Berlinale Coverage on Filmfestivals.Con
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Curating Precarity. Swedish Queer Film Festivals As Micro-Activism
Acta Universitatis Upsaliensis Uppsala Studies in Media and Communication 16 Curating Precarity Swedish Queer Film Festivals as Micro-Activism SIDDHARTH CHADHA Dissertation presented at Uppsala University to be publicly examined in Lecture Hall 2, Ekonomikum, Kyrkogårdsgatan 10, Uppsala, Thursday, 15 April 2021 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Dr. Marijke de Valck (Department of Media and Culture, Utrecht University). Abstract Chadha, S. 2021. Curating Precarity. Swedish Queer Film Festivals as Micro-Activism. Uppsala Studies in Media and Communication 16. 189 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-513-1145-6. This research is based on ethnographic fieldwork conducted at Malmö Queer Film Festival and Cinema Queer Film Festival in Stockholm, between 2017-2019. It explores the relevance of queer film festivals in the lives of LGBTQIA+ persons living in Sweden, and reveals that these festivals are not simply cultural events where films about gender and sexuality are screened, but places through which the political lives of LGBTQIA+ persons become intelligible. The queer film festivals perform highly contextualized and diverse sets of practices to shape the LGBTQIA+ discourse in their particular settings. This thesis focuses on salient features of this engagement: how the queer film festivals define and articulate “queer”, their engagement with space to curate “queerness”, the role of failure and contingency in shaping the queer film festivals as sites of democratic contestations, the performance of inclusivity in the queer film festival organization, and the significance of these events in the lives of the people who work or volunteer at these festivals. -
Isle of Dogs (Dir
Nick Davis Film Discussion Group April 2018 Isle of Dogs (dir. Wes Anderson, 2018) Dog Cast Chief (the main dog): Bryan Cranston: One of the only non-Anderson vets in the U.S. cast Rex (a semi-leader): Edward Norton: Moonrise Kingdom (12); Grand Budapest Hotel (14) Duke (gossip fan): Jeff Goldblum: fantastic in underseen British gem Le Week-end (13) Boss (mascot jersey): Bill Murray: rebooted career by starring in Anderson’s Rushmore (98) King (in their crew): Bob Balaban: hilarious in a very different dog movie, Best in Show (00) Spots (Atari’s dog): Liev Schreiber: oft-cast as dour antiheroes: Ray Donovan (13-18), etc. Nutmeg (Chief’s crush): Scarlett Johansson: controversially appeared in Ghost in the Shell (17) Jupiter (wise hermit): F. Murray Abraham: won Best Actor Oscar as Salieri in Amadeus (84) Oracle (TV prophet): Tilda Swinton: an Anderson regular since Moonrise Kingdom (12) Gondo (lead “cannibal”): Harvey Keitel: untrue rumors of cruelty a riff on his usual typecasting Peppermint (Spots’ girl): Kara Hayward: the young female co-lead of Moonrise Kingdom (12) Human Cast Atari (young pilot): Koyu Rankin: Japanese-Scottish-Canadian, in his first feature film Kobayashi (evil mayor): Kunichi Nomura: enlisted as Japanese cultural consultant, then cast Prof. Watanabe: Akiro Ito: actor/dancer; briefly appears as translator in Birdman (14) Interpreter Nelson: Frances McDormand: another veteran of Moonrise Kingdom (12) Tracy (U.S. student): Greta Gerwig: the Oscar-nominated writer-director of Lady Bird (17) Yoko Ono (scientist): Yoko Ono: 83-year-old avant-garde musician and performance artist Narrator: Courtney B. -
Entretien Avec Fernando Solanas : La Déchirure
Document generated on 09/29/2021 5:14 p.m. 24 images Entretien avec Fernando Solanas La déchirure Janine Euvrard Cinéma et exil Number 106, Spring 2001 URI: https://id.erudit.org/iderudit/23987ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this document Euvrard, J. (2001). Entretien avec Fernando Solanas : la déchirure. 24 images, (106), 33–38. Tous droits réservés © 24 images, 2001 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ CINÉMA ET EXIL Entretien avec Fernando Solanas LA DÉCHIRURE PROPOS RECUEILLIS PAR JANINE EUVRARD 24 IMAGES: Au mot exil dans le Petit Larousse, on lit «expulsion». Ce n'est pas toujours le cas; parfois la personne prend les devants et part avant d'être expulsée. Pouvez-vous nous raconter votre départ d'Argentine? Il est des cinéastes pour qui la vie, la création, le rapport FERNANDO SOLANAS: Votre question est intéressante. Il y a au pays et le combat politique sont viscéralement indisso souvent confusion, amalgame, lorsqu'on parle de gens qui quittent leur pays sans y être véritablement obligés, sans y être vraiment en ciables. -
Film Reviews Jonathan Lighter
Film Reviews Jonathan Lighter Lebanon (2009) he timeless figure of the raw recruit overpowered by the shock of battle first attracted the full gaze of literary attention in Crane’s Red Badge of Courage (1894- T 95). Generations of Americans eventually came to recognize Private Henry Fleming as the key fictional image of a young American soldier: confused, unprepared, and pretty much alone. But despite Crane’s pervasive ironies and his successful refutation of genteel literary treatments of warfare, The Red Badge can nonetheless be read as endorsing battle as a ticket to manhood and self-confidence. Not so the First World War verse of Lieutenant Wilfred Owen. Owen’s antiheroic, almost revolutionary poems introduced an enduring new archetype: the young soldier as a guileless victim, meaninglessly sacrificed to the vanity of civilians and politicians. Written, though not published during the war, Owen’s “Strange Meeting,” “The Parable of the Old Man and the Young,” and “Anthem for Doomed Youth,” especially, exemplify his judgment. Owen, a decorated officer who once described himself as a “pacifist with a very seared conscience,” portrays soldiers as young, helpless, innocent, and ill- starred. On the German side, the same theme pervades novelist Erich Maria Remarque’s All Quiet on the Western Front (1928): Lewis Milestone’s film adaptation (1930) is often ranked among the best war movies of all time. Unlike Crane, neither Owen nor Remarque detected in warfare any redeeming value; and by the late twentieth century, general revulsion of the educated against war solicited a wide acceptance of this sympathetic image among Western War, Literature & the Arts: an international journal of the humanities / Volume 32 / 2020 civilians—incomplete and sentimental as it is. -
Delegates Guide
Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator -
Fernando A. Blanco Wittenberg University & John Petrus the Ohio
REVISTA DE CRÍTICA LITERARIA LATINOAMERICANA Año XXXVII, No 73. Lima-Boston, 1er semestre de 2011, pp. 307-331 ARGENTINIAN QUEER MATER. DEL BILDUNGSROMAN URBANO A LA ROAD MOVIE RURAL: INFANCIA Y JUVENTUD POST-CORRALITO EN LA OBRA DE LUCÍA PUENZO Fernando A. Blanco Wittenberg University & John Petrus The Ohio State University Resumen En este artículo analizamos la obra visual y literaria de la directora y narradora argentina Lucía Puenzo en su excepcionalidad estética y ética. Mediante un análisis de dos de sus películas, XXY y El niño pez, basadas en un cuento y una novela, discutimos la apropiación de géneros canónicos de ambas tradiciones –Bildungsroman y road movie– como estrategia de instalación generacional. Por medio del recurso a estos modelos formativos de la subjetividad, Puenzo logra posicionar alternativas identitarias refractarias a la normalización heterosexual de lo nacional-popular en el campo cultural argentino. Trabajando desde una clave de interpretación diferente de la de los relatos de memoria en la post democracia neoliberal, Puenzo sitúa problemáticas adolescentes en el entre- cruzamiento de modos y maneras excéntricos de habitar lo social-global en el capitalismo tardío. Sus filmes, de este modo, abren la posibilidad de reflexionar sobre el derecho a ciudadanías culturales, étnicas y sexuales de grupos minoritarios. Palabras clave: Puenzo, Bildungsroman, road movie, sujeto queer, parodia, memoria, Argentina, literatura, cine. Abstract In this article we analyze the exceptional ethics and aesthetics of the visual and literary work of the Argentine writer-director Lucía Puenzo. Through an analysis of two of her films, XXY and The Fish Child, based on a short story and a novel, respectively, we discuss her appropriation of canonical genres–the Bildungsroman and the road movie–as a strategy of generational displacement. -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
Bruce Jackson & Diane Christian Video Introduction to This Week's Film
April 28, 2020 (XL:13) Wes Anderson: ISLE OF DOGS (2018, 101m) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Bruce Jackson & Diane Christian video introduction to this week’s film (with occasional not-very-cooperative participation from their dog, Willow) Click here to find the film online. (UB students received instructions how to view the film through UB’s library services.) Videos: Wes Anderson and Frederick Wiseman in a fascinating Skype conversation about how they do their work (Zipporah Films, 21:18) The film was nominated for Oscars for Best Animated Feature and Best Original Score at the 2019 Academy Isle of Dogs Voice Actors and Characters (8:05) Awards. The making of Isle of Dogs (9:30) CAST Starting with The Royal Tenenbaums in 2001, Wes Isle of Dogs: Discover how the puppets were made Anderson has become a master of directing high- (4:31) profile ensemble casts. Isle of Dogs is no exception. Led by Bryan Cranston (of Breaking Bad fame, as Weather and Elements (3:18) well as Malcolm in the Middle and Seinfeld), voicing Chief, the cast, who have appeared in many Anderson DIRECTOR Wes Anderson films, includes: Oscar nominee Edward Norton WRITING Wes Anderson wrote the screenplay based (Primal Fear, 1996, American History X, 1998, Fight on a story he developed with Roman Coppola, Club, 1999, The Illusionist, 2006, Birdman, 2014); Kunichi Nomura, and Jason Schwartzman. Bob Balaban (Midnight Cowboy, 1969, Close PRODUCERS Wes Anderson, Jeremy Dawson, Encounters -
Wenders Has Had Monumental Influence on Cinema
“WENDERS HAS HAD MONUMENTAL INFLUENCE ON CINEMA. THE TIME IS RIPE FOR A CELEBRATION OF HIS WORK.” —FORBES WIM WENDERS PORTRAITS ALONG THE ROAD A RETROSPECTIVE THE GOALIE’S ANXIETY AT THE PENALTY KICK / ALICE IN THE CITIES / WRONG MOVE / KINGS OF THE ROAD THE AMERICAN FRIEND / THE STATE OF THINGS / PARIS, TEXAS / TOKYO-GA / WINGS OF DESIRE DIRECTOR’S NOTEBOOK ON CITIES AND CLOTHES / UNTIL THE END OF THE WORLD ( CUT ) / BUENA VISTA SOCIAL CLUB JANUSFILMS.COM/WENDERS THE GOALIE’S ANXIETY AT THE PENALTY KICK PARIS, TEXAS ALICE IN THE CITIES TOKYO-GA WRONG MOVE WINGS OF DESIRE KINGS OF THE ROAD NOTEBOOK ON CITIES AND CLOTHES THE AMERICAN FRIEND UNTIL THE END OF THE WORLD (DIRECTOR’S CUT) THE STATE OF THINGS BUENA VISTA SOCIAL CLUB Wim Wenders is cinema’s preeminent poet of the open road, soulfully following the journeys of people as they search for themselves. During his over-forty-year career, Wenders has directed films in his native Germany and around the globe, making dramas both intense and whimsical, mysteries, fantasies, and documentaries. With this retrospective of twelve of his films—from early works of the New German Cinema Alice( in the Cities, Kings of the Road) to the art-house 1980s blockbusters that made him a household name (Paris, Texas; Wings of Desire) to inquisitive nonfiction looks at world culture (Tokyo-ga, Buena Vista Social Club)—audiences can rediscover Wenders’s vast cinematic world. Booking: [email protected] / Publicity: [email protected] janusfilms.com/wenders BIOGRAPHY Wim Wenders (born 1945) came to international prominence as one of the pioneers of the New German Cinema in the 1970s and is considered to be one of the most important figures in contemporary German film. -
ANOUCK SULLIVAN Makeup Dept
ANOUCK SULLIVAN Makeup Dept. Head, IATSE 798 & 706 www.anouckmakeup.com Selected Features & Series: THE HIGH NOTE – Focus Features – Nisha Green, director AMOUR FOU (Mini-series) – Canal + / De Caelis Production COVERS – Universal Pictures / Working Title Films – Nisha Ganatra, director THE NOWHERE INN – Ways & Means / Topic – Bill Benz, director *Official Selection, Sundance Film Festival I’M THINKING OF ENDING THINGS – Netflix / Likely Story – Charlie Kaufman, director THE EVENING HOUR – Braden King, director *US Dramatic Competition, Sundance Film Festival BULL – Cinereach – Annie Silverstein, director NATIVE SON – A24 / Bow and Arrow – Rashid Johnson, director *Official Selection of Sundance Film Festival VOX LUX – Killer Films / Bold Films – Brady Corbet, director *Official Selection of Toronto International Film Festival & Venice Film Festival THE MOUNTAIN – Made Bed Productions – Rick Alverson, director *Official Selection of SXSW Film Festival Sundance Film Festival & Venice Film Festival ADAM – Symbolic Exchange – Rhys Ernst, director *Official Selection of Sundance Film Festival UNICORN STORE – Rip Cord Productions – Brie Larson, director *Official Selection of Toronto International Film Festival SKATE KITCHEN – Bow and Arrow Entertainment – Crystal Moselle, director *Official Selection of Sundance Film Festival WENDY (Additional Makeup) – The Department of Motion Pictures – Benh Zeitlin, director AURORE (Mini Series) – ARTE – Laetitia Masson, director WE THE ANIMALS – Cinereach – Jeremiah Zagar, director *Official Selection -
OSN Brings the Best Content for Customers with Latest Technology by Nawara Fattahova Called ‘Live More’ Last Year
lifestyle SUNDAY, FEBRUARY 1, 2015 OSN brings the best content for customers with latest technology By Nawara Fattahova called ‘Live More’ last year. It’s our corporate social responsibility campaign and we will KUWAIT: OSN, the leading pay TV network in continue to focus on that to create an emo- the Middle East and North Africa that offers tional bond with potential customers. international television entertainment content Reducing churn (people who leave the such as movies, sporting events and much service) is also a big focus for us. To reduce more, participated in the annual InfoConnect this, we will focus on our OSN privileges pro- exhibition held from Jan 26 to Feb 1, 2015 at gram. We established this program two and the Misref Fairground. During this event, they half years back, and it’s an amazing program had many special offers and promotions. with a strong link with our product. Many Kuwait Times met Hamad Malik, Chief organizations have loyalty programs, but they Marketing Officer of OSN, to learn more. usually give points that you can never redeem, but our focus is to give our customers experi- Kuwait Times: What is your marketing strat- ences which they can’t buy or nobody else will egy for 2015? give them. An example is if you are a WWE fan, Hamad Malik: We want to position our we give the opportunity for people to go and brand as a premium brand, and also as an watch the fights, meet the wrestlers and affordable luxury that understands clients’ spend time with them.