Sheridan, Richard Brinsley, the Rivals
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A Passion for Opera the DUCHESS and the GEORGIAN STAGE
A Passion for Opera THE DUCHESS AND THE GEORGIAN STAGE A Passion for Opera THE DUCHESS AND THE GEORGIAN STAGE PAUL BOUCHER JEANICE BROOKS KATRINA FAULDS CATHERINE GARRY WIEBKE THORMÄHLEN Published to accompany the exhibition A Passion for Opera: The Duchess and the Georgian Stage Boughton House, 6 July – 30 September 2019 http://www.boughtonhouse.co.uk https://sound-heritage.soton.ac.uk/projects/passion-for-opera First published 2019 by The Buccleuch Living Heritage Trust The right of Paul Boucher, Jeanice Brooks, Katrina Faulds, Catherine Garry, and Wiebke Thormählen to be identified as the authors of the editorial material and as the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording or in any information storage or retrieval system, without permission in writing from the authors. ISBN: 978-1-5272-4170-1 Designed by pmgd Printed by Martinshouse Design & Marketing Ltd Cover: Thomas Gainsborough (1727-1788), Lady Elizabeth Montagu, Duchess of Buccleuch, 1767. Portrait commemorating the marriage of Elizabeth Montagu, daughter of George, Duke of Montagu, to Henry, 3rd Duke of Buccleuch. (Cat.10). © Buccleuch Collection. Backdrop: Augustus Pugin (1769-1832) and Thomas Rowlandson (1757-1827), ‘Opera House (1800)’, in Rudolph Ackermann, Microcosm of London (London: Ackermann, [1808-1810]). © The British Library Board, C.194.b.305-307. Inside cover: William Capon (1757-1827), The first Opera House (King’s Theatre) in the Haymarket, 1789. -
Richard Brinsley Sheridan
Richard Brinsley Sheridan (1751-1816) Richard Brinsley Sheridan was born in Dublin on 30th October 1751. Sheridan's parents moved to London, and in 1762, he was sent to Harrow School. After six years at Harrow, he went to live with his father in Bath who had found employment there as an elocution teacher. In March 1772, Sheridan eloped to France with a young woman called Elizabeth Linley. A marriage ceremony was carried out at Calais but soon afterwards the couple were caught by the girl's father. As a result of this behaviour, Sheridan was challenged to a duel. The fight took place on 2nd July 1772, during which Sheridan was seriously wounded. However, Sheridan recovered and after qualifying as a lawyer, Mr. Linley gave permission for the couple to marry. Sheridan began writing plays, and on 17th January 1775, the Covent Garden Theatre produced his comedy The Rivals. After a poor reception it was withdrawn. A revised version appeared soon after and it eventually become one of Britain's most popular comedies. Two other plays by Sheridan, St. Patrick's Day and The Duenna, were also successfully produced at the Covent Garden Theatre. In 1776, Sheridan joined with his father-in-law to purchase the Drury Lane Theatre for £35,000. The following year, he produced his most popular comedy, The School for Scandal. In 1776, Sheridan met Charles Fox, the leader of the Radical Whigs in the House of Commons. Sheridan now decided to abandon his writing in favour of a political career. On 12th September 1780, Sheridan became MP for Stafford. -
THE SCHOOL for SCANDAL by Richard Brinsley Sheridan
THE SCHOOL FOR SCANDAL by Richard Brinsley Sheridan THE AUTHOR Richard Brinsley Sheridan (1751-1816) was born in Dublin to a mother who was a playwright and a father who was an actor. He thus came by his talents honestly, though he far exceeded the modest accomplishments of his parents. Already one of the most brilliant and witty dramatists of the English stage before the age of thirty, he gave up his writing and went on to become the owner and producer of the Drury Lane theater, a well-regarded Whig member of the English Parliament, and a popular man-about-town. Despite his family’s poverty, he attended Harrow, a famous prep school, though he appears to have been unhappy there, largely because the rich boys at the school looked down on him because of his humble origins. The bitter taste of his school years drove his later ambitions, both for literary and political success and for acceptance in the highest strata of society. He used his profits from his writing to buy the theater and his profits from the theater to finance his political career and socially- active lifestyle. Sheridan was a tireless lover and a man who, no matter how much he earned, always managed to spend more. In 1772, he married a lovely young singer named Elizabeth Ann Linley; she had already, before her twentieth birthday, attracted the attention of several wealthy suitors twice her age, but she and Sheridan eloped to France without the knowledge or permission of either set of parents. Though she loved him deeply, he was not a one-woman sort of man, and his constant infidelities led to a temporary separation in 1790. -
The Theatre of Shelley
Jacqueline Mulhallen The Theatre of Shelley OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/27 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Jacqueline Mulhallen has studied and worked as an actor and writer in both England and Australia and won a scholarship to study drama in Finland. She worked as performer and writer with Lynx Theatre and Poetry and her plays Sylvia and Rebels and Friends toured England and Ireland (1987-1997). Publications include ‘Focus on Finland’, Theatre Australia, 1979; (with David Wright) ‘Samuel Johnson: Amateur Physician’, Journal of the Royal Society of Medicine, 1982; ‘Sylvia Pankhurst’s Northern Tour’, www.sylviapankhurst. com, 2008; ‘Sylvia Pankhurst’s Paintings: A Missing Link’, Women’s History Magazine, 2009 and she is a contributor to the Oxford Handbook of the Georgian Playhouse 1737-1832 (forthcoming). Jacqueline Mulhallen The Theatre of Shelley Cambridge 2010 Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2010 Jacqueline Mulhallen. Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial use, providing author attribution is clearly stated. Details of allowances and restrictions are available at: http://www.openbookpublishers.com As with all Open Book Publishers titles, digital material and resources associated with this volume are available from our website: http://www.openbookpublishers.com ISBN Hardback: 978-1-906924-31-7 ISBN Paperback: 978-1-906924-30-0 ISBN Digital (pdf): 978-1-906924-32-4 Acknowledgment is made to the The Jessica E. -
THE RIVALS Educator Resource Guide
Photo by HMMM Productions All original material copyright © 2019 Seattle Shakespeare Company CONTENT THE RIVALS Educator Resource Guide Welcome Letter.....................................................................................1 Synopsis & Characters.........................................................................2 Biography of Richard Brinsley Sheridan..............................................4 Malapropism: A Verbal Blender of Words and Faces [Phrases]..........5 The Tradition of Dueling.......................................................................7 Our Production......................................................................................8 Pre-Show Reflection & Post-Show Discussion Questions.................10 Activities 1. Character Web......................................................................12 2. Romantic Ideals of Love.......................................................13 Production still of She Stoops to Conquer (2019) Photo by John Ulman All original material copyright © 2019 Seattle Shakespeare Company WELCOME Dear Educators, Thank you for joining us for Sheridan’s The Rivals! This is a hilarious play about the lengths we go to for love, and the deceptions we need to assume to be who The Rivals we want to be, or who other people want us to be. Student Matinees While on the surface this is a fun romp of a production, there are some Tues, Jan. 14th important themes to discuss with your students. Many of the characters in this play have very specific ideas of who they should be -
Bucknell University Press 2013 - 2014 Catalog
Bucknell University Press 2013 - 2014 CATALOG Co-Published by Rowman & Littlefield visit us at www.rowman.com Rowman & Littlefield eBooks Bucknell Look for the EBOOK symbol throughout this catalog. Rowman & Littlefield provides all University of its frontlist and selected backlist—a stable of over 10,000 titles—as eBooks, through its partnership with over 100 vendors, including: Press CONTENTS • 3M Cloud Library • CafeScribe • Mobipocket • Amazon Kindle • Ebook Library • MyiLibrary • Apple iPad • ebrary • NetLibrary 3 Eighteenth-Century Studies • Baker & Taylor Blio • Google Books • OverDrive 9 Luso-Hispanic Studies • Barnes & Noble Nook • Ingram Digital • Questia • Books24x7 • Kobo • Sony Reader 11 Latin American Studies 13 Literary Studies 15 Cultural Studies 16 Series Descriptions 20 Index CONTACT INFORMATION FOR BUCKNELL UNIVERSITY PRESS 22 International Sales Reps Greg Clingham, Director 23 Order Form [email protected] 570-577-3674 Pamelia Dailey, Editorial Associate [email protected] 570-577-3674 Christopher Bradt, Editorial Assistant [email protected] 570-577-3665 Jen Weber, Cynthia Fell Intern [email protected] 570-577-3665 www.bucknell.edu/universitypress Photograph taken by Rachel Bee Porter PROMO 8S13BUP 2013 EIGHTEENTH-CENTURY STUDIES 2014 Developments in the Histories of Sexualities In Search of the Normal, 1600–1800 New New New Studies in Ephemera Aesthetics as Secular Millennialism Developments in the Text and Image in Eighteenth- Its Trail from Baumgarten and Histories of Sexualities Century -
Entertaining Crisis in the Atlantic Imperium, 1770–1790 O'quinn, Daniel
Entertaining Crisis in the Atlantic Imperium, 1770–1790 O'Quinn, Daniel Published by Johns Hopkins University Press O'Quinn, Daniel. Entertaining Crisis in the Atlantic Imperium, 1770–1790. Johns Hopkins University Press, 2011. Project MUSE. doi:10.1353/book.1868. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/1868 [ Access provided at 3 Oct 2021 03:51 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Entertaining Crisis in the Atlantic Imperium 1770– 1790 This page intentionally left blank Entertaining Crisis in the Atlantic Imperium 1770– 1790 daniel o’quinn The Johns Hopkins University Press Baltimore © 2011 The Johns Hopkins University Press All rights reserved. Published 2011 Printed in the United States of America on acid- free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Mary land 21218- 4363 www .press .jhu .edu Library of Congress Cataloging- in- Publication Data O’Quinn, Daniel, 1962– Entertaining crisis in the Atlantic imperium, 1770– 1790 / Daniel O’Quinn. p. cm. Includes bibliographical references and index. ISBN- 13: 978- 0- 8018- 9931- 7 (hardcover : alk. paper) ISBN- 10: 0- 8018- 9931- 1 (hardcover : alk. paper) 1. En glish drama— 18th century— History and criticism. 2. Mascu- linity in literature. 3. Politics and literature— Great Britain— History—18th century. 4. Theater— England—London—History— 18th century. 5. Theater— Political aspects— England—London. 6. Press and politics— Great Britain— History—18th century. 7. United States— History—Revolution, 1775– 1783—Infl uence. -
Read Ebook \ the Duenna. By: Richard Brinsley Sheridan: a Comic
VJHKIBSHUHEJ » Doc ^ The Duenna. by: Richard Brinsley Sheridan: A Comic Opera (Paperback) The Duenna. by: Richard Brinsley Sheridan: A Comic Opera (Paperback) Filesize: 8.46 MB Reviews The ebook is straightforward in read better to fully grasp. I could possibly comprehended every little thing out of this composed e pdf. I found out this ebook from my dad and i suggested this pdf to find out. (Prof. Lorine Grimes) DISCLAIMER | DMCA C8QMVML8MT6Q \\ PDF \ The Duenna. by: Richard Brinsley Sheridan: A Comic Opera (Paperback) THE DUENNA. BY: RICHARD BRINSLEY SHERIDAN: A COMIC OPERA (PAPERBACK) To get The Duenna. by: Richard Brinsley Sheridan: A Comic Opera (Paperback) eBook, make sure you click the link under and download the ebook or gain access to additional information which might be in conjuction with THE DUENNA. BY: RICHARD BRINSLEY SHERIDAN: A COMIC OPERA (PAPERBACK) ebook. Createspace Independent Publishing Platform, 2018. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.The Duenna is a three-act comic opera, mostly composed by Thomas Linley the elder and his son, Thomas Linley the younger, to an English- language libretto by Richard Brinsley Sheridan. At the time, it was considered one of the most successful operas ever staged in England, and its admirers included Samuel Johnson, William Hazlitt and Lord George Byron (Byron called it the best opera ever written ). First performed in the Covent Garden Theatre on 21 November 1775, The Duenna was performed seventy-five times in its first season, and was frequently revived in Britain until the 1840s. In total, 256 performances of the opera had been held in London from its opening in 1775 to the end of the eighteenth century. -
The Rivals; a Comedy by Richard Brinsley Sheridan
r*.mx**xrjei--*ss i vr»uiMtnnMmiauM/unxg00i/i PR -1910 I 52 KB Km ''' S& Hi 1 1 1 §'§ 1 I f | H8H 1 i ,v 1 ^'.• '» I BB 1 I Book J - a RICHARD BRINSLEY SHERIDAN the possession of Mr. Horace Noble Pym From the portrait by Sir Joshua Reynolds, in of Brasted, Euglana Wqz HiberstDe ^literature Series THE RIVALS A COMEDY BY RICHARD BRINSLEY SHERIDAN WITH AN INTRODUCTION AND NOTES BY JOSEPH QUINCY ADAMS, Jr., Ph.D. ASSISTANT PROFESSOR OF THE ENGLISH LANGUAGE AND LITERATURE IN CORNELL UNIVERSITY BOSTON NEW YORK CHICAGO HOUGHTON MIFFLIN COMPANY (jCfre Ktitoeipfte pte?0 Cambridge r.. COPYRIGHT, I91O, BY HOUGHTON MIFFLIN COMPAKY ALL RIGHTS RESERVED ±2* EDITOR'S PREFACE For the' facts of Sheridan's life I am indebted to the biographies by W. Fraser Rae {Sheridan, a Biography, 2 j ! vols., 1896) and Mr. Walter Sichel (Sheridan, From New and Original Material, 2 vols., 1909). For the text I have reprinted a copy of the first edition in my own possession. This reprint, I believe, will have some value as the first accurate reproduction of the edition that Sheridan himself prepared for the press. Since no manuscript of The Rivals exists, this edition is the only authentic version of the play. The notes are original except where explicit credit is given. For the frequent quotations from contemporary newspapers I am indebted to Rae's Sheridan/ s Plays, noiv first printed as he wrote them- (1902). The best annotated edition of Sheridan is Professor Nettleton's The Major Dramas of Sheridan (The Athenceum Press Series, 1906). -
A History of the Baltimore Stage in the Eighteenth Century. Robert David Ritchey Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 A History of the Baltimore Stage in the Eighteenth Century. Robert David Ritchey Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Ritchey, Robert David, "A History of the Baltimore Stage in the Eighteenth Century." (1971). LSU Historical Dissertations and Theses. 2084. https://digitalcommons.lsu.edu/gradschool_disstheses/2084 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 72-3520 RITCHEY, Robert David, 1940- A HISTORY OF THE BALTIMORE . STAGE IN THE EIGHTEENTH CENTURY. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Theater University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED A History of the Baltimore Stage in the Eighteenth Century A Dissertation Submitted to the Graduate Faoulty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Department of Speech Robert David Ritchey B. A., Georgetown College, 1962 . A., Louisiana State University, 1964 August, 1971 EXAMINATION AND THESIS REPORT Candidate: Robert David Ritchey Major Field: Speeoh Title of Thesis: A HiBtory of the Baltimore Stage in the Eighteenth Century Approved: Major Professor and Chairanan Dean of the Graduate School EXAMINING COMMITTEE: Date of Examination: The playbill for the first recorded performance by an acting company in Baltimore. -
1 Sheridan and Women Marianna D'ezio Born Into a Family Whose
1 Sheridan and Women Marianna D’Ezio Born into a family whose reputation and income were anchored in literature and the theatre, Richard Brinsley Sheridan’s predisposition to theatrical activity was not unexpected. His father Thomas Sheridan was an actor and a manager, and Sheridan himself had always been surrounded by talented women writers, from his mother Frances Chamberlaine—a gifted authoress and playwright, albeit her work and biography still lack a comprehensive critical study—to his first wife Elizabeth Linley, a singer who managed to make a living from her public performances and contribute to realizing her family’s financial independence. Furthermore, there was another society of women around Sheridan besides his family connections, comprising professional and amateurish playwrights who were pursuing their own way into the highly male-dominated arena of commercial theatres. Of the plays that premiered at Drury Lane during Sheridan’s part-ownership of the theatre and his father’s management in 1778–1781, twenty-six were written by women, including a whole generation of distinguished female playwrights like Hannah Cowley, Elizabeth Inchbald, and Elizabeth Griffith, as well as authoresses like Frances Burney who wanted to try their hand at writing for the stage.1 Official biographies of Sheridan have generally suggested that his role with regard to female theatrical productions was that of mentor.2 At the time of Frances Burney’s early attempts at writing for the stage, for example, when Sheridan had become the manager of Drury -
Cultural, Political, and Social Commentary in Eighteenth-Century English Comic Opera Libretti
Hidden Depths: Cultural, Political, and Social Commentary in Eighteenth-Century English Comic Opera Libretti Author: Nichla Smith 522154 Supervisors: Dr Suzanne Cole and Professor Kerry Murphy A thesis submitted in fulfilment of the requirements for the degree of M(Mus.) in the department of Musicology July, 2017. !1 Abstract In the late eighteenth century, comic opera was among London’s most popular and profitable musical cultures. Despite the extraordinary success of the genre, however, various events have caused it to be all but lost to the canon of performed repertoire. Examination of the thematic content of many of the operas reveals thoughtful and often provocative engagement with subjects more serious than might be expected of such a ‘light’ genre. This thesis discusses these thematic anomalies, as they are manifest in four of the operatic works of composers Samuel Arnold and William Shield, with librettos by Francis, O’Keeffe, Pilon and Brooke. It aims to contribute to the literature on what is a largely-unexplored musical genre, and to demonstrate its inherent literary and cultural value. !2 Acknowledgement. Thank you Sue, for your unfailing guidance, support and encouragement. !3 Contents Abstract 2 Chapter 1. Introduction and Review of the Literature 5 Chapter 2. Souls Are All of One Colour: Portrayals of ‘Otherness’ in Late Eighteenth-Century English Comic Opera 2.1 Arnold and Francis’ The Enchanted Wood 23 2.2 Shield and Pilon’s The Siege of Gibralter 38 Chapter 3. Love In A Village or (Social) Trouble in Paradise: Social and Cultural Tension in Late Eighteenth-Century English Comic Opera 3.1 Arnold and O’Keeffe’s The Birthday or The Prince of Arragon 53 3.2 Shield and Brooke’s Rosina 69 Conclusion 84 Bibliography 86 !4 Chapter 1.