The Camera and Photography
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Shutter Stream Product Photography Software *IMPORTANT
Quick Start Guide – Shutter Stream Product Photography Software *IMPORTANT – You must follow these steps before starting: 1. Registering the Software: After installing the software and at the time of first launch, users will be prompted with a registration page. This is required. Please fill out this form in its entirety, select ‘ShutterStream’ license type then submit – this will be automatically sent to our licensing server. Within 72 hours, user will receive their license file along with license file import instructions (sent via email to the address used at time of registration) the software. The software will remain fully functional in the meantime. 2. Setting up your Compatible Camera: Please select your specific camera model from this page for the required settings. Additional Training Documents: Shutter Stream Full User Guide: See here Features Overview Video: See Here Help Desk & Support: Help Desk: http://confluence.iconasys.dmmd.net/display/SHSKB/Shutter+Stream+Knowledge+Base Technical Support: Please email [email protected] to open up a support ticket. © Iconasys Inc. 2013-2018 Overview - Shutter Stream UI 1. Image Capture Tools 2. Image Viewing Gallery 3. Image Processing Tools 4. Live View / Image Viewing Window 5. Camera Setting Taskbar 6. Help and Options 4 6 1 3 5 2 **Make sure camera has been connected via USB to computer and powered on before launching software Shutter Stream Product Photography Workflow: Step 1 – Place an object in Cameras Field of View and Click the Live View button (top left corner of software): ‘Live View’ will stream the cameras live view to the monitor screen in real time so users can view the subject they wish to shoot before actually capturing the image. -
Completing a Photography Exhibit Data Tag
Completing a Photography Exhibit Data Tag Current Data Tags are available at: https://unl.box.com/s/1ttnemphrd4szykl5t9xm1ofiezi86js Camera Make & Model: Indicate the brand and model of the camera, such as Google Pixel 2, Nikon Coolpix B500, or Canon EOS Rebel T7. Focus Type: • Fixed Focus means the photographer is not able to adjust the focal point. These cameras tend to have a large depth of field. This might include basic disposable cameras. • Auto Focus means the camera automatically adjusts the optics in the lens to bring the subject into focus. The camera typically selects what to focus on. However, the photographer may also be able to select the focal point using a touch screen for example, but the camera will automatically adjust the lens. This might include digital cameras and mobile device cameras, such as phones and tablets. • Manual Focus allows the photographer to manually adjust and control the lens’ focus by hand, usually by turning the focus ring. Camera Type: Indicate whether the camera is digital or film. (The following Questions are for Unit 2 and 3 exhibitors only.) Did you manually adjust the aperture, shutter speed, or ISO? Indicate whether you adjusted these settings to capture the photo. Note: Regardless of whether or not you adjusted these settings manually, you must still identify the images specific F Stop, Shutter Sped, ISO, and Focal Length settings. “Auto” is not an acceptable answer. Digital cameras automatically record this information for each photo captured. This information, referred to as Metadata, is attached to the image file and goes with it when the image is downloaded to a computer for example. -
Digital Camera Functions All Photography Is Based on the Same
Digital Camera Functions All photography is based on the same optical principle of viewing objects with our eyes. In both cases, light is reflected off of an object and passes through a lens, which focuses the light rays, onto the light sensitive retina, in the case of eyesight, or onto film or an image sensor the case of traditional or digital photography. The shutter is a curtain that is placed between the lens and the camera that briefly opens to let light hit the film in conventional photography or the image sensor in digital photography. The shutter speed refers to how long the curtain stays open to let light in. The higher the number, the shorter the time, and consequently, the less light gets in. So, a shutter speed of 1/60th of a second lets in half the amount of light than a speed of 1/30th of a second. For most normal pictures, shutter speeds range from 1/30th of a second to 1/100th of a second. A faster shutter speed, such as 1/500th of a second or 1/1000th of a second, would be used to take a picture of a fast moving object such as a race car; while a slow shutter speed would be used to take pictures in low-light situations, such as when taking pictures of the moon at night. Remember that the longer the shutter stays open, the more chance the image will be blurred because a person cannot usually hold a camera still for very long. A tripod or other support mechanism should almost always be used to stabilize the camera when slow shutter speeds are used. -
Film Camera That Is Recommended by Photographers
Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to. -
Enlarger / Photogram Review Worksheet Photography 1 Ms. Brown Names Block Date
Enlarger / Photogram Review Worksheet Photography 1 Ms. Brown Names Block Date Find your enlarger partner and work as a team to fill out the following handout. 1. It is safe to have your photo paper out of the box/bag while you focus the enlarger light. a. True, photo paper is light sensitive but not THAT sensitive. b. False, photo paper is light sensitive and should never be left out or opened when any kind of white light is present in the darkroom or classroom, which is why you turn your timer OFF while you get out your paper. 2. Please explain why we make “test strips” in photography. 3. What should you consider for your photogram composition? a. Asymmetry b. Movement c. Full range of values including true black and true white d. Strong focal point e. All of the above 4. A PHOTOGRAM is also known as a RAYOGRAM named after the artist MAN RAY. a. True b. False 5. What is the difference between “focus” and “time” on your timer? Please explain. 6. What number enlarger are you assigned to? _____ 7. Find your assigned enlarger and write down the apertures (f-stops) from brightest to dimmest. (hint…apertures are located on the lens of your enlarger) BRIGHEST (2.8) ------------------------------------------------------------------- (32) DIMMEST 8. Turn your aperture (f/stop) to the brightest setting. Now set your aperture to f/8. How many clicks does it take to get to f/8 on YOUR enlarger? (This will vary depending on the brand of your enlarger) _______ BEFORE YOU BEGIN WORKING IN THE DARKROOM TODAY. -
Color Printing Techniques
4-H Photography Skill Guide Color Printing Techniques Enlarging Color Negatives Making your own color prints from Color Relations color negatives provides a whole new area of Before going ahead into this fascinating photography for you to enjoy. You can make subject of color printing, let’s make sure we prints nearly any size you want, from small ones understand some basic photographic color and to big enlargements. You can crop pictures for the visual relationships. composition that’s most pleasing to you. You can 1. White light (sunlight or the light from an control the lightness or darkness of the print, as enlarger lamp) is made up of three primary well as the color balance, and you can experiment colors: red, green, and blue. These colors are with control techniques to achieve just the effect known as additive primary colors. When you’re looking for. The possibilities for creating added together in approximately equal beautiful color prints are as great as your own amounts, they produce white light. imagination. You can print color negatives on conventional 2. Color‑negative film has a separate light‑ color printing paper. It’s the kind of paper your sensitive layer to correspond with each photofinisher uses. It requires precise processing of these three additive primary colors. in two or three chemical solutions and several Images recorded on these layers appear as washes in water. It can be processed in trays or a complementary (opposite) colors. drum processor. • A red subject records on the red‑sensitive layer as cyan (blue‑green). • A green subject records on the green‑ sensitive layer as magenta (blue‑red). -
Shutter Speed in Digital Photography Stephen Sagers, Tooele County 4-H Agent Ron Patterson, Carbon County Ag/4-H Agent
March 2012 4H/Photography/2012-03pr Shutter Speed in Digital Photography Stephen Sagers, Tooele County 4-H Agent Ron Patterson, Carbon County Ag/4-H Agent Photography is the process of recording light. Film The Shutter cameras recorded the light on to the film while digital cameras record light on an image sensor. In The shutter is located behind the lens and mirrors order to prevent bright or dim light from creating an and opens when a photograph is taken. Most consumer cameras can shoot pictures with shutter overexposed or underexposed image the shutter th must open and close in the right amount of time. speeds from 1/2000 of a second to several seconds The amount of time it is opened depends on three (or indefinitely.) This feature is useful for freezing factors: the light intensity, the aperture setting, and motion or capturing effects like fireworks or the ISO or film speed. (Refer to separate factsheets running water. on ISO and aperture for a more detailed definition of these concepts.) In order to achieve proper exposure these three features must be balanced. The shutter speed is the easiest to adjust in order to obtain proper exposure. Exposure In digital photography exposure refers to the amount of light that reaches the image sensor. When too much light is recorded the picture will be washed out — overexposed. When too little light is recorded the image will be dark — underexposed. Figure 1. The inside of a film camera. The mirror Usually, neither situation is desirable. and shutter behind it move when it shoots a photograph. -
A Curriculum Guide
FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE This page is an excerpt from Focus on Photography: A Curriculum Guide Written by Cynthia Way for the International Center of Photography © 2006 International Center of Photography All rights reserved. Published by the International Center of Photography, New York. Printed in the United States of America. Please credit the International Center of Photography on all reproductions. This project has been made possible with generous support from Andrew and Marina Lewin, the GE Fund, and public funds from the New York City Department of Cultural Affairs Cultural Challenge Program. FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE PART IV Resources FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE This section is an excerpt from Focus on Photography: A Curriculum Guide Written by Cynthia Way for the International Center of Photography © 2006 International Center of Photography All rights reserved. Published by the International Center of Photography, New York. Printed in the United States of America. Please credit the International Center of Photography on all reproductions. This project has been made possible with generous support from Andrew and Marina Lewin, the GE Fund, and public funds from the New York City Department of Cultural Affairs Cultural Challenge Program. FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE Focus Lesson Plans Fand Actvities INDEX TO FOCUS LINKS Focus Links Lesson Plans Focus Link 1 LESSON 1: Introductory Polaroid Exercises Focus Link 2 LESSON 2: Camera as a Tool Focus Link 3 LESSON 3: Photographic Field -
Digital Photography Basics for Beginners
DIGITAL PHOTOGRAPHY BASICS FOR BEGINNERS by Robert Berdan [email protected] www.canadiannaturephotographer.com These notes are free to use by anyone learning or teaching photography. 1. Choosing a camera - there are 2 main types of compact cameras A) Point and Shoot Camera (some have interchangeable lenses most don't) - you view the scene on a liquid crystal display (LCD) screen, some cameras also offer viewfinders. B) Single Lens Reflex (SLR) - cameras with interchangeable lenses let you see the image through the lens that is attached to the camera. What you see is what you get - this feature is particularly valuable when you want to use different types of lenses. Digital SLR Camera with Interchangeable zoom lens 1 Point and shoot cameras are small, light weight and can be carried in a pocket. These cameras tend to be cheaper then SLR cameras. Many of these cameras offer a built in macro mode allowing extreme close-up pictures. Generally the quality of the images on compact cameras is not as good as that from SLR cameras, but they are capable of taking professional quality images. SLR cameras are bigger and usually more expensive. SLRs can be used with a wide variety of interchangeable lenses such as telephoto lenses and macro lenses. SLR cameras offer excellent image quality, lots of features and accessories (some might argue too many features). SLR cameras also shoot a higher frame rates then compact cameras making them better for action photography. Their disadvantages include: higher cost, larger size and weight. They are called Single Lens Reflex, because you see through the lens attached to the camera, the light is reflected by a mirror through a prism and then the viewfinder. -
Download Product Catalog
PHOTOGRAPHIC EQUIPMENT Developing excellence for over 65 years 150 Years of Manufacturing Excellence The Charles Beseler Company was founded in 1869 as a manufacturer of a variety of products including inhalers, magic lanterns with oil lamps and stereopticons. By 1943 the company had become an innovative audio-visual company serving the military and education markets. In 1953, Beseler entered the amateur and professional photography fields with the development of the 45 Series Enlarger and other darkroom products. Today, the Charles Beseler Company continues to be the leading supplier of photographic darkroom equipment for the educational market. Proudly made in the USA, at a modern manufacturing facility in Stroudsburg, Pennsylvania, Beseler’s line of high-quality photographic equipment continues to withstand the test of time and remains the industry standard for professionals and amateurs alike. beseler.com NEW PRODUCT DESIGN AND INNOVATION. A BESELER TRADITION. Our team of experts is constantly working on engineering and manufacturing new products to meet your most challenging photographic needs. Check back on our website to discover the very latest Beseler products, parts and accessories in the coming months! From enlargers and light sources to copy stands and easels, Beseler offers the highest quality photographic equipment, all backed by an experienced sales and service team. See why photographers have trusted our products for generations. ENLARGERS 2-3 LIGHT SOURCES 4-5 EASELS 6 COPY STANDS 7 ACCESSORIES AND REPLACEMENT PARTS 8-9 800.237.3537 • beseler.com 1 ENLARGERS 23C III-XL Enlargers All 23C III-XL enlargers are built around the extra long and rigid twin girder construction which helps reduce vibrations while allowing print sizes larger than 16” x20” on the baseboard. -
The Art, Science and Algorithms of Photography This Week Exposure Shutter Speed Side-Effect of Shutter Speed Creative Shutter Sp
This Week • Exposure (today) The Art, Science and Algorithms – Camera Basics of Photography – Simple Math • Metering Exposure & Metering • Zone System Maria Hybinette 1 2 Maria Hybinette Exposure Shutter Speed • Controls light to digital sensor (or film) • Controls how long the sensor is exposed to light • Two main controls (parameters): • Linear effect on exposure until sensor saturates – Shutter Speed • Denoted in fraction of a second: – 1/30, 1/60, 1/125, 1/250, 1/500 • Controls amount of time light ‘shines’ on the sensor – Get the pattern ? – Aperture On a normal lens, hand-hold down to 1/60 • Controls the amount of light falls on a unit area per • second – Rule of thumb: shortest exposure: 1/ focal length • 1/50 for a 50 mm lens (slower motion blur) • Exposure = Irradiance x Time • 1/500 for a 500mm lens, – so large lenses needs faster shutter speeds to avoid camera Aperture Control: Amount of light falling shake on a unit area of sensor per second. 3 Photo Credit: 4 Side-Effect of Shutter Speed Creative Shutter Speeds Photo Credit: • Motion Blur Pasant @Flickr • Halving the shutter doubles the motion blur. 3 seconds 4 seconds Bulb: 3-10 second 1/30 Panning 30 seconds 15 seconds Wikipedia Fast Shu:er Speed Slow Shu:er Speed 6 5 Photo Credit: Wikipedia, Cooriander & Pasant @flickr Effect of shutter speed Shutters • Freezing motion • Central Shutters – Rule of thumb – Mounted within lens assembly (some in-front of lens, early cameras) Walking people Running people Car Fast train – Leaf mechanism generally used for this (see next slide for a simple version) 1/125th second – Diaphragm shutter (thin blades) 1/500th second • Focal plane shutters near the focal plane and 1/125 1/250 1/500 1/1000 moves to uncover sensor • Modern are mostly electronic • Digital cameras typically use a combination of mechanical and electronic timings Photo Credit: 7 Fredo Durand 8 Shutter Shutter • Simple leaf-shutter, typically Simple Leaf Shu3er only one speed 1. -
Shutter Speed Refers to the Amount of Time Your Sensor Is Exposed to Light
The 2nd part of the photographic triangle Shutter speed refers to the amount of time your sensor is exposed to light. In film photography shutter speed was the length of time that the film was exposed to the scene you’re taking a picture of. In digital photography, it is the same except that your film is replaced with a sensor that does the same thing. Shutter speed can range from very slow speeds such several seconds (or minutes on the Bulb setting) to 1/1600 of a second or faster. It might help to visualize your shutter literally as a door, with your shutter speed controlling how fast or how slow the door opens and closes. In most cases you’ll probably be using shutter speeds of 1/60th of a second or faster. This is because anything slower than this is very difficult to use without getting camera shake. http://flickr.com/photos/konaboy/72845202 / The faster you set your shutter speed, the more you will “freeze” motion. some cameras go as fast as 1/8000th sec! Alternately some images made at night with a tripod can be several hours long. If handholding try not to use a speed below 1/60thsec. Longer lenses need faster speeds to obtain a sharp image, i.e. 200mm lens use 1/250th. A faster shutter speed doesn’t allow light to hit your sensor for a long amount of time. The fastest shutter speed on record is from the “Steam” Camera, which uses lasers or some junk to take really fast photographs (as fast as up to 440 trillionths of a second!).