College Voice Vol. 11 No. 14

Total Page:16

File Type:pdf, Size:1020Kb

College Voice Vol. 11 No. 14 Connecticut College Digital Commons @ Connecticut College 1987-1988 Student Newspapers 2-16-1988 College Voice Vol. 11 No. 14 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1987_1988 Recommended Citation Connecticut College, "College Voice Vol. 11 No. 14" (1988). 1987-1988. 9. https://digitalcommons.conncoll.edu/ccnews_1987_1988/9 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1987-1988 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. THE CO E VOICE Volume XI, Number 14 Ad Fontes February 16, 1988 Angry listener protests SGA votes to change house UlCNI disc jockey in president role after extensive hearings Crozier- Williams Final decision to be made this week by chance a few days later, as by Isabel Thompson by Shannon Stelly "your typical kind of on-the- News Editor The College Voice edge person." People speaking at hearings on the house governance issue held at Although he was fearful at Thursday night's S.G.A. meeting revealed a definite need for the On Wednesday, February 3, a first and even asked his local revision of the current system and prompted an overwhelming vote man objecting to a radio pro- police for protection, Grippo in favor of some change. gram by a homosexual disc said that the man apologized to Four housefellows, five former assembly members, and one stu- jockey caused a disturbance at him and said that he had gotten dent at large presented their opinions on the role of the house presi- the Crozier-Williams Student upset over the music WeNI dent in the dorm and on the two proposals being considered. Center before being apprehend- played that day and lost c.mtrol. The first proposal, presented by the Executive Board of S.G.A., ed by campus safety. • 'I don 't feel any suggests a division of the job of house president into two positions, The man entered Cro shortly endangerment," said Grippo. Claire MaJthews, dean of admissions house chairperson and house senator. after I:DO looking for the WCNI In fact, he expressed some in- The house senator would serve as the elected dormitory represen- office. Doug Shank, '88, who terest in interviewing the man on tative to S.G.A., and would be required to serve on two S.G.A. witnessed much of the incident, his program, which airs Satur- committees. The senator would also be responsible for com- reported that the man was day mornings from 6:DO-9:DO. Minority municating all S.G.A. issues and events to the dorm. shouting obscenities and deman- No one who was at the WCNI In addition, the senator would oversee all the elections for dor- ding that WCNI "get that homo office during the incident was enrollment mitory positions. off the air." Campus Safety ap- available for comment, but The house chairperson would take on the duties of the house finan- .prehended him at I :20 as he was Shank, who was next door in the cial manager and the house president's dorm responsibilities, in- leaving Cro. He was escorted Student Life office, said that the declines cluding calling and presiding over all house council and dorm off campus and if he returns he man was there for approximate- meetings and insuring that S.A.C., intramural, and class represen- by Liz Michalski could be arrested for trespass- ly 10 minutes. According to The second proposal. presented for the first time Thursday night The College Voice ing. Grippo, a general warning was see S.C.A., p. 7 The radio program in question issued to all Drs, and he was The number of minority features a disc jockey named advised to lock the studio door students entering Connecticut Grippo, who requested that his during his broadcast. A College has dropped after a two full name not be disclosed. He peephole has also been installed year increase. According to described the man, whom he met as a precautionary measure. Claire Matthews, dean of admis- sions, the percentage of minority students choosing Conn. in- creased by two percent in the burns a plex room 1985-86 and 1986-87 school years, then dropped to slightly Thursday llltlrning in a Marshall over one percent last year. h of damage, The student had In 1984-85, out of an fun story next week. undergraduate population of see Minority leaders, p. 6 Controversial hiring of professionals causes discontent in Theatre Dept. Associ~ue Dean Joan King bey," "I think it is a good decision, it speaks in a by Doug Shank wider way to the community." Chaplain Search Committee Associate Publisher Melissa Kaminsky, president of the class of '89, The Connecticut College Theatre Department and active member in the Theatre department, said approaches final decision has hired a professional actor and actress to play •'This is supposed to be a school where we can do the lead roles in the upcoming production of anything, especially in the Theatre Department. turned to a questionnaire cir- by Isabel Thompson Eugene O'Neill's "Desire Under The Elms," to This decision takes away from the student." She culated two years ago which ask- News Editor open the 2,3 and 4 of March. This has never been added that clearly Herr, as the director of the play, ed what students wanted from done before by the Theatre Department here, has the right to make such decisions, but she The committee formed to the office of the chaplain. which is largely run by and for student actors and wishes the students would have at least been told. search for a new chaplain at "What we found out is that actresses. "It is not something racial, nobody is looking at Connecticut College has nar- students want a chaplain who The hiring of actor Merwin Goldsmith, to play color here. It is a wonderful and brilliant idea, it rowed down the 135 applications will address campus concerns the 72 year old "Ephraim Cabot", was discussed just should have been presented better," added it received and hopes to bring and major human issues, as well with and agreed to by students in the department Kaminsky. candidates to visit the campus as for worship," said Dean before the beginning of Christmas vacation. According to Bruce Marchand, head of Theatre soon. A final decision is ex- King. According to the survey, Also being hired is Vicky Tanner, a black ac- One, "No one from Theatre One was told about pected by the beginning of respondents felt that the chapel tress, to play the role of "Abbey," the lead female' the decision." Marchand said there is usually April. was an important part of the role. However, the decision to hire Tanner was good communication between the students and the Dean Joan King, head of the campus. made solely by Linda Herr, the head of the Con- department and this is disappointing. In an at- committee, said that the commit- Dean King said the committee necticut College Theatre Depanment, over the tempt to prevent this from happening again, Mar- tee is looking for someone "who is not looking for a particular Christmas vacation, without student input. Herr's chand and Theatre One will be organizing soon to can create a vital chapel, type of person. "We don't have •decision has been met with considerable discontent propose a formal set of guidelines for communica- something that is living and is anything too narrow in mind. among the students in the Theatre Department. tion between directors and students. Marchand there .' , The committee hopes to We want someone who has zip, The hiring of a black actress to play" Abbey," said he hopes this will at least insure discussion on find a chaplain who will be energy, and interest in life in which is traditionally a white role, was influenced similar matters arising in the future. responsive to both the longstan- .general, " she said. However, by Herr's recent introduction to the Non- In additionto complaints regarding Herr's tim- ding regular needs and the the committee would prefer to traditional casting Company. Based in New York, ing of the decision, students are also questioning special needs of the entire col- hire someone with experience as this company casts minority actors and actresses in the necessity of hiring a professional female ac- lege community. a campus minister. In the past, • traditionally white roles. Said Herr, about her tress. "The Theatre Department is 3/4 female. In order to determine what Connecticut College chaplains choice to hire a black actress for the part of "Ab- see Actress. p. 7 those needs were, the committee see Chaplain, p. 10 N.L. Focus Focus Features Sports Police chief r:W"---JSeder interview Men's Basketball ~ I page 3 page 4 pageS page 6 p~e -- N===========~~====== SGANEEDS REAL REFORM The S.G.A. Exec. Board proposal for S.G.A. reform is a step in the right diredion. But it is only one step on a long journey to S.G.A. ctAtJpeteRCe. Sweeping reform, more meaningful than pro- posed, is needed to create an effective and purposeful student government. The need to create a senator was "discovered" by the S.G.A. Review Committee four years ago. That committee was composed ofS.G.A. and non-S.G.A •.membets, with the non-politicos forming a majouy. And it was that majority which identified S.G.A.'s pro- blems with its represeQlalion system.
Recommended publications
  • The History of Rock Music - the Eighties
    The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Singer-songwriters of the 1980s (These are excerpts from my book "A History of Rock and Dance Music") Female folksingers 1985-88 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Once the effects of the new wave were fully absorbed, it became apparent that the world of singer-songwriters would never be the same again. A conceptual mood had taken over the scene, and that mood's predecessors were precisely the Bob Dylans, the Neil Youngs, the Leonard Cohens, the Tim Buckleys, the Joni Mitchells, who had not been the most popular stars of the 1970s. Instead, they became the reference point for a new generation of "auteurs". Women, in particular, regained the status of philosophical beings (and not only disco-divas or cute front singers) that they had enjoyed with the works of Carole King and Joni Mitchell. Suzy Gottlieb, better known as Phranc (1), was the (Los Angeles-based) songwriter who started the whole acoustic folk revival with her aptly-titled Folksinger (? 1984/? 1985 - nov 1985), whose protest themes and openly homosexual confessions earned her the nickname of "all-american jewish-lesbian folksinger". She embodied the historic meaning of that movement because she was a punkette (notably in Nervous Gender) before she became a folksinger, and because she continued to identify, more than anyone else, with her post- feminist and AIDS-stricken generation in elegies such as Take Off Your Swastika (1989) and Outta Here (1991).
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • Ireland Into the Mystic: the Poetic Spirit and Cultural Content of Irish Rock
    IRELAND INTO THE MYSTIC: THE POETIC SPIRIT AND CULTURAL CONTENT OF IRISH ROCK MUSIC, 1970-2020 ELENA CANIDO MUIÑO Doctoral Thesis / 2020 Director: David Clark Mitchell PROGRAMA DE DOCTORADO EN ESTUDIOS INGLESES AVANZADOS: LENGUA, LITERATURA Y CULTURA Ireland into the Mystic: The Poetic Spirit and Cultural Content of Irish Rock Music, 1970-2020 by Elena Canido Muiño, 2020. INDEX Abstract .......................................................................................................................... viii Resumen .......................................................................................................................... ix Resumo ............................................................................................................................. x 1. Introduction ............................................................................................................. 1 1.1.1. Methodology ................................................................................................................. 3 1.1.2. Thesis Structure ............................................................................................................. 5 2. Historical and Theoretical Introduction to Irish Rock ........................................ 9 2.1.1. Introduction ................................................................................................................... 9 2.1.2. The Origins of Rock ...................................................................................................... 9 2.1.3.
    [Show full text]
  • SINÉAD O′CONNOR ERINNERUNGEN © 2021 Des Titels »Erinnerungen« Von Sinéad O’Connor (ISBN 978-3-96775-061-4) by Riva Verlag, Münchner Verlagsgruppe­ Gmbh, München
    © 2021 des Titels »Erinnerungen« von Sinéad O’Connor (ISBN 978-3-96775-061-4) by riva Verlag, Münchner Verlags gruppe GmbH, München. Nähere Informationen unter: www.m-vg.de SINÉAD O′CONNOR ERINNERUNGEN © 2021 des Titels »Erinnerungen« von Sinéad O’Connor (ISBN 978-3-96775-061-4) by riva Verlag, Münchner Verlags gruppe GmbH, München. Nähere Informationen unter: www.m-vg.de Inhalt Vorwort .................................................................................................... 10 ERSTER TEIL ..................................................................................... 13 Prolog: Hey, Hey, We’re The Monkees! .................................................. 14 Das Klavier ........................................................................................... 16 Meine Großväter ................................................................................... 18 August 1977 ......................................................................................... 20 Lourdes ................................................................................................. 23 Meine Tante Frances ............................................................................. 27 Der Zug ................................................................................................ 29 Versunken in der Musik ........................................................................ 33 Will You Still Love Me Tomorrow? ........................................................ 39 Die Plattensammlung meiner Mutter ...................................................
    [Show full text]
  • Recordings by Women Table of Contents
    '• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem­ CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September.
    [Show full text]
  • Sinéad O'connor – Biografía
    Sinéad O'Connor – Biografía Sinéad O'Connor nació en Glenageary en el Condado de Dublín, es la tercera de cinco hijos. Sus padres se casaron jóvenes y tuvieron una relación conflictiva, separándose cuando Sinead tenía ocho años. En 1979, O'Connor dejó a su madre y se fue a vivir con su padre y su nueva esposa. Sin embargo, a la edad de 15 años, su afición al hurto y el ausentismo escolar le llevaron a ser internada en un Asilo de la Magdalena, el Centro de Formación Grianán dirigido por las Hermanas de Nuestra Señora de la Caridad. En cierto modo ella prosperó durante su estancia, especialmente en el desarrollo de la escritura y la música, pero le irritaba la conformidad impuesta. En 1983, su padre la envió a Newtown School, una exclusiva escuela internado en Waterford, una institución con una atmósfera mucho más permisiva que Grianan. Con la ayuda y apoyo de su profesor de lengua irlandesa grabó una demo de cuatro canciones, con dos versiones y dos de sus propias canciones que más tarde aparecieron en su primer álbum. Junto con Colm Farrelly formó un grupo llamado Ton Ton Macoute. La banda se trasladó a Waterford y O'Connor estaba en Newtown, pero pronto abandonó la escuela y los siguió a Dublín. Su sonido se inspiró en el interés de Farrelly por las músicas del mundo, aunque la mayoría de sus seguidores percibió en la voz de O'Connor y su presencia en el escenario los rasgos más característicos de la banda. El 10 de febrero de 1985, la madre de O'Connor murió en un accidente de coche que, a pesar de su tensa relación, fue un duro golpe para la cantante.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Sinéad O'connor Video Compilation Mp3, Flac, Wma
    Sinéad O'Connor Video Compilation mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Video Compilation Country: France Released: 1994 MP3 version RAR size: 1403 mb FLAC version RAR size: 1295 mb WMA version RAR size: 1170 mb Rating: 4.1 Votes: 479 Other Formats: MP2 AC3 MMF TTA AHX AAC DXD Tracklist 1 Fire On Babylon 2 Mandinka 3 The Lion And The Cobra 4 My Special Child 5 Troy 6 Emperor's New Clothes 7 Three Babies 8 Nothing Compares 2 U 9 Success Has Made A Failure Of Our Home 10 Coffee And Cigarettes Companies, etc. Distributed By – EMI France Copyright (c) – EMI France Phonographic Copyright (p) – EMI France Notes Nouvel album "Universal Mother" Tirage limité interdit à la vente. ------- Clamshell case with black & white insert, and typed paper label on the tape. The videos "The Lion And The Cobra" and "Coffee And Cigarettes" are presumably the promotional videos for the albums "The Lion And The Cobra" and "Am I Not Your Girl?", respectively, although I cannot confirm this because I don't have a SECAM player to view this tape with! Related Music albums to Video Compilation by Sinéad O'Connor JayLion dj jaylion jay lion dj lion dj jay lion - www.jaylion.com Sinéad O'Connor - Greatest Hits '99 Mad Cobra - Them A Bad Man Sinéad O'Connor - Greatest Hits Mad Cobra / Lukie D - Little Boy / Come Over Sinéad O'Connor - The Lion And The Cobra Sinéad O'Connor - So Far... The Best Of Sinéad O'Connor Black Cobra - Invernal Eternal Elysium / Black Cobra - Eternal Elysium / Black Cobra David Vincent - Le Lion Born A Lion - Born A Lion Mad Cobra - A Girl Nuh Hot Like You.
    [Show full text]
  • Sinéad O'connor the Lion and the Cobra Mp3, Flac, Wma
    Sinéad O'Connor The Lion And The Cobra mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Lion And The Cobra Country: US Released: 1987 Style: Alternative Rock, Pop Rock MP3 version RAR size: 1645 mb FLAC version RAR size: 1910 mb WMA version RAR size: 1805 mb Rating: 4.6 Votes: 854 Other Formats: AUD MIDI DMF AA TTA WAV APE Tracklist Hide Credits A1 Jackie 2:28 Mandinka A2 Acoustic Guitar, Electric Guitar – Marco PirroniMixed By – Chris Birkett, Lloyd Phillips, T. 3:45 Roy* Jerusalem A3 Arranged By – McMordie*, Reynolds*, Clowes*Written-By – A. McMordie*, J. Reynolds*, M. 4:17 Clowes* Just Like U Said It Would B A4 4:32 Written-By – S. Wickham* Never Get Old A5 4:38 Voice [Spoken Words] – Enya Troy B1 6:30 Written-By, Arranged By [Strings] – Mike Clowes I Want Your (Hands On Me) B2 Arranged By – Reynolds*, Clowes*, Dean*, Hollifield*Mixed By – Chris Birkett, Lloyd 4:38 Phillips, T. Morris*Written-By – J. Reynolds*, M. Clowes*, R. Dean*, S. Hollifield* Drink Before The War B3 5:20 Arranged By – Reynolds*, Clowes* Just Call Me Joe B4 Arranged By – Mooney*, Winer*Electric Guitar, Bass Guitar – Kevin MooneyVoice [Spoken 5:50 Words] – Leslie WinerWritten-By – Black. Moon E.* Companies, etc. Recorded At – Oasis Studios Mixed At – Eden Studios Mixed At – Tapestry Studios Mastered At – Tape One Phonographic Copyright (p) – Ensign Records Ltd. Copyright (c) – Ensign Records Ltd. Credits Acoustic Guitar, Electric Guitar – Rob Dean Bass Guitar – 'Spike' Hollifield* Co-producer, Engineer, Mixed By – Kevin Moloney Cover [Art] – John Maybury, Steve Horse* Directed By – Gavin Wright* Drums [Kit], Performer [Machines] – John Reynolds Keyboards, Synthesizer – Mike Clowes Mastered By – Jack 'Jacko' Adams* Mixed By – Fachtna Ó Ceallaigh Photography By [Cover Pic] – Kate Garner, Kim Bowen Producer, Electric Guitar, Vocals, Mixed By – Sinéad O'Connor Written-By – S.
    [Show full text]
  • Irish Popular Music and the Digital Era
    Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Haunting noises: Irish popular music and the digital era Author(s) Lydon, Michael Publication Date 2020-11-16 Publisher NUI Galway Item record http://hdl.handle.net/10379/16283 Downloaded 2021-09-28T05:50:48Z Some rights reserved. For more information, please see the item record link above. HAUNTING NOISES: IRISH POPULAR MUSIC AND THE DIGITAL ERA ___________________________ Michael Lydon, M.A. Submitted for the Degree of Ph.D. to the National University of Ireland, Galway Research Supervisor: Dr. Méabh Ní Fhuartháin Centre for Irish Studies School of Geography, Archaeology, and Irish Studies College of Arts, Social Sciences, and Celtic Studies National University of Ireland, Galway July 2020 TABLE OF CONTENTS DECLARATION ....................................................................................................... iii ABSTRACT ............................................................................................................... iv ACKNOWLEDGEMENTS ....................................................................................... v INTRODUCTION Noise’s Revolution in the Digital Era ....................................................................... 1 CHAPTER ONE Perfect Sound Forever to Digital Free Zone .......................................................... 13 Prelude: The Noisy Library of Babel and the Digital Free Zone ................... 13 Introduction: Responding to
    [Show full text]
  • The Representation of the Feminine, Feminist and Musical Subject in Popular Music Culture
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2001 The eprr esentation of the feminine, feminist and musical subject in popular music culture Emma Mayhew University of Wollongong Recommended Citation Mayhew, Emma, The er presentation of the feminine, feminist and musical subject in popular music culture, Doctor of Philosophy thesis, Faculty of Arts, University of Wollongong, 2001. http://ro.uow.edu.au/theses/1743 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] THE REPRESENTATION OF THE FEMININE, FEMINIST AND MUSICAL SUBJECT IN POPULAR MUSIC CULTURE A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy from UNIVERSITY OF WOLLONONG By EMMA MAYEW B.A. (Hons) ARTS FACULTY 2001 CERTIFICATION I, Emma Mayhew, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, at the University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Emma Mayhew 18 August 2001 CHAPTER TWO FEMINIST POSTSTRUCTURALISM, THE POPULAR MUSICAL TEXT AND THE AUDIENCE - THEORETICAL DEBATES 58 Introduction 58 General Concepts and Debates 58 Discourse, Power and Agency 62 Patriarchy and Power 72 Theorising Music as Social Text 74 Musical Discourses
    [Show full text]
  • Pop Und Rock
    Pop und Rock Interpret Titel Album/Single Label / Nummer Jahr ABBA . POLS 262 1975 abbc tête à tête wabana 2556 200? Africa Addio Original Soundtrack Aguilera Christina Back to Basics RCA 2006 Alan Parsons Project Tales of Edgar Allan Poe Mercury 1976 Alan Parsons Project IROBOT Arista MF SL 1-084 1977 Alan Parsons Project PYRAMID Arista 3C 064-60792 1978 Alan Parsons Project EVE Arista 30674 6 1979 Alan Parsons Project The Turn of a friendly Card Arista AL 9518 1980 Alan Parsons Project EYE IN THE SKY Arista 204 666 1982 Alan Parsons Project VULTURE CULTURE Arista 206 577 1984 Alice Visconti Cosa resta….un fiore ariola 1977 Alice Capo Nord EMI 1980 Alice Per Elisa EMI 1981 Alice AZIMUT EMI 1982 Alice Falsi Allarmi EMI 1983 Alice Gioielli Rubati EMI 1985 Alice Park Hotel EMI 1986 Amazing Blondel England ILPS 9205 1972 Amos Tori Little Earthquakes eastwest 82358-1 1992 Amos Tori Boys for Pele Atlantic 82862-1 1996 Amos Tori from the choirgirl hotel Atlantic 1998 Amos Tori american doll posse Epic 2007 Amos Tori Abnormally Attracted To Sin Universal Republic B0012906-01 2009 An Triskell Musiques Celtiques Philips 6332 145 1973 An Triskell harpe celique LDX 74640 ?? An Triskell Troñ Doue Philips PG 210 1979 And all because The Lady Loves SUGAR BABY LOVE Magic 2 1991 And all because The Lady Loves sister bridget Magic LP 4 19?? Anderson Carleen True Spirit Circa 30 1994 Anderson Laurie Walk the Dog 45 rpm Warner Bros 1981 Anderson Laurie Box Unite d States live Warner Bros 1983 Anderson Laurie Strange Angels Waener Bros.
    [Show full text]