided By WHITE HORSE THEATER COMPANY PRESENTS..... White Horse Theater website & the contents of this playbill (excluding the front cover) are designed, produced and maintained by Right Side of NY. www.WhiteHorseTheater.com February 5 to 21, 2010 ❖ Hudson Guild Theatre “Life ended for me when Zelda and I crashed. If she could get well, I would be happy again. Otherwise, never.” - SPECIAL POST-SHOW DISCUSSION ON F. Scott Fitzgerald* SUNDAY, FEB 14TH! With Renowned Williams Scholar Dr. Annette J. Saddik "I determined to find an impersonal escape, a world in which I and Nancy Milford, author of Zelda could express myself and walk without the help of somebody who was always far from me." - Zelda Fitzgerald** Moderated by Jennifer-Scott Mobley, Ph.D. Candidate in Theater History & Criticism, CUNY Graduate Center Clothes for a Summer Hotel, Mr. Williams’ highly theatrical and evocative “ghost play”, imagines an ethereal final meeting Dr. Saddik is an Associate Professor in the English between the restless ghosts of literary great F. Scott Fitzgerald Department at New York City College of Technology and his wife Zelda. Set on a windy hilltop at the gates of the Asheville, NC asylum where Zelda was institutionalized before her (CUNY), a teacher in the Ph.D. Program in Theatre at the death by fire in 1948, a desperate Scott pleads for CUNY Graduate Center and the author of Contemporary reconciliation while Zelda blames him for her failed writing American Drama and The Politics of Reputation: The career and ensuing madness. Taking extraordinary liberties with time and place, Clothes fuses the past, present and future as Critical Reception of Tennessee Williams’ Later Plays.