Boston Symphony Orchestra Concert Programs, Season 127, 2007-2008
BOSTON SYMPHONY ORCHESTRA W BOSTON % James Levine, Music Director / SYMPHONY \ Bernard Haitink, Conductor Emeritus I ORCHKSTRA \ JAMES LEVINE Seiji Ozawa, Music Director Laureate Musk Director 127th Season, 2007-2008 CHAMBER TEA V Friday, April 11, at 2:30 Writ. COMMUNITY CONCERT VIII Sunday, April 13, at 3, at the Peabody Essex Museum in Salem This free concert is generously supported by The Lowell Institute. THOMAS MARTIN, clarinet RICHARD RANTI, bassoon DANIEL KATZEN, horn »KB SHEILA FIEKOWSKY, violin (Kl KB JULIANNE LEE, violin ROBERT BARNES, viola MICKEY KATZ, cello BENJAMIN LEVY, double bass SCHUBERT Octet in F, D.803, for clarinet, horn, bassoon, two violins, viola, cello, and double bass Adagio—Allegro Adagio ftf$S Allegro vivace; Trio Ill Andante 3aJ Menuetto: Allegretto; Trio Andante molto—Allegro mV Week 23 Franz Schubert (1797-1828) Octet in F, D.803, for clarinet, horn, bassoon, two violins, viola, cello, and double bass Schubert composed his Octet for winds and strings in February 1824 on a commission from Ferdinand, Count Troyer, who was a clarinetist in the musical establishment of Beethoven's friend and pupil Archduke Rudolph. Troyer evidently requested that Schubert model the work on Beethoven's famous Septet for winds and strings (Opus 20; composed 1799), which at that time was still the most popular of all of Beethoven's instrumental works, far outdistancing the symphonies and concertos. Schubert followed instructions, mimicking the older master's work so closely in I jm mm:'-*. ?wr fSm^BBm scoring, layout of movements, and musical character that this must have been obvious to everyone who heard the piece and they would have enjoyed it all the more for that very reason.
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