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Boston Symphony Orchestra Concert Programs, Season 86, 1966-1967

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Boston Symphony Orchestra Concert Programs, Season 86, 1966-1967 ^jgl >**»<•', >: r BOSTON SYMPHONY fl ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON kl^ 18 M EIGHTY-SIXTH SEASON 1966-1967 EXCELLAIT SURTOUT POUR LES FANFARES!" Although it is difficult to trace the origin of the French horn, it is generally accepted that it was developed in France during the 17th century • An outgrowth of the early primitive and the later sophisticated hunting horn, its value in the use of Fanfares was acclaimed during the reign of Louis XIII • It was also discovered that strange and wonderful musical effects could be had by inserting the hand in the bell • One of the first orchestral uses came in 1717 when Handel included the French horn in his score of the "Water Music" • The modern instrument embodies a main tube measuring approximately 7 feet 4 inches in length, coiled in circles and finally expanding into a widely flared bell • As the French horn lends its importance to the value of the modern symphony orchestra, so too does the trained and reliable insurance office develop a modern and sensible insurance program for business and personal accounts • We would welcome an opportunity to analyze your need for complete protection. We respectfully invite your inquiry CHARLES H. WATKINS 8c CO. Richard P. Nyquist — Charles G. Carleton 0BRI0N, RUSSELL 8c CO. 147 MILK STREET BOSTON, MASSACHUSETTS Insurance of Every Description Telephone 542-1250 EIGHTY-SIXTH SEASON, 1966-1967 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President John L. Thorndike Treasurer Philip K. Allen E. Morton Jennings, Jr. Abram Berkowitz Henry A. Laughlin Theodore P. Ferris Edward G. Murray Robert H. Gardiner John T. Noonan Francis W. Hatch Mrs. James H. Perkins Andrew Heiskell Sidney R. Rabb Harold D. Hodgkinson Raymond S. Wilkins TRUSTEES EMERITUS Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Thomas D. Perry, Jr., Manager S. Norman Shirk James J. Brosnahan Assistant Manager Business Administrator Sanford R. Sistare Harry J. Kraut Press and Publicity Assistant to the Manager Andrew Raeburn Assistant to the Music Director SYMPHONY HALL BOSTON [1089] BARTOK: Violin Concerto No. 2 «*%. TAe Boston Symphony STRAVINSKY: Violin Concerto nam Joseph Silverstein Boston Symphony Orchestra/Erich Leinsdorf under Leinsdorf (jit '2/rt4tM>rafi/(9r4titMi In a recording of remarkable sonic excellence, concei master Joseph Silverstein and the Boston Symphony u der Leinsdorf capture the atmospheric sorcery of two the most influential violin works of this century: Bartol Concerto No. 2, and Stravinsky's Violin Concerto. Wi equal imagination, Leinsdorf and the Orchestra fully ret ize the riot of color inherent in the scores of Rimsk Boston Symphony Orchestra / Erich Leinsdorf Korsakoff's "Le Cog d'Or" Suite and Stravinsky's "Fir Rimsky-Korsakoff /"LE COQ DOR" SUITE bird" Suite. Both albums recorded in Dynagroove soun Stravinsky /"FIREBIRD" SUITE RCA Victor •&> The most trusted name in sound CONTENTS Program (for this week) i095 Program (February 24-25) ii45 &X(a(iannainc. Program (March 10-1 1147 1) <Fhe cfrousseaiufCous? oftl3 eslon Notes Beethoven (Symphony No. 2) . 1097 ANNUAL Colgrass (As Quiet As) 1132 Entr'acte 1 1 Beethoven's Vienna (/. N. B .) . 14 Notes Brahms (Concerto in D major for Violin) . ii34 Copyright 1967 by Boston Symphony Orchestra, Inc. to 73 Vl THE SOLOIST Joseph Silverstein succeeded Richard Burgin as Concertmaster in 1962. He became a member of the Boston Sym- Off phony Orchestra in 1955 when he was twenty-three and the youngest member of the Orchestra at that time. Born in Detroit he studied at the Curtis Insti- Lingerie tute of Music in Philadelphia, and later with Joseph Gingold and Mischa Misch- Teagowns, Negligees akoff. He played in the orchestras of Houston, Denver and Philadelphia be- Fine Linens fore joining this one. Mr. Silverstein has won signal honors here and abroad. In the autumn of 1961 he was awarded the prize in the Walter W. Naumburg Children's Clothes Foundation Competition. Mr. Silverstein has played many times in Wellesley only as soloist with the Boston Symphony Orchestra. He is one of the organizers and first violin of the Boston Symphony Chamber Players. This group, which is composed of the principal players of the Orchestra, will make a tour under the auspices of the State Department this ALL SALES FINAL coming spring, and will appear in Great Britain, the Soviet Union and West Germany. 416 Boylston St. 54 Central St. Mr. Silverstein is also the first violin Boston 021 16 Wellesley of the Boston Symphony String Quartet, KEnmore 6-6238 CEdar 5-3430 whose appearances have been greeted enthusiastically wherever they have per- formed ._.__. _ lo l [ 9 3 The Fernald School for Mentally Re- tarded Children is introducing a musical therapy program. This program is under the direction of Reuben Green, a mem- ber of our Orchestra. It is to be hoped JUsten that the success of this program will lead to courses in musical therapy in the larger institutional centers. At this particular time, there is a need for many instruments, specifically, Listening is a way of learning. guitars, violins and small pianos. Any- one who wishes to donate an instrument By listening, we feel an orchestra's depth should contact Mr. Reuben Green at that might never show in the conductor's Symphony Hall. Needless to say all score. donations will be greatly appreciated. Mr. Reuben Green, a member of the Listening is a way of learning about Orchestra, in cooperation with Dr. Em- Christian Science, too. manuel B. Green of the Rehabilitation Department of Boston University, is Every Wednesday evening at The Mother presently engaged in a unique music Church, you may hear individuals from therapy program at the Fernald School the congregation tell how their lives have in Waltham, Massachusetts. This new been touched and enriched by an under- approach is being used as an aid in the standing of God. Listening may bring you rehabilitation of mentally retarded chil- dren and young adults. something of the inspiration they have The program is in need of instruments found. of any kind, i.e., violins, guitars, pianos, etc. appeal is being You are invited to come. Any Wednesday An made to the Symphony audience to respond with evening at 7:30. Gifts of Instruments. These contributions are tax deductible THE FIRST CHURCH OF CHRIST, SCIENTIST since the program is sponsored by a IN BOSTON non-profit State School for the retarded. Across from Symphony Hall on Falmouth Street Inquiries may be addressed to Reuben Green, Boston Symphony Orchestra, Symphony Hall, or at his home, tele- phone number 969-8824. WINTERFEST The Boston Symphony Orchestra and the Boston Pops Orchestra will partici- pate in two concerts under the auspices of Winterfest. Both concerts will be held in Symphony Hall at 8:30. The Pops concert will be held on February 20 under the direction of Arthur Fiedler. The Symphony program will follow on February 23. Mr. Leinsdorf will con- duct and Joseph Silverstein will be the soloist in the Brahms Violin Concerto. [1092] Symphony Hall Organ Concert Sunday Evening, February 19, at 8:30 o'clock E. POWER BIGGS, Organist MEMBERS OF THE BOSTON SYMPHONY ORCHESTRA conducted by CHARLES WILSON . Program . Haydn Concerto No. 2 in C major for Organ, Strings, Trumpets and Timpani Sweelinck The Grand Duke's Ballet (Balletto del Granduca) Five Varieties (Music of Sweelinck, Amsterdam, 1562-1621, in observa- tion of the Rembrandt anniversary, Leiden, 1606—1669) Vivaldi .... Concerto in A minor for Strings and Continuo Mozart "Festival" Sonatas for Orchestra and Organ Sonata in C major, K. 263 Sonata in E-flat major, K. 67 Sonata in C major, K. 278 INTERMISSION Ernst Concerto in G major (Adapted J. S. Bach) (Played on the pedal harpsichord) Bach Sinfonia to Cantata No. 29, "We thank Thee, Lord" (Wir danken dir, Gott) Poulenc . Concerto in G minor, for Organ, Strings and Timpani Remaining concerts in this series: MONDAY, MARCH 27 • SUNDAY, APRIL 16 Series tickets for the Organ Concerts at the Symphony Hall Box Office $8.00, $6.50, $5.00 CO 6-1492 10 [ 93 ] "But Doctor, taking my sinuses to Arizona means leaving my broker behind." How is this man going to breathe free and easy in Arizona, if his investments are suffocating back in New England? Who'll be clipping his coupons? Exercising his options? Keeping track of his taxes? If this man had an Old Colony Standby Trust, we'd be doing all that. And that's how a Standby Trust works for you. If you're incapac- itated, Old Colony steps in and supervises your portfolio until you are able to resume the burden. Or someday you might just want to prescribe a vacation for yourself. The rest of the time you maintain complete control of your port- folio, leaving only the administrative chores to us. After your death we care for your Standby Trust just as if it were a Living Trust. That means your Standby Trust continues without interruption, providing income — and perhaps much-needed prin- cipal — for your family in a period of stress. Why not talk to us about a Standby Trust. And breathe easier. THE FIRST & OLD COLONY The First National Bank of Boston and Old Colony Trust Company [ '094 EIGHTY-SIXTH SEASON NINETEEN HUNDRED SIXTY-SIX-SIXTY-SEVEN Eighteenth Program FRIDAY AFTERNOON, February 17, at 2:00 o'clock SATURDAY EVENING, February 18, at 8:30 o'clock Beethoven Symphony No. 2, in D major, Op. 36 I. Adagio molto; Allegro con brio II. Larghetto III. Scherzo: Allegro IV.
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