Symphonie Fantastique
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Loose Adaptation for Chamber Orchestra (2013, Commissioned by Festival Berlioz) by Arthur Lavandier (Born in 1987)
LE BALCON SYMPHONIE FANTASTIQUE Loose adaptation for chamber orchestra BERLIOZ | LAVANDIER Le Balcon New Label — Le Balcon French national release : September 20th, 2016 CD BOX : TRANSAURAL VERSION – 3D SURROUND MIX FOR LOUDSPEAKERS- DOWNLOAD CODE INCLUDED FOR BINAURAL VERSION -3D SURROUND MIX FOR HEADPHONES Concerts : Théâtre de l’Athénée Sep 24 & 25, 2016 — Festival de Pâques de Deauville Apr 15, 2017 Teatro Mayor Jun 9, 2017 — Théâtre de Carcassonne Dec 8, 2017 — Opéra de Lille Mar 25, 2018 press [at] lebalcon.com PRESENTATION Hector Berlioz (1803-1869) Symphonie fantastique op. 14 (1830) Loose adaptation for chamber orchestra (2013, commissioned by Festival Berlioz) by Arthur Lavandier (born in 1987) In commissioning the Balcon ensemble for an ‘interpretation’ of the Symphonie Fantastique, the Festival Berlioz took a considerable risk. Given the size of the orchestra, a ‘transcription’, an ‘adaptation’ was necessary or in Arthur Lavandier’s words a ‘recreation’ – a term that we will retain since it was he who undertook this hazardous task. It is not a case of Berlioz against Lavandier, and the contrary even less so. It is an ‘encounter of a third kind’, a mosaic challenge, an open-minded tribute, an orchestral game, and shared laughter despite the centuries that divide them both. We could also say that it was like a fan- tasy film re-make. LE BALCON CONDUCTOR, MAXIME PASCAL PRODUCTION AND EDITORIAL CONCEPT, FLORENT DEREX SOLO VIOLIN, YOU JUNG HAN FLUTE, CLAIRE LUQUIENS OBOE, YE CHANG JUNG CLARINET, IRIS ZERDOUD BASSOON, JULIEN ABBES -
For Release: Tk, 2013
FOR RELEASE: January 23, 2013 SUPPLEMENT CHRISTOPHER ROUSE, The Marie-Josée Kravis COMPOSER-IN-RESIDENCE WORLD PREMIERE of SYMPHONY NO. 4 at the NY PHIL BIENNIAL New York Premiere of REQUIEM To Open Spring For Music Festival at Carnegie Hall New York Premiere of OBOE CONCERTO with Principal Oboe Liang Wang RAPTURE at Home and on ASIA / WINTER 2014 Tour Rouse To Advise on CONTACT!, the New-Music Series, Including New Partnership with 92nd Street Y ____________________________________ “What I’ve always loved most about the Philharmonic is that they play as though it’s a matter of life or death. The energy, excitement, commitment, and intensity are so exciting and wonderful for a composer. Some of the very best performances I’ve ever had have been by the Philharmonic.” — Christopher Rouse _______________________________________ American composer Christopher Rouse will return in the 2013–14 season to continue his two- year tenure as the Philharmonic’s Marie-Josée Kravis Composer-in-Residence. The second person to hold the Composer-in-Residence title since Alan Gilbert’s inaugural season, following Magnus Lindberg, Mr. Rouse’s compositions and musical insights will be highlighted on subscription programs; in the Philharmonic’s appearance at the Spring For Music festival; in the NY PHIL BIENNIAL; on CONTACT! events; and in the ASIA / WINTER 2014 tour. Mr. Rouse said: “Part of the experience of music should be an exposure to the pulsation of life as we know it, rather than as people in the 18th or 19th century might have known it. It is wonderful that Alan is so supportive of contemporary music and so involved in performing and programming it.” 2 Alan Gilbert said: “I’ve always said and long felt that Chris Rouse is one of the really important composers working today. -
2018/19 Utah Symphony | Utah Opera Season Calendar
2018/19 UTAH SYMPHONY | UTAH OPERA SEASON CALENDAR DATE TIME CONCERT PROGRAM CONDUCTOR / ARTISTS VENUE SERIES 11 7:00 PM 59th Annual Salute to Youth Conner Gray Covington conductor AH 14 & 15 7:30 PM Bernstein on Broadway Teddy Abrams conductor Morgan James vocalist AH Barlow Bradford Thierry Fischer conductor chorus director ANDREW NORMAN Suspend a fantasy for piano and orchestra Jason Hardink piano Kirstin Chávez mezzo-soprano 21 & 22 7:30 PM Beethoven’s “Ode to Joy” BEETHOVEN Symphony No. 9 “Choral” Joélle Harvey soprano AH A, D Issachah Savage tenor Patrick Carfizzi bass-baritone SEPTEMBER Utah Symphony Chorus University of Utah Choirs GERSHWIN An American in Paris 28 7:30 PM An American in Paris RAVEL Piano Concerto in G Thierry Fischer conductor Alexandre Tharaud piano AH B, E 29 5:30 PM SCHUBERT Symphony No. 9 “The Great C Major” 13 7:30 PM 15 7:00 PM Robert Tweten conductor Vera Calábria director 17 7:00 PM Gounod’s Romeo and Juliet CT Joshua Dennis Romeo Anya Matanoviĉ Juliet 19 7:30 PM 21 2:00 PM 26 7:30 PM BERNSTEIN Three Dances from Fancy Free OCTOBER Tchaikovsky’s 4th & The Red Violin 27 5:30 PM JOHN CORIGLIANO Violin Concerto “The Red Violin” Andrew Litton conductor Philippe Quint violin AH B, E 26 10:00 AM LITTON/QUINT FINISHING TOUCHES OPEN REHEARSAL TCHAIKOVSKY Symphony No. 4 2 & 3 7:00 PM Ghostbusters in Concert Peter Bernstein conductor Utah Symphony AH Thierry Fischer conductor Garnett Bruce director James Sale lighting designer Jonathan Johnson Candide B, E 9 7:30 PM Bernstein’s Candide with the Utah Symphony BERNSTEIN Candide Lauren Snouffer Cunegonde Hugh Russell Dr. -
Programme Information
Programme information Saturday 18th April to Friday 24th April 2020 WEEK 17 THE FULL WORKS CONCERT: CELEBRATING HER MAJESTY THE QUEEN’S BIRTHDAY Tuesday 21st April, 8pm to 10pm Jane Jones honours a very special birthday, as Queen Elizabeth II turns 94 years old. We hear from several different Masters of the Queen’s (or King’s) Music, from William Boyce who presided during the reign of King George II, to Judith Weir who was appointed the very first female Master of the Queen’s Music in 2014. The Central Band of the Royal Air Force also plays Nigel Hess’ Lochnagar Suite, inspired by Prince Charles’ book The Old Man of Lochnagar. Her Majesty has also supported classical music throughout her inauguration of The Queen’s Music Medal which is presented annually to an “outstanding individual or group of musicians who have had a major influence on the musical life of the nation”. Tonight, we hear from the 2016 recipient, Nicola Benedetti, who plays Vaughan Williams’ The Lark Ascending. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com, and on the Classic FM and Global Player apps. 1 WEEK 17 SATURDAY 18TH APRIL 3pm to 5pm: MOIRA STUART’S HALL OF FAME CONCERT Over Easter weekend, the new Classic FM Hall of Fame was revealed and this afternoon, Moira Stuart begins her first Hall of Fame Concert since the countdown with the snowy mountains in Sibelius’ Finlandia, which fell to its lowest ever position this year, before a whimsically spooky dance by Saint-Saens. -
Premieres by Caroline Shaw and Tyshawn Sorey Concluding
PRESS RELEASE [email protected] | (650) 525-6288 View Press Kits San Francisco Contemporary Music Players Present Premieres by Caroline Shaw and Tyshawn Sorey, with Concluding Concerts of 50th Anniversary Season to be Webcast in June and July SAN FRANCISCO (June 3, 2021) – San Francisco Contemporary Music Players and Artistic Director Eric Dudley announce three upcoming online events, including the world premieres of newly-commissioned works by acclaimed composers Caroline Shaw and Tyshawn Sorey, both Creative Advisors to SFCMP. For the first program, with webcast starting at 8 pm on Friday June 18 and available on-demand for 30 days following, Caroline Shaw brings her own insights as a vocalist to a new work for mixed quartet and solo voice, entitled Pine Tree and based on a text by San Francisco poet Yone Noguchi (1875-1947). Born in Japan and returning there for the latter part of his life, Noguchi spent a number of his early creative years in San Francisco and was the first Japanese-born writer to publish poetry in English. His poem I Hear you Call, Pine Tree becomes the basis for Shaw’s piece, which also features SFCMP Creative Advisor and guest artist Pamela Z on vocals. The rest of the program includes other works of vocal or vocally-inspired music, with Pamela Z performing her own composition Breathing from Carbon Song Cycle, Andrew Norman’s beautifully lyrical work Sabina for solo violin, and John Adams’s Son of Chamber Symphony, with its raucous opening movement built upon rhythmic echoes of the scherzo from Beethoven’s 9th, ‘Choral’ symphony. -
Hector Berlioz Harold in Italy, Op. 16
PROGRAM NOTES by Phillip Huscher Hector Berlioz Born December 11, 1803, Côte-Saint-André, France. Died March 8, 1869, Paris, France. Harold in Italy, Op. 16 Berlioz composed Harold in Italy in 1834. The first performance was given on November 23 of that year in Paris. The score calls for solo viola and an orchestra consisting of two flutes and piccolo, two oboes and english horn, two clarinets, four bassoons, four horns, two cornets and two trumpets, three trombones and tuba, timpani, snare drum, triangle, cymbals, harp, and strings. Performance time is approximately forty-two minutes. The Chicago Symphony Orchestra's first performances of Berlioz's Harold in Italy were given on subscription concerts at the Auditorium Theatre on March 11 and 12, 1892 with August Junker as soloist and Theodore Thomas conducting. At one of the first performances of his blockbuster Symphonie fantastique, Hector Berlioz noticed that a man stayed behind in the empty concert hall after the ovations had ended and the musicians were packing up to go home. He was, as Berlioz recalls in his Memoirs, "a man with long hair and piercing eyes and a strange, ravaged countenance, a creature haunted by genius, a Titan among giants, whom I had never seen before, the first sight of whom stirred me to the depths." The man stopped Berlioz in the hallway, grabbed his hand, and "uttered glowing eulogies that thrilled and moved me to the depths. It was Paganini." Paganini, is, of course, Italian-born Nicolò Paganini, among the first of music's one-name sensations. In 1833, the year he met Berlioz, Paganini was one of music's greatest celebrities, known for the almost superhuman virtuosity of his violin playing as well as his charismatic, commanding presence. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Berlioz's Orchestration Treatise
Berlioz’s Orchestration Treatise A Translation and Commentary HUGH MACDONALD published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarc´on 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface New Baskerville 11/13 pt. System LATEX2ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Berlioz, Hector, 1803–1869. [Grand trait´e d’instrumentation et d’orchestration modernes. English] Berlioz’s orchestration treatise: a translation and commentary/[translation, commentary by] Hugh Macdonald. p. cm. – (Cambridge musical texts and monographs) Includes bibliographical references and index. ISBN 0 521 23953 2 1. Instrumentation and orchestration. 2. Conducting. I. Macdonald, Hugh, 1940– II. Title. III. Series. MT70 .B4813 2002 781.374–dc21 2001052619 ISBN 0 521 23953 2 hardback Contents List of illustrations -
Commissions and Premieres
Commissions and Premieres In its 2020–2021 season, Carnegie Hall continues its longstanding commitment to the music of tomorrow, commissioning 19 works, and presenting 8 world and 24 New York premieres. This includes daring new solo, chamber, and orchestral works by established and emerging composers, as well as thought-provoking performances that cross musical genres. Carnegie Hall Commissions COMPOSER TITLE PERFORMERS THOMAS ADÈS Angel Symphony City of Birmingham Symphony Orchestra (NY Premiere, co-commissioned by Carnegie Hall) Mirga Gražinytė-Tyla, Music Director and Conductor LERA AUERBACH New Work Artemis Quartet (NY Premiere, co-commissioned by Carnegie Hall) KINAN AZMEH New Work Kinan Azmeh Cityband (World Premiere, commissioned by Carnegie Hall) LISA BIELAWA Sanctuary American Composers Orchestra (NY Premiere, co-commissioned by Carnegie Hall) George Manahan, Music Director and Conductor Jennifer Koh, Violin TYONDAI BRAXTON New Work Third Coast Percussion (NY Premiere, co-commissioned by Carnegie Hall) Movement Art Is feat. Jon Boogz & Lil Buck, Co-Founders, Choreographers, and Movement Artists OSVALDO GOLIJOV Falling Out of Time Silkroad Ensemble (NY Premiere, co-commissioned by Carnegie Hall) JLIN New Work Third Coast Percussion (NY Premiere, co-commissioned by Carnegie Hall) Movement Art Is feat. Jon Boogz & Lil Buck, Co-Founders, Choreographers, and Movement Artists VLADIMIR MARTYNOV New Work Kronos Quartet (NY Premiere, co-commissioned by Carnegie Hall) JESSIE MONTGOMERY Divided Sphinx Virtuosi (NY Premiere, co-commissioned -
Harold En Italie Les Nuits D'été
HECTOR BERLIOZ Harold en Italie Les Nuits d’été Les Siècles François-Xavier Roth Tabea Zimmermann Stéphane Degout FRANZ LISZT HECTOR BERLIOZ (1803-1869) Harold en Italie Symphonie avec un alto principal en 4 parties, op. 16, H. 68 D’après Childe Harold’s Pilgrimage de George Gordon Byron 1 | No 1. Harold aux montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio - Allegro 15’14 2 | No 2. Marche de pèlerins chantant la prière du soir. Allegretto 7’51 3 | No 3. Sérénade d'un montagnard des Abruzzes à sa maîtresse. Allegro assai 5’58 4 | No 4. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico 11’44 Les Nuits d'été Six mélodies avec un petit orchestre, op. 7, H. 81B Poèmes de Théophile Gautier (extraits de La Comédie de la mort) 5 | 1. Villanelle, H. 8 2’12 6 | 2. Le Spectre de la rose, H. 83 6’40 7 | 3. Sur les lagunes - Lamento, H. 84 5’43 8 | 4. Absence, H. 85 5’45 9 | 5. Au cimetière - Clair de lune, H. 86 5’41 10 | 6. L'Île inconnue, H. 87 3’37 Tabea Zimmermann, alto Stéphane Degout, baryton Les Siècles, François-Xavier Roth Les Siècles (instruments d’époque, cordes en boyaux) Violons I François-Marie Drieux Amaryllis Billet, Laure Boissinot, Pierre-Yves Denis, Hélène Marechaux, Jérôme Mathieu, Simon Milone, Sébastien Richaud, Laetitia Ringeval, Noémie Roubieu, Matthias Tranchant, Fabien Valenchon Violons II Martial Gauthier David Bahon, Virgile Demillac, Caroline Florenville, Julie Friez, Chloé Jullian, Mathieu Kasolter, Arnaud Lehmann, Thibaut Maudry, Jin-Hi Paik, Rachel Rowntree, Marie-Laure Sarhan Altos -
Beavert Symphony
BEAVERT SYMPHONY Spring Concert: Planets and other heavenly music SVOBODA TCHAI 7:30pm Friday, March 11, 2016 3:00pm Sunday, March 13, 2016 beavertonsymphony.org Our guest Soloist Twenty-three year-old pianist Eloise Kim is a 2014 Jack Kent Cooke Foundation Graduate Arts Award Recipient, one of only 20 artists in the United States to receive this award of $50,000 scholarship annually for graduate studies. Kim received her Bachelor of Music at The Colburn Conservatory and now pursues her Master's of Music at the Manhattan School of Music studying with Andre-Michel Schub. Eloise Kim has had numerous award recognitions, including grand- prize of the Pinault International Piano Competition where she had her Carnegie Weill Recital Hall debut at age 11, semi-finalist of the Gina Bachauer International Piano Competition, and finalist of the New York International Piano Competition. Kim won top prizes in the Lennox, Kingsville, WPPC (dedicated to Leon Fleisher), and Jefferson Young Artists International piano competitions. She was one of the six finalist groups of the International Chamber Music Ensemble Competition where the Kim-Garbot Duo made their first debut at Carnegie Weill Recital Hall. She has been a scholarship recipient of the Chopin National Foundation of the United States, featured young artist at Chamber Music Northwest, and a recipient of the Beaux Arts Society Award in Portland, Oregon. Kim performs solo recitals and chamber music concerts extensively throughout Oregon, Colorado, New York, California, and Canada. She has been a featured soloist at the Colburn Contemporary Ensemble concerts in Los Angeles and The Best of Colburn winter concert series in Three Rivers, California. -
Jupiter String Quartet – Group Biography
Jupiter String Quartet – Group Biography The Jupiter String Quartet is a particularly intimate group, consisting of violinists Nelson Lee and Meg Freivogel, violist Liz Freivogel (Meg’s older sister), and cellist Daniel McDonough (Meg’s husband, Liz’s brother-in-law). Now enjoying their 16th year together, this tight-knit ensemble is firmly established as an important voice in the world of chamber music. In addition to their performing career, they are artists- in-residence at the University of Illinois in Champaign-Urbana, where they maintain private studios and direct the chamber music program. The quartet has performed across the United States, Canada, Europe, Asia, and the Americas in some of the world’s finest halls, including New York City’s Carnegie Hall and Lincoln Center, London’s Wigmore Hall, Boston’s Jordan Hall, Mexico City's Palacio de Bellas Artes, Washington, D.C.’s Kennedy Center and Library of Congress, Austria’s Esterhazy Palace, and Seoul’s Sejong Chamber Hall. Their major music festival appearances include the Aspen Music Festival and School, Bowdoin Music Festival, Lanaudiere Festival, West Cork (Ireland) Chamber Music Festival, Caramoor International Music Festival, Music at Menlo, Maverick Concerts, Madeline Island Music Festival, Rockport Music Festival, the Banff Centre, Yellow Barn Festival, Skaneateles Festival, Encore Chamber Music Festival, and the Seoul Spring Festival, among others. Their chamber music honors and awards include the grand prizes in the Banff International String Quartet Competition and the Fischoff National Chamber Music Competition in 2004. In 2005, they won the Young Concert Artists International auditions in New York City, which quickly led to a busy touring schedule.