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178D5.226 Babes in Arms, Cops, Laughing Gravy, Tit for Tat, Flying Deauces 350 Feet 8Mm Silent, B&W and Colour
178D5.226 Babes in Arms, Cops, Laughing Gravy, Tit for Tat, Flying Deauces 350 feet 8mm Silent, b&w and colour. Extracts from commercial films starring Shirley Temple in Babes in Arms, Buster Keaton in Cops, Laurel and Hardy and Charley Hall in Doggy Daze extract from Laughing Gravy, opening title for Tit for Tat, Laurel and Hardy and Chaley Hall in hose race finale from Flying Deauces also animals on parade and animals from London and Whidsnape Zoos including seals, rhino, deer and birds Supplied by C. W. Cramp Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.227 Ice Tricks, Hopeless Help Mates, Stagecoach, You’ll Be Surprised, Range Buster 8mm, Emi Tape Silent, b&w. Extracts from commercial films Ice Tricks (Pathetoscope release) Harrison Marks comedy Hopeless Help Mates, John Wayne in Stagecoach, Snooky the Monkey and Ready to Serve extracts from You’ll Be Surprised, a Chester comedy (once available from Kodascope), the last hold up from Range Busters starring Ray ‘Crash’ Corrigan, John King and Max ‘Alibi’ Terhune Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.228 Rare Circus Shorts 1926 9.5mm, Pathescope Silent, b&w. Performing dogs, 30 feet first film released in 1926 by Pathescope Ltd, Toto Acrobat 30 feet cartoon with notched titles, Lions in Freedom 30 feet France not listed in catalogues, Elephant Bath 30 feet, elephants in India 1926, Trained Elephants 30 feet U.S.A.?, At Home with Lions 60 feet, Charles Gays U.S.A. U.S.A, India Noel Drewe, Circusama Yesterdays Circus Today Noel Drewe Collection 178D5.229 2 reels Reel 1: Wild Animals of South Africa, Dizzy Decorators, Sugar Daddies, The Blacksmith, Palace of Turkish Delights 400 feet 8mm, Photax Silent, b&w and colour. -
Modus Operandi Films and High Point Media Group Present
Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten. -
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 Min)
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 min) Directed by Federico Fellini Story by Federico Fellini & Ennio Flaiano Screenplay by Ennio Flaiano, Tullio Pinelli, Federico Fellini & Brunello Rondi Produced by Angelo Rizzoli Original Music by Nino Rota Cinematography by Gianni Di Venanzo Film Editing by Leo Cattozzo Production Design by Piero Gherardi Art Direction by Piero Gherardi Costume Design by Piero Gherardi and Leonor Fini Third assistant director…Lina Wertmüller Academy Awards for Best Foreign Picture, Costume Design Marcello Mastroianni...Guido Anselmi Claudia Cardinale...Claudia Anouk Aimée...Luisa Anselmi Sandra Milo...Carla Hazel Rogers...La negretta Rossella Falk...Rossella Gilda Dahlberg...La moglie del giornalista americano Barbara Steele...Gloria Morin Mario Tarchetti...L'ufficio di stampa di Claudia Madeleine Lebeau...Madeleine, l'attrice francese Mary Indovino...La telepata Caterina Boratto...La signora misteriosa Frazier Rippy...Il segretario laico Eddra Gale...La Saraghina Francesco Rigamonti...Un'amico di Luisa Guido Alberti...Pace, il produttore Giulio Paradisi...Un'amico Mario Conocchia...Conocchia, il direttore di produzione Marco Gemini...Guido da ragazzo Bruno Agostini...Bruno - il secundo segretario di produzione Giuditta Rissone...La madre di Guido Cesarino Miceli Picardi...Cesarino, l'ispettore di produzione Annibale Ninchi...Il padre di Guido Jean Rougeul...Carini, il critico cinematografico Nino Rota...Bit Part Mario Pisu...Mario Mezzabotta Yvonne Casadei...Jacqueline Bonbon FEDERICO FELLINI -
* Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1
* hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film -
Music and History in Italian Film Melodrama, 1940-2010
Between Soundtrack and Performance: Music and History in Italian Film Melodrama, 1940-2010 By Marina Romani A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Barbara Spackman, Chair Professor Mary Ann Smart Professor Linda Williams Professor Mia Fuller Summer 2015 Abstract Between Soundtrack and Performance: Music and History in Italian Film Melodrama, 1940-2010 by Marina Romani Doctor of Philosophy in Italian Studies and the Designated Emphasis in Film Studies University of California, Berkeley Professor Barbara Spackman, Chair Melodrama manifests itself in a variety of forms – as a film and theatre practice, as a discursive category, as a mode of imagination. This dissertation discusses film melodrama in its visual, gestural, and aural manifestations. My focus is on the persistence of melodrama and the traces it leaves on post-World War II Italian cinema: from the Neorealist canon of the 1940s to works that engage with the psychological and physical, private, and collective traumas after the experience of a totalitarian regime (Cavani’s Il portiere di notte, 1974), to postmodern Viscontian experiments set in a 21st-century capitalist society (Guadagnino’s Io sono l’amore, 2009). The aural dimension is fundamental as an opening to the epistemology of each film. I pay particular attention to the presence of operatic music – as evoked directly or through semiotic displacement involving the film’s aesthetic and expressive figures – and I acknowledge the existence of a long legacy of practical and imaginative influences, infiltrations and borrowings between the screen and the operatic stage in the Italian cinematographic tradition. -
Jack Hill (Actor) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Jack Hill (actor) 电影 串行 (大全) Liberty https://zh.listvote.com/lists/film/movies/liberty-1759277/actors Two Tars https://zh.listvote.com/lists/film/movies/two-tars-951786/actors On the Loose https://zh.listvote.com/lists/film/movies/on-the-loose-3013019/actors Bonnie Scotland https://zh.listvote.com/lists/film/movies/bonnie-scotland-1848876/actors On the Wrong Trek https://zh.listvote.com/lists/film/movies/on-the-wrong-trek-3017252/actors Beau Hunks https://zh.listvote.com/lists/film/movies/beau-hunks-1660717/actors https://zh.listvote.com/lists/film/movies/3259722/actors Putting Pants on Philip https://zh.listvote.com/lists/film/movies/putting-pants-on-philip-1627100/actors 45 Minutes from Hollywood https://zh.listvote.com/lists/film/movies/45-minutes-from-hollywood-235339/actors Blotto https://zh.listvote.com/lists/film/movies/blotto-531206/actors Stage Fright https://zh.listvote.com/lists/film/movies/stage-fright-7596794/actors The Fixer Uppers https://zh.listvote.com/lists/film/movies/the-fixer-uppers-374708/actors Saps at Sea https://zh.listvote.com/lists/film/movies/saps-at-sea-759472/actors Should Married Men Go https://zh.listvote.com/lists/film/movies/should-married-men-go-home%3F-3020224/actors Home? The Stolen Jools https://zh.listvote.com/lists/film/movies/the-stolen-jools-1544930/actors Any Old Port! https://zh.listvote.com/lists/film/movies/any-old-port%21-1088742/actors Pack Up Your Troubles https://zh.listvote.com/lists/film/movies/pack-up-your-troubles-1216722/actors The Devil's Brother https://zh.listvote.com/lists/film/movies/the-devil%27s-brother-1777093/actors -
Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history. -
Stanlio & Ollio
STANLIO & OLLIO Volerelaluna.it 08/04/2019 di: Edoardo Peretti Stanlio & Ollio sono due icone, due figure che giocano nel campo della mitologia collettiva. Sono conosciuti da chiunque e amati da molti, a livelli che nella storia del cinema comico, non solo muto, sono stati raggiunti forse solamente dal vagabondo Charlot. Questa fama diffusa ha spesso però portato a una rilettura del loro cinema parziale, elegiaca e dolce tanto quanto imprecisa e imperfetta, come tipico della memoria scolpita dai ricordi delle visioni dell’infanzia. La memoria dei due è stata in qualche modo confinata ai vari «Brutto Stiupìdo», ai piagnucolii di Stanlio, ai camera look e alle urla di dolore, rabbia e rassegnazione di Ollio e agli altri tormentoni visivi e lessicali. Il loro destino postumo è stato differente da quello, mettiamo, di Buster Keaton, la cui conoscenza è più limitata, ma anche più precisa e consapevole. La loro memoria più diffusa è, inoltre, una memoria perlopiù sonora, con i cortometraggi muti realizzati nel biennio 1927/1929 rimasti parzialmente nel dimenticatoio, ma in realtà importanti per come i due hanno affinato l’intesa e le caratteristiche della loro poetica; a partire dalla “slow burn“, passando per le deformazioni fisiche di oggetti e corpi, fino ad arrivare al modo particolare, all’insegna della stasi, con cui il loro cinema raccontava la guerra tra individuo e contesto tipica della comicità muta. Tre sono i filoni principali della loro filmografia; le “work situation comedy” – dove improvvisavano un lavoro con effetti devastanti (Finishing touch [1927], Big Business [1929], Wrong again [1929]), The music box (1932) e Busy bodies (1933) –, i film in cui convivevano in maniera goffamente cameratesca (Leave ‘em laughing [1928], They go boom [1929] e Laughing gravy [1930]) e le cosiddette “commedie matrimoniali”, dove erano vittime di consorti arpie e dove il caos era creato dai loro tentativi di svicolare dal loro controllo o nascondere magheggi (The purple moment [1928], Should married man go home? [1928], Chickens come home [1931]). -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
The Definitive Restorations
LAUREL & HARDY — THE DEFINITIVE RESTORATIONS Reported by Tracy M. Tolzmann The noted author, film conservator, historian, and Block-Heads tent Grand Sheik Emeritus Richard W. Bann has just announced the upcoming release of 19 Laurel and Hardy comedies that have been meticulously restored by Jeff Joseph/SabuCat in conjunction with the UCLA Film and Television Archive and the Library of Congress. Using careful photochemical and digital techniques, these classic films have been restored to pristine condition. In these stunning new transfers, the films look and sound as beautiful as they did when they were first released. Stan and Ollie look and sound great in the new 2K and 4K digital restorations made from the original 35mm nitrate films. Laurel and Hardy's classic comedies are presented here in the best quality since their first release over 75 years ago! The release contains two features and 17 shorts, including the legendary pie-fight silent film THE BATTLE OF THE CENTURY, making its video debut and nearly complete for the first time in over 90 years! The DVD is packed with Bonus Materials: • Commentaries by Randy Skretvedt and Richard W. Bann • Never before seen video and audio interviews with L&H co-workers • Over 2,500 rare photos, posters, scripts and studio files • Alternate Soundtracks and Music Tracks • "Ship's Reporter" Interview of Oliver Hardy (restored) • THAT’S THAT (restored/first time on video — gag reel to honor Stan’s birthday) • THE TREE IN A TEST TUBE (restored from 16mm color Kodachrome) • L&H off-screen pictures from -
RUDOLPH VALENTINO January 1971
-,- -- - OF THE SON SHEIK . --· -- December 1970 -.. , (1926) starring • January 1971 RUDOLPH VALENTINO ... r w ith Vilma Banky, Agnes Ayres, George Fawcett, Kar l Dane • .. • • i 1--...- \1 0 -/1/, , <;1,,,,,/ u/ ~m 11, .. 12/IOJ,1/, 2/11.<. $41 !!X 'ifjl!/1/. , .....- ,,,1.-1' 1 .' ,, ,t / /11 , , . ... S',7.98 ,,20 /1/ ,. Jl',1,11. Ir 111, 2400-_t,' (, 7 //,s • $/1,!!.!!8 "World's .. , . largest selection of things to show" THE ~ EASTIN-PHELAN p, "" CORPORATION I ... .. See paee 7 for territ orial li m1la· 1;on·son Hal Roach Productions. DAVE PORT IOWA 52808 • £ CHAZY HOUSE (,_l928l_, SPOOK Sl'OO.FI:'\G <192 i ) Jean ( n ghf side of the t r acks) ,nvites t he Farina, Joe, Wheeze, and 1! 1 the Gang have a "Gang•: ( wrong side of the tr ack•) l o a party comedy here that 1\ ,deal for HallOWK'n being at her house. 6VI the Gang d~sn't know that a story of gr aveyard~ - c. nd a thriller-diller Papa has f tx cd the house for an April Fool's for all t ·me!t ~ Day party for his fr i ends. S 2~• ~·ar da,c 8rr,-- version, 400 -f eet on 2 • 810 303, Standord Smmt yers or J OO feet ? O 2 , v ozs • Reuulart, s11.9e, Sale reels, 14 ozs, Regularly S1 2 98 , Sale Pnce Sl0.99 , 6o 0 '11 Super 8 vrrs•OQ, dSO -fect,, 2-lb~ .• S l0.99 Regu a rly SlJ 98. Sale Pn ce I Sl2.99 425 -fect I :, Regularly" ~ - t S12 99 400lc0 t on 8 o 289 Standard 8mm ver<lon SO r Sate r eels lJ o,s-. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard