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The Pennsylvania Assembly's Conflict with the Penns, 1754-1768
Liberty University “The Jaws of Proprietary Slavery”: The Pennsylvania Assembly’s Conflict With the Penns, 1754-1768 A Thesis Submitted to the Faculty of the History Department in Candidacy for the Degree of Master of Arts in History by Steven Deyerle Lynchburg, Virginia March, 2013 CONTENTS INTRODUCTION ...........................................................................................................................1 Chapter 1: Liberty or Security: Outbreak of Conflict Between the Assembly and Proprietors ......9 Chapter 2: Bribes, Repeals, and Riots: Steps Toward a Petition for Royal Government ..............33 Chapter 3: Securing Privilege: The Debates and Election of 1764 ...............................................63 Chapter 4: The Greater Threat: Proprietors or Parliament? ...........................................................90 BIBLIOGRAPHY ........................................................................................................................113 1 Introduction In late 1755, the vituperative Reverend William Smith reported to his proprietor Thomas Penn that there was “a most wicked Scheme on Foot to run things into Destruction and involve you in the ruins.” 1 The culprits were the members of the colony’s unicameral legislative body, the Pennsylvania Assembly (also called the House of Representatives). The representatives held a different opinion of the conflict, believing that the proprietors were the ones scheming, in order to “erect their desired Superstructure of despotic Power, and reduce to -
PEAES Guide: the Historical Society of Pennsylvania
PEAES Guide: The Historical Society of Pennsylvania http://www.librarycompany.org/Economics/PEAESguide/hsp.htm Keyword Search Entire Guide View Resources by Institution Search Guide Institutions Surveyed - Select One The Historical Society of Pennsylvania 1300 Locust Street Philadelphia, PA 19107 215-732-6200 http://www.hsp.org Overview: The entries in this survey highlight some of the most important collections, as well as some of the smaller gems, that researchers will find valuable in their work on the early American economy. Together, they are a representative sampling of the range of manuscript collections at HSP, but scholars are urged to pursue fruitful lines of inquiry to locate and use the scores of additional materials in each area that is surveyed here. There are numerous helpful unprinted guides at HSP that index or describe large collections. Some of these are listed below, especially when they point in numerous directions for research. In addition, the HSP has a printed Guide to the Manuscript Collections of the Historical Society of Pennsylvania (HSP: Philadelphia, 1991), which includes an index of proper names; it is not especially helpful for searching specific topics, item names, of subject areas. In addition, entries in the Guide are frequently too brief to explain the richness of many collections. Finally, although the on-line guide to the manuscript collections is generally a reproduction of the Guide, it is at present being updated, corrected, and expanded. This survey does not contain a separate section on land acquisition, surveying, usage, conveyance, or disputes, but there is much information about these subjects in the individual collections reviewed below. -
Quaker ^Hcerchants And'theslave Trade in Colonial Pennsylvania
Quaker ^hCerchants and'theSlave Trade in Colonial Pennsylvania JL MERICAN NEGRO slavery has been the object of frequent exam- /\ ination by scholars. Its growth and development, beginning X A^ with the introduction of the first Negroes into English North America and culminating in its abolition during the Civil War, have been traced in much detail. To be sure, scholars do not always agree in their descriptions and conclusions, but certainly the broad out- lines of Negro slavery as it existed in North America are well known.1 Slavery in colonial Pennsylvania has also had its investigators. These researchers have tended to place a great deal of emphasis upon Quaker influence in the Pennsylvania antislavery movement. Friends in general and Pennsylvania Quakers in particular are credited, and it would seem rightly so, with leading the eighteenth- century antislavery crusade. It was in the Quaker colony that the first abolition society in America was founded; the roll call of im- portant colonial abolitionist pamphleteers is studded with the names of Pennsylvania Friends—William Southeby, Ralph Sandiford, Benjamin Lay, and Anthony Benezet among them.2 The rudimentary state of our knowledge of the colonial slave trade, as distinct from the institution of slavery, becomes apparent when one examines the role of the Philadelphia Quaker merchants in the Pennsylvania Negro trade. Little recognition has been accorded the fact that some Quaker merchants did participate in the Negro traffic, even as late as the middle of the eighteenth century. Nor has 1 A recent study of slavery in America, which reviews the work that has been done on the problem and also introduces some valuable new insights, is Stanley Elkins, Slavery: A Problem in American Institutional and Intellectual Life (Chicago, 111., 1959). -
BEYOND JEWISH IDENTITY Rethinking Concepts and Imagining Alternatives
This book is subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/ BEYOND JEWISH IDENTITY Rethinking Concepts and Imagining Alternatives This book is subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/ This book is subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/ BEYOND JEWISH IDENTITY rethinking concepts and imagining alternatives Edited by JON A. LEVISOHN and ARI Y. KELMAN BOSTON 2019 This book is subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/ Library of Congress Control Number:2019943604 The research for this book and its publication were made possible by the generous support of the Jack, Joseph and Morton Mandel Center for Studies in Jewish Education, a partnership between Brandeis University and the Jack, Joseph and Morton Mandel Foundation of Cleveland, Ohio. © Academic Studies Press, 2019 ISBN 978-1-644691-16-8 (Hardcover) ISBN 978-1-644691-29-8 (Paperback) ISBN 978-1-644691-17-5 (Open Access PDF) Book design by Kryon Publishing Services (P) Ltd. www.kryonpublishing.com Cover design by Ivan Grave Published by Academic Studies Press 1577 Beacon Street Brookline, MA 02446, USA [email protected] www.academicstudiespress.com Effective May 26th 2020, this book is subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/ by-nc/4.0/. -
The 'Philadelphia Election ^Iot 0/1742*
The 'Philadelphia Election ^iot 0/1742* "^W "^T "TEE ARE thoroughly sensible of the Great Disadvantage \ /\/ Sir William Keith's management has been to our • • Interest/1 the Pennsylvania Proprietors wrote to James Logan, "but we hope now he is in England the People will Coole in their Zeal to his Party, so that we may get a good Assembly Chose."1 Their hope was already a reality. Keithian politics no longer had any significance; the old coalition which had gathered around the fiery and independent Governor ceased to exist almost with his departure for England in 1728. Only five of his supporters were returned to the legislature in 1729, and by the following year but three remained.2 The issues which created the controversies during the 1720's were already passe. The old leadership either died off, or gave up its positions of power, and in turn was supplanted during the next decade by a group of talented and younger men—Benjamin Franklin, Isaac Norris II, Israel Pemberton, Jr., William Allen, and James Hamilton.3 While party organization may have been more advanced in Penn- sylvania than in any other colony, it still depended upon personal relationships with control in the hands of a few wealthy families. The * This article, in somewhat different form, was read at a session devoted to early Pennsyl- vania history during the annual meeting of the Pacific Coast Branch of the American Historical Association at Stanford University on Aug. 29, 1967. !The Proprietors to James Logan, Nov. 11, 1728, Pennsylvania Archives, Second Series, VII, 111-112. -
Patrick Henry
LIBERTY UNIVERSITY PATRICK HENRY: THE SIGNIFICANCE OF HARMONIZED RELIGIOUS TENSIONS A THESIS SUBMITTED TO THE FACULTY OF THE HISTORY DEPARTMENT IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS IN HISTORY BY KATIE MARGUERITE KITCHENS LYNCHBURG, VIRGINIA APRIL 1, 2010 Patrick Henry: The Significance of Harmonized Religious Tensions By Katie Marguerite Kitchens, MA Liberty University, 2010 SUPERVISOR: Samuel Smith This study explores the complex religious influences shaping Patrick Henry’s belief system. It is common knowledge that he was an Anglican, yet friendly and cooperative with Virginia Presbyterians. However, historians have yet to go beyond those general categories to the specific strains of Presbyterianism and Anglicanism which Henry uniquely harmonized into a unified belief system. Henry displayed a moderate, Latitudinarian, type of Anglicanism. Unlike many other Founders, his experiences with a specific strain of Presbyterianism confirmed and cooperated with these Anglican commitments. His Presbyterian influences could also be described as moderate, and latitudinarian in a more general sense. These religious strains worked to build a distinct religious outlook characterized by a respect for legitimate authority, whether civil, social, or religious. This study goes further to show the relevance of this distinct religious outlook for understanding Henry’s political stances. Henry’s sometimes seemingly erratic political principles cannot be understood in isolation from the wider context of his religious background. Uniquely harmonized -
[, F/ V C Edna Hammer Cooley 1986 APPROVAL SHEET
WOMEN IN AMERICAN THEATRE, 1850-1870: A STUDY IN PROFESSIONAL EQUITY by Edna Hammer Cooley I i i Dissertation submitted to the Faculty of the Graduate School of the University of Maryland in parti.al fulfillment of the requirements for the degree of Doctor of Philosophy ~ /, ,, ·' I . 1986 I/ '/ ' ·, Cop~ I , JI ,)() I co uI (~; 1 ,[, f/ v c Edna Hammer Cooley 1986 APPROVAL SHEET Title of Dissertation: Women in American Theatre, 1850-1870: A Study in Professional Equity Name of Candidate: Edna Hammer Cooley Doctor of Philosophy, 1986 Dissertation and Approved: Dr. Roger Meersman Professor Dept. of Communication Arts & Theatre Date Approved: .;;Jo .i? p ,vt_,,/ /9Y ,6 u ABSTRACT Title of Dissertation: Women in American Theatre, 1850- 1870~ A Study_ in Professional Equi!:Y Edna Hammer Cooley, Doctor of Philosophy, 1986 Dissertation directed by: Dr. Roger Meersman Professor of Communication Arts and Theatre Department of Communication Arts and Theatre This study supports the contention that women in the American theatre from 1850 to 1870 experienced a unique degree of professional equity with men in the atre. The time-frame has been selected for two reasons: (1) actresses active after 1870 have been the subject of several dissertations and scholarly studies, while relatively little research has been completed on women active on the American stage prior to 1870, and (2) prior to 1850 there was limited theatre activity in this country and very few professional actresses. A general description of mid-nineteenth-century theatre and its social context is provided, including a summary of major developments in theatre in New York and other cities from 1850 to 1870, discussions of the star system, the combination company, and the mid-century audience. -
The Routledge Companion to African American Theatre and Performance
The Routledge Companion to African American Theatre and Performance Edited by Kathy A. Perkins, Sandra L. Richards, Renée Alexander Craft , and Thomas F. DeFrantz First published 2009 ISBN 13: 978-1-138-72671-0 (hbk) ISBN 13: 978-1-315-19122-5 (ebk) Chapter 20 Being Black on Stage and Screen Black actor training before Black Power and the rise of Stanislavski’s system Monica White Ndounou CC BY-NC-ND 4.0 124 125 Being Black on stage and screen Worth’s Museum, the All- Star Stock Company was the fi rst professional Black stock company and training school for African American performers (Peterson, “Profi les” 70– 71). Cole’s institution challenged popular perceptions of Black performers as “natural actors” 20 lacking intellect and artistry (Ross 239). Notable performers in the company demonstrated expertise in stage management, producing, directing, playwriting, songwriting, and musical composition. They did so while immersed in the study of voice and vocal music (i.e. opera); BEING BLACK ON STAGE movement through dance (i.e. the cakewalk); comedy, including stand-up and ensemble work in specialty acts (i.e. minstrelsy), and character acting. Examples of the performance styles AND SCREEN explored at the All- Star Stock Company include The Creole Show (1890–1897), the Octoroons Company (1895– 1900), the Black Patti Troubadours (1896– 1915), the Williams and Walker Company (1898– 1909), and the Pekin Stock Company (1906– 1911), which performed Black Black actor training before Black Power musicals and popular comedies (Peterson, “Directory” 13). Some of the Pekin’s players were and the rise of Stanislavski’s system also involved in fi lm, like William Foster, who is generally credited as the fi rst Black fi lm- maker ( The Railroad Porter , 1912) (Robinson 168–169). -
Regency Actors and the Inspiration Behind Romantic Drama
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Fit for the Stage: Regency Actors and the Inspiration Behind Romantic Drama James Armstrong The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2317 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FIT FOR THE STAGE: REGENCY ACTORS AND THE INSPIRATION BEHIND ROMANTIC DRAMA by JAMES ARMSTRONG A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 ii © 2017 JAMES ARMSTRONG All Rights Reserved iii Fit for the Stage: Regency Actors and the Inspiration Behind Romantic Drama by James Armstrong This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. May 12, 2017 ______________________________ Date Chair of Examining Committee Marvin Carlson Distinguished Professor May 12, 2017 ______________________________ Date Executive Officer Peter Eckersall Professor ______________________________ Jean Graham-Jones Professor ______________________________ Annette J. Saddik Professor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract Fit for the Stage: Regency Actors and the Inspiration Behind Romantic Drama by James Armstrong Adviser: Distinguished Professor Marvin Carlson In this dissertation, I argue that British verse tragedies of the Romantic era must be looked at not as "closet dramas" divorced from the stage, but as performance texts written with specific actors in mind. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
Benjamin Franklin
Benjamin Franklin Benjamin Franklin FRS FRSA FRSE (January 17, 1706 [O.S. January 6, 1705][Note 1] – April 17, 1790) was a British American polymath and one of the Founding Fathers of the Benjamin Franklin United States. Franklin was a leading writer, printer, political philosopher, politician, FRS, FRSA, FRSE Freemason, postmaster, scientist, inventor, humorist, civic activist, statesman, and diplomat. As a scientist, he was a major figure in the American Enlightenment and the history of physics for his discoveries and theories regarding electricity. As an inventor, he is known for the lightning rod, bifocals, and the Franklin stove, among other inventions.[1] He founded many civic organizations, including the Library Company, Philadelphia's first fire department,[2] and the University of Pennsylvania.[3] Franklin earned the title of "The First American" for his early and indefatigable campaigning for colonial unity, initially as an author and spokesman in London for several colonies. As the first United States ambassador to France, he exemplified the emerging American nation.[4] Franklin was foundational in defining the American ethos as a marriage of the practical values of thrift, hard work, education, community spirit, self- governing institutions, and opposition to authoritarianism both political and religious, with the scientific and tolerant values of the Enlightenment. In the words of historian Henry Steele Commager, "In a Franklin could be merged the virtues of Puritanism without its Benjamin Franklin by Joseph defects, the illumination -
The Gertrude Sanford Legendre Papers
The Gertrude Sanford Legendre papers Repository: Special Collections, College of Charleston Libraries Collection number: Mss 0182 Creator: Legendre, Gertrude Sanford, 1902-2000 Title: Gertrude Sanford Legendre papers Date: circa 1800-2013 Extent/Physical description: 171 linear feet (22 cartons, 114 document boxes, 49 slim document boxes, 97 flat storage boxes, 1 roll storage box, 26 negative boxes, 10 oversize folders, 28 audiocassettes, 1 videocassette) Language: English, French, Italian, Arabic, German Abstract: Photograph albums, scrapbooks, photographs, slides, manuscripts, correspondence, ledgers, journals, maps, audiovisual materials, and other papers of Gertrude Sanford Legendre (1902-2000), American socialite, explorer, and author. Materials document Legendre's childhood, education, and travel, including expeditions to Africa and Asia with the American Museum of Natural History and the National Geographic Society, her involvement with the Office of Strategic Services in London and Paris during World War II and her subsequent capture and imprisonment by German forces, and her stewardship, along with her husband, Sidney Legendre, of Medway Plantation (S.C.). Also included are materials related to other members of the Sanford family, their role in politics, and their businesses, including her father, John Sanford (II), and grandfather, Stephen Sanford, who owned Hurricana Farms (later Sanford Stud Farms) and Stephen Sanford & Sons, Inc. Carpet Company (later Bigelow-Sanford); her brother, Stephen "Laddie" Sanford (II), a champion polo player; and her sister, Sarah Jane Cochran Sanford, who married Mario Pansa, an Italian diplomat who served as an advisor to Benito Mussolini before and during World War II. Restrictions on access: This collection is open for research. Copyright notice: The nature of the College of Charleston's archival holdings means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts.