2 0 1 5 /16 Ut Ah Symphony Season
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BEYOND BOSTON Harborfest May Be the Main Show, but It’S Not the Only 4Th of July Party Around
what to do # where to go # what to see July 2–15, 2007 The Officficialial GuGuideide to BOSBOSTONTON Mr.Fourth of July Keith Lockhart and the Boston Pops Celebrate the U.S.A. PLUS: Boston with a French Accent New England Sand CHECK Sculpting Festival OUT OUR The Boston Lobsters NEW MAPS! Court Tennis Fans AFTER PAGE 80 www.panoramamagazine.com Come to Product availability may vary by store 2000707CELEbearATING 10 YEARS OF HUGS Visit us at Faneuil Hall Marketplace Over 300 stores worldwide! æ www.buildabear.com æ (toll free) 1-877-789-BEAR (2327) Coupon expires August 31, 2007. Coupons may not be combined and cannot be bought, sold or exchanged for cash or coupons. Not valid on prior purchases, a Build-A-Party® celebration, Bear Buck$® card, in Eat With Your Bear Hands Cafe, in Build-A-Bear Workshop® within Rainforest Cafe® or in Build-A-Dino® within T-REX CafeTM. Not valid with any other offer. Local and state taxes, as applicable, are payable by bearer. Must present original coupon at time of purchase or enter 5-digit code on web purchase. Photocopies prohibited. Valid in the U.S. only. Valid for coupon recipient only. Limit one coupon per person, per visit. Nontransferable. Offer good while supplies last. Void where Key #91388 prohibited or restricted. Where required cash value 1/100 of 1 cent. contents COVER STORY FEATURE STORY 22 Go Fourth! 24 Vive la France Panorama spotlights in Boston! Harborfest, the Hub’s How to celebrate Bastille Day official July 4th and French culture around town celebration DEPARTMENTS 8 around the hub 8 NEWS & NOTES 18 STYLE 14 DINING 20 NIGHTLIFE 16 ON STAGE 28 the hub directory 29 CURRENT EVENTS 35 MUSEUMS & GALLERIES 39 CLUBS & BARS 41 SIGHTSEEING 46 MAPS 53 EXCURSIONS 56 FREEDOM TRAIL 58 SHOPPING 64 RESTAURANTS 80 NEIGHBORHOODS 94 5 questions with… Conductor KEITH LOCKHART on the cover: Keith Lockhart relaxes at Symphony Hall before getting ready to lead the Boston Pops in its annual July 4 concert at the Hatch Shell on the Esplanade. -
Chuaqui C.V. 2019
MIGUEL CHUAQUI, Ph.D. Professor Director, University of Utah School of Music 1375 East Presidents Circle Salt Lake City, UT 84112 801-585-6975 [email protected] www.miguelchuaqui.com EDUCATION AND TRAINING 2007: Summer workshops in advanced Max/MSP programming, IRCAM, Paris. 1994 - 96: Post-doctoral studies in interactive electro-acoustic music, Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley. 1994: Ph.D. in Music, University of California, Berkeley, Andrew Imbrie, graduate advisor. 1989: M.A. in Music, University of California, Berkeley. 1987: B.A. in Mathematics and Music, With Distinction, University of California, Berkeley. 1983: Studies in piano performance and Mathematics, Universidad Católica de Chile, Santiago, Chile. 1982: Certificate in Spanish/English translation, Cambridge University, England. 1976 - 1983: Studies in piano performance, music theory and musicianship, Escuela Moderna de Música, Santiago, Chile. WORK HISTORY 2009 – present: Professor, School of Music, University of Utah, Salt Lake City, Utah; Chair, Composition Area, 2008-2014. 2003 - 2009: Associate Professor, School of Music, University of Utah, Salt Lake City, Utah. 1996 - 2003: Assistant Professor, School of Music, University of Utah, Salt Lake City, Utah. 1994 – 1996: Organist and Assistant Conductor, St. Bonaventure Catholic Church, Clayton, California. 1992 - 1996: Instructor, Music Department, Laney College, Oakland, California. Music Theory and Musicianship. 1992 – 1993: Lecturer, Music Department, San Francisco State University, San Francisco, California. (One-year music theory sabbatical replacement position). 1989 – 1992: Graduate Student Instructor, University of California, Berkeley, California. updated 2/19 Miguel Chuaqui 2 UNIVERSITY, PROFESSIONAL, AND PUBLIC SERVICE ADMINISTRATIVE APPOINTMENTS 2015-present: Director, University of Utah School of Music. -
Programme Information
Programme information Saturday 18th April to Friday 24th April 2020 WEEK 17 THE FULL WORKS CONCERT: CELEBRATING HER MAJESTY THE QUEEN’S BIRTHDAY Tuesday 21st April, 8pm to 10pm Jane Jones honours a very special birthday, as Queen Elizabeth II turns 94 years old. We hear from several different Masters of the Queen’s (or King’s) Music, from William Boyce who presided during the reign of King George II, to Judith Weir who was appointed the very first female Master of the Queen’s Music in 2014. The Central Band of the Royal Air Force also plays Nigel Hess’ Lochnagar Suite, inspired by Prince Charles’ book The Old Man of Lochnagar. Her Majesty has also supported classical music throughout her inauguration of The Queen’s Music Medal which is presented annually to an “outstanding individual or group of musicians who have had a major influence on the musical life of the nation”. Tonight, we hear from the 2016 recipient, Nicola Benedetti, who plays Vaughan Williams’ The Lark Ascending. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com, and on the Classic FM and Global Player apps. 1 WEEK 17 SATURDAY 18TH APRIL 3pm to 5pm: MOIRA STUART’S HALL OF FAME CONCERT Over Easter weekend, the new Classic FM Hall of Fame was revealed and this afternoon, Moira Stuart begins her first Hall of Fame Concert since the countdown with the snowy mountains in Sibelius’ Finlandia, which fell to its lowest ever position this year, before a whimsically spooky dance by Saint-Saens. -
Program Book
I e lson rti ic ire r & ndu r Schedule of Events CHAMBER CONCERTS Wednesday, January 1.O, 2007, 7100 PM Boulder Public Library Canyon Theater,9th & Canyon Friday, January L3, 7 3O PM Rocky Mountain Center for Musical Arts, 200 E. Baseline Rd., Lafayette Program: Songs on Chinese andJapanese Poems SYMPOSIUM Saturday, January L7, 2OO7 ATLAS Room 100, University of Colorado-Boulder 9:00 AM - 4:30 PM 9:00 AM: Robert Olson, MahlerFest Conductor & Artistic Director 10:00 AM: Evelyn Nikkels, Dutch Mahler Society 11:00 AMrJason Starr, Filmmaker, New York City Lunch 1:00 PM: Stephen E Heffiing, Case Western Reserve University, Keynote Speaker 2100 PM: Marilyn McCoy, Newburyport, MS 3:00 PMr Steven Bruns, University of Colorado-Boulder 4:00 PM: Chris Mohr, Denver, Colorado SYMPHONY CONCERTS Saturday, January L3' 2007 Sunday,Janaary L4,2O07 Macky Auditorium, CU Campus, Boulder Thomas Hampson, baritone Jon Garrison, tenor The Colorado MahlerFest Orchestra, Robert Olson, conductor See page 2 for details. Fundingfor MablerFest XXbas been Ttrouid'ed in ltartby grantsftom: The Boulder Arts Commission, an agency of the Boulder City Council The Scienrific and Culrural Facilities Discrict, Tier III, administered by the Boulder County Commissioners The Dietrich Foundation of Philadelphia The Boulder Library Foundation rh e va n u n dati o n "# I:I,:r# and many music lovers from the Boulder area and also from many states and countries [)AII-..]' CAMEI{\ il M ULIEN The ACADEMY Twent! Years and Still Going Strong It is almost impossible to fully comprehend -
To See the 2018 Tanglewood Schedule
summer 2018 BERNSTEIN CENTENNIAL SUMMER TANGLEWOOD.ORG 1 BOSTON SYMPHONY ORCHESTRA ANDRIS NELSONS MUSIC DIRECTOR “That place [Tanglewood] is very dear to my heart, that is where I grew up and learned so much...in 1940 when I first played and studied there.” —Leonard Bernstein (November 1989) SEASONHIGHLIGHTS Throughoutthesummerof2018,Tanglewoodcelebratesthecentennialof AlsoleadingBSOconcertswillbeBSOArtisticPartnerThomas Adès(7/22), Lawrence-born,Boston-bredconductor-composerLeonardBernstein’sbirth. BSOAssistantConductorMoritz Gnann(7/13),andguestconductorsHerbert Bernstein’scloserelationshipwiththeBostonSymphonyOrchestraspanned Blomstedt(7/20&21),Charles Dutoit(8/3&8/5),Christoph Eschenbach ahalf-century,fromthetimehebecameaprotégéoflegendaryBSO (8/26),Juanjo Mena(7/27&29),David Newman(7/28),Michael Tilson conductorSergeKoussevitzkyasamemberofthefirstTanglewoodMusic Thomas(8/12),andBramwell Tovey(8/4).SoloistswiththeBSOalsoinclude Centerclassin1940untilthefinalconcertsheeverconducted,withtheBSO pianistsEmanuel Ax(7/20),2018KoussevitzkyArtistKirill Gerstein(8/3),Igor andTanglewoodMusicCenterOrchestraatTanglewoodin1990.Besides Levit(8/12),Paul Lewis(7/13),andGarrick Ohlsson(7/27);BSOprincipalflute concertworksincludinghisChichester Psalms(7/15), alilforfluteand Elizabeth Rowe(7/21);andviolinistsJoshua Bell(8/5),Gil Shaham(7/29),and orchestra(7/21),Songfest(8/4),theSerenade (after Plato’s “Symposium”) Christian Tetzlaff(7/22). (8/18),andtheBSO-commissionedDivertimentoforOrchestra(also8/18), ThomasAdèswillalsodirectTanglewood’s2018FestivalofContemporary -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Boston Symphony Orchestra Concert Programs, Summer, 1992, Tanglewood
LEWOOD I 77 2 g Tools ofExcellence In every discipline, outstanding performance springs from the combination of skill, vision and commitment. As a technology leader, GE Plastics is dedicated to the development of advanced materials: engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991-92 Trustees of the Boston Symphony Orchestra, Inc. Emeritus Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly Millman James E Cleary Francis W Hatch Mrs. Robert B. Newman John F. Cogan,Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. BelaT. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T. Zervas Nina L. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Salt Lake City August 1—4, 2019 Nfac Discover 18 Ad OL.Pdf 1 6/13/19 8:29 PM
47th Annual National Flute Association Convention Salt Lake City August 1 —4, 2019 NFAc_Discover_18_Ad_OL.pdf 1 6/13/19 8:29 PM C M Y CM MY CY CMY K Custom Handmade Since 1888 Booth 110 wmshaynes.com Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. schmittmusic.com/f lutegallery Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 214 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2019, Salt available in Carbon Fibre. Lake City! Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. 00 44 (0)20 8778 0752 [email protected] schmittmusic.com/f lutegallery www.wisemanlondon.com TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ............................................................... -
Utah Symphony | Utah Opera
Media Contact: Renée Huang | Public Relations Director [email protected] | (801) 869-9027 FOR IMMEDIATE RELEASE: UTAH SYMPHONY PRESENTS BERLIOZ’S DAMNATION OF FAUST WITH ACCLAIMED GUEST OPERA SOLOISTS KATE LINDSEY AND MICHAEL SPYRES SALT LAKE CITY, Utah (Sept.12, 2013) – Mezzo Soprano Kate Lindsey, a veteran of the Metropolitan Opera, and Michael Spyres, called “one of today’s finest tenors” by French Opera magazine join the Utah Symphony on September 27 and 28 at Abravanel Hall in Hector Berlioz’s dramatic interpretation of Goethe’s tale of Faust and his fateful deal with the devil, The Damnation of Faust. The Utah Symphony Chorus and Utah Opera Chorus lend their voices to the work, which is an ingenious combination of opera and oratorio that ranks among Berlioz’s finest creations. In addition to the star power of Lindsey and Spyres who sings the role of Marguerite and Faust, three other operatic guest artists will join the cast, including Baritone Roderick Williams, whose talents have included appearances with all BBC orchestras, London Sinfonietta and the Philharmonia, performing Mephistopheles; and Bass- baritone Adam Cioffari, a former member of the Houston Grand Opera Studio. Newcomer Tara Stafford Spyres, a young coloratura soprano, just sang her first Mimi in Springfield Missouri’s Regional Opera production of La Bohème. La Damnation de Faust was last performed on the Utah Symphony Masterworks Series in 2003 as part of the company’s Faust Festival. TICKET INFORMATION Single tickets for the performance range from $18 to $69 and can be purchased by phone at (801) 355- 2787, in person at the Abravanel Hall ticket office (123 W. -
Symphonie Fantastique
CLASSICAL�SERIES SYMPHONIE FANTASTIQUE THURSDAY, NOVEMBER 7, AT 7 PM FRIDAY & SATURDAY, NOVEMBER 8 & 9, AT 8 PM NASHVILLE SYMPHONY THIERRY FISCHER, conductor STEPHEN HOUGH, piano ANDREW NORMAN Unstuck – 10 minutes FELIX MENDELSSOHN Concerto No. 1 in G Minor for Piano and Orchestra, Op. 25 – 21 minutes Molto allegro con fuoco Andante Presto – Molto allegro e vivace Stephen Hough, piano – INTERMISSION – HECTOR BERLIOZ Symphonie fantastique, Op. 14 – 49 minutes Reveries and Passions A Ball Scene In the Country March to the Scaff old Dream of a Witches' Sabbath This concert will last one hour and 55 minutes, including a 20-minute intermission. This concert will be recorded live for future broadcast. To ensure the highest-quality recording, please keep noise to a minimum. INCONCERT 19 CLASSICAL PROGRAM SUMMARY How do young artists find a unique voice? This program brings together three works, each written when their respective composers were only in their 20s. The young American Andrew Norman was already tapping into his gift for crafting vibrantly imaginative, almost hyper-active soundscapes in Unstuck, the brief but event-filled orchestral piece that opens our concert. Felix Mendelssohn had already been in the public eye as a child prodigy before he embarked on a series of travels across Europe from which he stored impressions for numerous mature compositions — including the First Piano Concerto. Just around the time Mendelssohn wrote this music, his contemporary Hector Berlioz was refining the ideas that percolate in his first completed symphonic masterpiece. The Symphonie fantastique created a sensation of its own with its evocation of a tempestuous autobiographical love affair through an unprecedentedly bold use of the expanded Romantic orchestra. -
National Conference Performing Choirs
National Conference Performing Choirs 20152015 ACDA FestivalFestival ChoirChoir UniversityUniversity ofof Utah A Cappella Choir Thursday 8:00 pm - 9:45 pm Abravanel Hall (Blue Track) Friday 8:00 pm - 9:45 pm Abravanel Hall (Gold Track) The 2015 ACDA Festival Choir includes the Utah Sym- phony Chorus, Utah Chamber Artists, the University of Utah Chamber Choir, and the University of Utah A Cappella Choir conducted by Barlow Bradford. The Utah Symphony is con- ducted by Thierry Fischer. Founded in 1962, the A Cappella Choir offers singers the opportunity to perform works for larger choirs and to fi ne- tune the art of choral singing through exposure to music from Utah Chamber Artists the Renaissance through the twenty-fi rst century. Choir mem- bers hone musicianship skills such as rhythm, sight-reading, and the understanding of complex scores. They develop an understanding of the intricacies of vocal production, includ- ing pitch, and how to blend individual voices together into a unifi ed, beautiful sound. In recent years, the A Cappella Choir has become a standard of excellence in student singing in the State of Utah. Last fall, they sang Mozart’s Trinity Mass with the Utah Symphony and the Utah Symphony Chorus under the direction of Thierry Fischer. This renewed a tradition of collaboration between the choirs of the University of Utah and the Utah Symphony, and their outstanding performance resulted in invitations for return engagements in 2015. Utah Chamber Artists was established in 1991 by Barlow University of Utah Chamber Choir Bradford and James Lee Sorenson. The ensemble comprises forty singers and forty players who create a balance and so- nority rarely found in a combined choir and orchestra.