The Rivals Education Pack
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Richard Brinsley Sheridan
Richard Brinsley Sheridan (1751-1816) Richard Brinsley Sheridan was born in Dublin on 30th October 1751. Sheridan's parents moved to London, and in 1762, he was sent to Harrow School. After six years at Harrow, he went to live with his father in Bath who had found employment there as an elocution teacher. In March 1772, Sheridan eloped to France with a young woman called Elizabeth Linley. A marriage ceremony was carried out at Calais but soon afterwards the couple were caught by the girl's father. As a result of this behaviour, Sheridan was challenged to a duel. The fight took place on 2nd July 1772, during which Sheridan was seriously wounded. However, Sheridan recovered and after qualifying as a lawyer, Mr. Linley gave permission for the couple to marry. Sheridan began writing plays, and on 17th January 1775, the Covent Garden Theatre produced his comedy The Rivals. After a poor reception it was withdrawn. A revised version appeared soon after and it eventually become one of Britain's most popular comedies. Two other plays by Sheridan, St. Patrick's Day and The Duenna, were also successfully produced at the Covent Garden Theatre. In 1776, Sheridan joined with his father-in-law to purchase the Drury Lane Theatre for £35,000. The following year, he produced his most popular comedy, The School for Scandal. In 1776, Sheridan met Charles Fox, the leader of the Radical Whigs in the House of Commons. Sheridan now decided to abandon his writing in favour of a political career. On 12th September 1780, Sheridan became MP for Stafford. -
THE RIVALS Educator Resource Guide
Photo by HMMM Productions All original material copyright © 2019 Seattle Shakespeare Company CONTENT THE RIVALS Educator Resource Guide Welcome Letter.....................................................................................1 Synopsis & Characters.........................................................................2 Biography of Richard Brinsley Sheridan..............................................4 Malapropism: A Verbal Blender of Words and Faces [Phrases]..........5 The Tradition of Dueling.......................................................................7 Our Production......................................................................................8 Pre-Show Reflection & Post-Show Discussion Questions.................10 Activities 1. Character Web......................................................................12 2. Romantic Ideals of Love.......................................................13 Production still of She Stoops to Conquer (2019) Photo by John Ulman All original material copyright © 2019 Seattle Shakespeare Company WELCOME Dear Educators, Thank you for joining us for Sheridan’s The Rivals! This is a hilarious play about the lengths we go to for love, and the deceptions we need to assume to be who The Rivals we want to be, or who other people want us to be. Student Matinees While on the surface this is a fun romp of a production, there are some Tues, Jan. 14th important themes to discuss with your students. Many of the characters in this play have very specific ideas of who they should be -
Bucknell University Press 2013 - 2014 Catalog
Bucknell University Press 2013 - 2014 CATALOG Co-Published by Rowman & Littlefield visit us at www.rowman.com Rowman & Littlefield eBooks Bucknell Look for the EBOOK symbol throughout this catalog. Rowman & Littlefield provides all University of its frontlist and selected backlist—a stable of over 10,000 titles—as eBooks, through its partnership with over 100 vendors, including: Press CONTENTS • 3M Cloud Library • CafeScribe • Mobipocket • Amazon Kindle • Ebook Library • MyiLibrary • Apple iPad • ebrary • NetLibrary 3 Eighteenth-Century Studies • Baker & Taylor Blio • Google Books • OverDrive 9 Luso-Hispanic Studies • Barnes & Noble Nook • Ingram Digital • Questia • Books24x7 • Kobo • Sony Reader 11 Latin American Studies 13 Literary Studies 15 Cultural Studies 16 Series Descriptions 20 Index CONTACT INFORMATION FOR BUCKNELL UNIVERSITY PRESS 22 International Sales Reps Greg Clingham, Director 23 Order Form [email protected] 570-577-3674 Pamelia Dailey, Editorial Associate [email protected] 570-577-3674 Christopher Bradt, Editorial Assistant [email protected] 570-577-3665 Jen Weber, Cynthia Fell Intern [email protected] 570-577-3665 www.bucknell.edu/universitypress Photograph taken by Rachel Bee Porter PROMO 8S13BUP 2013 EIGHTEENTH-CENTURY STUDIES 2014 Developments in the Histories of Sexualities In Search of the Normal, 1600–1800 New New New Studies in Ephemera Aesthetics as Secular Millennialism Developments in the Text and Image in Eighteenth- Its Trail from Baumgarten and Histories of Sexualities Century -
Entertaining Crisis in the Atlantic Imperium, 1770–1790 O'quinn, Daniel
Entertaining Crisis in the Atlantic Imperium, 1770–1790 O'Quinn, Daniel Published by Johns Hopkins University Press O'Quinn, Daniel. Entertaining Crisis in the Atlantic Imperium, 1770–1790. Johns Hopkins University Press, 2011. Project MUSE. doi:10.1353/book.1868. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/1868 [ Access provided at 3 Oct 2021 03:51 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Entertaining Crisis in the Atlantic Imperium 1770– 1790 This page intentionally left blank Entertaining Crisis in the Atlantic Imperium 1770– 1790 daniel o’quinn The Johns Hopkins University Press Baltimore © 2011 The Johns Hopkins University Press All rights reserved. Published 2011 Printed in the United States of America on acid- free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Mary land 21218- 4363 www .press .jhu .edu Library of Congress Cataloging- in- Publication Data O’Quinn, Daniel, 1962– Entertaining crisis in the Atlantic imperium, 1770– 1790 / Daniel O’Quinn. p. cm. Includes bibliographical references and index. ISBN- 13: 978- 0- 8018- 9931- 7 (hardcover : alk. paper) ISBN- 10: 0- 8018- 9931- 1 (hardcover : alk. paper) 1. En glish drama— 18th century— History and criticism. 2. Mascu- linity in literature. 3. Politics and literature— Great Britain— History—18th century. 4. Theater— England—London—History— 18th century. 5. Theater— Political aspects— England—London. 6. Press and politics— Great Britain— History—18th century. 7. United States— History—Revolution, 1775– 1783—Infl uence. -
The Rivals; a Comedy by Richard Brinsley Sheridan
r*.mx**xrjei--*ss i vr»uiMtnnMmiauM/unxg00i/i PR -1910 I 52 KB Km ''' S& Hi 1 1 1 §'§ 1 I f | H8H 1 i ,v 1 ^'.• '» I BB 1 I Book J - a RICHARD BRINSLEY SHERIDAN the possession of Mr. Horace Noble Pym From the portrait by Sir Joshua Reynolds, in of Brasted, Euglana Wqz HiberstDe ^literature Series THE RIVALS A COMEDY BY RICHARD BRINSLEY SHERIDAN WITH AN INTRODUCTION AND NOTES BY JOSEPH QUINCY ADAMS, Jr., Ph.D. ASSISTANT PROFESSOR OF THE ENGLISH LANGUAGE AND LITERATURE IN CORNELL UNIVERSITY BOSTON NEW YORK CHICAGO HOUGHTON MIFFLIN COMPANY (jCfre Ktitoeipfte pte?0 Cambridge r.. COPYRIGHT, I91O, BY HOUGHTON MIFFLIN COMPAKY ALL RIGHTS RESERVED ±2* EDITOR'S PREFACE For the' facts of Sheridan's life I am indebted to the biographies by W. Fraser Rae {Sheridan, a Biography, 2 j ! vols., 1896) and Mr. Walter Sichel (Sheridan, From New and Original Material, 2 vols., 1909). For the text I have reprinted a copy of the first edition in my own possession. This reprint, I believe, will have some value as the first accurate reproduction of the edition that Sheridan himself prepared for the press. Since no manuscript of The Rivals exists, this edition is the only authentic version of the play. The notes are original except where explicit credit is given. For the frequent quotations from contemporary newspapers I am indebted to Rae's Sheridan/ s Plays, noiv first printed as he wrote them- (1902). The best annotated edition of Sheridan is Professor Nettleton's The Major Dramas of Sheridan (The Athenceum Press Series, 1906). -
A History of the Baltimore Stage in the Eighteenth Century. Robert David Ritchey Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 A History of the Baltimore Stage in the Eighteenth Century. Robert David Ritchey Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Ritchey, Robert David, "A History of the Baltimore Stage in the Eighteenth Century." (1971). LSU Historical Dissertations and Theses. 2084. https://digitalcommons.lsu.edu/gradschool_disstheses/2084 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 72-3520 RITCHEY, Robert David, 1940- A HISTORY OF THE BALTIMORE . STAGE IN THE EIGHTEENTH CENTURY. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Theater University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED A History of the Baltimore Stage in the Eighteenth Century A Dissertation Submitted to the Graduate Faoulty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Department of Speech Robert David Ritchey B. A., Georgetown College, 1962 . A., Louisiana State University, 1964 August, 1971 EXAMINATION AND THESIS REPORT Candidate: Robert David Ritchey Major Field: Speeoh Title of Thesis: A HiBtory of the Baltimore Stage in the Eighteenth Century Approved: Major Professor and Chairanan Dean of the Graduate School EXAMINING COMMITTEE: Date of Examination: The playbill for the first recorded performance by an acting company in Baltimore. -
1 Sheridan and Women Marianna D'ezio Born Into a Family Whose
1 Sheridan and Women Marianna D’Ezio Born into a family whose reputation and income were anchored in literature and the theatre, Richard Brinsley Sheridan’s predisposition to theatrical activity was not unexpected. His father Thomas Sheridan was an actor and a manager, and Sheridan himself had always been surrounded by talented women writers, from his mother Frances Chamberlaine—a gifted authoress and playwright, albeit her work and biography still lack a comprehensive critical study—to his first wife Elizabeth Linley, a singer who managed to make a living from her public performances and contribute to realizing her family’s financial independence. Furthermore, there was another society of women around Sheridan besides his family connections, comprising professional and amateurish playwrights who were pursuing their own way into the highly male-dominated arena of commercial theatres. Of the plays that premiered at Drury Lane during Sheridan’s part-ownership of the theatre and his father’s management in 1778–1781, twenty-six were written by women, including a whole generation of distinguished female playwrights like Hannah Cowley, Elizabeth Inchbald, and Elizabeth Griffith, as well as authoresses like Frances Burney who wanted to try their hand at writing for the stage.1 Official biographies of Sheridan have generally suggested that his role with regard to female theatrical productions was that of mentor.2 At the time of Frances Burney’s early attempts at writing for the stage, for example, when Sheridan had become the manager of Drury -
Presented to the Graduate Council of the North Texas State University In
THE CONTRAST AND THE SCHOOL FOR SCANDAL: A COMPARISON OF TWO EIGHTEENTH CENTURY PLAYS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Terry D. Eyman, B. A. Denton, Texas December, 1974 Eyman, Terry D., The Contrast and the School for Scandal: A Comparison of Two Eighteenth Century Plays. Master of Science, December, 1974, 83 pp., bibliography, 72 titles. This study explores the relationship of Royall Tyler's The Contrast with Richard Brinsley Sheridan's The School for Scandal, to determine whether Tyler used The School for Scandal as a model for The Contrast. Chapter I contains a statement of the problem and an introduction to the historical importance of Tyler and The Contrast. Chapter II discusses the theatrical background of Tyler and the city of Boston. Chapter III includes a brief history of Sheridan and an examination of The School for Scandal. Chapter IV compares The Contrast with The School for Scandal. Chapter V presents conclusions drawn from the evidence examined in Chapters III and IV. The Contrast is not an imitation of The School for Scandal, though both contain elements of similarity. TABLE OF CONTENTS Chapter Page I. INTRODUCTION . ........ 1 II. THEATRICAL HISTORY OF BOSTON AND ROYALL TYLER . .* . 11 III. SHERIDAN AND THE SCHOOL FOR SCANDAL . .. 28 IV. THE CONTRAST AND THE SCHOOL FOR SCANDAL: A COMPARISON . 57 V. CONCLUSIONS . 73 BIBLIOGRAPHY . 79 iii CHAPTER I INTRODUCTION On April 16, 1787, the American Company, performing in the John Street Theatre in New York, presented a play called The Contrast, written by "a Citizen of the United States." It was a momentous occasion, but circumstances combined to obscure the importance of the play and its author Royall Tyler from later theatre historians. -
T.Y. B.A.-V English General Paper -III the Rivals
Arts, Commerce and Science College, Bodwad. Question Bank T.Y. B.A. Sem-V Subject: - English General Paper -III ------------------------------------------------------------------------------------------------------------------ 1. When was Richard Brinsley Sheridan baptized? 1. 21 February 1744 2. 15 May 1752 3. 23 August 1749 4. 4 November 1751 2. Where was Richard Brinsley Sheridan born? 1. Belfast 2. Dublin 3. Kilkenny 4. Waterford 3. With whom did Richard Brinsley Sheridan fight two duels? 1. Warren Hastings 2. Jonathan Swift 3. Thomas Mathews 4. Oliver Goldsmith 4. Where did Richard Brinsley Sheridan marry Elizabeth Ann Linley? 1. Marylebone Church 2. St. Paul’s Cathedral 3. Waltham Abbey 4. Middle Temple 5. Which play of Richard Brinsley Sheridan has the character Mrs. Malaprop? 1. St. Patrick’s Day 2. The Duenna 3. The Rivals 4. A Trip to Scarborough 6. Who is the model for the character of Sir Fretful Plagiary in Richard Brinsley Sheridan’s play The Critic? 1. Richard Cumberland 2. Charles James Fox 3. William Pitt 4. Edmund Burke 7. Which play of Richard Brinsley Sheridan is considered the greatest comedy of manners in English? 1. Pizarro 2. The Relapse 3. The School for Scandal 4. The Beggar’s Opera 8. Which party did Richard Brinsley Sheridan represent in Parliament? 1. Democratic 2. Republican 3. Jacobin 4. Whig 9. When did Richard Brinsley Sheridan die? 1. 26 January 1819 2. 10 June 1818 3. 7 July 1816 4. 12 December 1815 10. Where did Richard Brinsley Sheridan die? 1. Harrow 2. London 3. Bath 4. Bristol 11. Who wrote the play? 1. WILLIAM SHAKESPEARE 2. -
Sheridan, Richard Brinsley, the Rivals
THE RIVALS by Richard Brinsley Sheridan THE AUTHOR Richard Brinsley Sheridan (1751-1816) was born in Dublin to a mother who was a playwright and a father who was an actor. He thus came by his talents honestly, though he far exceeded the modest accomplishments of his parents. Already one of the most brilliant and witty dramatists of the English stage before the age of thirty, he gave up his writing and went on to become the owner and producer of the Drury Lane theater, a well-regarded Whig member of the English Parliament, and a popular man-about-town. Despite his family’s poverty, he attended Harrow, a famous prep school, though he appears to have been unhappy there, largely because the rich boys at the school looked down on him because of his humble origins. The bitter taste of his school years drove his later ambitions, both for literary and political success and for acceptance in the highest strata of society. He used his profits from his writing to buy the theater and his profits from the theater to finance his political career and socially- active lifestyle. Sheridan was a tireless lover and a man who, no matter how much he earned, always managed to spend more. In 1772, he married a lovely young singer named Elizabeth Ann Linley; she had already, before her twentieth birthday, attracted the attention of several wealthy suitors twice her age, but she and Sheridan eloped to France without the knowledge or permission of either set of parents. Though she loved him deeply, he was not a one-woman sort of man, and his constant infidelities led to a temporary separation in 1790.