T.Y. B.A.-V English General Paper -III the Rivals
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A Passion for Opera the DUCHESS and the GEORGIAN STAGE
A Passion for Opera THE DUCHESS AND THE GEORGIAN STAGE A Passion for Opera THE DUCHESS AND THE GEORGIAN STAGE PAUL BOUCHER JEANICE BROOKS KATRINA FAULDS CATHERINE GARRY WIEBKE THORMÄHLEN Published to accompany the exhibition A Passion for Opera: The Duchess and the Georgian Stage Boughton House, 6 July – 30 September 2019 http://www.boughtonhouse.co.uk https://sound-heritage.soton.ac.uk/projects/passion-for-opera First published 2019 by The Buccleuch Living Heritage Trust The right of Paul Boucher, Jeanice Brooks, Katrina Faulds, Catherine Garry, and Wiebke Thormählen to be identified as the authors of the editorial material and as the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording or in any information storage or retrieval system, without permission in writing from the authors. ISBN: 978-1-5272-4170-1 Designed by pmgd Printed by Martinshouse Design & Marketing Ltd Cover: Thomas Gainsborough (1727-1788), Lady Elizabeth Montagu, Duchess of Buccleuch, 1767. Portrait commemorating the marriage of Elizabeth Montagu, daughter of George, Duke of Montagu, to Henry, 3rd Duke of Buccleuch. (Cat.10). © Buccleuch Collection. Backdrop: Augustus Pugin (1769-1832) and Thomas Rowlandson (1757-1827), ‘Opera House (1800)’, in Rudolph Ackermann, Microcosm of London (London: Ackermann, [1808-1810]). © The British Library Board, C.194.b.305-307. Inside cover: William Capon (1757-1827), The first Opera House (King’s Theatre) in the Haymarket, 1789. -
Richard Brinsley Sheridan
Richard Brinsley Sheridan (1751-1816) Richard Brinsley Sheridan was born in Dublin on 30th October 1751. Sheridan's parents moved to London, and in 1762, he was sent to Harrow School. After six years at Harrow, he went to live with his father in Bath who had found employment there as an elocution teacher. In March 1772, Sheridan eloped to France with a young woman called Elizabeth Linley. A marriage ceremony was carried out at Calais but soon afterwards the couple were caught by the girl's father. As a result of this behaviour, Sheridan was challenged to a duel. The fight took place on 2nd July 1772, during which Sheridan was seriously wounded. However, Sheridan recovered and after qualifying as a lawyer, Mr. Linley gave permission for the couple to marry. Sheridan began writing plays, and on 17th January 1775, the Covent Garden Theatre produced his comedy The Rivals. After a poor reception it was withdrawn. A revised version appeared soon after and it eventually become one of Britain's most popular comedies. Two other plays by Sheridan, St. Patrick's Day and The Duenna, were also successfully produced at the Covent Garden Theatre. In 1776, Sheridan joined with his father-in-law to purchase the Drury Lane Theatre for £35,000. The following year, he produced his most popular comedy, The School for Scandal. In 1776, Sheridan met Charles Fox, the leader of the Radical Whigs in the House of Commons. Sheridan now decided to abandon his writing in favour of a political career. On 12th September 1780, Sheridan became MP for Stafford. -
Prints Collection
Prints Collection: An Inventory of the Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Prints Collection Title: Prints Collection Dates: 1669-1906 (bulk 1775-1825) Extent: 54 document boxes, 7 oversize boxes (33.38 linear feet) Abstract: The collection consists of ca. 8,000 prints, the great majority of which depict British and American theatrical performers in character or in personal portraits. RLIN Record #: TXRC02-A1 Language: English. Access Open for research Administrative Information Provenance The Prints Collection was assembled by Theater Arts staff, primarily from the Messmore Kendall Collection which was acquired in 1958. Other sources were the Robert Downing and Albert Davis collections. Processed by Helen Baer and Antonio Alfau, 2000 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Prints Collection Scope and Contents The Prints Collection, 1669-1906 (bulk 1775-1825), consists of ca. 8,000 prints, the great majority of which depict British and American theatrical performers in character or in personal portraits. The collection is organized in three series: I. Individuals, 1669-1906 (58.25 boxes), II. Theatrical Prints, 1720-1891 (1.75 boxes), and III. Works of Art and Miscellany, 1827-82 (1 box), each arranged alphabetically by name or subject. The prints found in this collection were made by numerous processes and include lithographs, woodcuts, etchings, mezzotints, process prints, and line blocks; a small number of prints are hand-tinted. A number of the prints were cut out from books and periodicals such as The Illustrated London News, The Universal Magazine, La belle assemblée, Bell's British Theatre, and The Theatrical Inquisitor; others comprised sets of plates of dramatic figures such as those published by John Tallis and George Gebbie, or by the toy theater publishers Orlando Hodgson and William West. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author didsend notUMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wül indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the origmal manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 Horth Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THOMAS KING AT SADLER'S WELLS AND DRURY LANE: PROPRIETORSHIP AND MANAGEMENT IN LATE EIGHTEENTH-CENTURY ENGLISH THEATRE, 1772-1788 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Evan M. -
THE SCHOOL for SCANDAL by Richard Brinsley Sheridan
THE SCHOOL FOR SCANDAL by Richard Brinsley Sheridan THE AUTHOR Richard Brinsley Sheridan (1751-1816) was born in Dublin to a mother who was a playwright and a father who was an actor. He thus came by his talents honestly, though he far exceeded the modest accomplishments of his parents. Already one of the most brilliant and witty dramatists of the English stage before the age of thirty, he gave up his writing and went on to become the owner and producer of the Drury Lane theater, a well-regarded Whig member of the English Parliament, and a popular man-about-town. Despite his family’s poverty, he attended Harrow, a famous prep school, though he appears to have been unhappy there, largely because the rich boys at the school looked down on him because of his humble origins. The bitter taste of his school years drove his later ambitions, both for literary and political success and for acceptance in the highest strata of society. He used his profits from his writing to buy the theater and his profits from the theater to finance his political career and socially- active lifestyle. Sheridan was a tireless lover and a man who, no matter how much he earned, always managed to spend more. In 1772, he married a lovely young singer named Elizabeth Ann Linley; she had already, before her twentieth birthday, attracted the attention of several wealthy suitors twice her age, but she and Sheridan eloped to France without the knowledge or permission of either set of parents. Though she loved him deeply, he was not a one-woman sort of man, and his constant infidelities led to a temporary separation in 1790. -
No Play Title 651 102 94 a Bold Stroke for a Husband MISSING 77
No Play Title 651 102 94 A Bold Stroke for a Husband MISSING 77 A Bold Stroke for a Wife 889 A Cabinet Question 722 A Christmas Carol 709 A Close Seige 603 A Cure for Love MISSING 260 A Cure for the Heartache 415 A Day After the Fair 776 A Day at the Inn 425 A Day in Paris MISSING 531 A Day Well Spent 808 A Dead Shot 359 A Dream of the Future 981 A Familiar Friend 545 A Gentleman in Difficulties 403 A Good Night's Rest 989 A Good-looking Fellow MISSING 887 A Handsome Husband MISSING 887 A Hasty Conclusion MISSING 576 A House Divided MISSING 850 A Husband At Sight MISSING 852 A Kiss in the Dark 425 A Lady and a Gentleman 373 A Legend of Florence 809 A Lesson For Ladies MISSING 735 A Maiden’s Flame 488 A Marriage Noose 852 A Match in the Dark 459 A Message from the Sea 736 A Mistaken Story 1008 A Model of a Wife 7 A New Way to Pay Old Bet 623 A Night in the Bastille 878 A Perculiar Position 873 A Pleasant Neighbour MISSING 437 A Poor Young Man 946 A Quarter to Nine 987 A Quiet Day 337 A Roland for an Oliver 1010 A Romantic Idea 1006 A Rough Diamond 919 A Sailor's Legacy MISSING 716 A School for Grown Children 1055 A Sheep in Wolf’s Clothing 919 A Soldier and a Sailor, A Tinker and a Tailor MISSING 343 A Soldier's Courtship 881 A Trip to Kissengen 68 A Trip to Scarborough 1025 A Vision of Venus 33 A Winter's Tale MISSING 880 A Woman Never Vexed MISSING 490 A Woman Will Be a Woman MISSING 1038 A Wonderful Woman 814 Abelard and Heloise 543 Abroad and At Home MISSING 590 Advice Gratis 805 Agnes De Vere MISSING 778 Aldgate Pump MISSING 83 Alexander -
A Thesis the University of Manitoba in Partial Fulfillment for the Degree
ALCHEMIST OF THE THEATRE: STUDY OF SHER]DAN ' S DRAMATIC ART A thesis Presented to the Faculty of Graduate Studies The University of Manitoba In Partial Fulfillment of the Requirements for the Degree Master of Arts by Anne E. Boeckx February L97I .ånne E. Boecks 1972 ABSTRACT The purpose of this study is to explore Sheridan's dramatíc art as ít develops in his minor plays--St. Patrick's Day, The Duenna and å Trip to scarborough--and particularly his comic masterpieces--The Rivals and The School for Scandal. To the Restoration and sentimental modes of comedy, the plays owe many of their themes and Sheridan much of his inspiration and craftsmanship as a comic dramatist. Sheridan, hovtrever, is no mere imitator who mechanically adheres to ej-ther tradi- tion. Rather, to his blending of the Restoration and senti- mental comic modes, he adds his own distinctive comic ingredients. Thus, his Restoration and sentimental models are transformed into a ne\^/ comic mode. This study, then, shows how Sheridan effects a blending of his two inherited traditions. Even more import- antly, it indicates Sheridanrs own artistry and his skill as a transformer, or alchemíst, of comic modes. In Chapter One, a brief summary of the Restoration and sentj-mental modes establishes the nature of Sheridan's basic comic models. Chapter Two, which deals with the minor plays, points to Sheridan's attempt to transform the two traditions into a new comic mode. The third chapter is devoted to a detailed discussion of The Riva]s, one of Sheridanrs more successful efforts as a transformer of comic traditíons. -
Melanie Bigold, ' “The Theatre of the Book”: Marginalia and Mise En
occasional publications no.1 ‘Theatre of the Book’ Marginalia and Mise en Page in the Cardiff Rare Books Restoration Drama Collection Melanie Bigold Centre for Editorial and Intertextual Research, Cardiff University ‘ “Theatre of the Book”: Marginalia and Mise en Page in the Cardiff Rare Books Restoration Drama Collection’ (CEIR Occasional Publications No. 1). Available online <http://cardiffbookhistory.files.wordpress.com/2013/12/bigold.pdf>. © 2013 Melanie Bigold; (editor: Anthony Mandal). The moral rights of the author have been asserted. Originally published in December 2013, by the Centre for Editorial and Intertextual Research, Cardiff University. Typeset in Adobe Minion Pro 11 / 13, at the Centre for Editorial and Intertextual Research, using Adobe InDesign cc; final output rendered with Adobe Acrobat xi Professional. Summary he value-added aspect of both marginalia and provenance has long Tbeen recognized. Ownership marks and autograph annotations from well-known writers or public figures increase the intellectual interest as well as monetary value of a given book. Handwritten keys, pointers, and marginal glosses can help to reveal unique, historical information unavaila- ble in the printed text; information that, in turn, can be used to reconstruct various reading and interpretive experiences of the past. However, increas- ingly scholars such as Alan Westphall have acknowledged that the ‘study of marginalia and annotations’ results in ‘microhistory, producing narratives that are often idiosyncratic’. While twenty to fifty percent of early modern texts have some sort of marking in them, many of these forays in textual alterity are unsystematic and fail to address, as William Sherman notes, ‘the larger patterns that most literary and historical scholars have as their goal’. -
Richard Brinsley Sheridan - Poems
Classic Poetry Series Richard Brinsley Sheridan - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Richard Brinsley Sheridan(1751 - 1816) Richard Brinsley Sheridan, third son of Thomas and Frances Sheridan, was born in Dublin. At the age of eleven he was sent to Harrow school. Sheridan was extremely popular at school. He left Harrow at the age of seventeen, and was placed under the care of a tutor. He was also trained by his father in daily elocution, and put through a course of English reading. He had fencing and riding lessons at Angelo's. He kept up correspondence with his school friend N.B Halhed and they published in 1771 metrical translations of Aristaenetus. The removal of the family to Bath in 1770-1771 led to an acquaintance with the daughters of the composer Thomas Linley. Thomas Linley's elder daughter, Elizabeth Ann fell in love with Sheridan, The couple married in secret but her father did not allow Sheridan to meet his daighter as he did not consider him an eligible suitor. Sheridan also fought two duels with another suitor of Elizabeth's, a Major Matthews. Sheridan was sent to Waltham Abbey, in Essex, to continue his studies, especially in mathematics. He was entered at the Middle Temple on the 6th of April 1773, and a week later he was openly married to Miss Linley. His first comedy, The Rivals, was produced at Covent Garden on 17th January, 1775. His second piece, St. Patrick's Day, or the Scheming Lieutenant, a lively farce. In February 1777 he produced his version of Vanbrugh's Relapse, under the title of A Trip to Scarborough. -
Download Ebook # Plays of Sheridan, Containing the Rivals, the School
GZFFF7C6PIOO // Kindle » Plays of Sheridan, Containing the Rivals, the School for Scandal, the Critic... Plays of Sh eridan, Containing th e Rivals, th e Sch ool for Scandal, th e Critic (1889). by: Rich ard Brinsley Sh eridan: Rich ard Brinsley Butler Sh eridan (30 October 1751 - 7 July 1816) W as an Irish Satirist, a Filesize: 8.01 MB Reviews This book is great. I could possibly comprehended everything using this published e book. I am easily could possibly get a enjoyment of reading a published pdf. (Deanna Rath I) DISCLAIMER | DMCA FNLQP4QQB17J ~ PDF # Plays of Sheridan, Containing the Rivals, the School for Scandal, the Critic... PLAYS OF SHERIDAN, CONTAINING THE RIVALS, THE SCHOOL FOR SCANDAL, THE CRITIC (1889). BY: RICHARD BRINSLEY SHERIDAN: RICHARD BRINSLEY BUTLER SHERIDAN (30 OCTOBER 1751 - 7 JULY 1816) WAS AN IRISH SATIRIST, A Createspace Independent Publishing Platform, 2018. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. Richard Brinsley Butler Sheridan (30 October 1751 - 7 July 1816) was an Irish satirist, a playwright and poet, and long-term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as The Rivals, The School for Scandal, The Duenna, and A Trip to Scarborough. He was also a Whig MP for 32 years in the British House of Commons for Staord (1780-1806), Westminster (1806-1807), and Ilchester (1807-1812). He is buried at Poets Corner in Westminster Abbey. His plays remain a central part of the canon and are regularly performed worldwide. LIFE: RB Sheridan was born in 1751 in Dublin, Ireland, where his family had a house on then fashionable Dorset Street. -
The Theatre of Shelley
Jacqueline Mulhallen The Theatre of Shelley OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/27 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Jacqueline Mulhallen has studied and worked as an actor and writer in both England and Australia and won a scholarship to study drama in Finland. She worked as performer and writer with Lynx Theatre and Poetry and her plays Sylvia and Rebels and Friends toured England and Ireland (1987-1997). Publications include ‘Focus on Finland’, Theatre Australia, 1979; (with David Wright) ‘Samuel Johnson: Amateur Physician’, Journal of the Royal Society of Medicine, 1982; ‘Sylvia Pankhurst’s Northern Tour’, www.sylviapankhurst. com, 2008; ‘Sylvia Pankhurst’s Paintings: A Missing Link’, Women’s History Magazine, 2009 and she is a contributor to the Oxford Handbook of the Georgian Playhouse 1737-1832 (forthcoming). Jacqueline Mulhallen The Theatre of Shelley Cambridge 2010 Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2010 Jacqueline Mulhallen. Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial use, providing author attribution is clearly stated. Details of allowances and restrictions are available at: http://www.openbookpublishers.com As with all Open Book Publishers titles, digital material and resources associated with this volume are available from our website: http://www.openbookpublishers.com ISBN Hardback: 978-1-906924-31-7 ISBN Paperback: 978-1-906924-30-0 ISBN Digital (pdf): 978-1-906924-32-4 Acknowledgment is made to the The Jessica E. -
THE RIVALS Educator Resource Guide
Photo by HMMM Productions All original material copyright © 2019 Seattle Shakespeare Company CONTENT THE RIVALS Educator Resource Guide Welcome Letter.....................................................................................1 Synopsis & Characters.........................................................................2 Biography of Richard Brinsley Sheridan..............................................4 Malapropism: A Verbal Blender of Words and Faces [Phrases]..........5 The Tradition of Dueling.......................................................................7 Our Production......................................................................................8 Pre-Show Reflection & Post-Show Discussion Questions.................10 Activities 1. Character Web......................................................................12 2. Romantic Ideals of Love.......................................................13 Production still of She Stoops to Conquer (2019) Photo by John Ulman All original material copyright © 2019 Seattle Shakespeare Company WELCOME Dear Educators, Thank you for joining us for Sheridan’s The Rivals! This is a hilarious play about the lengths we go to for love, and the deceptions we need to assume to be who The Rivals we want to be, or who other people want us to be. Student Matinees While on the surface this is a fun romp of a production, there are some Tues, Jan. 14th important themes to discuss with your students. Many of the characters in this play have very specific ideas of who they should be