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An Outline of Georg Friedrich Creuzer's Argument
Anastasia V. Shalaeva SYMBOLISM AND MYTHOLOGY OF THE ANCIENTS: AN OUTLINE OF GEORG FRIEDRICH CREUZER’S ARGUMENT BASIC RESEARCH PROGRAM WORKING PAPERS SERIES: HUMANITIES WP BRP 80/HUM/2014 This Working Paper is an output of a research project implemented at the National Research University Higher School of Economics (HSE). Any opinions or claims contained in this Working Paper do not necessarily reflect the views of HSE. SERIES: HUMANITIES Anastasia V. Shalaeva11 SYMBOLISM AND MYTHOLOGY OF THE ANCIENTS: AN OUTLINE OF GEORG FRIEDRICH CREUZER’S ARGUMENT 22 This paper seeks to establish German Romanticism as the foundation for the process of formation of the humanities as a discipline. The research aims to enquire into the ideas that were crucial for the formation of mythology into discipline. The research explores the role of the romantic philosopher and philologist Friedrich Creuzer’s arguments in relation to the history of science of mythology. The findings of the research illustrate the impact of the different positions in the debates surrounding mythology in the age of German Romanticism and German Idealism on the development of the humanities as a discipline. At the same time as he was studying the symbolism and mythology of the ancients he was acutely influenced by romantic ideas. We suggest that this fact is crucial for the interpretation of the history of mythology as a subject and as a discipline along with the complex interactions between historical, philological and philosophical arguments in Creuzer’s work. JEL Classification: Z. Keywords: symbolism, mythology, romanticism, history of humanities, Georg Friedrich Creuzer. 11 Research Intern at the Poletayev Institute for Theoretical and Historical Studies in the Humanities (IGITI) and lecturer in the Faculty of Philosophy at National Research University Higher School of Economics, Moscow, Russia. -
Front Matter
Cambridge University Press 978-0-521-83300-4 - Georg Wilhelm Friedrich Hegel: Heidelberg Writings - Journal Publications Edited by Brady Bowman and Allen Speight Frontmatter More information GEORG WILHELM FRIEDRICH HEGEL Heidelberg Writings The purpose of the Cambridge Hegel Translations is to offer trans- lations of the best modern German editions of Hegel’s work in a uniform format suitable for Hegel scholars, together with philosoph- ical introductions and full editorial apparatus. This work brings together, for the first time in English translation, Hegel’s journal publications from his years in Heidelberg (1816–18), writings which have been previously either untranslated or only par- tially translated into English. The Heidelberg years marked Hegel’s return to university teaching and represented an important transi- tion in his life and thought. The translated texts include his impor- tant reassessment of the works of the philosopher F.H. Jacobi, whose engagement with Spinozism, especially, was of decisive significance for the philosophical development of German Idealism. They also include his most influential writing about contemporary political events, his essay on the constitutional assembly in his native Wurttemberg,¨ which was written against the background of the dramatic political and social changes occurring in post-Napoleonic Germany. The translators have provided an introduction and notes that offer a scholarly commentary on the philosophical and political background of Hegel’s Heidelberg writings. brady bowman is Assistant -
Unveiling Baubo: the Making of an Ancient Myth for the Degree Field Of
NORTHWESTERN UNIVERSITY Unveiling Baubo: The Making of an Ancient Myth A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of Comparative Literary Studies By Frederika Tevebring EVANSTON, ILLINOIS December 2017 2 © Copyright by Frederika Tevebring 2017 All Rights Reserved 3 Abstract “Unveiling Baubo” describes how the mythical figure Baubo was constructed in nineteenth-century German. Associated with the act of exposing herself to the goddess Demeter, Baubo came to epitomize questions about concealment and unveiling in the budding fields of archaeology, philology, psychoanalysis and literary theory. As I show in my dissertation, Baubo did not exist as a coherent mythical figure in antiquity. Rather, the nineteenth-century notion of Baubo was mediated through a disparate array of ancient and contemporary sources centered on the notion of sexual vulgarity. Baubo emerged as a modern amalgam of ancient parts, a myth of a myth invested with the question of what modernity can and should know about ancient Greece. The dissertation centers on the 1989 excavation of the so-called Baubo statuettes, a group of Hellenistic votive figurines discovered at Priene, in modern-day Turkey. The group adheres to a consistent and unique iconography: the face of the female figures is placed directly onto their torso, giving the impression that the vulva and chin merge. Based on the statuettes’ “grotesque- obscene” appearance, archaeologist concluded that they depicted Baubo, the woman who greeted Demeter at Eleusis when the goddess was searching for her abducted daughter Persephone. According to late antique Church Fathers, Demeter refused the locals’ offerings of food and drink until Baubo cheered her up by lifting her skirt, exposing herself to the goddess. -
Women and War in the German Cultural Imagination
Conquering Women: Women and War in the German Cultural Imagination Edited by Hillary Collier Sy-Quia and Susanne Baackmann Description: This volume, focused on how women participate in, suffer from, and are subtly implicated in warfare raises the still larger questions of how and when women enter history, memory, and representation. The individual essays, dealing with 19th and mostly 20th century German literature, social history, art history, and cinema embody all the complexities and ambiguities of the title “Conquering Women.” Women as the mothers of current and future generations of soldiers; women as combatants and as rape victims; women organizing against war; and violence against women as both a weapon of war and as the justification for violent revenge are all represented in this collection of original essays by rising new scholars of feminist theory and German cultural studies. RESEARCH SERIES / NUMBER 104 Conquering Women: Women and War in the German Cultural Imagination X Hilary Collier Sy-Quia and Susanne Baackmann, Editors UNIVERSITY OF CALIFORNIA AT BERKELEY Library of Congress Cataloging-in-Publication Data Conquering women : women and war in the German cultural imagination / Hilary Collier Sy-Quia and Susanne Baackmann, editors. p. cm — (Research series ; no. 104) Papers from the 5th Annual Interdisciplinary German Studies Con- ference held at the University of California, Berkeley, March 1997. Includes bibliographical references. ISBN 0-87725-004-9 1. German literature—History and criticism—Congresses. 2. Women in literature—Congresses. 3. War in literature—Congresses. 4. Violence in literature—Congresses. 5. Art, Modern—20th century—Germany— Congresses. 6. Women in art—Congresses. 7. -
Hegel on Indian Philosophy: Spinozism, Romanticism, Eurocentrism Gino Signoracci University of New Mexico
University of New Mexico UNM Digital Repository Philosophy ETDs Electronic Theses and Dissertations Spring 5-4-2017 Hegel on Indian Philosophy: Spinozism, Romanticism, Eurocentrism Gino Signoracci University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/phil_etds Part of the Comparative Philosophy Commons, Continental Philosophy Commons, and the History of Philosophy Commons Recommended Citation Signoracci, Gino. "Hegel on Indian Philosophy: Spinozism, Romanticism, Eurocentrism." (2017). https://digitalrepository.unm.edu/ phil_etds/24 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Philosophy ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Gino Signoracci Candidate Philosophy Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Adrian Johnston, Chairperson John Taber Brent Kalar Iain Thomson Shannon Mussett i HEGEL ON INDIAN PHILOSOPHY: SPINOZISM, ROMANTICISM, EUROCENTRISM by GINO SIGNORACCI B.A., Philosophy, English, University of Notre Dame, 2004 M.A., Philosophy, Brock University, 2009 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Philosophy The University of New Mexico Albuquerque, New Mexico July, 2017 ii DEDICATION For Ally, for turning up, keeping up, putting up, picking (me) up, and never letting up: with love, good humor, and wonder iii ACKNOWLEDGMENTS There are seven people whose abiding support, encouragement, sensitivity, patience, and understanding are the reason I completed this dissertation at all: Adrian, Ally, Jane, Jon, Judy, Kaity, and Krupa. -
UNIVERSITY of CALIFORNIA Los Angeles “A Fullness of Living Forces”: Viacheslav Ivanov's Poetics of Theurgy a Dissertation
UNIVERSITY OF CALIFORNIA Los Angeles “A Fullness of Living Forces”: Viacheslav Ivanov’s Poetics of Theurgy A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Slavic Languages and Literatures by Jeffrey T. Riggs 2018 © Copyright by Jeffrey T. Riggs 2018 ABSTRACT OF THE DISSERTATION “A Fullness of Living Forces”: Viacheslav Ivanov’s Poetics of Theurgy by Jeffrey T. Riggs Doctor of Philosophy in Slavic Languages and Literatures University of California, Los Angeles, 2018 Professor Ronald W. Vroon, Chair Developing poetry into a form of theurgy (“divine work,” from the Greek θεουργία) is perhaps the most heraldically proclaimed yet scantly defined preoccupation of the Russian Symbolist poet Viacheslav Ivanov (1866-1949). The Symbolist movement’s philosophical progenitor, Vladimir Solov’ev (1853-1900), sounded the clarion call for theurgic art in his treatise Crisis of Western Philosophy (1874), however the concept of theurgy dates to late antiquity, when the Neoplatonist philosophers Iamblichus (c. 245–c. 325 CE) and Proclus (412– 485 CE) posited theurgic ritual as superior to theological discourse. While it has been established that Ivanov followed Solov’evian paradigms in creating theurgic art, the Neoplatonic context of Ivanov’s engagement with theurgy has remained hitherto unexplored in Slavist scholarship. This dissertation argues for Neoplatonic theurgy as an active constituent in Ivanov’s poetics and theory of the symbol. Being an accomplished classical historian and philologist as ii well as a poet and theoretician, Ivanov incorporated both Solov’evian and Neoplatonic theurgic ideas into his highly allusive, richly symbolic, and archaically stylized poetry. Neoplatonism supplied Ivanov with a notion of the symbol as a conduit of divine mysteries, a mythopoetic device, and a functional element of ritual practice. -
Antonia Eder Der Pakt Mit Dem Mythos Hugo Von Hofmannsthals
Antonia Eder Der Pakt mit dem Mythos Hugo von Hofmannsthals ›zerstörendes Zitieren‹ von Nietzsche, Bachofen, Freud ROMBACH WISSENSCHAFTEN · REIHE LITTERAE herausgegeben von Gerhard Neumann, Günter Schnitzler und Maximilian Bergengruen Band 198 Antonia Eder Der Pakt mit dem Mythos Hugo von Hofmannsthals ›zerstörendes Zitieren‹ von Nietzsche, Bachofen, Freud Auf dem Umschlag: Sandro Botticelli: Historia de Nastagio degli Onesti (1483), Prado, Madrid Publiziert mit Unterstützung des Schweizerischen Nationalfonds zur Förde- rung der wissenschaftlichen Forschung Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über <http://dnb.d-nb.de> abrufbar. © 2013. Rombach Verlag KG, Freiburg i.Br./Berlin/Wien 1. Auflage. Alle Rechte vorbehalten Lektorat: Sara Kathrin Landa Umschlag: typo|grafik|design, Herbolzheim i.Br. Satz: Rombach Druck- und Verlagshaus GmbH & Co. KG, Freiburg im Breisgau Herstellung: Rombach Druck- und Verlagshaus GmbH & Co. KG, Freiburg im Breisgau Printed in Germany ISBN 978-3-7930-9755-6 INHALT Einleitung . 9 I Mythos. Theorie und Schauer . 29 I.1 Mythos und Geschichten .......................... 30 I.2 Logos und Mythos . 34 I.2.1 Exkurs: Das Erhabene . 38 I.3 Mythos: Figuration und Defiguration . 42 I.3.1 Dynamik des Mythos . 43 I.3.2 Sprachbann und Gewalt . 46 I.3.3 Defiguration und Präsenz . 49 II Elektra. Frei nach Sophokles .............................. 55 II.1 Figurentektonik Elektra . 56 II.1.1 Elektra I . 56 II.2.2 Elektra II . 60 II.2 Theater – Tanz – Opfer . 64 II.2.1 Das Theater . 64 II.2.2 Der Tanz . 67 II.2.3 Das Opfer . 70 II.3 Sophokles – Hofmannsthal . -
Romantic Dialogue in the Letters and Works of Rahel Levin Varnhagen, Bettina Brentano Von Arnim, and Karoline Von Günderrode
“DANN IST UND BLEIBT EINE KORRESPONDENZ LEBENDIG”: ROMANTIC DIALOGUE IN THE LETTERS AND WORKS OF RAHEL LEVIN VARNHAGEN, BETTINA BRENTANO VON ARNIM, AND KAROLINE VON GÜNDERRODE BY RENATA FUCHS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in German in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Associate Professor Laurie Johnson, Chair Associate Professor Stephanie Hilger Professor Carl Niekerk Associate Professor Yasemin Yildiz ABSTRACT In this dissertation, I analyze letters and other writing by three women writers during the Romantic period: Rahel Levin Varnhagen, Bettina Brentano von Arnim, and Karoline von Günderrode. I investigate interpersonal communication in the traditional form of the dialogue as it developed between these women authors and their peers. These epistolary projects reflect a different approach of each woman writer to their letters: Levin Varnhagen’s letters were destined to be published from the beginning; Bettina Brentano von Arnim’s letters were used as a material for her fictional epistolary novel; Günderrode’s letters were meant to remain private. Scholarship has often focused on attempts to justify women writers for their choice of the letter genre while I claim that the authors discussed here actively preferred the form of a letter. I argue that due to the form and content of these letters, a new model of interpersonal communication emerges, which borrows creatively from the Romantic concepts of sociability (including salon conversation) and symphilosophy. The letter exchanges analyzed here are in fact collaborative projects that adhere to the ideals of Early Romantic philosophy. -
Architecture and Modern Literature
Architecture and Modern Literature Architecture and Modern Literature ✦✦✦ David Spurr the university of michigan press ✦ ann arbor Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2015 2014 2013 2012 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Spurr, David, 1949– Architecture and modern literature / David Spurr. p. cm. Includes bibliographical references and index. ISBN 978-0-472-07171-5 (cloth : acid-free paper) — ISBN 978-0-472- 05171-7 (pbk. : acid-free paper) — ISBN 978-0-472-02824-5 (e-book) 1. Architecture and literature. 2. Space perception in literature. 3. Literature, Modern—19th century—History and criticism. 4. Literature, Modern—20th century—History and criticism. I. Title. PN56.A73S68 2012 809'.93357—dc23 2011043633 In memoriam Elizabeth S. Ball Contents Preface ix Acknowledgments xiii Introduction: Meaning in Architecture and Literature 1 chapter 1. An End to Dwelling: Architectural and Literary Modernisms 50 2. Demonic Spaces: Sade, Dickens, Kafka 73 3. Allegories of the Gothic in the Long Nineteenth Century 99 4. Figures of Ruin and Restoration: Ruskin and Viollet-le-Duc 142 5. -
Die Mythologie Bei F.W.J. Schelling Und F. Creuzer D I S S E R T a T I O N
Die Mythologie bei F.W.J. Schelling und F. Creuzer D i s s e r t a t i o n zur Erlangung des akademischen Grades Doktor der Philosophie in der Philosophischen Fakultät der Eberhard Karls Universität Tübingen vorgelegt von Fernando Gustavo Wirtz aus Buenos Aires, Argentinien 2020 Gedruckt mit Genehmigung der Philosophischen Fakultät der Eberhard Karls Universität Tübingen Dekan: Prof. Dr. Jürgen Leonhardt Hauptberichterstatter: Prof. Dr. Friedrich Hermanni Mitberichterstatterin: Prof. Dr. Friedrike Schick Tag der mündlichen Prüfung: 06. 11. 2019 Universitätsbibliothek Tübingen, TOBIAS-lib, Tübingen Danksagung Prof. Dr. Friedrich Hermanni, meinem Doktorvater, danke ich für die Betreuung dieser Forschungsarbeit, seine Geduld und die Gelegenheit, meine Gedanken in Seminaren und Gesprächen zu überprüfen. Ich danke ebenso Frau apl. Prof. Dr. Friedrike Schick für die hilfsbereite und sachkundige Betreuung als zweite Gutachterin. Mein außerordentlicher Dank gilt Dr. PD Stefan Gerlach, ohne dessen intellektuelle und geistige Unterstützung während des Schreibprozesses diese Dissertation niemals hätte gelingen können. Bei Michael de Campos, Julia Meister, Cornelius Mutz, Paula Uhlmann und Daniel Zöllner möchte ich mich zudem herzlichst für die sprachliche Korrektur bedanken. Für die großzügige finanzielle und seelische Unterstützung während dieser Jahre danke ich dem Stipendienwerk Lateinamerika-Deutschland e.V. (ICALA). Zutiefst dankbar bin ich auch meinen KollegInnen und FreundInnen für ihre unglaublich hilfreiche Unterstützung und ihr Verständnis -
German Literature
· /da~ ~~-~--/U .Y---d~" #7%:-~ -4 #-: IIISTORY OF GERMAN LITERATURE. WOLFGAAA VOL. II. Digitized by ~ttman Irttttatutt til! mtolfgang .stBen3el. TRANSLATED FROM THE GERMAN, WITH NOTES BY THOMAS GORDON. VOL. II. OXFORD: D. A. TALBOYS, AND 113, FLEET STREET, LONDON. It IlCCCXL. Dlgitizod by Google CONTENTS OF VOLUME THE SECOND. Pace Education . 1 History 83 Political Sciences 161 Digitized by Google CORRIGENDA. VOL. II. Page 6. in note, for ' Genevra' read 'Genoveva.' p. - in note, for ' Kranarl ' read ' Kmnach.' p. 9. 1. 2 from bottom, for ' 8IIBUle' read 'accU8e.' p. 18. L 15 from top, for ' and ' read 'but.' p. 28. L 11 from bottom, place semicolon after' rank, ' in place of after ' education.' p.l03.1. 3 from bottom, for' Arnem' read' Arnim.' p. 125.1. 4 from top. "for' others' read 'other.' p. 127. L 19 from top, ill8ert a comma after ' first.' p. 14 •• L 1 from bottom, for' As' read 'A.' p. 149. 1. 2 from bottom, for ' subzehnten ' read 'siebzehnte.' p. 158. in note 6, for '1726' read '1826.' p. 161. L 9 from top, for'Vorgeeen' read' Vogeeen.' p. 265. in note 2, for ' Auchin' read ' Aachen. ' DlgilizedbyGoogle "... GERMAN LITERATURE. EDUCATION 1. UR present system of education compre O hends within it three different principles; that of habit, tl1at of political expediency, and that of philllsophical optimism. Its organs are, therefore, likewise threefold: old established ha bit prevails in families; the public schools and universities now serve a political end, while in former times they were of more service to the church; lastly, optimism'has produced seminaries for private education; at present each asserts its own claims, without caring for the rights of others. -
Cicero Refused to Die Presenting the Past
Cicero Refused to Die Presenting the Past Central Issues in Medieval and Early Modern Studies Across the Disciplines General Editor Nancy van Deusen VOLUME 4 The titles published in this series are listed at brill.com/pthp Cicero Refused to Die Ciceronian Influence through the Centuries Edited by Nancy van Deusen LEIDEN • BOSTON 2013 Cover illustration: The Colosseum in Rome. © Photograph with kind permission of the Copy Center, Claremont University Consortium Library of Congress Cataloging-in-Publication Data Cicero refused to die: Ciceronian influence through the centuries / edited by Nancy van Deusen. pages cm. -- (Presenting the past, ISSN 1875-2799; VOLUME 4) Includes index. ISBN 978-90-04-24344-6 (alk. paper) -- ISBN 978-90-04-24476-4 (e-book) 1. Cicero, Marcus Tullius--Influence. I. Van Deusen, Nancy (Nancy Elizabeth) editor of compilation. B553.C535 2013 937’.05092--dc23 2013002790 ISSN 1875-2799 ISBN 978-90-04-24344-6 (hardback) ISBN 978-90-04-24476-4 (e-book) Copyright 2013 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers and Martinus Nijhoff Publishers. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA.