Film Opening Dates

Total Page：16

File Type：pdf, Size：1020Kb

■ BY LAUREN WILFORD ■ ILLUSTRATIONS BY MAX DALTON An exclusive look at the making of Wes Anderson’s newest animated film,Isle of Dogs ■ Isle of Dogs marks Wes Anderson’s exciting return to stop-motion animation. It will be his first animated film since the Academy Award–nominated Fantastic Mr. Fox in 2009 ■ Rides on the success of both the movie and the three previous Wes Anderson Collection volumes, a series which has more than 200,000 copies in print ■ Includes previously unpublished behind-the-scenes materials and ephemera from Isle of Dogs in an obsessively designed format The Wes Anderson Collection: Isle of Dogs takes readers behind the scenes of the beloved auteur's newest animated film. Set in Japan and centered on a young boy's search for his missing dog, Isle of Dogs features the voices of Anderson regulars Edward Norton, Bill Murray, Frances McDormand, Jeff Goldblum, F. Murray Abraham, Tilda Swinton, Bob Balaban, and Harvey Keitel. Also lending their voices to this star-studded production areBryan Cranston, Koyu Rankin, Kunichi Nomura, Liev Schreiber, Akira Ito, Akira Takayama, Scarlett Johansson, Yoko Ono, Greta Gerwig, and Courtney B.Vance. In the newest addition to the Wes Anderson Collection, the story of Isle of Dogs’s conception and production 9781419730092 Pub Date: 9/18/18 unfolds over the course of several in-depth interviews with Wes Anderson, all conducted by film critic Lauren $35.00 US Wilford. Anderson and his collaborators reveal entertaining anecdotes about the making of the film, their sources Hardcover with Jacket of inspiration, the ins and outs of stop-motion animation, and many other insights into their moviemakingprocess. 256 Pages - 300 color photos In keeping with Anderson’s signature aesthetic vision, The Wes Anderson Collection: Isle of Dogs is richly Performing Arts / Film & Video designed and rife with colorful behind-the-scenes images, photographs, concept artwork, andephemera. 11.3 in H | 9.4 in W RIGHTS: WORLD FILM OPENING DATES: USA 23-Mar-18 Japan Apr-18 Singapore 10-May-18 Mexico 11-May-18 Argentina 24-May-18 Brazil 14-Jun-18 Hong Kong 14-Jun-18 ALSO AVAILABLE in The Wes Anderson Collection: The Wes Anderson The Wes Anderson The Wes Anderson Collection Collection: Collection: Bad Dads 9780810997417 The Grand Budapest Hotel 9781419720475 $40.00 9781419715716 $35.00 $29.95 Please send orders to: [email protected].

Copy Link

Recommended publications

Isle of Dogs (Dir
Nick Davis Film Discussion Group April 2018 Isle of Dogs (dir. Wes Anderson, 2018) Dog Cast Chief (the main dog): Bryan Cranston: One of the only non-Anderson vets in the U.S. cast Rex (a semi-leader): Edward Norton: Moonrise Kingdom (12); Grand Budapest Hotel (14) Duke (gossip fan): Jeff Goldblum: fantastic in underseen British gem Le Week-end (13) Boss (mascot jersey): Bill Murray: rebooted career by starring in Anderson’s Rushmore (98) King (in their crew): Bob Balaban: hilarious in a very different dog movie, Best in Show (00) Spots (Atari’s dog): Liev Schreiber: oft-cast as dour antiheroes: Ray Donovan (13-18), etc. Nutmeg (Chief’s crush): Scarlett Johansson: controversially appeared in Ghost in the Shell (17) Jupiter (wise hermit): F. Murray Abraham: won Best Actor Oscar as Salieri in Amadeus (84) Oracle (TV prophet): Tilda Swinton: an Anderson regular since Moonrise Kingdom (12) Gondo (lead “cannibal”): Harvey Keitel: untrue rumors of cruelty a riff on his usual typecasting Peppermint (Spots’ girl): Kara Hayward: the young female co-lead of Moonrise Kingdom (12) Human Cast Atari (young pilot): Koyu Rankin: Japanese-Scottish-Canadian, in his first feature film Kobayashi (evil mayor): Kunichi Nomura: enlisted as Japanese cultural consultant, then cast Prof. Watanabe: Akiro Ito: actor/dancer; briefly appears as translator in Birdman (14) Interpreter Nelson: Frances McDormand: another veteran of Moonrise Kingdom (12) Tracy (U.S. student): Greta Gerwig: the Oscar-nominated writer-director of Lady Bird (17) Yoko Ono (scientist): Yoko Ono: 83-year-old avant-garde musician and performance artist Narrator: Courtney B.
[Show full text]
Bruce Jackson & Diane Christian Video Introduction to This Week's Film
April 28, 2020 (XL:13) Wes Anderson: ISLE OF DOGS (2018, 101m) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Bruce Jackson & Diane Christian video introduction to this week’s film (with occasional not-very-cooperative participation from their dog, Willow) Click here to find the film online. (UB students received instructions how to view the film through UB’s library services.) Videos: Wes Anderson and Frederick Wiseman in a fascinating Skype conversation about how they do their work (Zipporah Films, 21:18) The film was nominated for Oscars for Best Animated Feature and Best Original Score at the 2019 Academy Isle of Dogs Voice Actors and Characters (8:05) Awards. The making of Isle of Dogs (9:30) CAST Starting with The Royal Tenenbaums in 2001, Wes Isle of Dogs: Discover how the puppets were made Anderson has become a master of directing high- (4:31) profile ensemble casts. Isle of Dogs is no exception. Led by Bryan Cranston (of Breaking Bad fame, as Weather and Elements (3:18) well as Malcolm in the Middle and Seinfeld), voicing Chief, the cast, who have appeared in many Anderson DIRECTOR Wes Anderson films, includes: Oscar nominee Edward Norton WRITING Wes Anderson wrote the screenplay based (Primal Fear, 1996, American History X, 1998, Fight on a story he developed with Roman Coppola, Club, 1999, The Illusionist, 2006, Birdman, 2014); Kunichi Nomura, and Jason Schwartzman. Bob Balaban (Midnight Cowboy, 1969, Close PRODUCERS Wes Anderson, Jeremy Dawson, Encounters
[Show full text]
Dossier De Presse En Compétition
DOSSIER DE PRESSE EN COMPÉTITION Searchlight Pictures et Indian Paintbrush présentent Une production American Empirical BRYAN CRANSTON SCARLETT JOHANSSON KOYU RANKIN HARVEY KEITEL EDWARD NORTON F. MURRAY ABRAHAM BOB BALABAN YOKO ONO BILL MURRAY TILDA SWINTON JEFF GOLDBLUM KEN WATANABE, KUNICHI NOMURA MARI NATSUKI AKIRA TAKAYAMA FISHER STEVENS GRETA GERWIG NIJIRO MURAKAMI FRANCES MCDORMAND LIEV SCHREIBER AKIRA ITO COURTNEY B. VANCE Un fi lm deWES ANDERSON Durée : 1h41 SORTIE LE 11 AVRIL 2018 Matériel téléchargeable sur www.foxpresse.fr Site offi ciel : http://www.foxfrance.com/ Presse online Distribution Presse CARTEL TWENTIETH CENTURY FOX MOONFLEET Constance Fontaine 241, Boulevard Péreire Matthieu Rey Tél. : 01 82 83 44 65 75017 Paris 6, Rue D’aumale 75009 Paris [email protected] Tél. : 01 58 05 57 00 Tél. : 01 53 20 01 20 Charline Meriguet matthieu-rey@moonfl eet.fr Tél. : 01 82 83 44 69 [email protected] Presse Wes Anderson Isabelle Duvoisin Tél. : 06 81 34 77 41 [email protected] 1 L’histoire En raison d’une épidémie de grippe canine, le maire de Megasaki ordonne la mise en quarantaine de tous les chiens de la ville, envoyés sur une île qui devient alors l’Ile aux Chiens. Le jeune Atari, 12 ans, vole un avion et se rend sur l’île pour rechercher son fidèle compagnon, Spots. Aidé par une bande de cinq chiens intrépides et attachants, il découvre une conspiration qui menace la ville. 2 Introduction et origines ÎLE AUX CHIENS, neuvième long métrage de D’ailleurs, L’ÎLE AUX CHIENS doit probablement autant Wes Anderson - et son deuxième film d’animation à l’héritage d’Akira Kurosawa qu’à l’histoire des films en stop motion - met en scène une véritable d’animation en stop motion.
[Show full text]
Le Dossier De Presse
Focus Features présente une production American Zoetrope et Elemental Films Lost in translation un film de Sofia Coppola Bill Murray Scarlett Johansson Giovanni Ribisi Anna Faris sortie le 7 janvier 2004 DISTRIBUTION : PRESSE : Pathé Distribution Laurence Granec et Karine Ménard 10, rue Lincoln 75008 Paris 5bis, rue Kepler 75116 Paris durée : 1heure 42 Tel : 01 40 76 91 00 Tel : 01 47 20 36 66 Fax : 01 45 63 35 74 Fax : 01 47 20 35 44 www.lostintranslation-lefilm.com Lost in TranslationSynopsis Bob Harris, star de cinéma dont la carrière décline, arrive à Tokyo pour tourner une publicité. Bob a conscience qu'il se trompe - il devrait être chez lui avec sa famille, jouer au théâtre ou encore chercher un rôle dans un film -, mais il a besoin d'argent. Du haut de son hôtel de luxe, il regarde la ville, mais ne voit rien. Il est ailleurs, détaché de tout, incapable de s'intégrer à la réalité qui l'entoure, incapable aussi, à cause du décalage horaire, de dormir. Dans ce même hôtel, Charlotte, une jeune américaine tout juste sortie de l'université, accompagne son mari, photographe de mode de la jet set. Ce dernier semble s'intéresser davantage à son travail qu'à sa femme. Se sentant délaissée, Charlotte cherche un peu d'attention. Elle va en trouver auprès de Bob. Entre le comédien d'âge mûr et la toute jeune femme se noue alors une étrange relation : perdus dans cet univers où tout leur est étranger, ils rêvent de changement affectif, mais craignent de s'y risquer.
[Show full text]
FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH
FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH Present An AMERICAN EMPIRICAL PICTURE by WES ANDERSON BRYAN CRANSTON SCARLETT JOHANSSON KOYU RANKIN HARVEY KEITEL EDWARD NORTON F. MURRAY ABRAHAM BOB BALABAN YOKO ONO BILL MURRAY TILDA SWINTON JEFF GOLDBLUM KEN WATANABE KUNICHI NOMURA MARI NATSUKI AKIRA TAKAYAMA FISHER STEVENS GRETA GERWIG NIJIRO MURAKAMI FRANCES MCDORMAND LIEV SCHREIBER AKIRA ITO COURTNEY B. VANCE DIRECTED BY ....................................................................... WES ANDERSON STORY BY .............................................................................. WES ANDERSON ................................................................................................. ROMAN COPPOLA ................................................................................................. JASON SCHWARTZMAN ................................................................................................. and KUNICHI NOMURA SCREENPLAY BY ................................................................. WES ANDERSON PRODUCED BY ...................................................................... WES ANDERSON ................................................................................................. SCOTT RUDIN ................................................................................................. STEVEN RALES ................................................................................................. and JEREMY DAWSON CO-PRODUCER ....................................................................
[Show full text]
Isle of Dogs (2018)
ISLE OF DOGS (2018) ● Released: Limited Release 3/23/18, Wide Release 4/13/18 ● 1 Hour 41 Minutes ● Budget: No Data Found ● Directed by: Wes Anderson ● Rated: PG-13 QUICK THOUGHTS ● Marisa Serafini ● Phil Svitek ● Demetri Panos DEVELOPMENT ● On December 23, 2016, Fox Searchlight Pictures acquired worldwide distribution rights to the film, with plans for a 2018 release ● stop-motion animated comedy film ● In October 2015, Anderson, who had previously directed the animated film Fantastic Mr. Fox, announced he would be returning to animation with "a film about dogs" w ith Edward Norton, Bryan Cranston and Bob Balaban starring ● Anderson said that the film was strongly influenced by the films of Akira Kurosawa, as well as the stop-motion animated holiday specials made by Rankin/Bass Productions WRITING (Story by: Wes Anderson, Roman Coppola, Jason Schwartzman, Kunichi Nomura) ● Anderson disclosed that his story was heavily influenced by Japanese screenwriter and director Akira Kurosawa ● Anderson calls writing partner Roman Coppola his “Swiss Army knife”, he often relies on Coppola to keep him on track ● Roman is a successful commercial director and screenwriter, and an executive producer and director on Amazon’s “Mozart in the Jungle,” ● Schwartzman is an actor, screenwriter and musician best known for his frequent collaborations with Wes Anderson, such as Rushmore, The Darjeeling Limited, Fantastic Mr. Fox, Moonrise Kingdom and The Grand Budapest Hotel ● Coppola and Anderson had long wanted to craft a story about a pack of abandoned
[Show full text]
Leseprobe Wes Anderson. Isle of Dogs, Leseprobe
von LAUREN WILFORD und RYAN STEVENSON Vorwort von mit einer MATT ZOLLER Einführung SEITZ von TAYLOR RAMOS und Aus dem Englischen von Barbara Uppenkamp TONY ZHOU und Alfons Winkelmann 9 EIN VORWORT von Matt Zoller Seitz 13 EINE EINFÜHRUNG von Taylor Ramos und Tony Zhou 16 EINE EINLEITUNG von Lauren Wilford und Ryan Stevenson 1. AKT: DIE GESCHICHTE ERZÄHLEN 21 WAS GESCHIEHT ALS NÄCHSTES? Ein Interview mit Wes Anderson, Roman Coppola und Jason Schwartzman 49 ÜBERSETZUNGEN FINDEN Ein Interview mit Kunichi Nomura 63 DIE VERSTOSSENEN Ein Interview mit Bryan Cranston 69 DIE KRIEGSFLAGGE Ein Interview mit Lead Storyboard Artist Jay Clarke und Animatic Editor Edward Bursch 2. AKT: DIE WELT ENTWERFEN 79 PUPPEN 103 KONTRA GEBEN Ein Interview mit Head of Puppets Department Andy Gent 109 DIE PUPPE, DIE AUF DER PUPPE LIEGT Ein Interview mit Costume Designer Maggie Haden 119 DAS PRODUKTIONSDESIGN 143 PERFEKTES CHAOS Ein Interview mit Production Designer Paul Harrod 153 PLANET ANDERSON Ein Interview mit Lead Graphic Designer Erica Dorn 3. AKT: DIE DINGE IN BEWEGUNG SETZEN 167 ANIMATION 177 PUPPENWACKELN Ein Interview mit Lead Animator Jason Stalman 183 STIMMEN Ein Interview mit Lead Animator Kim Keukeleire 189 CINEMATOGRAFIE 207 LOB DER SCHATTEN Ein Interview mit Director of Photography Tristan Oliver 215 EIN ANGENEHMER SCHOCK Ein Interview mit Senior Visual Effects Supervisor Tim Ledbury 221 STRUKTURIERTES SPIEL Ein Interview mit Animation Director Mark Waring 227 DAS SCHAUSPIEL BEGLEITEN Ein Interview mit Taiko Composer/Advisor Kaoru Watanabe 235 ÜBERRASCHT VON DEM, WAS ES IST Ein zweites Interview mit Wes Anderson 254 BIBLIOGRAFIE EIN VORWORT VON MATT ZOLLER SEITZ CH WAR DER ERSTE KRITIKER, der Wes Anderson porträtierte.
[Show full text]
Catalogue Du Luxembourg City Film
DANS UN MONDE QUI CHANGE © Charles Paulicevich Avoir tout IL N’Y A PAS DE RÊVES TROP GRANDS POUR tout de suite NOS ENFANTS Internet et TV dès le 1er jour Christian, future « Palme d’Or » avec TV 110 chaînes + Internet Fibre ENGAGEONS-NOUS AUJOURD’HUI + Mobile POUR LES GÉNÉRATIONS FUTURES Janvier 2018 Marketing : B6481) Communication Luxembourg R.C.S. Luxembourg, L-2951 Kennedy, S.A. (50, avenue J.F. BGL BNP PARIBAS + Ligne fixe En agence, au 42 42-2000 ou sur bgl.lu LUXEMBOURG CITY LUXEMBOURG FILM FESTIVAL e 8 luxfilmfest.lu Conditions en shop ou sur orange.lu LuxFilmFestival luxfilmfest 2018 8 e ÉDITION ORANG1791_LCFF_Internet-1erJour_112x174.indd 1 06/02/2018 10:47 DANS UN MONDE QUI CHANGE © Charles Paulicevich Avoir tout IL N’Y A PAS DE RÊVES TROP GRANDS POUR tout de suite NOS ENFANTS Internet et TV dès le 1er jour Luxembourg city Christian, future « Palme d’Or » fiLm festivaL 8 E édition 22/02–4/03 2018 avec TV 110 chaînes + Internet Fibre ENGAGEONS-NOUS AUJOURD’HUI + Mobile POUR LES GÉNÉRATIONS FUTURES Janvier 2018 Marketing : B6481) Communication Luxembourg R.C.S. Luxembourg, L-2951 Kennedy, S.A. (50, avenue J.F. BGL BNP PARIBAS + Ligne fixe En agence, au 42 42-2000 ou sur bgl.lu LUXEMBOURG CITY LUXEMBOURG FILM FESTIVAL e 8 luxfilmfest.lu Conditions en shop ou sur orange.lu LuxFilmFestival luxfilmfest 2018 8 e ÉDITION ORANG1791_LCFF_Internet-1erJour_112x174.indd 1 06/02/2018 10:47 Éditoriaux / Editorials . 6 COMPÉTITION / COMPETITION Compétition Officielle / Official Competition . 18 MOVIETRIP Compétition Documentaire / Documentary Competition . 36 SÉLECTION OFFICIELLE HORS COMPÉTITION / OFFICIAL SELECTION OUT-OF-COMPETITION Sélection Officielle Hors Compétition / Official Selection Out-of-Competition .
[Show full text]
PDF Document
UK FILMS AT BERLINALE 2018 CONTENTS UK FEATURES AT BERLINALE 2018 2 UK DOCUMENTARIES AT BERLINALE 2018 8 UK SHORT FILMS AT BERLINALE 2018 11 UK INSTALLATION AND GALLERY PIECES AT BERLINALE 2018 16 INDEX OF FILMS 18 1ST Feature-length directorial debuts are indicated with this symbol , Director: Idris Elba , Director: Yardie All inclusive images remain the copyright of their respective owners and may Cover: Cover: not be reproduced without the expressed permission of the rights holders. UK FEATURES AT BERLINALE 2018 2 The Bookshop Entebbe (7 Days in Entebbe) Synopsis Synopsis A woman in a small town in 1959 England decides, against polite but Inspired by true events, 'Entebbe' centres around the 1976 hijacking of ruthless local opposition, to open a bookshop. A decision that becomes Air France Flight 139 en route from Tel Aviv to Paris, and the daring a political minefield. By exposing the locals to cutting-edge literature of rescue mission that followed. the day such as Nabokov’s 'Lolita' and Ray Bradbury’s 'Fahrenheit 451', she sows the seeds of an awakening in the conservative town. With only a week to comply with the terrorists’ ultimatums, Israel must make the critical decision: negotiate or launch a seemingly impossible Official Selection Berlinale 2018 - Berlinale Special Gala rescue attempt. 'Entebbe' spotlights the harrowing human story behind the global crisis that changed history. Official Selection Berlinale 2018 - Competition (Out of Competition) - Details World premiere Year: 2017 Running Time: 113 mins Director: Isabel Coixet
[Show full text]
La Mini-Gazette Jean Eustache 467 DU MERCREDI 11 AVRIL AU MARDI 8 MAI 2018 Pessac 2 Les Cartes D'abonnement
Place publique D'AGNÈS JAOUI La Mini-Gazette Jean Eustache 467 DU MERCREDI 11 AVRIL AU MARDI 8 MAI 2018 Pessac WWW.WEBEUSTACHE.COM 2 Les cartes d'abonnement La carte passe-gazette La carte 36 chandelles 50€ = 10 ENTRÉES 156,60€ = 36 ENTRÉES SOIT 5€ L’ENTRÉE SOIT 4,35€ L’ENTRÉE Valable à toutes les séances, Valable à toutes les séances, hors Festival du film hors Festival du film d’Histoire d’Histoire. Carte rechargeable, non nominative Carte rechargeable, non nominative Validité : 2 ans à compter de la date d'achat Validité : 2 ans à compter Possibilité d'un paiement en 3 fois – de la date d'achat renseignements à la caisse du cinéma. Toutes nos cartes sont utilisables sur webeustache.com et à la borne à billets située dans l'entrée du cinéma. THE RIDER « S’il est bien le protagoniste de The Rider, deu- xième film de Chloé Zhao, déjà réalisatrice des Chansons que mes frères m’ont apprises, Brady n’est pas un personnage de fiction, et pas davan- tage la famille – un père et une soeur, atteinte du syndrome d'Asperger – qui l’entoure. Chacun joue son propre rôle dans ce scénario que la vie lui écrit au jour le jour, un script fait de tours et de détours où se frottent les uns contre les autres les hommes et les bêtes, la solitude et le silence de la plaine, la vie devenue difficile et la mort qui ne l’est pas moins. Où les questions tournent en boucle, comme sur la piste désormais interdite à Brady : comment vivre avec nos blessures, comment en finir avec la vie, les autres, les nôtres…? Toutes ces questions que nous posent la tendresse et GENRE : LES INDOMPTABLES | DE CHLOÉ ZHAO l’indifférence du monde.
[Show full text]
Berlinale Coverage on Filmfestivals.Con
Berlinale coverage on filmfestivals.con Reporting from Berlin on the 69th edition February 7 -17, 2019 Our team of festival ambassadors and reporters bring you the dailies from the Berlin Film Festival and European Film Market and keep an eye on past editions archives. WATCH OUR VIDEO COVERAGE TRAILERS INTERVIEWS AND AMBIANCE #berlinale I Berlinale 2018 I Berlinale 2017 coverage I Berlinale 2016 I Berlinale 2015 I Berlinale 2014 I Carlo Chatrian and Mariette Rissenbeek appointed as new directors of the Berlinale Carlo Chatrian © Locarno Festival, Michela Di Savino / Mariette Rissenbeek © German Films, Kurt Krieger Chaired by Federal Government Commissioner for Culture and the Media Monika Grütters, the Board of Supervisors of the Kulturveranstaltungen des Bundes in Berlin GmbH (KBB) today approved the selection committee’s proposal to appoint Carlo Chatrian as artistic director and Mariette Rissenbeek as executive director of the Berlin International Film Festival startin... 27.06.2018 | Berlin's blog European Shooting Stars: Eili Harboe Eili Harboe - Norway - European Shooting Stars 2018 Interview / Editing: Martin I. Petrov How are your first impressions from being part of a team of young actors here in Berlin? I did not anticipate to be part of it but I am really proud, it is a wonderful opportunity for everyone, it’s an investment for the future. You already happen to be part of a successful project, Joachim Trier’s Thelma. How was your expe... 09.03.2018 | Berlin's blog European Shooting Stars: Jonas Smulders Berlinale coverage on filmfestivals.con Jonas Smulders - The Netherlands - European Shooting Stars 2018 Interview / editing: Martin I.
[Show full text]
The Allegorical Potential of Animals in Wes Anderson's Isle of Dogs Max
We Are Animals: The Allegorical Potential of Animals in Wes Anderson’s Isle of Dogs Max Bosch First Reader: Dr. E.J. van Leeuwen Second Reader: Dr. M.S. Newton 21 June 2019 Leiden University, Faculty of Humanities MA Literary Studies: English Literature and Culture Bosch 2 Table of Contents Introduction ................................................................................................................................ 3 1 Methodology ........................................................................................................................... 6 2 Animal Allegories as a Genre ............................................................................................... 10 3 Dissecting the Allegorical and Satirical Potential of Isle of Dogs ........................................ 21 3.1 Prologue and Exposition ................................................................................................. 22 3.2 Part 1: The Little Pilot .................................................................................................... 25 3.3 Part 2: The Search for Spots ........................................................................................... 27 3.4 Part 3: The Rendezvous .................................................................................................. 33 3.5 Part 4: Atari’s Lantern .................................................................................................... 36 4 Empirical Study of Viewer Response .................................................................................
[Show full text]