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Witches Sabbath( the Great He- Goat)
Witches sabbath( the great he- goat) Continue Otherwise known as the Great On-Goat, Francisco Goya provides a visually stunning and historically terrifying representation of this famous mural that adorned the mid-1800s that brought to life vivid and terrifying memories of the Spanish Inquisition. The description of the painting depicts Satan surrounded by a group of frightened and anxiously mutilated witches. Satan appears as an almost shady goat whose characteristics are not so easy to see or define. A goat man appears with his mouth wide open, as if he are shouting curses (or instructions) to his closest followers. He appeals to the modern belief that power is asserted through fear, not respect for power or title. Women's age varies, but throughout their work they have similar distortions. They seem frightened, but overwhelmingly obedient, as if they obey Satan's orders and intentions to obey. He is considered to be part of fourteen or more paintings depicting Goyah's Black Paintings. The story of Francisco Goya took extreme measures and risks on the heels of the terrible Spanish Inquisition, as well as the witch hunt and trials that followed soon after. Goya directly and visually attacks the feelings and mentality of the time, which reveled in superstitions and religious horror on the dark side of human nature. Although this mural (among other works by Goya) was moderately hidden during its creation for fear of recriminations in his artistic commentary, it is considered one of his best works - all of which appear later in his career. Francisco Goya retreated from the public eye and was constantly afraid to go crazy. -
The Rutgers Network in Early Meiji Japan
View metadata, citation and similar papers at core.ac.uk brought to you by CORE The Rutgers Network in Early Meiji Japan Fernanda Perrone In the mid-nineteenth century, Rutgers College in New Brunswick, New Jersey, was a small private all-male institution with less than two hundred students. Founded in 1766, its original purpose was to train ministers for the Dutch Reformed Church. Only in 1855 did the college and the New Brunswick Theological Seminary become separate, although they remained neighboring and closely cooperating institutions. And only in 1864 with federal funding through the Morrill Act, did Rutgers establish a scientific school under the leadership of pioneering state geologist George H. Cook. It was to this rather obscure college, however, that some of the first ryugakusei-Japanese overseas students-came to study during the Bakumatsu period. And it was from Rutgers that some of the first oyatoi gaikokujin-foreign teachers-made their way to Japan to work under the new Meiji government. Why Rutgers? The college’s longstanding affiliation with the Dutch Reformed Church meant that the early Dutch missionaries in Japan, particularly Guido Verbeck, were familiar with Rutgers. Born in Zeist in the Netherlands in 1830, Verbeck was trained in Utrecht as an engineer before emigrating to the United States in 1852. He worked briefly as an engineer in the United States before entering Auburn Seminary in western New York. Graduating in 1859, he was commissioned in that year as one of pioneer Reformed Church missionaries bound for Japan.1 Many of the early ryugakusei initially studied with Verbeck in Nagasaki; when they sought further educational opportunities abroad he referred them to John M. -
Portraits of the Belle Epoque
Jane Van Nimmen exhibition review of Portraits of the Belle Epoque Nineteenth-Century Art Worldwide 11, no. 1 (Spring 2012) Citation: Jane Van Nimmen, exhibition review of “Portraits of the Belle Epoque,” Nineteenth- Century Art Worldwide 11, no. 1 (Spring 2012), http://www.19thc-artworldwide.org/spring12/ portraits-of-the-belle-epoque. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Nimmen: Portraits of the Belle Epoque Nineteenth-Century Art Worldwide 11, no. 1 (Spring 2012) Portraits of the Belle Epoque Centro del Carmen, Valencia April 5 – June 26, 2011 CaixaForum, Barcelona July 19 – October 9, 2011 Curators: Tomàs Llorens and Boye Llorens Catalogue Portraits of the Belle Epoque. Essays by Valeriano Bozal, Danièle Devynck, Barbara Guidi, Boye Llorens, Tomàs Llorens, and Pilar Pedraza; biographies by Alicia Izquierdo Ramírez. Madrid: El Viso; Valencia: Generalitat Valenciana, Consorci de Museus de la Comunitat Valenciana; Barcelona: Fundación “la Caixa,” 2011. 272 pp.; 123 color illustrations, 4 b/w; bibliography. ISBN: 978-84-95241-81-8 (English) Retratos de la Belle Epoque ISBN: 978-84-95241-79-5 (Spanish) Retrats de la Belle Epoque ISBN: 978-84-95241-80-1 (Catalan) €55,89 The stunning exhibition Portraits of the Belle Epoque in 2011 resulted from the first collaboration between the Consortium of Museums of the Valencian Community and “la Caixa” Foundation in Barcelona. Tomàs Llorens, co-curator of the show with his son, Boye Llorens, deliberately included the commonplace phrase “Belle Epoque” in the title (fig. -
The Dark Romanticism of Francisco De Goya
The University of Notre Dame Australia ResearchOnline@ND Theses 2018 The shadow in the light: The dark romanticism of Francisco de Goya Elizabeth Burns-Dans The University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Arts and Humanities Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Burns-Dans, E. (2018). The shadow in the light: The dark romanticism of Francisco de Goya (Master of Philosophy (School of Arts and Sciences)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/214 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. i DECLARATION I declare that this Research Project is my own account of my research and contains as its main content work which had not previously been submitted for a degree at any tertiary education institution. Elizabeth Burns-Dans 25 June 2018 This work is licenced under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International licence. i ii iii ACKNOWLEDGMENTS This thesis would not have been possible without the enduring support of those around me. Foremost, I would like to thank my supervisor Professor Deborah Gare for her continuous, invaluable and guiding support. -
The Meiji Restoration
Stanford Model United Nations Conference 2014 ! The Meiji Restoration ! ! ! Chair: Justin Hsuan, [email protected] CoChair: Jiabo Feng Crisis Director: Brooke Mandujano ! ! Dear Delegates, Welcome to this special committee! I hope you are as excited as I am. As you will witness first-hand, the Meiji Restoration was a dramatic turning point in Japan’s history. For that reason, many believe it to be more accurately a revolution. Please first consider the tumultuous environment of the 19th century. This was the age of rapid industrialization. Across the world populations were shifting due to urbanization, factories were displacing farms, and new markets were being created. Hungry for new consumers and the natural resources necessary, newly-industrialized nations sent emissaries overseas to search for new opportunities in foreign lands. Asia became a prime target for Western governments as Europe and the United States made inroads on countries such as India, China, and Japan. Now please consider the state of Japan at this time. Imagine a government being threatened for the first time by a Western power. Imagine an ultimatum signed by the U.S. President threatening military action to enforce open trade between Japan and the West. Imagine the numerous young and patriotic samurai witnessing their beloved nation threatened and helpless to resist. Imagine the rice farmers moving from the villages to the capital city of Edo for the first time to open up shops. Imagine wealthy merchants who still cannot gain the respect of poor peasants and impoverished samurai. I hope that is helpful to attempt to gain the mindset of the people of Japan during this fascinating and chaotic time. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
1 Long Live the Emperor! Legitimizing Infrastructural
Long Live the Emperor! Legitimizing Infrastructural Expansion in Meiji Japan A THESIS Presented to The Faculty of the Department of Asian Studies The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Dominic Alvarado May 2012 1 2 On my honor, I have neither given nor received unauthorized aid on this assignment. Signed, Dominic Jose Alvarado 3 READER APPROVAL _______________________________ This thesis project, written by Dominic Alvarado, meets the required guidelines for partial completion of the degree of Bachelor of the Arts in Asian Studies. Professor Joan Ericson Signed: _______________________________________________ Date: ________________________________________________ Professor David Gardiner Signed: _______________________________________________ Date: _________________________________________________ 4 Dedicated to my mother, Gina Arms, my father, Jose Alvarado, and my brother, Gabe Alvarado whose constant love, support, and advice has carried me throughout life. 5 6 Table of Contents Introduction 7 1: A Brief History 12 2: State Building and the Evolution of Shintōism 22 3: Shintōism and the Emperor in Education 30 Conclusion 41 Appendix 46 Works Cited 49 Introduction As I walked through the streets of Hamamatsu, Japan in February of 2010, I couldn’t help but notice the small Shintō shrines tucked away between towering buildings on either side, or next to a dilapidated factory (See Appendix, Image 1), a stark contrast of tradition and modernity. It seemed that every other block, a similar sight met my eyes, a paradox that couldn’t be avoided. Such apparent displays of old and new coexisting with one another were foreign to me; I had certainly been to the historic districts of various cities throughout the United States, but these areas always seemed to occupy their own little corner of the city - never had they been so blatantly coexistent. -
One and a Half Centuries Have Passed Since That Fateful Day When
CORE Metadata, citation and similar papers at core.ac.uk Provided by D-Scholarship@Pitt THE BANSHO SHIRABESHO: A TRANSITIONAL INSTITUTION IN BAKUMATSU JAPAN by James Mitchell Hommes Bachelor of Arts, Calvin College, 1993 Submitted to the Graduate Faculty of The College of Arts and Sciences in partial fulfillment of the requirements for the degree of Interdisciplinary Master of Arts (IDMA) in East Asian Studies University of Pittsburgh 2004 UNIVERSITY OF PITTSBURGH COLLEGE OF ARTS AND SCIENCES This thesis was presented by James Mitchell Hommes It was defended on December 8, 2004 and approved by Thomas Rimer, Professor, East Asian Languages and Literature David O. Mills, Professor, East Asian Languages and Literature Richard Smethurst, Professor, History ii THE BANSHO SHIRABESHO: A TRANSITIONAL INSTITUTION IN BAKUMATSU JAPAN James M. Hommes, MA University of Pittsburgh, 2004 In the Bakumatsu period (1853-1868), Japan experienced many changes and challenges. One of these challenges was regarding how to learn from the West and how to use that knowledge in the building of Japan. One of the most important institutions for such Western learning was the Bansho Shirabesho, an institution created by the Tokugawa government in 1856 to translate Western materials, provide a school for Japanese scholars, and to censor the translations of Western works. This institution eventually gave language instruction in Dutch, English, French, German, and Russian and it also gave instruction in many other practical subjects such as military science and production. This thesis examines in detail how the Shirabesho was founded, what some of the initial difficulties were and how successful it was in accomplishing the tasks it was given. -
Visions of Flesh and Blood
PROGRAMME NOTES GOYA VISIONS OF FLESH AND BLOOD A note from Executive Producer Thus when I heard that a wonderful curator Xavier Phil Grabsky Bray was finally bringing to fruition a long-held desire to mount the biggest and best Late Portraits show at 30 years ago I was working on a major series of films the National Gallery in London, it went without saying about modern Spain for the UK’s Channel 4. To make that we would do everything we could to feature it in the films properly my wife and I had moved to Spain an EXHIBITION ON SCREEN film. Our film looks beyond to learn the language and thoroughly explore the the later works to try and tell in 90 minutes the full land and its culture – both past and present. Living in story of surely one of the greatest artists in history. I’ll Madrid as we did meant there was one museum we leave you to make your own mind up but I hope you’ll spent a lot of time in: the Prado. end up agreeing with me. This spectacular museum captures just what a FILMED & DIRECTED BY DAVID BICKERSTAFF wonderful legacy of artists Spain has produced – and among those, one of the greatest, is Goya. Coming PRODUCED BY PHIL GRABSKY face to face with Goya’s paintings all those years ago MUSIC BY ASA BENNETT left me with a desire one day to make a film about him. 1773, Photography: David Bickerstaff David Photography: 1773, EOS Goya Visions of Flesh & Blood, Francisco Goya, Self Portrait, c. -
PACE NSC 2016 - Round 23 - Page 1 of 14
2016 NSC - Official Scoresheet Round 23 Room Bracket Reader Team Team Player Names Ques. Run. Ques. Run. Bonus Steals Bonus Steals Q# Total Score Total score 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 OT Player 20s Player 10s Point totals Final score Substitutions before Tossup 11 Substitutions before Tossup 11 Out: In: Out: In: Out: In: Out: In: Circle winning team above. Clearly mark if game goes to OT/SD. Fill out “Point totals” row completely. If there are substitutions, please note tossups by each player in “20s” and “10s” rows. Below is for Tab Room use only: RH RS BH BS Left Right BH BS RH RS PACE NSC 2016 - Round 23 - Page 1 of 14 PACE NSC 2016 - Round 23 - Tossups 1. A composer from this country played his Night in the Tropics at "monster concerts" and used the song "When the potato's baked" in his Bamboula. Another composer from this country wrote Ten Woodland Sketches, including "To a Wild Rose," while a third used folk tunes in her Gaelic Symphony. The director of a National Conservatory in this country quoted the song of the scarlet tanager in a quickly-written F major string quartet. Louis Moreau Gottschalk (Louie muh-ROW GOT-shalk), (*) Edward MacDowell, and Amy Beach are from this country. Harry Burleigh introduced this country's music to the composer of an E minor symphony whose English horn solo later became a spiritual titled "Goin' Home." For 10 points, name this country where Antonín Dvořák wrote the New World Symphony. -
Travelling in a Palimpsest
MARIE-SOFIE LUNDSTRÖM Travelling in a Palimpsest FINNISH NINETEENTH-CENTURY PAINTERS’ ENCOUNTERS WITH SPANISH ART AND CULTURE TURKU 2007 Cover illustration: El Vito: Andalusian Dance, June 1881, drawing in pencil by Albert Edelfelt ISBN 978-952-12-1869-9 (digital version) ISBN 978-952-12-1868-2 (printed version) Painosalama Oy Turku 2007 Pre-print of a forthcoming publication with the same title, to be published by the Finnish Academy of Science and Letters, Humaniora, vol. 343, Helsinki 2007 ISBN 978-951-41-1010-8 CONTENTS PREFACE AND ACKNOWLEDGEMENTS. 5 INTRODUCTION . 11 Encountering Spanish Art and Culture: Nineteenth-Century Espagnolisme and Finland. 13 Methodological Issues . 14 On the Disposition . 17 Research Tools . 19 Theoretical Framework: Imagining, Experiencing ad Remembering Spain. 22 Painter-Tourists Staging Authenticity. 24 Memories of Experiences: The Souvenir. 28 Romanticism Against the Tide of Modernity. 31 Sources. 33 Review of the Research Literature. 37 1 THE LURE OF SPAIN. 43 1.1 “There is no such thing as the Pyrenees any more”. 47 1.1.1 Scholarly Sojourns and Romantic Travelling: Early Journeys to Spain. 48 1.1.2 Travelling in and from the Periphery: Finnish Voyagers . 55 2 “LES DIEUX ET LES DEMI-DIEUX DE LA PEINTURE” . 59 2.1 The Spell of Murillo: The Early Copies . 62 2.2 From Murillo to Velázquez: Tracing a Paradigm Shift in the 1860s . 73 3 ADOLF VON BECKER AND THE MANIÈRE ESPAGNOLE. 85 3.1 The Parisian Apprenticeship: Copied Spanishness . 96 3.2 Looking at WONDERS: Becker at the Prado. 102 3.3 Costumbrista Painting or Manière Espagnole? . -
UNT Digital Library
3 Is ANnatusweethe? CREATIVE WRITING PAGE 16 SCIENCE, SCHOLARSHIP & THE ARTS AT THE MEDICAL RESEARCH PAGE 20 UNIVERSITY OF NORTH TEXAS FORENSIC SCIENCE PAGE 36 A Student-Focused Public Research University Jonathan Reynolds Doctoral student Kristina Clemons works with the nanomanipulator developed by Guido Verbeck, associate professor of chemistry. A small-scale version of the device is being deployed to Afghanistan this summer, allowing military investigators in the field to identify chemical signatures on the nanoscale. Read more about Verbeck and other UNT forensic experts on page 36. staff box UNT Research is published for (where reasonable accommodations RESEARCH OFFICE Editors the Office of the Vice Presi dent can be made), disabled veteran status Julie Elliott Payne Vice President for Research and Randena Hulstrand for Research and Economic or veteran of the Vietnam era status Economic Development Jill King Development by the Division in its educational programs, activities, Geoff Gamble Writers of University Relations, admissions or employment policies. Senior Associate Vice President Ernestine Bousquet Communications and Marketing, In addition to complying with federal for Research Jessica DeLeón University of North Texas. The and state equal opportunity laws and Ruthanne Thomas Nancy Kolsti Adrienne Nettles research office can be reached regulations, the university through Associate Vice President Buddy Price at 1155 Union Circle #310979, its diversity policy declares harass- for Research Ellen Rossetti Kenneth Sewell Denton, Texas 76203-5017, 940- ment based on individual differ- Julie West Leslie Wimmer 369-7487. The publication is mailed ences (including sexual orientation) URCM Alyssa Yancey periodically from Denton, Texas. inconsistent with its mission and Articles may be reprinted in their educational goals.