IMPAKTO DACK CV

SEAN DACK Born in Albany, NY. 1976 Lives and works in New York, NY.

EDUCATION 2002 MFA., Columbia University School of the Arts, NY. 2000 B.A., Purchase College of Art and Design, Purchase, NY.

SOLO EXHIBITIONS 2013 Fitzroy Gallery, New York, NY. 2012 SOLO PRESENTATION BOOTH, Art Los Angeles Contemporary, Los Angeles, CA. 2011 21ST CENTURY DUB DUB, Fitzroy Gallery, New York, NY. DOUBLE EXPOSURE, Akademie Schloss Solitude, Stuttgart, Germany. 2010 SEAN DACK (with Ethan Breckenridge), The Suburban, Chicago, IL. 2008 GHOST HARDWARE, Daniel Reich Gallery, New York, NY. ECHO/ REPEAT, Fredric Snitzer Gallery, Miami, FL. 2007 FUTURE SONGS, Daniel Reich Gallery, New York, NY. LOSS AND RECOVERY / VOVOID, Hiromi Yoshii Gallery, Tokyo, Japan. 2006 TWILIGHT TOWN, Moore Space, Miami, FL. DIMINISHED RETURNS/ INNOCENT EYES, David Kordansky Gallery, Los Angeles, CA . 2004 SEAN DACK, Daniel Reich Gallery, New York, NY. DWELL TIME, Southfirst:art, Brooklyn, NY. 2003 SEAN DACK AND LIAM GILLICK, A FILM, A CLIP, A DOCUMENTARY, Corvi-Mora, London, UK. 2002 FRESH AND UPCOMING, Frankfurter Kunstverein, Frankfurt, Germany (project space) NO ENCORE, Galerie Anton Weller, Paris, France. NO ENCORE, Southfirst:art, Brooklyn, NY.

GROUP EXHIBITIONS 2013 PAPER, Saatchi Gallery, London, UK. 2012 Megabodega, Family Business, New York, NY. DATA TRASH, I-20 Gallery, New York, NY. THE POWER OF PAPER, Saatchi Gallery, London, UK. IMAGE TRANSFER, Newcomb Art Gallery, Tulane University, New Orleans, LA. IMPAKTO DACK CV

GROUP EXHIBITIONS (CONTINUE) 2011 IMAGE TRANSFER, Center for Art, Design and Visual Culture, Baltimore, Maryland. SUMMER TIME BLUES, Fredric Snitzer Gallery, Miami, FL. THE DIGITAL EYE: PHOTOGRAPHIC ART IN THE ELECTRONIC AGE, Henry Art Gallery, University of Washington, Seattle, WA. ALIVE SHE CRIED. Galerie Zink, Berlin, Germany. COMMON LOVE, AESTHETICS OF BECOMING, Meriam and Ira Wallach Gallery, Columbia University, New York, NY. IMAGE TRANSFER, Richard E. Peeler Art Center, DePauw University, Greencastle, IN. THE SHAPE WE’RE IN (London), Zabludowicz Collection, London, UK. THE SHAPE WE’RE IN (New York), Zabludowicz Collection/1500 Broadway, New York, NY. 2010 BOWRY LANE, Charles Bank Gallery, New York , NY. IMAGE TRANSFER, Henry Art Gallery, University of Washington, Seattle, WA. DATA MINING-ARTIST CONSTRUCTS, Averill and Bernard Leviton A+D Gallery, Columbia College, Chicago, IL. SYSTEMATIC, Zabludowicz Collection, London, UK. SEEING VOICES: THE VISUAL VOICE, Rutgers University Art Gallery, New Bruns wick, NJ THE LIBRARY OF BABEL / IN AND OUT OF PLACE, Zabludowicz Collection, London, UK. ONESHOT, Allmänna Gallery, Stockholm, Sweden. ONESHOT, Werkstette, Copenhagen, Denmark. VORTEXHIBITION POLYPHONICA, Henry Art Gallery, University of Washington, Seattle, WA. RAVE SIMULATION, And/Or Gallery, Dallas, TX. WALK BY MOVIES, James Gallery, The Graduate Center of The City University of New York, NY. Curated by Linda Norden. BILDER FOR BOATIN, Silver Shed, New York, NY. Curated by Dirk Skreber. 2008 SHOT SPOT, Geoffrey Young Gallery, Great Barrington, MA. CROSSROADS. INTERFACES BETWEEN ROCK MUSIC AND CONTEMPORARY ART, Domus Artium Museum, Salamanca, Spain. THE FUTURE AS DISRUPTION, The Kitchen, New York, NY. SELECTED WORKS, Southfirst:Art, Brooklyn, NY. CUBE PASSERBY, Gavin Brown’s Passerby, New York, NY. THE HIDDEN, Maureen Paley, London, UK. UNCERTAIN STATES OF AMERICA, Songzhuan Art Center, Beijing, China. 2007 UNCERTAIN STATES OF AMERICA, Galerie Rudolfinum, Prague, Czech Republic. DEAF II, FROM THE AUDIBLE TO THE VISIBLE, Frank Elbaz Gallery, Paris, France. Curated by Peter Coffin. UNCERTAIN STATES OF AMERICA, Le Musee de Serignan, Serignan, France 9 OR 10 WORKS I USED TO LIKE, In/ No Order, Monitor Video and Contemporary Art, Rome, Italy. IMPAKTO DACK CV

GROUP EXHIBITIONS (CONTINUE) 2007 LANDSCAPES, Southfirst:Art, Brooklyn, NY. UNCERTAIN STATES OF AMERICA, The Centre for Contemporary Art, Warsaw, Poland. UNCERTAIN STATES OF AMERICA, Herning Kunstmuseum, Denmark. UNCERTAIN STATES OF AMERICA – American Video Art in the 3rd Millennium, Moscow Biennial, Moscow, Russia. 2006 UNCERTAIN STATES OF AMERICA, Reykjavik Art Museum, Reykjavik, Iceland SURVIVING PARANOIA, Hudson Valley Center for Contemporary Art, Peekskill, NY. UNCERTAIN STATES OF AMERICA, Serpentine Gallery, London, UK. THANK YOU FOR THE MUSIC (London Beat), Galerie Sprueth Magers Lee, London, UK. UNCERTAIN STATES OF AMERICA, Bard College Center for Curatorial Studies, Bard College. ENDLESS SUMMER, Westlondonproject, London, UK. MANHATTAN PROJECT, Fredric Snitzer Gallery, Miami, FL. 2006 THANK YOU FOR THE MUSIC, Galerie Sprueth Magers, Munich, Germany. UNCERTAIN STATES OF AMERICA, Astrup Fearnley Museum of Modern Art, Oslo, Norway. Curated by Hans Ulrich Obrist, Daniel Birnbaum, and Gunnar B. Kvaran, THERE’S A CITY IN MY MIND, Southfirst:art, Brooklyn, NY. WORKS ON PAPER, Mixture Contemporary Art, Houston, TX. TRAILER, MAN IN THE HOLOSCENE, London, UK, curated by Tom Morton and Catherine Patha. w/Liam Gillick. SADIE HAWKINS DANCE, Summer Group Show, Southfirst:art, Brooklyn, NY. MUSIC BOX, White Box, New York, NY. GLAD DAY, Foxy Productions, New York, NY. STANDARD PROJECTION: WEATHER/TRAFFIC. Standard Hotel, Los Angeles, CA. Curated by Loren Mindak and Art Production Fund. 2003 NEW YORK FUCKING CITY, Southfirst:art, Brooklyn, NY. ELECTRIC BODY, CITE DE LA MUSIQUE, Paris, France. 2002 JAHRESGABEN 2002/2003, Frankfurter Kunstverein, Frankfurt, Germany ESCAPE, Egizio’s Project, New York, NY. MFA THESIS SHOW, Columbia University, May, New York, NY. DARK SPRING, curated by Nicolaus Schafhausen in cooperation with Liam Gillick Ursula Blickle Stiftung, Kraichtal, Germany. LAYER IMMATERIAL, Leroy Nieman Center for Print Studies, New York, NY. 2001 WELCOME TO THE PLAYGROUND OF THE FEARLESS, Entropy, Brooklyn, NY. FLIGHT, Southfirst Gallery, curated by Southfirst & Flug, Vienna, Brooklyn, NY. FIRST YEAR MFA SHOW, Columbia University, curated by Jerry Saltz, Miriam & Ira D. Wallach Gallery, New York, NY. WORKSPHERES, the Museum of Modern Art in conjunction with LOT/ek architecture, New York, NY. SURROUND 5.1, curated by Arto Linsay, Tonic, New York, NY. IMPAKTO DACK CV

GROUP EXHIBITIONS (CONTINUE) 2000 GOTOASA.org Benefit Art Auction, curated by James Fuentes and Seth McBride, Angel Orensanz Foundation, New York, NY. OPEN SPACE, 30 artists in 60 days, James Fuentes Gallery, New York, NY.

BIBLIOGRAPHY 2013 NOTES ON PAPER at the Saatchi Gallery, Blouin Artinfo, June 18th. 2012 ORIGINAL COPIES, The Art of Creative Re-Use, Artnews Magazine, March (Cover) KNUDSON, Rainey, Highlights from Art Los Angeles Contemporary, Glasstire, Jan 21st 2011 LINNERT, Nicolas, Common Love, Aesthetics of Becoming, The Wild, June. Miller, Leigh Anne, The Lookout: A Weekly Guide to Shows You Don’t Want to Miss: Sean Dack at Fitzroy Gallery, Art in America, June 2nd. STRATEGIES OF A SUPERCOLLECTOR: ANITA ZABLUDOWICZ ON THE PHILOSOPHY BEHIND HER ARMORY WEEK SHOW. Artinfo.com, March 2nd 2011 EXHIBITION PREVIEW OF ZABLUDOWICZ COLLECTION: SIX WEEKS IN NEW YORK. Art in America, Feb 28. 2010 SEAN DACK SYSTEMATIC at 176 Project Space, Slamxhype.com, July 10th. DONOGHUE, Katy, Systematic, Whitewall Magazine July 2nd. SEAN DACK: A GLITCH IN TIME, Nowness.com July 7th. SEAN DACK’S VERSION/VARIATION, Nowness.com, July 7th. 2009 Kowalczyk, Piotr, Tesknota Za Wariantami Przyszlosci, Notes Na 6 Tygodni, No. 51, Warsaw, Poland, Spring. 2008 HANNUM, TERRENCE, SEAN DACK GHOST HARDWARE at Daniel Reich Gallery, PROFILE: Columbia College, Chicago, Fall. BANKS, Eric, Seeing Red, Men’s Vogue, August. THE FUTURE AS DISRUPTION, Rosenberg, Karen, The New York Times, August 1 TAKING LIBERTIES WITH A LOOSE GENRE, Gelber, Eric, The New York Sun, July SEAN DACK’S GHOSTS, Amir, Yaelle, Artslant New York, June. SEAN DACK AT DANIEL REICH GALLERY Armetta, Amoreen,Artforum.com, Critic’s Picks. 2007 NO.1 WITH A BULLET (OR, RATHER AN APOCALYPTIC BLAST), Kennedy, Randy, The New York Times, August 17, page E1. EXTRA, Brown, Jacob, V Magazine, March, pg. 190. 2006 MOORE GIVES LIFE TO PERFORMANCE ART, VIDEO, Sjostrom, Jan, Palm Beach Daily News, December 10. THANK YOU FOR THE MUSIC (LONDON BEAT), Fox, Dan, Frieze, October, pp. 268. A WALK ON THE WILD SIDE, Turner, Elisa, September 17, Page 1M, Miami Herald. IMPAKTO DACK CV

BIBLIOGRAPHY (CONTINUE) 2006 INTERNET IMAGES CAUGHT, MODULATED, Knight, Christopher, Los Angeles Times, January 27, pp. E26-E27 DIMINISHED RETURNS/INNOCENT EYES: I WANT MY MTV (AND MY ART!),LA. COM, January 21. 2005 SEAN DACK, McClister, Nell, Artforum, March, pp.239-240. LIAM GILLICK AND PHILIPPE PARRENO TALK ABOUT ‘BRIANNNNNN AND FERRYYYYYY, Gillick, Liam, Parreno, Philippe, Artforum (1000 Words), February, pp.144-145. 2004 ANNA SANDERS FILMS IDENTITY SPOT, Cherix, Christophe, Afterart News, No. 2 Summer, Page 9. SEAN DACK, Beyer, Charles G., Flash Art, May-June, Page 83. DATELINE BROOKLYN, Maine, Stephen, Artnet.com, April 14. 2003 LIAM GILLICK, SEAN DACK, Herbert, Martin, Time Out London, No. 1737, December 3- 10,p.54. FOCUS PHOTOGRAPHY, ed. Lavinia Garulli and Valentina Sansone, Flash Art, Vol.36, No.232, October, p.87 SEAN DACK, Kordansky, David, V magazine, July ELECTRIC BODY: LE CORPS EN SCÈNE, Zapperi, Giovanna, Flash Art, January- February 2002 VIDEOINSTALLATION SEAN DACK, Gesschichte, Stück, Journal Frankfurt, September 18. DER KALKULIERBARE KURT COBAIN Hohmann, Silke, Frankfurter Rundschau, September 4. ZERTRUMMERTE GITARREN IN DER ENDLOSSCHLEIFE, Wolters, Dierk, Frankfurter Neue Presse, September 4. ERÖFFNUNG MIT SEAN DACK UND TIMO ALBRECHT ALS DJS, Frankfurter Rundschau, September 2. IN KRAICHTAL STÖRT LEE KARLS RUHE, Krueger, Reto, Observer, April 4. KOPIE EINES BUHNENBERSERKERS, SEAN DACK IM KUNSTVEREIN, Schutte, Christoph, Frankfurter Allgemeine Zeitung , September 7. FAMOUS AND IMMORTAL, Kerner, Anne, Divento, July 17th. THIS IS THE END, Jonquet, Francois: Nova Magazine, July, Paris, France. ART IN REVIEW: SEAN DACK AT SOUTHFIRST, Smith, Roberta, The New York Times, January 18. 2000 OPEN SPACE, Fuentes, James, James Fuentes Gallery, New York, Zing Magazine, Spring/ Summer.

CURATORIAL PROJECTS 2010 A Testbed of Futurity, Southfirst:art, Brooklyn, NY. IMPAKTO DACK CV

AWARDS AND RESIDENCIES 2010 Akademie Schloss Solitude, Stuttgart, Germany. 2004 American Center Foundation project grant. 2001 Theodore & Carolyn Newhouse Sculpture Award, Columbia University.

SCREENINGS 2012 VIDEO IN THE CITY, Galeries CinemaArt Brussels/ Art Brussels, Belgium. DOUBLE EXPOSURE, Art Los Angeles Contemporary Public Screening Program. 2011 DOUBLE EXPOSURE, Tribeca Grand Hotel Screening Room. 2008 INTRUDE: ART AND LIFE 366, Bailian Xijiao Shopping Mall, Shanghai, China, Curated by Biljana Ciric. LOVE LIFE FILM AT THE STANDARD HOTEL, Miami, FL. Curated by Christian Rattemeyer and Cay Sophie Rabinowitz

PERFORMANCES 2008 STRIATIONS, Daniel Reich Gallery, New York, NY.

PUBLICATIONS 2012 EASY TO SEE WHO IS COMING AND GOING - Jahrbuch 11, Akademie Schloss Solitude, Edition Solitude 2012 DATA TRASH, I 20 Gallery 2012, Exhibition Catalog. 2011 VERSION/VARIATION, Fitzroy Gallery. Exhibition Catalog/Artist Book. COMMON LOVE: AESTHETICS OF BECOMING, Cabanas, Kaira M., Meriam and Ira D Wallach Art Gallery, Columbia University. Catalog. THE SHAPE WE’RE IN, Neilson, Elizabeth, Zabludowicz Collection, London, UK. Catalog. 2010 IMAGE TRANSFER: PICTURES IN A REMIX CULTURE, Krajewski, Sara, Henry Art Gallery, Seattle, WA. Catalog. SYSTEMATIC ZABLUDOWICZ COLLECTION, London, UK. Catalog. THE DIGITAL EYE, Wolf, Sylvia, Prestel Publishing. 2007 SEAN DACK, FUTURE SONGS, Essay by Liam Gillick, Daniel Reich Gallery. Artist Book. THE MOSCOW BIENNIAL OF CONTEMPORARY ART, Footnotes: On Geopolitics, Market and Amnesia, Moscow, Russia. Catalog. 2006 SEAN DACK, TWILIGHT TOWN, The Moore Space, Miami and Daniel Reich Gallery, New York, NY. Catalog. UNCERTAIN STATES OF AMERICA: AMERICAN ART IN THE THIRD MILLENNIUM, Astrup Fearnley Museet for Modern Kunst. IMPAKTO DACK CV

PUBLICATIONS (CONTINUE) 2004 DACK, SEAN AND LIAM GILLICK, ANNA SANDERS FILMS IDENTITY SPOT, One Star Press, Paris, France. 2002 ELECTRIC BODY: LE CORPS EN SCENE, Cite de la Musique. Catalog. DARK SPRING, Schafhausen, Nicolaus, and Vanessa Joan Muller, Ursula Blickle Stiftung. Catalog.

SPECIAL PROJECTS / COMISSIONS 2005 DIOR HOMME, Shanghai, fitting room installation, collaboration with Liam Gillick,

COLLECTIONS The Saatchi Collection Zabludowicz Collection De La Cruz Collection University of Washington, Henry Art Gallery Museum of Modern Art