Growins Need for Engineers Noted S T U D E N T S a N D F a C U L T Y T

Total Page:16

File Type:pdf, Size:1020Kb

Growins Need for Engineers Noted S T U D E N T S a N D F a C U L T Y T CAFETERIA OPENS CRACKER BARREL drexel institute OF technology PAGE 4 phiiadeiphia, pa. VOLUME XXIX MAY 16. 1952 NUMBER 4 All A4en Students Advised Students and Faculty T o File Deferment Forms All male students have been advised by Dean Stratton to file their SSS109 forms with the Dean of Men’s office as soon as possible. Tangle N ext Saturday The information blank may be obtained now from that office. Drexel will hold its annual Student Faculty Day next Saturday at the Lodge. Its purpose, as Dean Stratton has pointed out that all men who are not graduat' before, is to unite the student and faculty on a friendly, rather than a classroom, basis. ing this June should fill out this form, whether they have a military The program includes three competitive events between student and faculty. The first is a quartet deferment or not. However, it is doubly stressed that those without competition, the second, a softball competition, and the third, a skit competition. A certificate will be such a deferment should by all means submit a copy to their local -------------------------------------------------- I awarded to the team winning thf^ board. Scholastic deferments last for one year and must be renewed best out of the three. at the end of that time. This is Program Starts at Noon that renewal. Tlie day’s entertainment starts Under present arrangements, the at 12:00 when buses will transport only thing the student must do is Growins Need for students from Drexel to the Lodge. to go to the Dean of Men’s Office, At 12:30, free lunch will be served. complete the information blank, The highlight of the menu is ham and return it to Dean Stratton. Engineers Noted an;l potato salad. Under current regulations men Engineering is by far the largest After lunch Mr. Francis Smith, who are full-time students in an technical profession and one of the Master of Ceremonies, will of­ accredited college and are satis­ the nation’s fastest-growing fields fer a speech welcoming both stu­ factorily pursuing a full-time of work. Opportunities for new dents and faculty. Following this course of instructions are deferred :iraduates and experienced men will be the quartet competition to IF they are in the upper one-half will be excellent in the near future. be judged on tone and quality of of the freshman class, or upper A serious shortage of engineers voice. two-thirds of the sophomore and has developed since mid-1950, in From 2:30 to 4:I{0 outdoor pre-junior class, or upper three- spite of the unprecedented supply games will be played, including the fourths of the last school year of 140,000 new graduates in the softball competition, volleyball, on’y, of from April, 1951 to April, 3-year period 19 49-51 (far above and horseshoes. Indoor games 19 52 for Drexel students. the prewar average of 10,000 a will also be scheduled in case of year). The shortage is caused by rain. From 4:30 until 6:00 there PHOTOGRAPHERS NOTE! the great demand for engineers will be indoor entertainment in­ for the defense program as well as cluding the skit competition which The Triangle is in urgent for a full-scale civilian economy. will be judged on quality of per­ need for photographers to cover Engineers are needed to develop formance and originality. The the Drexel sports events. The the new and iniprove<l equipment Dr. Bonnel and Mr. Wagenseller rehearse student faculty day skit program will end with a group Triangle will supply all equip­ and products required for national sing. ment necessary and arrange for defense as well as for further in­ transportation to the games. Skits Presented by Faculty dustrial progress. Engineers are Skits will be given each day in Those interested should con­ counted on also to devise the most Close Down Bookbinders, the Court next week to advertise tact the Editor through the stu­ efflcient methods of nianufacturing Student-Faculty Day. Students dent mail. these products and to give tech­ may also register in the Court for nical leadership throughout the Cafeteria O pens Thursday the bus and for the contests they production pTOcess. Engineers are would like to enter. Turkish Professor also needed by the Armed Forces The new cafeteria will open officially for business next Thursday Alice Geiger and Sam Stagliano in connection with the increasing evening at 7:00 P.M. Monday evening, however, a special preview are co-chairmen of the event. The Speaks to I.C.G. amount of highly complex equip­ will be given to the faculty and staff. Faculty Skit will be directed by One of the world’s most explo­ ment which is being put into use. Featuring the latest in modern cafeteria equipment and design, Mrs. Linton, and Chuck Groves sive political areas, the Near East, Over the long run, the profession lunch time should soon become the high spot of each student’s day. and George Russet will be in will be the topic of a talk to be will probably continue to expand An important feature of the cafeteria will be the fountain bar. charge of the Student Skit. Music given next Tuesday by Professor substantially under conditions events will be directed by Profes­ either of peacetime full employ­ Another feature is that long waiting lines will be eliminated by the Laurens H. Seelye, of Istanbul, construction of two separate serving counters. sor Giles for the faculty, and La­ Turkey, The talk, which is spon- ment or of continuing mobiliza­ mont Hill and Don Advena for the .sored by the World Affairs Council tion. Under strictly peacetime Open House for students will be | students. Bob McCrum and Ellen conditions, the total demand for held next Wednesday afternoon Aimen are co-chairmen of the of Philadelphia and the Drexel In­ H o m e E c o n o m i c s tercollegiate Conference on Gov­ engineering graduates, including from 1 p.m. to 7 p.m. Refresh­ Publicity Committee; and Dick ernment, will be delivered in the replacements and additions, has ments will be served and the stu­ Warren and Mary Liz Newman are Art Gallery during the Dean’s been estimated at about 20,000 dent guides will explain the oper­ School Presents in charge of the program. Indoor ation of the cafeteria. Hour. each year during this decade. It activities are planned by Betty Air. Seelye, who is professor of is now estimated that a prolonged The fountain will be open from Noted Lecturer Von Glahn and Jeanette Pancoast, psychology and philosophy at partial mobilization will probably 8:30 a.m. to 5:30 p.m.; lunch will and Outdoor Activities, by Alpha Home Economics School at Drex­ Roberts College for Men, Istanbul, require, on the average, at least be served from 11 a.m. to 2 p.m. PI Omega. The chairmen of the el will hold its annual Home Eco­ is expected to provide a keen in­ 30,000 new engineers per year. and dinner from 5 p.m. to 7 p.m. Food and Baby Sitter Committees During the next few years ttie Interested groups can obtain nomics Day next Thursday. The are Nan Grosvener and Paula sight into the problems particular main event of the day will be an to this section of the world. The supply of new engineers is likely reservations for dinner parties Steiner respectively. to be far less than the demand. through the dietitians. address delivered by Mrs. Curtis Near East is a most vital region Bok, well-known writer and lec­ The supply of new graduates is With the completion of the cafe­ in current world problems; and is turer. dropping, mostly because the flow teria, dining spaces for students an area in which U.S. and Russian The program will begin with a Pi Nu Epsilon foreign policy are diametrically op­ of veterans entering the colleges will be tripled and the faculty will ENGINEERS on Page 3 small luncheon in honor of Mrs. posed. also have new eating quarters Bok in the Home Economics Din- OQUipiied with an Intercommunlca- assembly Cites Winners Tina Garozxa, Homo Ec Junior, tion system. i program will be beld in the aucli- This new cafeteria affords the torium where Mrs. Bok will speak O f Music Contest Home Economics students an op- on “Creative Living Begins at The winners of the Beta Chap­ Succumbs After Long Illness ’lortunity to become acquainted Home.” The faculty and students ter Awards were presented last At two A.M. Wednesday morning. May 7, Miss Tina Garozja with the mechanisms of modern are both invited to hear her topic. Saturday evening at Drexel’s passed away at Bryn Mawr Hospital. c u nrpvol equipment. All Home Economics students, Spring Music Festival. The Beta Tina was a Junior in the Home Economics School at Drexel however, are required to attend Chapter Awards contest was con­ She had commuted from her home in South Phi a e p the assembly program. ducted by Drexel’s chapter of PI September, 1949, and although she had been ill during this time, A dessert party, also open to all Nu Epsilon, the honorary music Thursday Noon of Drexel’s faculty and students, fraternity. she had participated in many extra'curricular acjimties. will be held at 2:30 in the new The purpose of the contest, held She was a member of the Rifle ^ cafeteria. The Home Economics annually, Is to discover new high Team in her freshman year and Concerts Started seniors and their mothers will be school talent in three categories: its manager in her sophomore the honored guests.
Recommended publications
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • Friday 16 November 2018, London. BFI Southbank Kicks Off 2019 with a Major Season Dedicated to the Groundbreaking and Influential Films of Michelangelo Antonioni
    ONSTAGE AT BFI SOUTHBANK: PRODUCERS STEPHEN WOOLLEY AND ELIZABETH KARLSEN (COLETTE), WRITER AND BROADCASTER MARK KERMODE, DIRECTOR DEAN DEBLOIS AND PRODUCER BRAD LEWIS (HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD), DIRECTOR JESSICA LESKI (I USED TO BE NORMAL: A BOYBAND FANGIRL STORY), HOST OF THE GUILTY FEMINIST DEBORAH FRANCES- WHITE, VISUAL ARTIST AND BEATBOXER REEPS ONE Film previews: HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD (Dean DeBlois, 2019), BEAUTIFUL BOY (Felix van Groeningen, 2018), DESTROYER (Karyn Kusama, 2018), COLETTE (Wash Westmoreland, 2017), HALE COUNTY THIS MORNING, THIS EVENING (RaMell Ross, 2018) New and Re-Releases: SORRY TO BOTHER YOU (Boots Riley, 2018), FREE SOLO (Elizabeth Chai Vasarhelyi, Jimmy Chin, 2018), THE PASSENGER (Michelangelo Antonioni, 1975), STAN AND OLLIE (Jon S Baird, 2018), BERGMAN: A YEAR IN A LIFE (Jane Magnusson, 2018) Friday 16 November 2018, London. BFI Southbank kicks off 2019 with a major season dedicated to the groundbreaking and influential films of Michelangelo Antonioni. This major two month season ANTONIONI: CONFRONTING THE MODERN WORLD WITH STYLE will include a BFI re-release of Antonioni’s last American film, The Passenger (1975) starring Jack Nicholson and Maria Schneider, which will be back in selected cinemas across the UK from Friday 4 January. This month will also include a season honouring the maverick producer-director whose vision and ambition transformed British cinema; THE GOLDEN AGE OF ALEXANDER KORDA: BRITAIN’S MOVIE MOGUL includes screenings of The Private Life of Henry VIII (Alexander Korda, 1933) in a new BFI 4K restoration; Korda’s collaboration with HG Wells Things to Come (William Cameron Manzies, 1936) and That Hamilton Woman (Alexander Korda, 1941) starring Laurence Olivier and Vivien Leigh.
    [Show full text]
  • Notes and References
    Notes and References CHAPTER 1 To provide an intellectual and cultural framework for examining Carol Reed's films, a history of the British cinema from its origins through to the Second World War is offered in this chapter. Although Reed began directing in 1935, 1939 seemed a tidier, more logical cut-off point for the survey. All the information in the chapter is synthesized from several excellent works on the subject: Roy Armes's A Critical History of the British Cinema, Ernest Betts' The Film Business, Ivan Butler's Cinema in Britain, Denis Gifford's British Film Catalogue, Rachel Low's History of the British Film, and George Perry's The Great British Picture Show. CHAPTER 2 1. Michael Korda, Charmed Lives (New York, 1979) p. 229; Madeleine Bingham, The Great Lover (London, 1978). 2. Frances Donaldson, The Actor-Managers (London, 1970) p. 165. 3. Interview with the author. Unless otherwise identified, all quota­ tions in this study from Max Reed, Michael Korda and Andrew Birkin derive from interviews. 4. C. A. Lejeune, 'Portrait of England's No.1 Director', New York Times, 7 September 1941, p. 3. 5. Harvey Breit, ' "I Give the Public What I Like" " New York Times Magazine, 15January 1950, pp. 18-19. 6. Korda, Charmed Lives, p. 244. 7. Kevin Thomas, 'Director of "Eagle" Stays Unflappable', The Los Angeles Times, 24 August 1969. CHAPTER 3 1. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Film, no. 17 (Spring 1974) 34. 2. 'Midshipman Easy', The Times, 23 December 1935. 271 272 Notes and References 3.
    [Show full text]
  • Cinecon Film List: Alphabetical
    CINECON FILM LIST: ALPHABETICAL Updated September 6, 2019 RELEASE TITLES DATE COMPANY CINECON YEAR SUMMARY / NOTES $20 A Week 1924 Distinctive-Selznick 50 2014 $64,000 Challenge - Sonny Fox Kinecon At Cinecon 55 2019 A Salute To Game Shows 100 To 1 Shot, The 1906 Vitagraph 31 1995 15 Maiden Lane 1936 20th Century-Fox 48 2012 21st Academy Awards 1949 30 1994 3-D Hollywood 38 2002 NOTE: slide show 36 Hours To Kill 1936 20th Century Fox 43 2007 365 Nights In Hollywood 1934 Fox 28 1992 49th Parallel, The 1941 Ortus General 25 1989 50 Miles From Broadway 1929 Pathé 47 2011 Short Subject 7 Faces Of Dr. Lao, The 1964 M-G-M 11 1975 70,000 Witnesses 1932 Paramount 16 1980 Abie Kabibble Outwitted His Rival 1917 International 44 2008 Academy Awards, 22nd Annual 1949 31 1995 Accusing Finger, The 1936 Paramount Pictures 53 2017 Ache In Every Stake, An 1941 Columbia Pictures 51 2015 Acquitted 1929 Columbia 44 2008 Act Of Violence 1949 M-G-M 31 1995 Active Life of Dolly Of The Dailies, The Short Subject Chapter 5: The Chinese Fan 1914 Edison 47 2011 Actress, The 1953 M-G-M 39 2003 Adam's Apple 1928 38 2002 Adam's Rib 1923 Paramount 34 1998 Advance Base 1945 41 2005 Adventure In Sahara 1938 Columbia 45 2009 Adventurer, The 1917 Lone Star-Mutual 50 2014 Short Subject Adventures Of Captain Marvel 1940 Republic 26 1990 Adventures Of Trazan, The - Great Western-Numa Pictures-Weiss Short Subject Chapter 11: The Hidden Foe 1921 Brothers Artclass 51 2015 Adventures With D.W.
    [Show full text]
  • I-Xiv Kernan FM
    TEXAS FILM AND MEDIA SERIES Thomas Schatz, Series Editor UNIVERSITY OF TEXAS PRESS, AUSTIN Copyright © 2004 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2004 Requests for permission to reproduce material from this work should be sent to Permissions, University of Texas Press, Box 7819, Austin, TX 78713-7819. ∞ The paper used in this book meets the minimum requirements of ANSI/NISO Z39.48-1992 (R1997) (Permanence of Paper). Kernan, Lisa. Coming attractions : reading American movie trailers / Lisa Kernan.— 1st ed. p. cm. — (Texas film and media series) Filmography of trailers viewed: p. Includes bibliographical references and index. ISBN 0-292-70600-6 (cloth : alk. paper) — ISBN 0-292-70558-1 (pbk. : alk. paper) 1. Motion picture trailers—United States. I. Title. II. Series. PN1995.9.T68K47 2004 791.43'75'0973—dc22 2004007809 IN MEMORIAM: George Custen Jeannine Ivy Nina Leibman Beverly Robinson Christine Saxton A few in my scholarly orbit whose legacies remind me to keep it real. THIS PAGE INTENTIONALLY LEFT BLANK Contents Acknowledgments ................................................................. ix Chapter 1 Trailers: A Cinema of (Coming) Attractions ..............1 Chapter 2 Trailer Rhetoric ..................................................................... 36 Chapter 3 The Classical Era: The “Mythic Universal American”..............................78 Chapter 4 The Transitional Era: Chasing the Elusive Audience.......................................120 Chapter 5 The
    [Show full text]
  • Past and Present 19/7/05 3:53 Pm Page I
    2725 M&M Past and Present 19/7/05 3:53 pm Page i Turner Classic Movies British Film Guides General Editor: Jeffrey Richards Brighton Rock Dracula The 39 Steps Steve Chibnall Peter Hutchings Mark Glancy A Hard Day’s Night Get Carter The Dam Busters Stephen Glynn Steve Chibnall John Ramsden My Beautiful The Charge of the Light A Night to Remember Launderette Brigade Jeffrey Richards Christine Geraghty Mark Connelly The Private Life of Whiskey Galore! & The Henry VIII Maggie Greg Walker Colin McArthur Cinema and Society Series General Editor: Jeffrey Richards ‘Banned in the USA’: British Films in the United States and Their Censorship, 1933–1960 Anthony Slide Best of British: Cinema and Society from 1930 to the Present Anthony Aldgate & Jeffrey Richards Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema Colin McArthur British Cinema and the Cold War Tony Shaw The British at War: Cinema, State and Propaganda, 1939–1945 James Chapman Christmas at the Movies: Images of Christmas in American, British and European Cinema Edited by Mark Connelly The Crowded Prairie: American National Identity in the Hollywood Western Michael Coyne Distorted Images: British National Identity and Film in the 1920s Kenton Bamford An Everyday Magic: Cinema and Cultural Memory Annette Kuhn Film and Community in Britain and France: From La Règle du Jeu to Room at the Top Margaret Butler 2725 M&M Past and Present 19/7/05 3:53 pm Page ii Film Propaganda: Soviet Russia and Nazi Germany Richard Taylor Hollywood Genres and Post-War America: Masculinity,
    [Show full text]
  • Lar Press and Film, 1919-1939
    ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbeck’s Research Degree output The representation of London nights in British popu- lar press and film, 1919-1939 https://eprints.bbk.ac.uk/id/eprint/40490/ Version: Public Version Citation: Arts, Mara (2020) The representation of London nights in British popular press and film, 1919-1939. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email The Representation of London Nights in British Popular Press and Film, 1919-1939 Candidate name: Mara Arts Submitted for the degree of Doctor of Philosophy Birkbeck, University of London 1 Declaration of original work I hereby confirm that the work presented in this thesis is my own. 2 Abstract This thesis explores the representation of night-time activities in the capital in popular British newspapers and films of the period. It argues that, whilst an increasingly democratised night allowed for more opportunities for previously marginalised groups, popular media of the period largely promoted adherence to the status quo. The thesis draws on extensive primary source material, including eighty British feature films and newspaper samples of the Daily Mail, Daily Express and Daily Mirror to systematically analyse the representation of London’s nightlife in the British interwar period. This period saw the consolidation of the popular daily newspaper industry and, after government intervention, an expansion of the domestic film industry. The interwar period also saw great social change with universal suffrage, technological developments and an economic crisis.
    [Show full text]
  • Cinecon Films
    Updated September 6, 2019 RELEASE TITLES DATE COMPANY CINECON YEAR SUMMARY / NOTES Charlie on the Ocean 1921 ? 1 1965 NOTE: [Charlie Chaplin newsreel] Conquest of the North Pole 1912 G. Méliès 1 1965 Feathered Nest, The 1916 Keystone 1 1965 Lure of the Circus, The 1918 Universal 1 1965 NOTE: [excerpts] Max the Pickpocket 1 1965 Primitive Lover, The 1922 First National 1 1965 Road to Yesterday, The 1925 DeMille/PDC 1 1965 Screen Snapshots Columbia 1 1965 Show People 1928 M-G-M 1 1965 Spanish Dancer, The 1923 Paramount 1 1965 Square Deal Sanderson 1919 Ince/Paramount 1 1965 Uncensored Movies 1923 Hal Roach/Pathe 1 1965 Winsor McKay Explains Cartoons to John Bunny 1911 Vitagraph 1 1965 Coward, The 1915 Ince - KayBee 2 1966 Eyes of Youth 1919 Garson 2 1966 Hands Up! 1925 Paramount 2 1966 Hazards of Helen, The 1914 Kalem 2 1966 Invaders, The 1912 KayBee 2 1966 Iron Claw, The 1916 Pathé 2 1966 Lizzies of the Field 1924 Sennett/Pathe 2 1966 Man With the Punch, The 1920 Universal 2 1966 Beauty and theBump 1927 Skylark - Bray 3 1967 Don Juan 1926 Warner Bros. 3 1967 Fatty and Mabel Adrift 1916 Keystone - Triangle 3 1967 Irene 1926 First National 3 1967 Iron Horse, The 1924 Fox 3 1967 Judith of Bethulia 1913 Biograph 3 1967 Kismet 1920 Robertson-Cole 3 1967 Last Command, The 1928 Paramount 3 1967 Updated September 6, 2019 Navigator, The 1924 Keaton/Metro 3 1967 Richard the Lion Hearted 1923 Allied Producers 3 1967 Sherlock, Jr. 1924 Keaton/Metro 3 1967 Silent Clips 3 1967 Silent Movie as a Communicator, The 3 1967 Sons Of The Desert 1933 Roach/M-G-M 3 1967 Steel Shod Evidence 1923 Pathé 3 1967 Big Boy Short Educational 4 1968 NOTE: [title not known] Crackerjack, The 1925 C.C.
    [Show full text]
  • List of 7200 Lost US Silent Feature Films 1912-29
    List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916)
    [Show full text]
  • Biographical Data on United Artists Personalities
    LIBRARY THE MUSEUV! OF MQQERN ART Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/biographicaldataOOunse BIOGRAPHICAL DATA ON UNITED ARTISTS PERSONALITIES I Corrected to April 193S Publicity Department UNITED ARTISTS CORPORATION 729 Seventh Avenue New York, N. Y. SPIRAL BINDING U.S. Pat. Nos. 1516932 1942026 1985776 — 81 FU Un 4 /S5V BIOGRAPHICAL DATA UNITED onARTISTS PERSONALITIES — Arliss, George .... 1 Howard, Leslie . 27 Beery, Wallace .... 2 Kelly, Arthur W. 28 Bergner, Elizabeth . 3 Korda, Alexander . 29 Boleslawski, Richard . 4 mm* Korda, Zoltan . 30 Bruce, Nigel 5 Laughton, Charles. 31.^- . Buchanan, Jack .... 6 — Lichtman, Al . , 32 Cantor, Eddie .... 7^ 0m Lister, Francis. 33 . Chaplin, Charles . 8 March, Fredric . , 34 Chevalier, Maurice . 9^ Menjou, Adolphe. 35' Clive, Colin 10 Merman, Ethel . 36 Colman, Ronald .... 11 * Neagle, Anna .... 37-^ Cooper, Gary 12 Oakie, Jack .... 38c-^- 39—-" Damita, Lili 13 Oberon, Merle . Del Ruth, Roy .... 14 Pickford, Mary . 40 — de Mille, Katherine 15 Robeson, Paul . 41 Disney, Walt 16 Schenck, Joseph M. 42 Donat, Robert . 17 Small, Edward . 43 44^-"~ Fairbanks, Douglas . 18 Smith, C. Aubrey . Freeland, Thornton . 19 Sothern, Ann .... 45 Gable, Clark 20 Sten, Anna , 46 Goetz, Harry M 21 Vidor, King 47 . Goldwyn, Samuel . 22 Vinson, Helen . , 48 Graavey, Fernand . 23 Wellman, William . 49 Hardwicke, Sir Cedric 24 Wilcox, Herbert . 50 . Hare, Lumsden 25 Young, Loretta . , 51 Hopkins, Miriam . 26 y/ Zanuck, Darryl . 52 + + + + + Printed in U.S.A.
    [Show full text]
  • Picture Show Annual (1949)
    /a:oh j'luZ'Z £1 A f • . .i R n n u lu ‘t 1Q4Q ^v. Cyd Charisse and Margaret Our Cover Picture : David in " Bonnie Prince O’Brien in “ The Unfinished Niven Dance.” Charlie/' (M.-G.-M.) (London.) " — — — 4 1912—"David Garrick.” was made at the Hepworth Studios. The scene is the famous inn, “The Cheshire Cheese.” W. G. Saunders is on the left, as Dr. Johnson, at the table are Sir Charles Wyndham, in the title role, and Hay Plumb, who directed the film and took the part of Bill)' Banter. Below : Cecil Hepworth, a snapshot taken during the 1914-1918 war. Those Were the Days^ present. Cecil Hepworth is in London as it is Thursday and his day for attending his London office. His absence, however, means that there will be no interior photography and, therefore, the comedy must be written for exteriors only. This dictates the Une of. research through the comic papers. Presently Johnny Butt is out of his chair and the scenario, production, editorial and casting departments have been in conference for six and a half minutes. Back to the studio for the cameraman and Vi Hopson " Outdoor costume, please—what, Alma Taylor doing nothing.’ Come on—print frock—sunbonnet—some- thing in the village.” To horse and away. On the lawn of the ” Red Lion ” by the river at /~\NE fine day—not from the opera but from the past Shepperton, Boy meets Girl. Next scene a country lane. one of the well-remembered happy days of the Cut the country lane—do the scene in a punt—there are care-free infancy of the films .
    [Show full text]