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IV. We Find No Violation of Ferdinand's Right to Effective
THREE BOYS MUSIC CORP. v. BOLTON 477 Cite as 212 F.3d 477 (9th Cir. 2000) IV. of substantial similarity was not clearly erroneous; (3) defendants did not rebut We find no violation of Ferdinand’s right presumption of copying with evidence of to effective assistance of counsel or any violation of the Ex Post Facto Clause, and independent creation; (4) jury could find therefore Ferdinand’s § 2254 petition was that plaintiff deposited complete copy of properly denied. Accordingly, we affirm song with copyright office; (5) jury’s attri- the judgment of the district court. bution of profits was not clearly erroneous; (6) record company was not entitled to deduct its Net Operating Loss Carry-for- ward (NOL) in connection with award of , profits; and (7) defendants were not enti- tled to new trial. Affirmed. THREE BOYS MUSIC CORPORA- 1. Copyrights and Intellectual Property TION, Plaintiff–Appellee, O51 Copyright plaintiff must prove (1) v. ownership of the copyright; and (2) in- Michael BOLTON, individually and fringement, meaning that the defendant d/b/a Mr. Bolton’s Music, Inc.; An- copied protected elements of the plaintiff’s drew Goldmark; Non–Pareil Music, work. Inc.; Warner–Chappell Music Limit- 2. Copyrights and Intellectual Property ed; Warner–Tamerlane Publishing 83(3.1) Corp.; WB Music Corp.; and Sony O Music Entertainment, Inc., Defen- Absent direct evidence of copying, dants–Appellants. proof of copyright infringement involves fact-based showings that the defendant Nos. 97–55150, 97–55154 had access to the plaintiff’s work and that United States Court of Appeals, the two works are substantially similar. -
Chapter 7 Song
BE : 3.7/4.7/6/7.1 A. Identity Subject: Time allocation SEMESTER ENGLISH FIVE 5 X 45 minutes Basic Competence 3.7 menafsirkan fungsi sosial dan unsur kebahasaan lirik lagu terkait kehidupan remaja SMA/MA/SMK/MAK 4.7 menangkap makna secara kontekstual terkait fungsi sosial dan unsur kebahasaan lirik lagu terkait kehidupan remaja SMA/MA/ SMK/MAK SONG Learning purpose In this chapter, you will learn about SONG. Surely, you will have to know some figurative languages in order that you can interpret what the song writer means in his / her song or the message of the song. 1 BEFORE LEARNING Before we begin this chapter, it is better that one of you sing a song. Then, discuss the content of the song. WHILST LEARNING ACTIVITY ONE If We Hold On Together Lyrics Valley, mountain There is a fountain from Life & Love: The Very Best Of Washes our tears all away Diana Ross Words are swaying Someone is praying Don't lose your way Please let us come home to stay With each passing day You've come so far If we hold on together Don't throw it away I know our dreams will never die Dreams see us through to forever Live believing Where clouds roll by Dreams are for weaving For you and I Wonders are waiting to start Live your story When we are out there in the Faith, hope and glory dark Hold to the truth in your heart We'll dream about the sun In the dark we'll feel the light If we hold on together Warm our hearts, everyone I know our dreams will never die Dreams see us through to forever If we hold on together Where clouds roll by I know our dreams will never die For you and I Dreams see us through to forever As high as souls can fly Souls in the wind The clouds roll by Must learn how to bend For you and I Seek out a star Hold on to the end Songwriters JENNINGS, WILL / HORNER, JAMES 2 After you read, do the commands below! 1. -
The Daily Egyptian, September 08, 1980
Southern Illinois University Carbondale OpenSIUC September 1980 Daily Egyptian 1980 9-8-1980 The aiD ly Egyptian, September 08, 1980 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_September1980 Volume 65, Issue 11 Recommended Citation , . "The aiD ly Egyptian, September 08, 1980." (Sep 1980). This Article is brought to you for free and open access by the Daily Egyptian 1980 at OpenSIUC. It has been accepted for inclusion in September 1980 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Recfee hike to be so"l{ht 'Daily 'Egyptian for next fall By Scott Ca._ Staff Writer Monday, September 8, l~Vol. 65, No.ll Southern Illinois University The SIU-C admini11tratioa fo:s! S6 ere:in the $18 Studentu: -~Rec:re8tiOD Fee for fall 1981. Bruce Swinburne, Yice president for student affairs, SIU-C ethacoal, livestock funds blocked said the increase is needed u operation and maintenance of By Michael MOIISOil vetoes after the governor signed grant from the lP.gislature, could use the $100,000 im the Recreation Bui~ and Staff Writer two bills for us in the last Sanders said. Those funds ran mediately for research," will be requested at the bom'd Gov. James Thompson said month," Sanders said."On the out in June and the University Sanders said. "and that we no to the SIU system Friday whole, we have been treated was forced to reallocate funds would -:;~:cept the additional msw't~~ur:::rinc:reass in when he vetoed University- really well by the legislature from within the system to $500,000;: everyone understood the fee have been avoided siDce related bills requesting $600,000 and the governor." 1'0ntinue the research. -
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Curriculum Vitae
CURRICULUM VITAE WILLIAM G. STAPLES Department of Sociology University of Kansas Lawrence, Kansas 66045-7556 785.864.9414 [email protected] EDUCATION Ph.D., Sociology, University of Southern California, 1987 M.A., Sociology, University of Southern California, 1984 B.S., Sociology, University of Oregon, 1980 ACADEMIC APPOINTMENTS Affiliated Faculty, Center for Global and International Studies, 2009-present Visiting Professor, University of Trento, Trento, Italy, May 2008. Visiting Professor, Ivan Franko University, L’viv, Ukraine, May-June 2005, 2006 Professor of Sociology, University of Kansas, 2000-present Associate Professor of Sociology, University of Kansas, 1994-2000 Affiliated Faculty, American Studies Program, University of Kansas, 1992-present Assistant Professor of Sociology, University of Kansas, 1989-1994 Assistant Adjunct Professor of Sociology, UCLA, 1987-1989 National Institute of Mental Health, Post-Doctoral Fellow, UCLA, 1987-1989 ADMINISTRATIVE APPOINTMENTS Department Chair, Department of Sociology, University of Kansas, 2016- Founding Director, Surveillance Studies Research Center, Institute for Policy & Social Research, University of Kansas, 2013-present Department Chair, Department of Sociology, University of Kansas, 2002-2012 Senior Administrative Fellow, University of Kansas, 2005-2006 Executive Committee, Hall Center for the Humanities, 2002-2004 Director of Graduate Studies, Department of Sociology, 1996-1999 AWARDS AND HONORS 2016-2017 Paul and Hele Waddle Roofe Professor of Sociology 2014-2019 Member, Fulbright Senior Specialists Program 2012 KU College of Liberal Arts and Sciences Craig Anthony Arnold Faculty Innovation Award 2011 Balfour Jeffrey Research Award in Humanities and Social Sciences. One of four Higuchi-KU Endowment Research Achievement Awards, the most prestigious state-wide research honors for faculty at Kansas Board of Regents institutions Curriculum Vitae-William G. -
“We're in This Together” Heartbreak, Hope and Laughter
“We're in This Together” Heartbreak, Hope And Laughter By Irene Virag Newsday photo by Erica Berger For the past nine months, breast cancer has ruled the nights and days of Fran and Jerry Lenzo's marriage. Nights and days of heartbreak and hope. Nights and days of sorrow and sweetness. Like the snow-flecked night in January five months after the day Fran first felt a lump under her right armpit. She'd already had a double mastectomy and she was just starting chemotherapy. Fran's collar-length hair had been cropped short and she'd bought two wigs. She'd told Jerry what she wanted to do. "My hair is the one thing I have control over," she explained just after New Year's, on the morning she looked in the mirror and realized she no longer had eyebrows. "I don't want to wait for the chemo to take my hair. If I'm going to be bald I want to be bald on my terms." Still, Jerry was shaken that night by the sight of his wife standing in the hall with a clump of her coffee-brown hair in her hand. "Look at this," she said. And she yanked another handful of hair from her head. "Tell me this isn't happening." Jerry cradled his wife in his arms. He ran his fingers through her hair as he'd done so many times before in their seven years of marriage, but now it was different. Now Jerry Lenzo watched silently as the strands of his wife's hair floated to the kitchen floor. -
BRE CONFERENCE '90 UPDATE! Columbia " 01\ TENTS
BRE CONFERENCE '90 UPDATE! Columbia " 01\ TENTS MAY 18. 1990 VOLUME XV. NUMBER 18 Publisher SIDNEY MILLER Assistant Publisher SUSAN MILLER Editor -in -Chief RUTH ADKINS ROBINSON Managing Editor JOSEPH ROLAND REYNOLDS FEATURES International Editor COVER STORY-BBD 14 DOTUN ADEBAYO STARTALK-The Winans 45 VP/Midwest Editor DOWNLINK 31 JEROME SIMMONS SECTIONS Art Department PUBLISHERS 5 LANCE VANTILE WHITFIELD art director NEWS 6 MARTIN BLACKWELL MUSIC REPORT 8 typography/computers MUSIC REVIEWS 11 Columnists RADIO NEWS 32 LARRIANN FLORES CONCERT REVIEW SPIDER HARRISON 42 JONATHAN KING JAZZ NOTES 43 ALAN LEIGH GRAPEVINE/PROPHET 46 NORMAN RICHMOND CHARTS & RESEARCH TIM SMITH NEW RELEASE CHART 17 ELAINE STEPTER RADIO REPORT 29 Concert/Record Reviews SINGLES CHART LARRIANN FLORES 34 ELAINE STEPTER THE NATIONAL ADDS 37 Reporters PROGRAMMER'S POLL 36 CORNELIUS GRANT JAZZ CHART 43 COY OAKES ALBUMS CHART 44 LANSING SEBASTIAN COLUMNS RACHEL WILLIAMS RAP, ROOTS & REGGAE 10 Production WHATEVER HAPPENED TO? 12 MAXINE CHONG-MORROW GOSPEL LYNETTE JONES 13 FAR EAST PERSPECTIVE Administration 18 ROXANNE POWELL. office mgr. BRITISH INVASION 19 FELIX WHYTE traffic CANADIAN REPORT 20 Media Relations MICHELE ELYZABETH ENT. (213) 276-1067 Printing PRINTING SERVICES. INC. BLACK RADIO EXCLUSIVE USPS 363-210 ISSN 0745-5992 is published by Black Radio Exclusive 6353 Hollywood Blvd.. Hollywood. CA 90028-6363 (2131469-7262 FAX# 213-469-4121 ' MODEM: 213-469-9172 BRE NEWSSTANDS-New York: Penn Book Store. (2121564-6033; Midwest: Ingram Periodicals; Los Angeles: World Book & News; Robertson News & Bookstore. Las Palmas Newsstand. Japan: Tower Records SUBSCRIPTION RATES: 3 Mos.-$90.6 Mos.-5120:9 Mos.-0150. 1 Yr.-S175: 1st Class -$250: Overseas -$250. -
Songs-Of-Protest-2020.Pdf
Elliott Forrest Dara Falco Executive & Artistic Director Managing Director Board of Trustees Stephen Iger, President Melanie Rock, Vice President Joe Morley, Secretary Tim Domini, Treasurer Karen Ayres Rod Greenwood Simon Basner Patrick Heaphy David Brogno James Sarna Hal Coon Lisa Waterworth Jeffrey Doctorow Matthew Watson SUPPORT THE ARTS Donations accepted throughout the show online at ArtsRock.org The mission of ArtsRock is to provide increased access to professional arts and multi-cultural programs for an underserved, diverse audience in and around Rockland County. ArtsRock.org ArtsRock is a 501 (C)(3) Not For-Profit Corporation Dear Friends both Near and Far, Welcome to SONGS OF PROTEST 4, from ArtsRock.org, a non- profit, non-partisan arts organization based in Nyack, NY. We are so glad you have joined us to celebrate the power of music to make social change. Each of the first three SONGS OF PROTEST events, starting in April of 2017, was presented to sold-out audiences in our Rockland, NY community. This latest concert, was supposed to have taken place in-person on April 6th, 2020. We had the performer lineup and songs already chosen when we had to halt the entire season due to the pandemic. As in SONGS OF PROTEST 1, 2 & 3, we had planned to present an evening filled with amazing performers and powerful songs that have had a historical impact on social justice. When we decided to resume the series virtually, we rethought the concept. With so much going on in our country and the world, we offered the performers the opportunity to write or present an original work about an issue from our current state of affairs. -
Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
Harpalini (Insecta: Coleoptera: Carabidae: Harpalinae)
Larochelle, A.; Larivière, M.-C. 2005: Harpalini (Insecta: Coleoptera: Carabidae: Harpalinae). Fauna of New Zealand 53, 160 pp. INVERTEBRATE SYSTEMATICS ADVISORY GROUP REPRESENTATIVES OF L ANDCARE R ESEARCH Dr D. Choquenot Landcare Research Private Bag 92170, Auckland, New Zealand Dr T.K. Crosby and Dr R. J. B. Hoare Landcare Research Private Bag 92170, Auckland, New Zealand REPRESENTATIVE OF UNIVERSITIES Dr R.M. Emberson Ecology and Entomology Group Soil, Plant, and Ecological Sciences Division P.O. Box 84, Lincoln University, New Zealand REPRESENTATIVE OF M USEUMS Mr R.L. Palma Natural Environment Department Museum of New Zealand Te Papa Tongarewa P.O. Box 467, Wellington, New Zealand REPRESENTATIVE OF OVERSEAS I NSTITUTIONS Dr M. J. Fletcher Director of the Collections NSW Agricultural Scientific Collections Unit Forest Road, Orange NSW 2800, Australia * * * SERIES EDITOR Dr T. K. Crosby Landcare Research Private Bag 92170, Auckland, New Zealand Fauna of New Zealand Ko te Aitanga Pepeke o Aotearoa Number / Nama 53 Harpalini (Insecta: Coleoptera: Carabidae: Harpalinae) A. Larochelle and M.-C. Larivière Landcare Research, Private Bag 92170, Auckland, New Zealand [email protected] [email protected] Manaaki W h e n u a PRESS Lincoln, Canterbury, New Zealand 2005 Copyright © Landcare Research New Zealand Ltd 2005 No part of this work covered by copyright may be reproduced or copied in any form or by any means (graphic, electronic, or mechanical, including photocopying, recording, taping information retrieval systems, or otherwise) without the written permission of the publisher. Cataloguing in publication LAROCHELLE, ANDRÉ 1940 Apr. 10 Harpalini (Insecta: Coleoptera: Carabidae: Harpalinae) / A. Larochelle & M.-C. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next. -
And the Band Played on Pdf
And the band played on pdf Continue Music fans were sad to learn that Tom Petty passed away at the age of 66 on Monday night. The musician became famous for his successful career as a solo artist, but worked with several bands, including The Heartbreakers. Who the Heartbreakers were Tom Petty showed they were more than a band. They were the longest-running group Petty had worked with, playing together since 1976. Since then, Petty has released more than a dozen albums, either in collaboration with The Heartbreakers or prominently. Together, the band is recognizable for some of Petty's favorite hits, including Mary Jane's Last Dance and American Girl. The introduction to American Girl has probably stuck in your head since the first time you heard it, but for some reason, you just never get tired of it. You have Tom Petty and the Heartbreakers to thank for that. Petty also collaborated with the following bands: Mudcrutch (1970-1975), the supergroup The Traveling Willburys (1988-1990). On Petty's solo albums, The Heartbreakers served as studio musicians, and were additionally supported by Petty's collaborator stable. This stable famously included musicians like Jeff Lynne and George Harrison, who were also two of the petty bandmates in Willburys Travel. Petty recorded with Bob Dylan, Stevie Nicks and countless other industry icons, but The Heartbreakers were his constant. According to Petty's official website, the 2017 Heartbreakers included Campbell, Trench, bassist Ron Blair, rhythm guitarist Scott Thurston and percussionist Steve Ferrone. Ferrone joined in 1994 after drummer Stan Lynch left to work on other projects.