Special List 412: Nineteenth-Century Brazilian Imprints
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Aqui Se Verá, Se Dispuserem a Refletir Sobre O Que Somos, Seremos E Deixamos De Ser
PRESIDENTA DA REPÚBLICA Dilma Rousseff MINISTRO DA CULTURA Juca Ferreira FUNDAÇÃO BIBLIOTECA NACIONAL PRESIDENTE DA FBN Renato Lessa DIRETORA EXECUTIVA Myriam Lewin CHEFE DE GABINETE Ângela Fatorelli COORDENADORIA GERAL DE PLANEJAMENTO E ADMINISTRAÇÃO Tania Pacheco CENTRO DE COOPERAÇÃO E DIFUSÃO Moema Salgado CENTRO DE PESQUISA E EDITORAÇÃO Marcus Venicio Toledo Ribeiro CCP – CENTRO DE PROCESSAMENTO E PRESERVAÇÃO Liana Gomes Amadeo CCSL – CENTRO DE COLEÇÕES E SERVIÇOS AOS LEITORES Maria José da Silva Fernandes apoio: realização: rio de janeiro 450 anos UMA HISTÓRIA DO FUTURO BIBLIOTECA NACIONAL ficha técnica CURADORIA CENTRO DE CONSERVAÇÃO E Marco Lucchesi ENCADERNAÇÃO – CCE Gilvânia Lima COORDENAÇÃO GERAL Suely Dias REPRODUÇÕES FOTOGRÁFICAS Laboratório de Digitalização | Otávio COORDENAÇÃO DE PRODUÇÃO Alexandre Oliveira Verônica Lessa PROJETO EXPOGRÁFICO PESQUISA Leila Scaf Iuri Lapa Lia Jordão PROJETO GRÁFICO Rafaela Bettamio Tecnopop ACERVOS | CENTRO DE COLEÇÕES PRODUÇÃO Letra e Imagem E SERVIÇOS AOS LEITORES ILUMINAÇÃO COORDENADORIA DE ACERVO ESPECIAL Atelier da Luz Divisão de Cartografia Ivo Fernandes Lattuca Junior COORDENAÇÃO DE MONTAGEM Maria Dulce de Faria Lucas Rodrigues Divisão de Iconografia CENOTÉCNICA Diana dos Santos Ramos Buritis Design Luciana de Fátima Muniz Mônica Carneiro Alves PINTURA ARTÍSTICA Sônia Alice Monteiro Caldas Elisio Filho e Paulo Santos Tatiane Paiva Cova Divisão de Manuscritos MOLDURAS Eliane Perez Metara Arte e Molduras Maria de Fátima da Silva Morado Vera Lúcia Miranda Faillace AMPLIAÇÕES FOTOGRÁFICAS Fine Art Photo Print Divisão de Música e Arquivo Sonoro Elizete Higino LOGÍSTICA Sérgio Duayer Hosken Equipe Coordenadoria de Promoção Divisão de Obras Raras e Difusão Cultural | Januária Teive, Paula Ana Virgínia Teixeira da Paz Pinheiro Machado e Paulo Jorge José Henrique Monteiro Equipe CGPA/DMA Leila Marzullo de Almeida Maria do Rosário de F. -
CAMOC Newsletter 2013 SONNN Y3.Indd
03 2013 www.camoc.icom.museum View of Rio from the area currently planned for the City Museum Photo: © Jack Lohman Beyond Paradise: Brazil’s City Museums Today Jack Lohman* Brazil has frequently evoked images of earthly splendour, its realities. However tempting, it is a lazy view that sees no mere country, but a vast continent all of its own, a land modern Brazil no different than it was fifty or a hundred of mysterious forests and powerful rivers, of lushness and or five hundred years ago. For the country has changed, superabundance, of brilliant sunlight and dazzling sea. As like any modern state. It has developed its own style the historian Robert M. Levine reminds us, descriptions of of national presentation, and elaborated contemporary Brazil as a ‘tropical paradise’ circulated widely in Europe cultural forms that are not merely reflections of familiar from the beginning of the 16th century. Over four centuries tropes – of carnaval and bossa nova, barbecued later, the writer Stefan Zweig was still amazed at ‘this land churrasco and pictures of Pelé – but active forms of self- [that] comprises everything at once’. definition suitable to changing times, new political climates and advancing social needs. Yet beauty, mystery, grandeur or whatever it is that our notion of paradise might demand by way of definition, are Brazil’s city museums are among the most potent of these as much a distraction as a vision if we are to understand cultural forums, for they are both experiences to be had Brazil today. Brazil as a place of the mind can blind us to and a set of arguments put forward, * Professor Jack Lohman is Chief Executive Officer of the Royal BC Museum. -
Timeline / Before 1800 to After 1930 / PORTUGAL / POLITICAL CONTEXT
Timeline / Before 1800 to After 1930 / PORTUGAL / POLITICAL CONTEXT Date Country Theme 1807 - 1816 Portugal Political Context First Napoleonic invasion. Prince Regent João (1767–1826, crowned in 1816) transfers the court and the seat of political power to Brazil, avoiding being deposed and replaced by a Napoleonic nominee as in other European kingdoms. In Portugal, Beresford, the British governor, intervenes in Portuguese general politics disregarding national needs. 1817 - 1821 Portugal Political Context The emergence of liberal ideas. In Porto a Provisional Ruling Council is created (1820) and pursues the rebellion against British rule that started in Lisbon. Liberal revolution breaks out in Porto (August 1820), spreads to Lisbon, beginning the radical cycle known as Vintismo. King João VI is forced to return to Portugal from Brazil in 1821. 1822 Portugal Political Context 1 October: Inspired by Cadiz Constitution members of Parliament authored the first liberal Constitution. King João VI (1767-1826) promulgated the document on 1 October 1822, in Lisbon. Royal prerogatives and the nobles and clergy privileges were limited, though with a weak impact. 1822 Portugal Political Context King João VI asks his heir Prince Pedro, Duke of Braganza (1798–1834) to remain in Brazil. Part of the court decides to stay there. Facing revolt against the anti- Brazilian policy of Portugal, Pedro proclaims the independence of Brazil on 7 September (Grito do Ipiranga). In October he is acclaimed as the first Brazilian Emperor, Pedro I. 1826 - 1832 Portugal Political Context With the death of his father, Emperor Pedro I of Brazil becomes Pedro IV of Portugal but gives up the throne to his daughter, future Queen Maria II. -
Translating Brazil: from Transnational Periodicals to Hemispheric Fictions, 1808-2010
Translating Brazil: From Transnational Periodicals to Hemispheric Fictions, 1808-2010 By Krista Marie Brune A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Hispanic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Natalia Brizuela, Co-chair Professor Candace Slater, Co-chair Professor Scott Saul Spring 2016 Abstract Translating Brazil: From Transnational Periodicals to Hemispheric Fictions, 1808-2010 by Krista Marie Brune Doctor of Philosophy in Hispanic Languages and Literatures University of California, Berkeley Professor Natalia Brizuela, Co-chair Professor Candace Slater, Co-chair This dissertation analyzes how travel and translation informed the construction of Brazil as modern in the 19th century, and how similar processes of transnational translation continue to shape the cultural visibility of the nation abroad in the contemporary moment. By reading journals, literary works, and cultural criticism, this study inserts Brazilian literature and culture into recent debates about translatability, world literature, and cosmopolitanism, while also underscoring the often-overlooked presence of Brazilians in the United States. The first half of the dissertation contends that Portuguese-language periodicals Correio Braziliense (London, 1808-1822), Revista Nitheroy (Paris, 1836), and O Novo Mundo (New York, 1870-1879) translated European and North American ideas of technology and education to a readership primarily in Brazil. The transnational circulation of these periodicals contributed to the self- fashioning of intellectuals who came to define the nation. To suggest parallels between Brazil and the United States in the late 19th century, the analysis of O Novo Mundo focuses on discourses of nation, modernity, and technological progress emerging in the hemispheric travels of scientists, intellectuals, and the Brazilian empire Dom Pedro II, and in the national displays at the 1876 Centennial Exhibition in Philadelphia. -
1 Entre a Sociedade E a Política: a Produção Intelectual De Arthur
Entre a sociedade e a política: a produção intelectual de Arthur Azevedo (1873-1897) Giselle Pereira Nicolau* Arthur Azevedo viveu uma época de mudanças. Nascido em São Luís do Maranhão, em 14 de julho de 1855, este deixou a terra natal aos 18 anos, em busca de oportunidades na Corte.1 No Rio de Janeiro, foi jornalista, cronista e funcionário público, mas destacou-se como autor de teatro. Arthur testemunhou a passagem do Império à República, fazendo desse conjunto de acontecimentos, matéria e cenário para suas crônicas, contos e peças teatrais, em especial, em suas Revistas de Ano. Quando chegou ao Rio de Janeiro em 1873, com o objetivo de trabalhar no jornalismo e no teatro, o jovem de apenas 18 anos, iniciou suas atividades na folha A Reforma, dirigido por Joaquim Serra,2 um dos precursores da moderna imprensa política brasileira. Periódico de cunho liberal tinha, entre os colaboradores, nomes como os de Joaquim Nabuco, Rodrigo Otávio e Cesário Alvim. A redação do semanário era ponto de encontro de políticos, como Francisco Otaviano, Afonso Celso, que posteriormente veio a se tornar o Visconde Ouro Preto, e Tavares Bastos, além de outras figuras ligadas ao Partido Liberal. Não obstante a baixa remuneração, o trabalho jornalístico abria as portas para jovens que desejavam seguir carreira literária. Algo muito comum nessa época, o apadrinhamento ou mecenato, para usar a expressão de Machado Neto, dava oportunidades na imprensa para jovens que desejavam ganhar a vida com as letras (NETO, 1973: 11). Com Arthur Azevedo não ocorreu de outra maneira. Recém-chegado do Maranhão, onde havia desempenhado funções de jornalista, encontrou espaço no periodismo carioca, por intermédio de seu conterrâneo, Joaquim Serra. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
REPÚBLICA SIM, ESCRAVIDÃO NÃO: O Republicanismo De José Do Patrocínio E Sua Vivência Na República
UNIVERSIDADE FEDERAL FLUMINENSE CENTRO DE ESTUDOS GERAIS INSTITUTO DE CIÊNCIAS HUMANAS E FILOSOFIA PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA RITA DE CÁSSIA AZEVEDO FERREIRA DE VASCONCELOS REPÚBLICA SIM, ESCRAVIDÃO NÃO: O Republicanismo de José do Patrocínio e sua vivência na República Niterói 2011 2 RITA DE CÁSSIA AZEVEDO FERREIRA DE VASCONCELOS REPÚBLICA SIM, ESCRAVIDÃO NÃO: O Republicanismo de José do Patrocínio e sua vivência na República Dissertação apresentada ao Programa de Pós-Graduação da Universidade Federal Fluminense. Mestrado em História Contemporânea I na Universidade Federal Fluminense. Orientador: Prof. Dr. Humberto Fernandes Machado 3 Niterói 2011 Ficha Catalográfica elaborada pela Biblioteca Central do Gragoatá V331 Vasconcelos, Rita de Cássia Azevedo Ferreira de. República sim, escravidão não: o republicanismo de José do Patrocínio e sua vivência na República / Rita de Cássia Azevedo Ferreira de Vasconcelos. – 2011. 214 f. Orientador: Humberto Fernandes Machado. Dissertação (Mestrado) – Universidade Federal Fluminense, Instituto de Ciências Humanas e Filosofia, Departamento de História, 2011. Bibliografia: f. 208-214. 1. Abolição da escravatura, 1888. 2. Proclamação da República, 1889. 3. Patrocínio, José do, 1854-1905. I. Machado, Humberto Fernandes. II. Universidade Federal Fluminense. Instituto de Ciências Humanas e Filosofia. III. Título. CDD 981.04 4 REPÚBLICA SIM, ESCRAVIDÃO NÃO: O Republicanismo de José do Patrocínio e sua vivência na República Rita de Cássia Azevedo Ferreira de Vasconcelos Dissertação de Mestrado -
Breve Panorama Histórico Da Imprensa Literária No Maranhão Oitocentista Ricardo André Ferreira Martins*
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Universidade Federal de Santa Maria: Portal de Periódicos... Breve panorama histórico da imprensa literária no maranhão oitocentista Ricardo André Ferreira Martins* Resumo: O presente artigo tem como objetivo realizar um breve panorama histó- rico da atividade jornalística da imprensa literária ao longo do Maranhão oitocen- tista, no sentido de demonstrar como o mundo literário maranhense foi fundado e consolidado pari passu ao jornalismo político, disputando espaço nos jornais e periódicos do século XIX da capital maranhense, em que homens de letras e jor- nalistas confundiam-se. Palavras-chave: Jornalismo. Imprensa Literária. Maranhão. Resumén: Este trabajo pretende realizar una breve reseña histórica del periodis- mo de la prensa literaria en todo el siglo XIX en el estado brasileño del Maranhão, para demostrar cómo el mundo literario fue fundado y consolidado pari passu al periodismo político, así como la lucha por el espacio en los periódicos y revistas de la capital del Maranhão, en los cuales literatos y periodistas se confundieron. Palabras clave: Periodismo. Prensa Literaria. Maranhão. Abstract: This paper is an attempt to carry out a brief historical overview of jour- nalism in the literary press of Maranhão throughout the nineteenth century, in order to demonstrate how the literary world in Maranhão was founded and con- solidated in the same time to political journalism, fighting for space in news- papers and journals of the nineteenth century in Maranhão’s capital, in which literary men and journalists became confounded. Keywords: Journalism. Literary press. Maranhão. Breve panorama histórico da imprensa literária.. -
Um Mar À Margem: O Motivo Marinho Na Poesia Brasileira Do Romantismo
Comunicação apresentada no Con- gresso Internacional La Lusophonie: Voies/Voix Océaniques, Université Libre de Bruxelles, 16-19 de se- tembro de 1998. Um mar à margem: o motivo marinho na poesia brasileira ANTONIO CARLOS SECCHIN do Romantismo ANTONIO CARLOS Para procurar a resposta, percorremos a SECCHIN é ononom nom obra de 52 poetas (2) do Romantismo bra- onomn mon mon omnm sileiro, uma vez que o centramento exclu- onm onm onm onm onm onm onm onm sivo nos autores canônicos nos parecia in- suficiente para revelar a dimensão da inci- dência (ou da ausência) do mar na produ- ção do período. Foram lidos todos os poe- inha terra tem palmeiras, / mas que fizessem no título menção explíci- Onde canta o sabiá” (1). Nos ta ao mar, ou implícita, através de campos famosíssimos versos da metonímicos como praia, concha, areia, “Canção do Exílio”, Gonçal- barco. Desse total, nada menos do que 22 ves Dias fala de terra, aves, poetas não assinaram textos com motivo “Mestrelas, bosques: fala de quase tudo, mas marinho; dos 30 restantes (3), 23 possuem não do mar. A natureza do Brasil, na sua poemas efetivamente dedicados ao tema, e idealização exemplar, já surge celebrada nos demais o mar comparece na condição com o mar a menos. E nos outros poetas de coadjuvante, seja no contexto mais 1 G. Dias, 1957, p. 83. Para românticos? O mar teria sido elemento im- amplo de uma baía ou de um litoral, seja evitar excessiva remissão às portante na constituição de um espaço num cenário protagonizado pela lua. Pre- notas, doravante as citações serão acompanhadas, no cor- paradisíaco, ou, ao contrário, acabou re- sença, portanto, relativamente moderada, po do texto, do número da página do livro em que se en- traindo-se como um convidado modesto que vem de encontro às expectativas de uma contram. -
The Political History of Nineteenth Century Portugal1
The Political History of Nineteenth Century Portugal1 Paulo Jorge Fernandes Autónoma University of Lisbon [email protected] Filipe Ribeiro de Meneses National University of Ireland [email protected] Manuel Baiôa CIDEHUS-University of Évora [email protected] Abstract The political history of nineteenth-century Portugal was, for a long time, a neglected subject. Under Salazar's New State it was passed over in favour of earlier periods from which that nationalist regime sought to draw inspiration; subsequent historians preferred to concentrate on social and economic developments to the detriment of the difficult evolution of Portuguese liberalism. This picture is changing, thanks to an awakening of interest in both contemporary topics and political history (although there is no consensus when it comes to defining political history). The aim of this article is to summarise these recent developments in Portuguese historiography for the benefit of an English-language audience. Keywords Nineteenth Century, History, Bibliography, Constitutionalism, Historiography, Liberalism, Political History, Portugal Politics has finally begun to carve out a privileged space at the heart of Portuguese historiography. This ‘invasion’ is a recent phenomenon and can be explained by the gradual acceptance, over the course of two decades, of political history as a genuine specialisation in Portuguese academic circles. This process of scientific and pedagogical renewal has seen a clear focus also on the nineteenth century. Young researchers concentrate their efforts in this field, and publishers are more interested in this kind of works than before. In Portugal, the interest in the 19th century is a reaction against decades of ignorance. Until April 1974, ideological reasons dictated the absence of contemporary history from the secondary school classroom, and even from the university curriculum. -
A Numismatic Legacy from Portugal's
A NUMISMATIC LEGACY FROM PORTUGAL’S ‘WAR OF THE TWO BROTHERS’ John E. Sandrock As an avid paper money enthusiast I have always been intrigued by the little mysteries that sometimes show up. Such a baffling puzzle surfaced some years ago after I had acquired a group of early Portuguese currency dating from the late 1700s. These notes had all been overprinted with red sunbursts bearing the name of the king of Portugal. The difficulty was, that some notes were attributed to Pedro IV, and some to Miguel I. My desire to learn why this should be led me to the explanation, but not before I had probed into the discovery of a continent and learned something of the consequences of the Napoleonic War. These seemingly unrelated events eventually led me to the explanation and to my awareness of the War of the Two Brothers. Today Portugal is one of the smallest and least developed nations of Western Europe. There was a time, however, when Portugal played a far larger role in world history, one greatly disproportionate to its size. Those were the days of exploration when Portugal’s greatness reached the four corners of the earth. Such men as Prince Henry the Navigator, Bartholomeu Dias, Vasco da Gama and Pedro Cabral laid claim to vast lands in the name of Portugal. As colonization followed exploration, the small country was hard pressed to find sufficient administrators and colonists to maintain control of her far-flung possessions. Because she had an insufficient population base to maintain large armies and the necessary administrators in her newly found colonies, these lands gradually slipped away from Portuguese control, finding other political accommodations. -
Longfellow House's Brazilian Connection
on fellow ous L g ulletinH e Volume 4 No. 2 A Newsletter of the Friends of the Longfellow House and the National Park Service December 2000 The Emperor and the Poet: LongfellowB House’s Brazilian Connection t Brazil’s Independence Day celebra- Ambassador Costa went on to cite Dom Using Longfellow’s published letters Ation on September 7, 2000, Ambas- Pedro II‘s long correspondence with and the House archives, Jim Shea sador Mauricio Eduardo Cortes Costa, Henry Wadsworth Longfellow confirmed that on June 10, 1876 Consul General of Brazil in Boston, and his visit to the poet’s Dom Pedro II dined with bestowed upon Boston’s Mayor Thomas house in 1876. Henry W. Longfellow and Menino the “Medal Order of the South- This story has recently friends at what was then ern Cross, Rank of Commander.” The been pieced together known as Craigie House. medal was created by Brazil’s first emperor, through a collaboration In his journal Longfel- Dom Pedro I, in 1822, as he wrote, to “ac- between members of the low wrote: “Dom Pedro knowledge the relevant services rendered to National Park Service II, Emperor of Brazil, the empire by my most loyal subjects, civil and the Brazilian Con- dined with us. The servants, and foreign dignitaries, and as a sulate. In August Mar- other guests were Ralph token of my highest esteem.” cilio Farias, Cultural Waldo Emerson, Oliver In his address at the ceremony at Boston Affairs Advisor at the Wendell Holmes, Louis City Hall, the Ambassador spoke of the Brazilian Consulate in Agassiz, and Thomas Gold ties between Brazil and the U.S., particu- Boston, called Site Manager Appleton.