DOCSLIB.ORG

ウィークエンド サンシャイン Playlist Archive Dj：ピーター・バラカン

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ウィークエンド サンシャイン Playlist Archive Dj：ピーター・バラカン ウィークエンド サンシャイン PLAYLIST ARCHIVE DJ：ピーター・バラカン 2015 年 8 月 1 日放送 01. Deep Elem Blues / Jerry Garcia Band // On Broadway • Act One • October 28th 1987 02. Key To The Highway / Sonny Landreth // Bound By The Blues 03. No Place To Go / Fleetwood Mac // Peter Green's Fleetwood Mac 04. Jump Back (In Your Pants) / Boukou Groove // A Lil' Boukou In Your Cup 05. Comin' In On A Wing And A Prayer / Joseph Spence // The Complete Folkways Recordings 1958 06. Hey, Little Rich Girl / The Specials // More Specials 07. Zombie / Art Ensemble Of Chicago // Ancient To The Future 08. The Bottle / Gil Scott-Heron // Glory: The Gil Scott-Heron Collection 09. Blue Suede Shoes / Elvis Presley / Elvis' Golden Records 10. Afro / Black Wax // Vigor 11. Cherry Tree / Arild Andersen // A Molde Concert 12. Tennessee Blues / Bobby Charles // Bobby Charles 13. My Sweetness / Stuff // Stuff 2015 年 8 月 8 日放送 01. Do It Again / Steely Dan // Can't Buy A Thrill 02. Tiger Rag / Roy Smeck // Roy Smeck Plays Hawaiian Guitar 03. Ukulele Bounce / Roy Smeck // Roy Smeck Plays Hawaiian Guitar 04. Guitarese / Roy Smeck // Roy Smeck Plays Hawaiian Guitar 05. El Judio / Los Charles de Huaral // Cumbias Psicodélicas Vol. 1 - Ayahuasca 06. Las Oleadas / Ranil y su Conjunto // Cumbias Psicodélicas Vol. 1 - Ayahuasca 07. Mujer Antigua, La Bruja / Son De Madera // Caribe Mar Sincopado 08. Tiecolomba Hé / Les Ambassadeurs // Rebirth 09. Seydou / Les Ambassadeurs / Rebirth 10. Doyal Naniou / Cheikh Lô feat. Oumou Sanganré // Balbalou 11. Suite (Ogum De Ronda - Katende - Mukongo) / Tiganá Santana // The Invention of Colour 12. So Beautiful / Robert Glasper // Covered 13. The Worst / Robert Glasper // Covered 14. Whipping Post / The Allman Brothers Band // Live At The Cow Palace,New Years Eve 1973 2015年8月15日放送 「ウィークエンドサンシャイン サマー･スペシャル ～サンシャイン・ミュージック・フェスティバル！！～」 01. Hey Bo Diddley / Bo Diddley // Bo Diddley's Beach Party 02. Before The Deluge / Jackson Browne // Best Of...Live 03. Sweetie Come Brush Me / John Holt // Best Of The Festival -Day One- Live At Reggae Sunsplash 04. The Letter / Joe Cocker // Mad Dogs & Englishmen 05. Chile Your Waters Run Red Through Soweto / Billy Bragg // Volume1 06. Sonando Despierto / Willie Colon And Hector Lavoe // Deja Vu 07. Lipstick Sunset / Little Village // The Action In Frisco 08. "B" Movie / Gil Scott-Heron // Glory:The Gil Scott-Heron Collection 09. African Children / Aswad // Live & Direct 10. Over The Rainbow (Live In Hamburg, Germany/1986) / John Martyn // Sapphire 11. Have I Told You Lately / Van Morrison // Avalon Sunset 12. Sorrow,Tears & Blood / Fela Kuti // Sorrow,Tears & Blood 13. Sugar Magnolia / Grateful Dead // Sunshine Daydream (Veneta Or. 8/27/72) 14. One Way (live at Glastonbury) / The Levellers // Levelling The Land 15. Le Beirut / Fairouz // Maarifti Feek 16. ガンバレ (live session) / Rei with 千賀太郎 17. Rocket 88 (live session) / Rei with 千賀太郎 18. Black Banana (live session) / Rei with 千賀太郎 19. Bombtrac / Rage Against The Machine // Live & Rare 20. Sadati Manayo / Maalem Mahmoud Gania & Band // Essaouira Festival Gnaoua 21. The Ghetto / Delaney & Bonnie with the Allman Brothers and King Curtis //A&R Studios 1971 22. Where Could I Go / The Blind Boys Of Alabama with Ben Harper // There Will Be A Light 23. Ndihambe Nawe / Mafikizolo // Sibongile 24. Solo From More Travels / Pat Metheny // The Road To You 2015 年 8 月 22 日放送 01. Toussaint L’Ouverture / Santana // Lotus 02. She’s The One / Bruce Springsteen // Live At The Roxy 03. Ain’t Gwine To Whistle Dixie (Any Mo’) / Taj Mahal // The Real Thing 04. War/No More Trouble / Bob Marley & The Wailers // Babylon By Bus 05. JoJo / Thomas Mapfumo & Blacks Unlimited // Live At SOB's New York City 1991 06. Yemaya / Fatoumata Diawara & Roberto Fonseca // At Home (Live in Marciac) 07. Sadati Manayo / Maalem Mahmoud Guinea & Band // Essaouira Festival Gnaoua 08. Lean on Me / Bill Withers // Live at Carnegie Hall 09. Honest Man / Lowell George // The Last Tour 10. Tomorrow Never Knows / Los Lobos // El Cancionero - Mas Y Mas 11. Nu-Po / Donny Hathaway // Someday We'll All Be Free 2015 年 8 月 29 日放送 01. Jackie Wilson Said (I’m In Heaven When You Smile) / Van Morrison // Precious Time single 02. These Dreams Of You / Van Morrison// It’s Too Late To Stop Now 03. Ain’t Nothin’ You Can Do / Van Morrison // It’s Too Late To Stop Now 04. Help Me / Van Morrison // It’s Too Late To Stop Now 05. So Quiet In Here/That's Where It's At / Van Morrison // A Night In San Francisco 06. Tupelo Honey / Van Morrison // A Night In San Francisco 07. Into The Mystic / Van Morrison // Live At The Capitol Theatre 08. Caravan / Van Morrison // The Last Waltz 09. The Healing Game / John Lee Hooker w. Van Morrison // Don’t Look Back 10. Flesh & Bone / Buddy Guy w. Van Morrison // Born To Play Guitar 11. Sweet Sixteen / Jackie DeShannon w Van Morrison // All The Love - The Lost Atlantic Recordings 12. Celtic Ray / Van Morrison & The Chieftains // Irish Heartbeat 13. Have I Told You Lately That I Love You / The Chieftains w. Van Morrison // The Long Black Veil 14. Irish Heartbeat / Paul Brady w. Van Morrison // The Vicar St. Sessions Vol. 1 15. Astral Weeks/I Believe I’ve Transcended / Van Morrison // Astral Weeks Live at the Hollywood Bowl 16. Cleaning Windows / Van Morrison // Live At The Grand Opera House Belfast .
Load more

Recommended publications
  • Rhythm Bones Player a Newsletter of the Rhythm Bones Society Volume 10, No
    Rhythm Bones Player A Newsletter of the Rhythm Bones Society Volume 10, No. 3 2008 In this Issue The Chieftains Executive Director’s Column and Rhythm As Bones Fest XII approaches we are again to live and thrive in our modern world. It's a Bones faced with the glorious possibilities of a new chance too, for rhythm bone players in the central National Tradi- Bones Fest in a new location. In the thriving part of our country to experience the camaraderie tional Country metropolis of St. Louis, in the ‗Show Me‘ state of brother and sisterhood we have all come to Music Festival of Missouri, Bones Fest XII promises to be a expect of Bones Fests. Rhythm Bones great celebration of our nation's history, with But it also represents a bit of a gamble. We're Update the bones firmly in the center of attention. We betting that we can step outside the comfort zones have an opportunity like no other, to ride the where we have held bones fests in the past, into a Dennis Riedesel great Mississippi in a River Boat, and play the completely new area and environment, and you Reports on bones under the spectacular arch of St. Louis. the membership will respond with the fervor we NTCMA But this bones Fest represents more than just have come to know from Bones Fests. We're bet- another great party, with lots of bones playing ting that the rhythm bone players who live out in History of Bones opportunity, it's a chance for us bone players to Missouri, Kansas, Illinois, Oklahoma, and Ne- in the US, Part 4 relive a part of our own history, and show the braska will be as excited about our foray into their people of Missouri that rhythm bones continue (Continued on page 2) Russ Myers’ Me- morial Update Norris Frazier Bones and the Chieftains: a Musical Partnership Obituary What must surely be the most recognizable Paddy Maloney.
    [Show full text]
  • Van Morrison and Pastoralism.Pdf
    LJMU Research Online Smyth, G ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison http://researchonline.ljmu.ac.uk/id/eprint/10338/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Smyth, G (2019) ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison. Irish University Review, 49 (1). pp. 171-187. ISSN 0021-1427 LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison Gerry Smyth Liverpool John Moores University Gesang, wie du ihn lehrst, ist nicht Begehr, nicht Werbung um ein endlich noch Erreichtes; Gesang ist Dasein. (True singing, as you teach it, does not concern desire, nor pursuing anything that can be attained; Singing is Being).
    [Show full text]
  • The Allman Brothers Band
    THE ALLMAN BUFFALO SPRINGFIELD RODNEY CROWELL BROTHERS BAND For What its Worth Till I Gain Control Again Black Hearted Woman Kind Woman Blue Skies DEREK AND THE Little Martha JIMMY BUFFET DOMINOS One Way Out Come Monday Tell the Truth Ramblin Man Margaritaville Statesboro Blues Pirate Looks at Forty WILLIE DIXON Whippin Post Volcano Built for Comfort You Don't Love Me RAY CHARLES THE DOOBIE BROTHERS THE BAND Georgia On My Mind Long Train Running Don't Do It Let's Go Get Stoned Hang Up My Rock and Roll Lonely Avenue BOB DYLAN Shoes You Don't Know Me Forever Young Mystery Train Knockin on Heaven's Door The Night They Drove Old ERIC CLAPTON Like a Rolling Stone Dixie Down After Midnight My Back Pages The Weight Positively 4th Street Up on Cripple Creek JIMMY CLIFF Tonight I'll Be Staying Harder They Come Here With You THE BEATLES When I Paint My Blackbird PATSY CLINE Masterpiece Don't Let Me Down You Belong To Me You Ain't Going Nowhere Get Back Hide Your Love Away BRUCE COCKBURN THE EAGLES I Need You Pacing the Cage Desperado I've Just Seen a Face Wondering Where the Peaceful Easy Feeling The Long and Winding Lions Are Take It Easy Road Tequila Sunrise Rain RY COODER We Can Work it Out Don't Mess Up a Good JONATHAN EDWARDS You Won't See Me Thing Shanty The Tattler HARRY BELAFONTE FLEETWOOD MAC Jamaica Farewell ELVIS COSTELLO Landslide Allison CHUCK BERRY THE FLYING BURRITO C'est La Vie CREEDANCE BROTHERS Johnny B.
    [Show full text]
  • Am Sonntagmorgen Im Deutschlandfunk
    Am Sonntagmorgen im Deutschlandfunk Pfarrer Stephan Krebs aus Darmstadt Grob oder großartig? Van Morrison über Gott und das Leben 30.08.2020 Er sattelt sein Pferd und reitet aus. „When rough God goes riding“ – das ist der Titel eines Songs von Van Morrison. Der Sänger aus Nordirland wird morgen 75 Jahre alt. Ein passender Anlass, sich mit ihm zu beschäftigen. Zumal er sich in seinen Songs immer wieder auf die Suche nach Gott begibt. „When rough God goes riding“ – wenn der raue Gott ausreitet. Bei diesem Satz entsteht in mir ein Bild: Ein Herrscher hoch zu Ross, vor dem sich alle fürchten. Erst recht, wenn er schlecht gelaunt ist. Wehe denen, die sein mürrischer Blick dann trifft! Gott als düsterer Herrscher, der rücksichtslos über Lebenswege hinwegtrampelt, Menschen, die seine Launen zu fürchten haben. Eine bittere und überwunden geglaubte Vorstellung. Doch sie könnte gerade jetzt vielen bekannt vorkommen, im Gewand der Schicksalsmacht Corona. Aller- dings kennt das Schicksal noch viele andere Wege, Menschen aus der Bahn zu werfen. Das alles hat auch mit Gott zu tun, sofern man in Gott die allbestimmende Kraft des Lebens sieht. Dann zeigt sich in der harten Hand des Schicksals die dunkle Seite Gottes, die Kehrseite seiner Liebe. Sie lehrt die Menschen das Fürchten und das Bescheidensein. Davon ist der Song von Van Morri- son geprägt. Der Sänger hat dabei aber noch etwas anderes im Blick: Ein Gedicht aus seiner Heimat in Nordirland. Geschrieben hast es William Butler Yeats, der irische Nationaldichter, vor 100 Jahren. Darin schlägt Yeats einen großen Bogen vom Schrecken des Ersten Weltkrieges über die bösen Vorahnungen auf den Nationalsozialismus bis hin zum Elend seines armen und geknech- teten Landes.
    [Show full text]
  • Réalta Carry on the Bothy Band Tradition of Taking Tunes By the Scruff of the Neck and Firing Excitement Through Them Like Hot Flames!” - Herald Scotland
    www.realtamusic.com “Réalta carry on the Bothy Band tradition of taking tunes by the scruff of the neck and firing excitement through them like hot flames!” - Herald Scotland Hailing from the Ulster city of Belfast, this award winning multi- instrumentalist group present an enchanting programme of Irish traditional dance music interspersed with the occasional air and song. Performing on duelling uilleann pipes, whistles, bodhrán, guitar, bouzouki, banjo, double bass and vocals, their unique sound and masterful musicianship has secured Réalta’s position as one of the most exciting acts on the Celtic music scene today. For more information see: www.realtamusic.com / RealtaMusic [email protected] Biography Described by Irish Music Magazine as “a full bodied pipe and whistle extravaganza”, Réalta carry on the Bothy Band tradition of taking tunes by the scruff of the neck and firing excitement through them like hot flames! Hailing from the Ulster city of Belfast, this award winning multi-instrumentalist group present an enchanting programme of dance music interspersed with the occasional story, air and song. While Conor Lamb and Aaron O’Hagan pursue the melody on uilleann pipes and whistles, guitarist and vocalist Deirdre Galway explores the harmony and rhythms within the tunes. All-Ireland champions Dermot Mulholland and Dermot Moynagh complete the line-up with dynamic accompaniments on double bass, bouzouki, banjo, voice and bodhrán, making this one of the most exciting acts on the Irish music scene today. The release of their second album, Clear Skies, has brought Réalta widespread critical acclaim, with the Irish Music Magazine summing things up by writing “Réalta have grown bigger, bolder and braver and this is one of the best CDs to have come out of Ireland this year!”.
    [Show full text]
  • Wavelength (June 1983)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio.
    [Show full text]
  • Venturing in the Slipstream
    VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts.
    [Show full text]
  • Georgie Fame
    Georgie Fame Born on 26th June 1943 in the industrial town of Leigh, Lancashire, his interest in music grew from family entertainment “sessions” at home and musical evenings in the church hall across the street, where his father played in an amateur dance band. Although he took piano lessons for a short time at the age of seven, it wasn’t until the advent of rock’n’roll on radio during the mid-fifties that young Georgie began to take the family piano seriously. Fats Domino, Jerry Lee Lewis and Little Richard were among his catalysts. Upon leaving school, shortly after his fifteenth birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills. Leisure time, however, was spent playing piano in various pubs and with a local group, “The Dominoes”. In July 1959, at a summer holiday camp, Georgie was spotted by Rory Blackwell, the resident rock’n’roll bandleader, who offered the young singer/pianist a full time job. Goodbye, weaving shed. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Georgie went with them. The promised glamorous work did not materialise and the band broke up, but the determined young man from Leigh eventually took up a solo residency at The Essex Arms pub in London’s Dockland, where the kindly landlord provided a room to sleep in. In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Georgie to audition “live” for impressario Larry Parnes.
    [Show full text]
  • Rock the Blues Away
    ROCK THESE BLUES AWAY. The Recordings of John Lee Hooker since 1981 ROCK THESE BLUES AWAY The Recordings Of John Lee Hooker Since 1981 By Gary Hearn (Feb. 2006) Introduction In 1992 Les Fancout’s sessionography of John Lee Hooker – “Boogie Chillen” – was published in booklet form by Blues & Rhythm magazine (ed. Tony Burke). This pamphlet is intended to update Les’ work with all the known Hooker sessions since 1981. Though details on other, earlier, sessions have come to light through recent releases, I have excluded them from the scope of my research and it is left to others to publish those corrections and additions elsewhere. The recordings listed here come from the final phase of John’s career during what is known as the Rosebud era, the name of his management company. To my imperfect mind, the best – and darkest – of them found release on the “Boom Boom” album put out by Pointblank in 1993. This was also a period when blues artists were called upon to provide benevolent cameos to artists better known in the mainstream. John took part in many such sessions with varying degrees of success; whatever the finished product, his contributions were immediately recognisable. The compact discs in this survey are, as far as I can tell, the first UK issue shown listed in order of catalogue number for ease of cross-reference to the sessionography. Because record companies re-issue, re-package and licence their recordings, subsequent issues are not considered. None of the cd-singles listed are still available and are shown merely in evidence of the penetration of the “John Lee Hooker” brand.
    [Show full text]
  • No Prima Donna, the Songs of Van Morrison Mp3, Flac, Wma
    Various No Prima Donna, The Songs Of Van Morrison mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: No Prima Donna, The Songs Of Van Morrison Country: Netherlands Released: 1994 MP3 version RAR size: 1696 mb FLAC version RAR size: 1767 mb WMA version RAR size: 1298 mb Rating: 4.5 Votes: 686 Other Formats: AUD MP4 MMF MP2 MIDI AIFF VOX Tracklist Hide Credits You Make Me Feel So Free 1 –Sinéad O'Connor Backing Vocals – Brian Kennedy, Liam Bradley, Phil CoulterVocals 4:46 – Sinéad O'Connor Queen Of The Slipstream 2 –Brian Kennedy 4:33 Vocals – Brian Kennedy Coney Island 3 –Liam Neeson Bagpipes [Uilleann], Whistle – Declan MastersonVoice Actor 2:23 [Voice Over] – Liam Neeson Crazy Love 4 –Cassandra Wilson 3:11 Vocals – Cassandra Wilson Bright Side Of The Road Bass – Peter O'TooleDrums – Jerry FehilyElectric Guitar – Fiachna 5 –Hot House Flowers* 5:04 O'BraonainPiano, Vocals – Liam O'Maonlai*Saxophone, Organ [Hammond] – Leo Barnes –Brian Kennedy & Irish Heartbeat 6 4:56 Shana Morrison Vocals – Brian Kennedy, Shana Morrison Full Force Gale 7 –Elvis Costello 3:01 Backing Vocals – The Voice SquadVocals – Elvis Costello Tupelo Honey –Phil Coulter 8 Arranged By, Conductor – Phil CoulterCor Anglais – Derek 3:26 Orchestra* BellOrchestra – Irish Chamber Orchestra Madame George 9 –Marianne Faithfull 4:47 Backing Vocals – Shana MorrisonVocals – Marianne Faithfull Friday's Child 10 –Lisa Stansfield Backing Vocals – Aileen Pringle, Carol KeeganVocals – Lisa 3:47 Stansfield Companies, etc. Phonographic Copyright (p) – Exile
    [Show full text]
  • Album Title ） 01
    2005/08/27 （ ALBUM TITLE ） 01. Real Real Gone / Van Morrison Enlightenment 02. Shakin'All Over/Gloria / Van Morrison & John Lee Hooker A Night In San Francisco 03. Outskirts of Town/Don't You Rock Me Daddio / The Skiffle Sessions Van Morrison, Lonnie Donegan, Chris Barber 04. Your Mind Is On Vacation / Van Morrison with Georgie Fame & Friends How Long Has This Been Going On 05. Early In The Morning / Van Morrison with Georgie Fame & Friends How Long Has This Been Going On 06. Into The Mystic / Van Morrison It's Too Late To Stop Now 07. I've Been Working / Van Morrison It's Too Late To Stop Now 08. Rave On John Donne/Rave On Part 2 / Van Morrison Live At The Grand Opera House Belfast 09. Sweet Thing / Van Morrison Astral Weeks 10. Redwood Tree / Van Morrison Saint Dominic's Preview 11. When Will I Ever Learn To Live In God / Van Morrison Avalon Sunset 12. Shenandoah / Chieftains withVan Morrison The Wide World Over 13. Some Peace of Mind / Van Morrison Hymns To The Silence 14. Keep Mediocrity At Bay / Van Morrison Magic Time 15. The Lion This Time / Van Morrison Magic Time 2005/08/20 （ ALBUM TITLE ） 01. Ponte Duro / Fania Allstars Fania All Stars Live At The Cheetah 02. Cold Turkey / John Lennon/Yoko Ono Sometime In New York City 03. Compared To What / Les McCann & Eddie Harris Swiss Movement 04. Rebel Music (3 O'Clock Road Block) / Bob Marley & The Wailers Live At The Quiet Knight Club June 10th,1975 05. Boys From The County Hell / Pogues The Ultimate Collection Aretha Franklin & King Curtis Live At 06.
    [Show full text]
  • Keepers Family to File Suit Against UD
    An Associated Collegiate Press Four-Star All-American Newspaper TUESDAY March 11 , 1997 Volume 123 • THE • Number 39 Non-Profit Org. U.S. Postage Paid Newark, DE 250 Student Center• University of Delaware • Newark, DE 19716 Pennit No. 26 Keepers family to file suit against UD BY KIM WALKER and servicers acted in ·'willful misconduct 1974 when he fe ll f rom the 17th fl oor force, said Arnold Jabin, the Keepers' Both Keepers and Slatkin were Mauagin'! Maga::ine Editor and reckless indifference'' by placing air­ window in the same building. fa mily lawyer. standin g on the radiator when they fell. A negligence suit was fil ed against the conditioning units under the windows and Experts hired by the estate of the ''The rooms s ho uld never have bee n R eports s ho wed Keepers· b lood university Thursday by the parents of a ins ta lling plated instead of tempered student, Howard Sla tkin, testified that if designed with those windows," he said . alcohol content was 0.096. In Delaware. a freshman who fe ll to his death from hi s glass. the glass had been tempered instead of The s uit said the university did not level of 0.10 is considered legal ly drunk. 13th-floor window in the Christiana East Robert A. Keepers Jr.. 19 , was trying plated . hi s acc ident would not have correct the hazards revea led in the Slatkin John Balaguer. who is representing the Tower 18 months ago. to co nnect with someone over e-mail occurred.
    [Show full text]