Boston Symphony Orchestra Concert Programs, Summer, 1993
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Magazine NMC Draft 4 Spring16.Indd 1 8/16/16 9:53 AM Vol 22, No
NEW MUSIC CONNOISSEUR THE BABBITT CENTENARY page 5 + LIVE PERFORMANCES Volume 22, No. 1 ++ ESSAYS Spring 2016 magazine NMC_Draft 4_Spring16.indd 1 8/16/16 9:53 AM Vol 22, No. 1–Spring 2016 New Music Connoisseur is a semi–annual periodical focusing on the work of the composers of our time. EDITOR–IN–CHIEF Michael Dellaira ART DIRECTION & DESIGN Russell Trakhtenberg ADVISORS Barry O’Neal Frank Oteri Kelley Rourke Eric Salzman Mark Zuckerman FOUNDING PUBLISHER & EDITOR, ASSOCIATE EDITOR Barry Cohen ADDRESS ALL CORRESPONDENCE TO: New Music Connoisseur Peck Slip Station P.O. Box 476. New York, NY 10038 Email: [email protected] Subscriptions are $24 for 2 years. $35 for 3 years. New subscription requests, change of address notifications and renewals should be submitted to [email protected] All material © New Music Connoisseur, 2015 2 | NEW MUSIC CONNOISSEUR magazine NMC_Draft 4_Spring16.indd 2 8/16/16 9:53 AM IN THIS ISSUE CONTRIBUTORS.....................................4 THE BABBITT CENTENARY “Milton Babbitt’s World” Program IV by Hubert Howe..........................................6 The Playful Babbitt by Anne Eisenberg.......................................8 Experiencing Milton by Judith Shatin..........................................9 A Quasi-Personal Reflection on Milton Babbitt’s Centenary and Its Celebrations by Benjamin Boretz......................................10 LIVE PERFORMANCES Jewish Music of Interwar Eastern Europe by Leonard Lehrman.....................................14 A Latin Latin Mass by Barry O’Neal.....................15 -
Airwaves (1985-08 And
/ AIRWAVES \ · A Service of Continuing Education & Extension University of Minnesota-Duluth Volume 6, Number 4 ' August-September 1985 Special •· Ray Charles: His Life and Music. kumd 103.3 fm Station Manager • Paul Schmitz Program Director • John Ziegler Public Aflairs Director • Jean Johnson Report to the Listeners Outreach Coordinator • Bob DeArmond Engineer • Kirk Kersten by Paul Schmitz, Station Manager Secretary • Donna Neveau Volunteer Staff • Remember the slighlly perplexed look patience. Projects of this magnitude jus.t couple of different departments at UMD, Lake Lime. Bil l Agnew, Bob Allen, Craig Anderson, Jon on Kirk Kerslen's face in lasl month's started with us on July 17, and will be Anderson, Kath Anderson, Mark Anderson, Bob issue when he was plugging in our new al the front desk from about 9:30 a.m. Lo Andresen, Leo Babcau, Todd Borstad, John"llrazner, antenna? I don't really know what he You may notice a change in our staff list - 2:30 p.m. four days a week. We are look- Dave Brygger, Jan Cohen, Tim Connelly, was thinking about al the moment that this issue; if you visit the station 'in ing forward Lo having her with us, and Christopher Devaney, Bruce Eckland, Dann Edholm, Pat Eller, Phil Enke, Linda Estel, Doug Fifield, photo was taken, but ever since he's been person, you will certainly notice a LO utilizing her previous experience with Kerry Fillmore, Susanna Frenkel, Scott Frisby, Brian thinking about "field Lun·ing .." That's a change becau e we have lost Helen computers as we are about LO enter the Gitar, Stan Goltz, Doug Greenwood, Jim Gruba, term for a specialized kind of work on Prekker. -
Xm Radio to Broadcast New Series of Baltimore Symphony Orchestra Concerts in 2007-2008 Season
NEWS RELEASE XM RADIO TO BROADCAST NEW SERIES OF BALTIMORE SYMPHONY ORCHESTRA CONCERTS IN 2007-2008 SEASON 6/14/2007 SEPT. 27 SERIES DEBUT TO BE BROADCAST LIVE FROM STRATHMORE, FEATURING MARIN ALSOP’S INAUGURAL CONCERT AS BSO MUSIC DIRECTOR Washington, D.C., and Baltimore, Md. June 14, 2007 – XM, the nation’s leading satellite radio service with more than 8 million subscribers, and the Baltimore Symphony Orchestra (BSO) announced today that XM will broadcast eight performances during the Baltimore Symphony’s 2007-2008 season on XM Classics (XM 110), one of XM’s three classical music channels. The series will debut with a live broadcast on September 27, 2007, the inaugural concert of the music directorship of Marin Alsop, the dynamic conductor who that evening will become the first female music director of a major American orchestra. This series marks the BSO’s foray into satellite radio, gaining exposure for the orchestra to a much broader national audience as it enters a new artistic chapter under Marin Alsop. The historic inaugural concert marking Maestra Alsop’s directorship features John Adams’ Fearful Symmetries, and a hallmark of Alsop’s repertoire, Gustav Mahler’s Symphony No. 5, and will be broadcast live on XM Classics from the Music Center at Strathmore in N. Bethesda, Md. at 8 p.m. ET on Thursday, September 27, with an encore broadcast on Sunday, September 30, at 3 p.m. ET. The live broadcast will be the first of its kind at the Music Center at Strathmore since the performing arts venue opened in February 2005. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Current Professional Affiliations Are Listed Below Each Player's Name
Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle -
Vail Daily Column Musically Speaking on New York Philharmonic's
Vail Daily column Musically Speaking on New York Philharmonic’s Thirteenth Residency at Bravo! Vail by Sandra Pearson, Assistant Principal Librarian, New York Philharmonic An orchestra's season has a certain flow to it. When we finish our winter season, the shirt sleeves get shorter, and our summer festival wardroBe is donned. Our thoughts also turn towards a change of scenery that takes us from the concrete confines of New York to the pine-scented fresh mountain air of Colorado. Along with the other orchestras who get to enjoy a summer season such as Blossom or Tanglewood, we too get to enjoy our summer residency hiking and making music in the Beautiful surroundings of the Rocky Mountains. We are happy to once again Be sharing music By some our greatest composers with our enthusiastic audiences in the Vail Valley. We enjoy our collaBoration with the amicaBle and witty Bramwell Tovey, and judging from past audience reactions, so do our fans in Vail. The first program on July 24th showcases the pianist Jon Kimura Parker playing Edvard Grieg's classic Piano Concerto in A minor. This concert will also showcase the suBliminal overture to Fingal's Cave By Felix Mendelssohn and Edward Elgar's Enigma Variations. Maestro Tovey's second program on July 26th features Bravo! Vail's artistic director and talented pianist Anne-Marie McDermott playing Rachmaninoff's romantic Rhapsody on a Theme of Paganini. Balancing out the rest of the program are Le Corsair Overture By Berlioz, The Emperor Waltzes by Johann Strauss, Jr., and the prismatic Suite from Der Rosenkavalier by Richard Strauss. -
Tong Chen, Conductor
Tong Chen, conductor “Masterfully presented the Mendelssohn’s Fifth Symphony,” described the Leipzig Time. A prizewinner of the prestigious International Malko Conducting Competition, Tong Chen has quickly established herself as one of the most promising and exciting young conductors in her generation. Ms. Chen has worked with numerous orchestras across the globe, including Orquestra Sinfônica do Estado de São Paulo, Danish National Symphony Orchestra, Mikkelin Kaupunginorkesteri, Besançon Symphony Orchestra, Leipzig Symphony Orchestra, Bamberg Symphony Orchestra, Alabama Symphony Orchestra, Baltimore Symphony Orchestra, Charleston Symphony Orchestra, Richmond Symphony, Aspen Music Festival Orchestra, Manhattan School of Music Orchestra, Orchestra St. Luke’s, Peabody Symphony Orchestra, Xia Men Philharmonic, Qing Dao Symphony Orchestra, Guang Zhou Symphony Orchestra, and Shanghai Opera House, where she worked as the assistant Photo credit: Bob Plotkin conductor. 2019-2020 season’s highlight includes Tong’s debuts with New Jersey Symphony Orchestra, Shanghai Philharmonic, and Rutgers Symphony Orchestra; a return to Los Angeles Philharmonic working with Gustavo Dudamel and assisting Iván Fisher with Budapest Festival Orchestra at the Hollywood Bowl. This season marks her fifth anniversary as music director of Yonkers Philharmonic Orchestra. As an avid advocate of education, Chen taught orchestral conducting and led the orchestra program at Copland School of Music from 2012-2018. Summer 2019 marked her second years as the director of Queens College Conductor’s workshop, founded by Maurice Peress in 2010. Additionally, Tong is a regular guest conductor at Manhattan School of Music, Montclair State University, Manners Pre- college orchestra, and All-State Youth Orchestras in New York State area, as well as a guest lecturer at Shanghai Conservatory of Music. -
Boston Symphony Orchestra Concert Programs, Summer, 1992, Tanglewood
LEWOOD I 77 2 g Tools ofExcellence In every discipline, outstanding performance springs from the combination of skill, vision and commitment. As a technology leader, GE Plastics is dedicated to the development of advanced materials: engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991-92 Trustees of the Boston Symphony Orchestra, Inc. Emeritus Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly Millman James E Cleary Francis W Hatch Mrs. Robert B. Newman John F. Cogan,Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. BelaT. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T. Zervas Nina L. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. -
100 Years of Extraordinary Historical Highlights from the Baltimore Symphony Orchestra Archives
100 Years of Extraordinary Historical Highlights from the Baltimore Symphony Orchestra Archives 1910s 1915 – Through a $6,000 grant from the city of Baltimore, the Baltimore Symphony Orchestra is founded as a branch of the city’s Department of Municipal Music, making it the only major American orchestra to be fully funded as a municipal agency. 1916 – On February 11, the Baltimore Symphony Orchestra performs its inaugural concerts to a standing- room-only crowd at The Lyric, under the direction of Music Director Gustav Strube. All three concerts comprising the first season at the Lyric are sold out. 1920s 1924 – On February 16, the BSO hosts its first children’s concert. The Baltimore Symphony youth concert series is the first to be established by an American orchestra. 1926 – The Baltimore Symphony makes its initial broadcast performance on WBAL Radio. 1930s 1930 - George Siemonn becomes the second music director of the orchestra. He conducts his opening concert, with the musicians now numbering 83, on November 23. 1935 - In late February, George Siemonn reluctantly resigns as music director and is replaced by Ernest Schelling. Forty-four musicians apply for the position. Schelling is well-known for his children’s concert series at Carnegie Hall. 1937 - Sara Feldman and Vivienne Cohn become the first women to join the Baltimore Symphony. The older members of the orchestra are supportive, but union members picket the hall with signs saying, “Unfair to Men,” which is reported in the New York Times. 1937 - Ernest Schelling becomes ill and is replaced by Werner Janssen. The dynamic young conductor and his wife, the celebrated film star Ann Harding, receive an enthusiastic response when they arrive in Baltimore. -
Recognized Among the Premier Current Interpreters of Choral Music, Critically Acclaimed Conductor Harold Rosenbaum Is a Singular Force in Vocal Ensemble Performance
Recognized among the premier current interpreters of choral music, critically acclaimed conductor Harold Rosenbaum is a singular force in vocal ensemble performance. The award- winning founder and conductor of distinguished professional choir The New York Virtuoso Singers and celebrated volunteer choir The Canticum Novum Singers, Rosenbaum attracts the finest choral talent from New York City and around the country to his world-class productions. Inspiring singers and audiences alike with gripping interpretations of both contemporary and classical compositions, he brings a profound wealth of technical ability and expertise to the creation of rich musical experiences. The New Yorker—lauding The New York Virtuoso Singers—reported, "Mr. Rosenbaum's sixteen singers are virtuosi indeed, masters in a contemporary repertory that, but for them, we would seldom hear," while The New York Times praised him as "an astute programmer with an ear for the unusual" and commended The New York Virtuoso Singers for "an exquisitely blended sound." His book, A Practical Guide to Choral Conducting, has received much critical acclaim. Download Harold Rosenbaum's Press Kit > In 1973 Rosenbaum established The Canticum Novum Singers, one of New York City's premiere volunteer choirs. In its 46-year history CNS has performed over 600 concerts across Europe and the Americas. The New York Times commended The Canticum Novum Singers as an “elite chorus.” From the talented roster of amateur singers who have sung with CNS, over 100 have become professional choristers, soloists, conductors, and composers. CNS has premiered over sixty compositions, including works by Handel, J.C. Bach, Fauré, Bruckner, Harbison, Berio, Schnittke, Rorem, Schickele, Sierra, and Benjamin. -
The New York Virtuoso Singers
Merkin Concert Hall at Kaufman Center Presents The New York Virtuoso Singers Announcing the 25th Anniversary Season Merkin Concert Hall Performances – 2012-13 Concerts Feature 25 Commissioned Works by Major American Composers The New York Virtuoso Singers, Harold Rosenbaum, Conductor and Artistic Director, have announced Merkin Concert Hall dates for their 2012-13 concert season. This will be the group’s 25th anniversary season. To celebrate, they will present concerts on October 21, 2012 and March 3, 2013 at Kaufman Center’s Merkin Concert Hall, 129 West 67th St. (btw Broadway and Amsterdam) in Manhattan, marking their return to the hall where they presented their first concert in 1988. These concerts will feature world premieres of commissioned new works from 25 major American composers – Mark Adamo, Bruce Adolphe, William Bolcom, John Corigliano, Richard Danielpour, Roger Davidson, David Del Tredici, David Felder, John Harbison, Stephen Hartke, Jennifer Higdon, Aaron Jay Kernis, David Lang, Fred Lerdahl, Thea Musgrave, Shulamit Ran, Joseph Schwantner, Steven Stucky, Augusta Read Thomas, Joan Tower, George Tsontakis, Richard Wernick, Chen Yi, Yehudi Wyner and Ellen Taaffe Zwilich. Both concerts will also feature The Canticum Novum Youth Choir, Edie Rosenbaum, Director. The Merkin Concert Hall dates are: Sunday, October 21, 2012 at 3 pm - 25th Anniversary Celebration Pre-concert discussion with the composers at 2:15 pm World premieres by Jennifer Higdon, George Tsontakis, John Corigliano, David Del Tredici, Shulamit Ran, John Harbison, Steven Stucky, Stephen Hartke, Fred Lerdahl, Chen Yi, Bruce Adolphe and Yehudi Wyner – with Brent Funderburk, piano. More about this concert at http://kaufman-center.org/mch/event/the-new-york-virtuoso- singers. -
The Philharmonia Orchestra of Yale New Music New Haven
The Yale School of Music Thomas C. Duffy, Acting Dean The Philharmonia Orchestra of Yale Shinik Hahm, music director New Music New Haven Martin Bresnick, director Friday, March 31, 2006 8:00 p.m., Woolsey Hall aaron jay kernis New Era Dance (1992) ryan vigil [ untitled ] (2006) melissa mazzioli These Worlds In Us (2006) jennifer graham Endurance (2003-06) INTERMISSION martin bresnick Grace (2000): Concerto in 3 movements for two marimbas and orchestra I. Pendula and the Center of Gravity (The Puppet Theatre) II. Of the Heaviness of Matter (only a god is a match for matter) III. Grace Will Return (most purely in a puppet or a god) Robert Van Sice and Eduardo Leandro, marimbas robinson mcclellan Gone Today (2006) jacob cooper Odradek (2006) PHILHARMONIA ORCHESTRA OF YALE Program Notes Aaron Jay Kernis: New Era Dance (1992) Commissioned for the 150th anniversary of the New York Philharmonic, Aaron Jay Kernis’s NEW ERA DANCE is a multilayered, virtuosic work for orchestra, with a sampling of electric bass and collage of sound effects. Seeking to write, as he says, a ‘larger than life’ work, the composer drew upon the pulsing, rhythmic music that blares on the streets of his neighborhood, the Washington Heights section of New York City: Latin salsa, crackmobile rap, gypsy-camp folk. Disco and 50s jazz were also added to the tumultuous mix. The title is taken from a World War 1 ragtime dance, but also suggests Kernis’s response to events taking place around the time he wrote NEW ERA DANCE: the summer of 1992. The LA riots had recently ended, the presidential election of Bill Clinton was approaching, and in the middle distance was the millennium.