sign in sign up
<<
Home , Angela Bulloch, Angus Fairhurst, ArtReview, Arts Council Collection, BANK (art collective), British pavilion

RACHEL WHITEREAD

BORN , April 20, 1963. Lives and works in London.

EDUCATION 1987-85 Slade School of , London

1985-82 Brighton Polytechnic, Brighton

AWARDS 2007 August Seeling Prize Winner, Foundation Wilhelm Lehmbruck Museum, Duisburg,

2004 McBean Distinguished Lectureship and Residency, San Francisco Art Institute, San Francisco

2003 The NORD/LB Artist Award, The NORD/LB Norddeutche Landesbank.

1997 Award for Best Young Artist, , Venice

1993 Recipient of , Gallery, London

1993-92 DAAD Scholarship,

*Created Commander of the British Empire (CBE) in 2006.

SOLO EXHIBITIONS 2014 “ Whiteread: Study for Room,” Museo d‟Arte Moderna di Bologna, Bologna, Italy (pamphlet) “,” , Geneva, Italy

2013 “Rachel Whiteread: Detached,” Gagosian Gallery, London, (catalogue)

2011 “Rachel Whiteread: Long Eyes,” Luhring Augustine, New York, NY (catalogue). “Rachel Whiteread: Looking On,” Lorcan O‟Neill, Rome, Italy

2010 “Rachel Whiteread,” Gagosian Gallery, London, United Kingdom.

“Rachel Whiteread Drawings,” The Hammer Museum, Los Angeles, CA; traveling to Nasher Sculpture Center, Dallas, TX; , London (catalogue). “Rachel Whiteread,” Galerie Nelson-Freeman, Paris.

2009 “Rachel Whiteread,” Portland , Portland, OR

2008 “Rachel Whiteread,” Gagosian, Los Angeles, CA (catalogue) “Rachel Whiteread,” Museum of Fine , Boston, MA

2007 “Rachel Whiteread” August Seeling Prize Exhibition, Lehmbruck Museum, Duisburg, Germany “Rachel Whiteread,” Museo d‟Arte Contemporanea Donna Regina (MADRE), Naples. Curated by Mario Codognato. (exhibition catalog) “Rachel Whiteread,” Galleria Lorcan O‟Neill, Rome, Italy “Rachel Whiteread,” Centro de Arte Contemporáneo de Málaga, Málaga, Spain

2006 “Rachel Whiteread: Bibliography,” Luhring Augustine, New York.

2005 “Rachel Whiteread: Sculpture,” Gagosian Gallery, Los Angeles “Walls, Doors, Floors and Stairs”, , Bregenz, Austria “Embankment: Unilever Series,” Turbine Hall, , London, U.K. “Rachel Whiteread: Plastiken und Zeichnungen ( and Drawings),” Staatliches Museum Schwerin, Schwerin, Germany

2004 “Rachel Whiteread: Etchings,” Yorkshire Sculpture Park, West Bretton, Wakefield, U.K. “Rachel Whiteread in Brazil,” Museu de Arte Moderna, Rio de Janeiro, Brazil; traveled to Museu de Arte Moderna, São Paulo, Brazil

2003 Room 101, Victoria and Albert Museum, London Gallery Koyanagi, Tokyo, Japan Luhring Augustine, New York, NY

2002 Haunch of Venison, London, England Kukje Gallery, Seoul

2001 “Rachel Whiteread: Transient Spaces”, Deutche Guggenheim Berlin; traveled to The Solomon R. Guggenheim Museum, New York. “Monument”, Fourth Plinth Project, , London, England Serpentine Gallery, London; traveled to Scottish of , Edinburgh “Guggenheim Commissions,” Berlin, Bilbao, and New York

2000 “Watertower Drawings”, Luhring Augustine, New York, NY “Judenplatz: Place of Remembrance,” Vienna, Austria

Rachel Whiteread 2 “Daybed,” A/D, New York

1999 Luhring Augustine, New York

1998 Anthony d‟Offay Gallery, London, England “Water Tower Project”, Public Art Fund, New York

1997 Tate Gallery, London Palacio Velázquez, Museuo Nacional Centro de Arte Reina Sofia, Madrid , , Venice

1996 “Rachel Whiteread: Sculptures,” Luhring Augustine, New York, NY “Rachel Whiteread: Demolished,” , London (in collaboration with Charles Booth- Clibborn) “Rachel Whiteread: Shedding Life,” Tate Gallery, Liverpool “Rachel Whiteread: Skulpturen/Sculptures 1988-1996,” Max Gandolph-Bibliothek, Salzburg; traveled to Herbert von Karajan Centrum, Vienna.

1995 “Rachel Whiteread: Skulpturen/Sculptures,” Institute of , Philadelphia “Rachel Whiteread: Skulpturen/Sculptures,” Institute of Contemporary Art, Boston “Rachel Whiteread: Sculptures,” The , Rome “Rachel Whiteread: Untitled (Floor),” Karsten Schubert, London Museum Sztuki, Lodz, Poland

1994 “Rachel Whiteread: Skulpturen/Sculptures,” Kunsthalle Basel, Basel “Rachel Whiteread: Works on Paper”, Galerie Aurel Scheibler, Koln “Rachel Whiteread: Drawings”, Luhring Augustine, New York

1993 “Rachel Whiteread”, Options Series, Museum of Contemporary Art, Chicago “The Essex Girl Lecture”, Bruno Burnnet Fine Arts, Berlin; Galerie Claire Burrus, Paris “”, project organized by Trust, London “Rachel Whiteread: Zeichnungen,” DAAD Galerie, Berlin “Rachel Whiteread: Plaster Sculptures,” Luhring Augustine, New York, NY

1992 “Rachel Whiteread: Recent Sculpture,” Luhring Augustine, New York, NY “Rachel Whiteread: Escultures,” Sala Montcada de la Fundacio La Caixa, Barcelona, Spain “Rachel Whiteread: Sculptures,” Stedelijk van Abbemuseum, Eindhoven, The Netherlands Centre Cultural, Fundacion Caja Pensiones, Barcelona Karsten Schubert, London

1991 Arnolfini Gallery, Bristol “Rachel Whiteread: Sculptures,” Karsten Schubert Ltd., London

Rachel Whiteread 3 1990 “Ghost”, , London

1988 Carlisle Gallery, London

GROUP EXHIBITIONS 2015 “On Paper: Spin, Crinkle, Pluck,” The Baltimore Museum of Art, Baltimore, MD “The Presence of Absence,” Berloni Gallery, London, England “Sleepless: Beds in History and Contemporary Art,” 21er Haus, Vienna, Austria (catalogue) “White,” Museum of Contemporary Art Jacksonville, Jacksonville, FL “Zabludowicz Collection: 20 Years,” Zabludowicz Collection, London, England

2015-2014 “Post-Pop: East Meets West,” , London, UK (catalogue)

2014 “The Anne and Wolfgang Titze Collection,” Winter Palace and 21er Haus, Vienna, Austria (catalogue) "Art Lovers," Grimaldi Forum Monaco, Monaco (catalogue) “Branched: Trees in Contemporary Art,” Museum Sinclair-Haus, Bad Homburg, Germany (catalogue) “Body and Void: Echoes of in Contemporary Art,” Henry Moore Foundation, Perry Green, England* “The House,” Faggionato, London, England “Please Enter,” Franklin Parrasch Gallery, New York, NY (catalogue) “Pliage/Fold,” Gagosian Gallery, Paris, France “Ruin Lust,” Tate Britain, London, England (catalogue) “Something old, something new, something borrowed, something blue,” Fondazione Sandretto Re Rebaudengo, Turin, Italy

2013 “Atlas, Mucha, Kahrs, Whiteread,” Luhring Augustine, New York, NY “Atlas, Mucha, Kahrs, Whiteread,” Luhring Augustine Bushwick, Brooklyn, NY “Drawing Line into Form: Works on Paper by Sculptors from the collection of BNY Mellon,” Tacoma Art Museum, Tacoma, Washington “From Death to Death and Other Small Tales: Masterpieces from The Scottish National Gallery of Modern Art and the D. Daskalopoulos Collection,” The Scottish National Gallery of Modern Art, Edinburgh, Scotland (catalogue) “Homebodies,” Museum of Contemporary Art, Chicago, IL

2012 “Contemporary British Sculpture,” Van de Weghe , New York, NY “Family Matters,” Laing Art Gallery, Newcastle, United Kingdom “The Feverish Library,” organized in cooperation with , Friedrich Petzel Gallery, New York “The Floor Show: Gravity and Materials,” Gagosian Gallery, Beverly Hills, CA “In Living Color,” The FLAG Art Foundation, New York, New York “Matters of Fact,” Hessel Museum of Art, Center for Curatorial Studies, , Annandale-on- Hudson, NY “Micro-Mania,” Gagosian, Paris, France “The near and the elsewhere,” PM Gallery, London, United Kingdom “The Family in British Art,” Museum Sheffield, Sheffield, United Kingdom

Rachel Whiteread 4 “DECADE: Contemporary Collecting 2002–2012,” The Albright-Knox Gallery, Buffalo, NY

2011 “Dwelling,” Marianne Boesky Gallery, New York, New York “Nod Nod Wink Wink: in New Mexico and Its Influences,” The Harwood Museum of Art, Mandelman-Ribak Gallery, Taos, New Mexico. “The House Without the Door,” Zwirner, New York, NY

2010 “Abstraction and the Human Figure in CAM‟s British Art Collection,” Calouste Gulbenkian Foundation‟s Modern Art Centre, Lisgon, Portugal. “Mind and Matter: Alternative Abstractions, 1940s to Now,” The , New York, NY “The Surreal House,” Barbican Art Gallery, London, England “They Knew What They Wanted,” Altman Siegel Gallery, John Berggruen Gallery, Fraenkel Gallery and Ratio 3, San Francisco. “Twenty Five,” Luhring Augustine, New York, NY.

2009-2011 “Mapping the Studio: Artists from the François Pinault Collection,” Punta della Dogana and Palazzo Grassi, Venice, Italy.

2009 “32 Pieces: The Art of Chess,” Reykjavik Art Museum, Reykjavik, Iceland (catalogue). “Automatic Cities: The Architectural Imaginary in Contemporary Art,” Museum of Contemporary Art San Diego, CA (catalogue) “British Subjects: Identity and Self-Fashioning, 1966-2008,” Neuberger Museum, Purchase, NY (catalogue) “elles@centrepompidou: Artistes Femmes Dans La Collection du Musee National D‟Art Moderne, Centre de Creation Industrielle,” , Paris, France (catalogue)

2008 “END GAME - British Contemporary Art from the Chaney Family Collection,” The Museum of Fine Arts, Houston, TX (catalogue). “Limited Editions: Boetti, Beuys, Burgin, Dine, Fulton, Havekost, Hirst, Hume, Marden, Paolini, Quinn, Sandback, Schifano, Tremlett, Tuttle, Whiteread,” Galleria Alessandra Bonomo, Rome, Italy. “Psycho Buildings: Artists and Architecture,” The Hayward, London, UK (catalogue). “Sparks! The William T. Kemper Collecting Initiative,” May 3 – July 20, 2008, The Nelson-Atkins Museum of Art, Kansas City, MO (catalogue) “The Lining of Forgetting: Internal and External Memory in Art,” February 10 – May 25, 2008, Weatherspoon Art Museum, Greensboro, NC; travelled to Austin Museum of Art, Austin, TX (catalogue).

2007 “2 x 4,” Luhring Augustine, New York “Action/Post-Pop,” Galeria Mário Sequeria, Braga, Portugal (catalogue) “The Goss-Michael Collection: The New Foundation,” Goss-Michael Collection, Dallas, TX. “Guggenheim Collection: 1940s to Now,” National Gallery of Victoria, Melbourne, Australia. "La città che sale. We try to build the future." Arcos Museum of Contemporary Art Sannio, Benevento, Italy. “New Dimensions,” John Berggruen Gallery, San Francisco, CA “Ready-Made,” Yvon Lambert, New York

Rachel Whiteread 5 “Responding to Kahn: A Sculptural Conversation,” The Yale University Art Gallery, New Haven, CT. (catalogue) “The Office,” Tanya Bonakdar Gallery, New York, NY

2006 “The Art of Chess,” , Inc., Moscow, Russia. “Eccentric Modern,” The Foundation To-Life, Inc. Exhibition Space, Mount Kisco, NY. “Out of Line: Drawings from the Collection of Sherry and Joel Mallin,” Herbert F. Johnson Museum of Art, Cornell University, Pittsburgh. “Pure,” Sean Kelly Gallery, New York “Espacio Interior/Inner Space,” Consejería de Cultura y Deportes, Madrid “More Than the World: Works from the Astrup Fearnley Collection,” Astrup Fearnley Museum of Modern Art, Oslo “The Great Collections: The Guggenheim,” Kunsthalle, Bonn.

2005 “Scultura Leggera – Light Sculpture”, 503 mulino, Vicenza, Italy. “Part Object Part Sculpture,” Wexner Center for , The Ohio State University, Columbus, Ohio, October 20, 2005 – February 26, 2006 “Bidibidobidiboo,” Fondazione Sandretto Re Rebaudengo, Turin, Italy “Works on Paper,” Gagosian Gallery, Los Angeles “The Experience of Art,” Italian Pavilion, , Venice “The Art of Chess,” Luhring Augustine, New York

2004 “Singular Forms (Something Repeated): Art from 1951 to the Present,” The Solomon R. Guggenheim Museum, New York “The Snow Show,” Kemi and Rovaniemi, Lapland, Finland “Supernova: Art of the 1990s from the Logan Collection,” San Francisco Museum of Modern Art, San Francisco, CA “Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread,” Cooper-Hewitt, National Design Museum, New York (catalogue)

2003 “Undomesticated Interiors,” Smith College of Art, Northhampton, MA “Uneasy Space - Interactions With Twelve Artists,” Site SantFe, Santa Fe, New Mexico “Pletskud. Vaerker Fra Atrup Fernely Samlingen,” Arken Museum of Modern Kunst, Olso, “Days Like These,” Tate Triennial Exhibition of Contemporary British Art 2003, Tate Britain, London, England “Serious Play / Metaphorical Gestures,” Memory and Progress, Austrian Cultural Forum, New York, NY “Readings,” Tina Kim Fine Art, New York

2002 “Realitetsfantasier,” Post-Modern Art from the Astrup Fearnley Collection, Olso, Norway “Sphere: Loans from the Invisible Museum,” Sir John Soane‟s Museum, London “A Physical World: A Exhibition of and Sculpture”, Gagosian Gallery, New York “The Photogenic: Photography through its Metaphors in Contemporary Art”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA “Conversation? Recent Acquisitions of the Van Abbemuseum,” The Factory, Academy of Fine Arts, Athens “Thinking Big: Concepts for 21st Century British Sculpture,” Peggy Guggenheim Collection, Venice

Rachel Whiteread 6 “Beautiful Productions: Parkett Collaborations and Editions since 1984,” Irish Museum of Modern Art, Dublin “Jeff Wall and Rachel Whiteread,” Kukje Gallery, Seoul “Blast to : British Art in the 20th Century,” , Wolfsburg, Germany; Les Abattoirs, Toulouse, France “To Be Looked At: Painting and Sculpture from the Collection,” The Museum of Modern Art Queens, New York

2001 “The Language of Things,” Kettles Yard, Cambridge, U.K. “Public Offerings,” Museum of Contemporary Art, Los Angeles, CA (catalogue) “British Sculpture,” British Council and Taipei Fine Arts Museum, Taiwan Staatsgalerie, Munich Galerie fur Zeitgenosaische Kunst, Leipzig “Monet‟s Legacy,” Hamburger Kunsthalle, Germany “British Sculpture,” British Council and Singapore Art Museum, Singapore “Double Vision,” Galerie für Zeitgenössische Kunst, Leipzig, Germany “Lost & Found 2,” Kulturhuset, Stockholm “Collaborations with Parkett: 1984 to Now,” The Museum of Modern Art, New York “New to the Modern: Recent Acquisitions from the Department of Drawings,” The Museum of Modern Art, New York (2001–2) “Century City,” Tate Modern, London “Beautiful Productions: Art to Play, Art to Wear, Art to Own,” , London

2000 “Untitled (Sculpture)”, Luhring Augustine, New York, NY “Works on Paper”, Timothy Taylor Gallery, London “Potent: Present: Selections from the Vicki and Kent Logan Collection”, California College of the Arts, San Francisco, CA Mario Sequeira Gallery, Parada Tibaes Braga, Portugal “Vanitas: Meditations on Life and Death in Contemporary Art,” The Virginia Museum of Fine Arts, Richmond, VA (catalogue) “HausSchau- Das Haus in der Kunst”, Deichtorhallen Hamburg, Germany “Longing and Memory”, Los Angeles County Museum of Art, Los Angeles, CA “Threshold: Invoking the Domestic in Contemporary Art”, Contemporary Art Center of Virginia, Virginia Beach, VA. “Art at MoMA since 1980”, The Museum of Modern Art, New York “Amnesia,” Neus Museum Westerburg, Bremen, Germany “Sincerely Yours,” Astrup Fearnley Museum of Modern Art, Oslo “Le Temps,” Vite, Centre Georges Pompidou, Paris “L‟ombra della ragione: L‟idea del sacro nell‟identità Europea”, Galleria d‟Arte Moderna, Bologna “Open Ends: 11 Exhibitions of Contemporary Art from 1960 to Now,” The Museum of Modern Art, New York “Ant Noises,” Saatchi Gallery, London “Between Cinema and a Hard Place,” Tate Modern, London

1999 “Works on Paper,” Timothy Taylor Gallery, London “Infra-Slim Spaces - The Physical and Spiritual in the Art of Today”, Birmingham Museum of Art, Birmingham, Alabama “Threshold: Invoking the Domestic in Contemporary Art”, John Michael Kohler Arts Center, Sheboygan, WI, The Contemporary Art Center of Virginia, Virginia Beach, VA

Rachel Whiteread 7 “House of Sculpture,” Modern Art Museum of Fort Worth, Fort Worth, TX; Museo de Arte Contemporáneo de Monterrey, Monterrey, Mexico “Emotion: Young British and American Art from the Goetz Collection”, Deichtorhallen, Hamburg “Now It‟s My Turn To Scream: A Selection of Contemporary British Art From the Logan Collection,” Haines Gallery, San Francisco, CA “Sensation: From the Saatchi Collection”, Brooklyn Museum of Art, NY “20 Years/ 20 Artists”, Aspen Art Museum, Aspen, CO “self-portrait”, invisible museum lends to Mercer Union, Toronto, Canada “Please Touch,” SCP, London; The Lighthouse, Glasgow “Inner Eye: Contemporary Art from the Marc and Livia Strauss Collection,” Samuel P. Harn Museum of Art, University of Florida, Gainesville “Le musée à l‟heure anglaise: sculptures de la collection du British Council 1965–1998,” Musée des Beaux-Arts de Valenciennes, France

1998 “Displacements: Miroslaw Balka, Doris Salcedo, Rachel Whiteread,” Art Gallery of Ontario, Toronto, Ontario “Guarene Arte 98 + ZONE,” Pallazzo Re Rebaudengo per l‟Arte Contemporanea, Turin, Italy, September “Dust Breeding - Photographs, Sculpture & Film”, Curated by Steve Wolfe, Fraenkel Gallery, San Francisco “Die Parkett-Künstlereditionen im Museum Ludwig”, Museum Ludwig, Cologne “Wounds”, Moderna Museet, Stockholm “Towards Sculpture”, Fundacao Calouste Gulbenkian, Lisbon “REAL/LIFE: New British Art”, Tochigi Prefectural Museum of Fine Art, Tochigi, Japan; Fukuoka Art Museum, Fukuoka-shi, Japan; Hiroshima City Museum of Contemporary Art, Hiroshima, Japan; Tokyo Museum of Contemporary Art, Tokyo; Ashiya City Museum of Art, Ashiya, Japan “Claustrophobia”, IKON Gallery, Birmingham; Middleborough Art Gallery; Mappin Art Gallery, Sheffield, U.K.; Dundee Contemporary Art Center, Dundee, U.K.; Carwright Hall, Bradford, U.K. “Milestones in British Sculpture,” Skulptur in Schlosspark Ambras, Innsbruck, Austria “Inaugural Exhibition”, Luhring Augustine, New York “Fifty Years of British Sculpture”, NatWest Group Art Collection, London “Sensation: Young British Artists From the Saatchi Collection”, Hamburger Bahnhof, Berlin “Thinking Aloud,” Kettle‟s Yard, Cambridge, U.K.; Cornerhouse, Manchester, U.K.; Camden Arts Center, London

1997 “The Hirshhorn Collects: Recent Acquisitions 1992-1996”, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. “Longing and Memory”, Los Angeles County Museum of Art, Los Angeles, June-September “Skulptur Projekte Münster”, Münster, Germany, June 22-September 28 “Material Culture: The Object in British art of the 1980s and 90s”, , South Bank Centre, London, UK. (catalogue) “Art from the UK”, Sammlung Goetz, Munich, Germnay “Sensation: Young British Artists From the Saatchi Collection”, , London. September-December “Simple Form”, Henry Art Gallery, Seattle. November 13-February 1 “Rubber”, Robert Miller Gallery, New York, January 27-February 28

1996 “Handmade Readymades,” Leubsdorf Gallery, Hunter College, New York, February-March “Distemper: Dissonant Themes in the Art of the 1990s”, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., February-April (catalogue)

Rachel Whiteread 8 “Bild-Sculpturen Skulpturen-Bild: Neuere Aspekte Plastischer Kunst in der Sammlung Jung,” Suermondt- Ludwig Museum, Aachen, February-April “Brilliant: New Art from London,” Contemporary Arts Museum, Houston, February-April “Defining the 90‟s”, Museum of Contemporary Art, Miami, February Prize, Saltzburg and Vienna, March-May “Ace! New Purchases”, Hatton Gallery, Sunderland, March-April “Mahnmal und Gedenkstatte für die Jüdischen Opfer des Naziregimes in Österreich 1938-1945,” Kunsthalle Wien, Vienna, March-April “Works on Paper from the Weltkunst Collection of British Art of the 80s and 90s,” The Irish Museum of Modern Art, Dublin, March-June “L‟Informe: Against the Grain”, Centre Pompidou, Paris, May-August Judenplatz Competition, Kunsthalle Vienna, March-April “Un siècle de sculpture anglais”, Galerie Nationale du Jeu de Paume, Paris, May-September “Exposure”, Luhring Augustine, New York, June-August

1995 “Generique 2: Double Mixte (Barry X Ball, Lynne Cohen, Pascal Convert, Rachel Whiteread)”, Galerie Nationale du Jeu de Paume, Paris, February-April “ARS „95”, Museum of Contemporary Art and the Finnish National Gallery, Helsinki, February-May “Five Rooms: Richard Hamilton, Reinhard Mucha, , Bill Viola, Rachel Whiteread”, Anthony D‟Offay Gallery, London, March-April “British Art of the 80s and 90s: The Weltkunst Collection”, Irish Museum of Modern Art, Dublin, May-Oct. “British Contemporary Sculpture: From Henry Moore to the 90s”, Auditoria de Galicia, Santiago de Compostela, Spain; Fundacio de , Porto, Portugal, June-November “Here & Now”, Serpentine Gallery, London, June - July “British , Part 2: Sculpture”, Flowers East Gallery, London, Aug.-Sept. “Brilliant: New Art from London”, , Minneapolis, October-January 1996 Group exhibition, CAPAC, Bordeaux, October-January 1996 4th International Istanbul Biennale, Istanbul Foundation for Culture and Arts, Istanbul, October-November “Arte Inglese, A New Generation”, Galleria Maravini, Bologna, Italy, Oct-Nov. “New Art in Britain”, Muzeum Sztuki, Lodz, Poland, Oct.-Nov. “Prints and Drawings: Recent Acquisitions 1991-1995, British Museum, London, Nov.-Dec. “Carnegie International”, Carnegie Museum of Art, Pittsburgh, Nov. 1995 - Feb. 1996 “Contemporary British Art in Print: The Publications of Charles Booth-Clibborn and His Imprint the Paragon Press 1986-95”, Scottish National Gallery of Modern Art, Edinburgh; Yale Center for British Art, New Haven; Dec 95- Feb 96 “The Pro‟em: Drawings Towards Sculptures”, Rubicon Gallery, Dublin, Ireland “Drawing the Line: Reappraising Drawing Past and Present,” Whitechapel Gallery, London; Southampton City Art Gallery, Southampton, U.K.

1994 Group exhibition, Luhring Augustine, New York, January-February “England‟s Dreaming,” Institute of Contemporary Art, Tokyo, March-April “GIFT”, The InterArt Center, New York, May-June “Visione Britannica: Notions of Space”, Galeria Bonomo, Rome “Sense and Sensibility: Women and in the Nineties”, Museum of Modern Art, New York, June- September “Drawings: Louise Bourgeois, Eva Hesse, Asta Groeting, Roni Horn, Kathy Temin, Rosemarie Trockel, Rachel Whiteread”, Frith Street Gallery, London, June-August “Drawing on Sculpture”, Cohen Gallery, New York, June-July “Seeing the Unseen”, Thirty Sheperdess Walk, London, September “Sculpture”, Luhring Augustine, New York, September-October

Rachel Whiteread 9 “Re Rebaudengo Collezione”, Radiomarelli, Torino, September-Nov. “Artists‟ Impressions”, Kettle‟s Yard Gallery, Cambridge, U.K., Nov.-Dec. “Art Unlimited: Multiples from the 1960s and 1990s”, South Bank Centre, Arts Council Collection, U.K., touring show, December

1993 “In Site: New British Sculpture”, The National Museum of Contemporary Art, Oslo, January-April “Visione Britannica”, Valentina Moncada and Pino Casagrande, Rome, February-March “New Voices: Jeunes Artistes Britanniques”, Musee National d‟Histoire et d‟Art, Luxembourg, March-April “Passageworks: Genevieve Cadieux, Lili Dujourie, , Asta Groting, Gary Hill and Rachel Whiteread”, Rooseum Centre for Contemporary Art, Malmo, Sweden, April-July “Then and Now: Twenty-Three Years at the Serpentine Gallery”, Serpentine Gallery, London “Five Works: , , , Rachel Whiteread and ”, Karsten Schubert Ltd., London, June “Made Strange: New British Sculpture”, Ludwig Museum, Budapest, June-August “The Sublime Void: An Exhibition on the Memory of the Imagination”, Koninlijk Museum voor Scone Kunsten, Antwerp, Belgium, July-October “Drawing the Line Against AIDS”, The Peggy Guggenheim Collection, Venice, June; The Guggenheim Museum Soho, New York, October “Whiteness and Wounds: Claudia Cuesta, Sarah Seager and Rachel Whiteread,” The Power Plant, Toronto, September - October 1993 “Turner Prize Exhibition: Hannah Collins, Vong Phaophanit, Sean Scully, Rachel Whiteread”, Tate Gallery, London, November “Junge Britische Kunst: Zen Kunstler aus der Sammlung Saatchi”, Art Cologne, Colgne “Der andere Massstab: Skulpturen”, Edition Sabine Knust, Munich “Karsten Schubert & Aurel Scheibler”, Aurel Scheibler, Koln, November-December “A Decade of Collecting: Patrons of New Art Gifts 1983-1993”, Tate Gallery, London, December-January

1992 “Doubletake: Collective Memory & Contemporary Art”, Hayward Gallery, London, February- April; Kunsthalle Wien, Wien, January-February 1993 “Young British Artists I: John Greengood, , Alex Landrum, Langlands & Bell, Rachel Whiteread”, Saatchi Collection, London, March “Fifth Anniversary Show”, Karsten Schubert Ltd., London, February-April Documenta IX, Kassel, Germany, June-September “The Boundary Rider,” Sydney Biennale, Sydney, December-March “A Group Show: Lea Andrews, Keith Coventry, Anya Gallacio, , Damien Hirst, , , , , , Marcus Taylor and Rachel Whiteread”, Barbara Gladstone Gallery and Stein Gladstone Gallery, New York, September-October “Skulptur-Konzept: Carl Andre, Pedro Cabrita Reis, , , Donald Judd, Richard Long, Wilhelm Mundt, Ulrich Ruckreim, Serge Spitzer, Rachel Whiteread”, Galerie Ludwig, Krefeld, Germany “Contemporary Art Initiative: Contemporary Works of Art Bought With the Help of the National Art Collections Fund”, Kiddell Gallery, Sotheby‟s, London “London Portfolio: Dominic Denis, , Damien Hurst, Langlands & Bell, Michael Landy, Nicholas May, Marc Quinn, Marcus Taylor, , Rachel Whiteread and Craig Wood”, Karsten Schubert Ltd., London “Lili Dujourie, Jeanne Silverthorne, Pia Stadtbaumer, Rachel Whiteread”, Christine Burgin Gallery, New York “Summer Group Show: Robert Barry, Keith Coventry, Angus Fairhurst, Michael Landy, Stephen Prina, Bridget Riley, Rachel Whiteread and Alison Wilding”, Karsten Schubert Ltd, London

Rachel Whiteread 10 “New Voices: Recent Works for the British Council Collection”, Centre de Conference Albert Borschette, Brussels (traveled to twenty-one venues, 1992-97)

1991 “Metropolis,” Martin-Gropius-Bau, Berlin, Germany “Kunst Europa”, Kunstverein, Pforzheim, Pforzheim, Germany “Broken English: , , , Damien Hirst, Gary Hume, Michael Landy, Sarah Staton and Rachel Whiteread,” Serpentine Gallery, London “Katharina Fritsch, Robert Gober, Reinhard Mucha, Charles Ray, Rachel Whiteread”, Luhring Augustine, New York “Turner Prize Exhibition: Ian Davenport, , and Rachel Whiteread”, Tate Gallery, London, U.K. “Confrontaciones 91: Arte Último Británico y Espanol,” Palacio de Velásquez, Museo Nacional Centro de Arte Reina Sofía, Madrid

1990 “British Art Show,” McLellan Galleries, Glasgow; City Art Gallery, Leeds; Hayward Gallery, London “A Group Show: , Hanne Darboven, Angus Fairhurst, Günther Forg, Michael Landy and Rachel Whiteread,”, Karsten Schubert, London “Marina Abramovic, Kate Blacker, Marie Bourget, Angela Bulloch, Leslie Foxcroft, Paola Pezzi, Tessa Robins, Kay Rosen, Yoko Terauchi, Marylin Weber, Rachel Whiteread”, Gallery, London

1989 “Concept 88, Reality 89”, University of Essex Gallery, Essex, U.K. “Whitechapel Open,” Whitechapel Gallery, London “Einleuchten,” Deichtorhallen, Hamburg

1988 “Riverside Open,” Riverside Studios, London Slaughterhouse Gallery, London

1987 “Whitworth Young Contemporaries,” Whitworth Art Gallery, Manchester, U.K.

SELECTED BIBLIOGRAPHY Artists Books 2010 Rachel Whiteread: Drawings. Los Angeles: Hammer Museum and DelMonico Books, 2010.

2008 Rachel Whiteread. Beverly Hills: Gagosian Gallery, 2008.

2006 Rachel Whiteread. Naples: Museo D‟Arte Contemporanea Donnaregina (MADRE), 2007. Curated by Mario Codognato.

2005 Rachel Whiteread: Embankment. With contributions by Catherine Wood and Gordon Burn, London, U.K.: The Unilever Series, Tate Publishing, a division of Tate Enterprise Ltd, 2005. Rachel Whiteread: Plastiken und Zeichnungen (Sculptures and Drawings). Schwerin, Germany: Staatliches Museum Schwerin, 2005. Rachel Whiteread: Sculpture. London, U.K.: Gagosian Gallery, 2005.

Rachel Whiteread 11

2004 The Art of Rachel Whiteread. Thames & Hudson, 2004. Edited By Chris Townsend. Rachel Whiteread. Rio De Janeiro Museum of Modern Art and San Paulo Museum of Modern Art, (catalogue) Mullins, Charlotte. Rachel Whiteread. TATE, 2004

2003 Rachel Whiteread. Rio de Janeiro: Artviva, 2003

2001 Rachel Whiteread: Transient Spaces. New York: Guggenheim Museum Publications, 2001 Rachel Whiteread. London: The Serpentine Gallery, 2001

1997 Rachel Whiteread. British Pavilion XLVII Venice Biennale, 1997. London: The British Council, 1997

Publications & Exhibition catalogues 2015 Lauvergne, Virginie. “Rachel Whiteread á la Surface de la Matière,” Roven, no. 11, 2015. pp. 118-123. Schlaflos – Das Bett in Geschichte und Gegenwartskunst / Sleepless – The Bed in History and Contemporary Art, exh. cat., Vienna, Austria: 21er Haus of the Belvedere, 2015. pp. 35-37, 267.

2014 Art Lovers – Stories of Art in the Pinault Collection, exh. cat., Paris, France: Leinart éditions, 2014. pp. 122-123. Bruno, Giuliana. Surface – Matters of Aesthetics, Materiality, and Media, Chicago and London: University of Chicago Press, 2014, pp. 205-208. Caeiro, Mário. Arte na Cidade: História Contemporânea, Lisbon, Portugal: Temas e Debates – Círculo de Leitores, 2014, pp. 90-91. Dillon, Brian. Ruin Lust: Artists‟ Fascination with Ruins, from Turner to the Present , London, UK: Tate Publishing, 2014, pp. 30-31. Dupont, Valérie. “Rachel Whiteread: le monument en question,” Le monumental – Une valeur de la sculpture, du romantisme au post-modernisme, Dijon, France: universitaires de Dijon, 2014, pp. 123- 134. Einblicke Ausblicke – 100 Spitzenwerke im nuen LWL-Museum für Kunst und Kultur Münster, Münster, Germany: LWL-Museum für Kunst und Kultur, 2014, pp. 250-251. George, Herbert. The Elements of Sculpture – A Viewer‟s Guide, London, UK: Phaidon Press Limited, 2014, p. 126. Griffin, Jonathan, Paul Harper, David Trigg and Eliza Williams. The Twenty-First Century Art Book, London: Phaidon Press Limited, 2014, p. 284. Hoffman, Jens. Show Time: The 50 Most Influential Exhibitions of Contemporary Art, London, UK: Thames & Hudson Ltd., 2014. Kalb, Peter R. “Memory and History – Memorializing War,” Art Since 1980: Charting the Contemporary, Pearson Education Inc., London, England: Laurence King Publishing Ltd., 2014, pp. 147-149. Love Story – Sammlung Anne und Wolfgang Titze, exh. cat. Vienna, Austria: Verlag für moderne Kunst Nürnberg, pp. 314-315. Morandi, Gianfranco. Rachel Whiteread. Study For Room, exh. pamphlet, Bologna, Italy: Museo d‟Arte Moderna di Bologna, 2014. Please Enter, New York, NY: Franklin Parrasch Gallery, Inc., 2014.

Rachel Whiteread 12 Steiner, Rochelle. “Do Ho Soh‟s Karmic Journey,” Do Ho Soh – Drawings, Munich, London, New York: Prestel Publishing; New York, Hong Hong: Lehmann Maupin, 2014, p. 9. Stout, Katharine. “Drawing Form and Space,” Contemporary Drawing from the 1960s to Now, London, UK: Tate Enterprises Ltd, 2014, pp. 35-36. Vogel, Carol. “Inside Art: More Public Art For Governors Island,” The New York Times, April 25, 2014, p. C24.

2013 Art in Print, vol. 3, no. 4, November – December 2013, cover. Askew, Lucy. “From Death to Death and Other Small Tales,” From Death to Death and Other Small Tales: Masterpieces from the Scottish National Gallery of Modern Art and the D. Daskalopoulos Collection, Edinburgh, Scotland: National Galleries Scotland, 2013, p. 43, plate 45. Clingerman, Forrest. “Homecoming and the Half-Remembered: Environmental Amnesia, the Uncanny and the Path Home,” Resisting the Place of Belonging, ed. Daniel Boscaljon. Farnham, UK: Ashgate Publishing Limited. pg. 38-45. Diederichsen, Diedrich. “Mourning States and Their Minimalist Citizens: On European Memorial Culture,” The Way of the Shovel – The Archaeological Imaginary in Art, Chicago, IL: Museum of Contemorary Art Chicago; Chicago, IL: The University of Chicago Press, pp. 289-291. Gavin, Francesca. “Rachel Whiteread: 1993‟s most controversial artist on what it feels like to make a masterpiece,” www.dazeddigital.com, August 2013. Getlein, Mark. Living with Art: Tenth Edition, 245. New York, NY: The McGraw-Hill Companies, Inc., 2013. Grovier, Kelly. 100 Works of Art That Will Define Our Time, London, England: Thames & Hudson Ltd., 2013, pp. 298-299. Heartney, Eleanor, Helaine Posner, Nancy Princenthal, and Sue Scott. The Reckoning: Woman Artists of the New Millennium, Munich: Prestel, 2013, pp. 123-124. Luke, Ben. “Shedding Light,” RA Magazine, Spring 2013, pg. 31. MoMA Highlights: 350 Works from The Museum of Modern Art, New York, NY: The Museum of Modern Art, 2013, p. 334. Moszynska, Anna. Sculpture Now, London, UK: Thames & Hudson, 2013, pg. 27-28. Obrist, Hans Ulrich. “Conversation with Rachel Whiteread,” Res, no. 10, August 2013, pp. 56-67. Searle, Adrian. “Rachel Whiteread still casts a spell,” www.guardian.co.uk, April 11, 2013 WWD. Thursday, September 5, 2013, cover. Zask, Joëlle. Outdoor Art: La Sculpture et ses lieux, Paris, France: Éditions La Découverte, 2013. pp. 188-191.

2012 Amirsadeghi, Hossein. Sanctuary: Britain‟s Artists and their Studios, London, UK: Thames & Hudson, 2012, pp. 524-531. Chagnon, Katrie. ”Handling the Technical and Theoretical Paradoxes of Moulding.” ESSE. Winter 2012. 20-24. Contemporary Art in the United Kingdom, London, UK: Black Dog Publishing Limited, 2012, pp. 68-71, 166-169. Fullerton, Elizabeth. “Game Changers,” ARTnews, Volume 111, Number 3, March 2012, p. 32. Grachos, Louis, Douglas Dreishpoon and Heather Pesanti. Decade: Contemporary Collecting 2002-2012, Buffalo, New York: The Buffalo Fine Arts Academy, 2012, p. 13, 31, 47, 128, 150, 303, 345, 397. Klein, Jacky and Suzy Klein. What Is Contemporary Art? London: Thames & Hudson Ltd, 2012, pg. 54. Morton, Tom. “On Your Marks,” Frieze, No. 147, May 2012, pg 35. Plagens, Peter. “Arts & Entertainment: The Means Digitize the Abstract,” The Wall Street Journal, October 27, 2012, p. A22. Smith, Mariann W. Albright-Knox Gallery: Highlights of the Collection, “Larger Than Life,” Buffalo, NY: Scala Publishers. p. 57. Spence, Rachel. “Gilding Among the Grime,” Financial Times, February 11-12, 2012. pg. 10.

Rachel Whiteread 13

2011 Archey, Karen. “The Armory, ADAA The Art Show, and Independent: New York Art Fair Week, 2-6 March, 2011,” www.art-agenda.com. Barrett, Terry. Making Art: Form and Meaning, New York: McGraw Hill Companies, Inc., 2011, p.100. Frankel, David. “Rachel Whiteread: Luhring Augustine, New York,” Artforum, XLIX, No. 10, Summer 2011, p. 400. Goodin, Analisa Violich. “Rachel Whiteread and the Emptiness Between Walls,” Taxi, issue no. 04, 2011, pp. 88-95. Howard, Jan and Judith Tannenbaum. Made in the UK: Contemporary Art from the Richard Brown Baker Collection, Museum of Art, Rhode Island School of Design, pg 52. Johnson, Ken. “The Uncluttered Look Has Its Day,” The New York Times, Friday, March 4, 2011, p. C24. Kent, Sarah. “Rachel Whiteread,” Art + Auction, April 2011, p. 7, 58-64. Kronthaler, Helmut. “Künstler im Marktcheck,” Art Investor, The Woman Issue, April 2011, p. 70-71. Mason, Brook S. “Manhattan‟s ADAA Art Show and Armory Show set to dazzle international collectors,” The Art Economist, Volume 1, Issue 3, 2011, p. 49. Mendelsohn, Adam E. “Chicken Shit,” Zing Magazine: a curatorial crossing, Issue 22, 2011. p. 145. Palmer, Kathleen. Women War Artists, London: Tate Publishing, Imperial War Museum, 2011, p. 2, 72- 74. “Rachel Whiteread,” The Art Economist, Volume 1, Issue 2, 2011, p. 37. Rosenberg, Karen. “Art in Review: „The House Without the Door‟,” The New York Times, Friday, July 29, 2011, p. C26. Smith, Terry. Contemporary Art: World Currents, Hong Kong: Laurence King Publishing Ltd, 2011, p. 69- 70. Weinthal, Lois, ed. Towards a New Interior: An Anthology of Interior Design Theory, “House 1993,” by Charlotte Mullins, New York: Princeton Architectural Press, pp. 609-615.

2010 1985-2010: Luhring Augustine. New York: Luhring Augustine, 2010. Arnason, H.H. History of Modern Art (Sixth Edition), New Jersey: Pearson Education, Inc., 2010. pp. 628- 630. Bloom, Rebecca. “Ch-ch-ch-CHANGES,” LA Confidential, Jan-Feb. “Review of reviews: Art,” The Week, Feb. 26. Campbell, Peter. “At Tate Britain,” London Review of Books, 7 October 2010, p. 30. Coldwell, Paul, Printmaking: A Contemporary Perspective, London, Black Dog Publishing, 2010. p. 122. Cotter, Holland. ““Mind and Matter: Alternative Abstractions, 1940s to Now,” The New York Times, June 18, 2010, C27. Cummings, Laura. “Rachel Whiteread: Drawings,” The Observer, Sunday 12 September, 2010. Desai, Prajna, Art in America, April 2010, No.4, pp.106-109. Emerling, Susan, Art News, April 2010, Vol. 109, number 4, pp.119-120. Emerling, Susan. “Rachel Whiteread,” Border Crossings, Volume 29, Number 3, Issue No. 115, September 2010. Esplund, Lance. “Better in Three Dimensions,” The Wall Street Journal, July 8, 2010. Furlong, William. Speaking of Art: Four Decades of Art in Conversation, London: Phaidon Press Limited, 2010, pp.120-125. Glover, Michael. “Rachel Whiteread: Drawings, Tate Britain, London,” , Wednesday, 8 September 2010. Heathcote, Edwin. “Treasure Hunting…with the FT Rachel Whiteread,” FT Weekend Magazine, December 11/12 2010, p. 44-46. Jones, Jonathan. “Ian McEwan, Rachel Whiteread and the frozen north,” www.guardian.co.uk, April 15, 2010.

Rachel Whiteread 14 Knight, Christopher. “Art review: „Rachel Whitread Drawings‟ at UCLA Hammer Museum,” The Los Angeles Times, February 7, 2010. Mason, Brook S. “Working : 2011 Status Report,” The Art Economist, Volume 1, Issue 4, 2011, p. 12, 14. Muchnic, Suzanne. “Inside Rachel Whiteread‟s drawing room,” The Los Angeles Times, February 7, 2010. Perry, Colin. “The Surreal House,” Frieze, Issue 134, October 2010, p. 232-233. Pesenti, Allegra. Art and Auction, January 2010, p.20. Robecchi, Michele. “Sensation: Controversial and Memorable,” Flash Art, Vol. XLIII, No. 274, October 2010, p. 71. Sawayama, Ryo. “The MVP Guide of Contemporary Artists: Sculpture. Rachel Whiteread,” Geisai #14, March 14, 2010, p. 140. Searle, Adrian. “Rachel Whiteread: Through the eyes of a child,” , September 6, 2010, p. G2. Sholis, Brian. Artforum, No.5, January 2010, p.92. Smith, Roberta, “Tatiana Trouve at the Gagosian Gallery,” The New York Times, July 2, 2010, p. C24. Walling Blackburn, Mary. “Rachel Whiteread: Hammer Museum,” Artforum, February 2010. Ward, Ossian. “Rachel Whiteread: Drawings,” Time Out London, Fri, Sept 10, 2010. Zahn, Patricia. “Culture Zohn „Off the C_H_uff‟ Curator Allegra Pesenti Takes Us Behind the Scenes at the Hammer Museum,” The Huffington Post.

2009 British Subjects: Identity and Self-Fashioning 1967-2009, Neuberger Museum of Art, 2009. p.. 79. Engle, Karen. Seeing Ghosts: 9/11 and the Visual Imagination, Montreal & Kingston, London, Ithaca: McGill-Queen‟s University Press, 2009. pp. 25-6. Luke, Ben. “Rachel Whiteread,” Art World, Issue 10, April/May 2009, pp. 62-67. Muchnic, Suzanne. “Faces to Watch in 2010: Art. Rachel Whiteread, Artist,” latimesblogs.latimes.com, December 24, 2009. Ruud, Claire. “The Lining of Forgetting: Austin Museum of Art,” www.fluentcollab.org, Issue #124, June 19, 2009. Sanders, Mark. 32 Pieces: The Art of Chess, Reykjavik: Reykjavik Art Museum, 2009, pp. 48-49, 76-79. San Francisco Museum of Modern Art: 75 Years of Looking Forward, San Francisco: San Francisco Museum of Modern Art, 2009. Edited by Janet Bishop, Corey Keller, and Sarah Roberts.

2008 “La Biblioteca Di Repubblica- L‟Espresso/Electa,” Arte Contemporanea, pp. 28, 172-173. Coggins, David. “Review: Rachel Whiteread at Museum of Fine Arts,” Art in America, Jan., p. 116. Drohojowska-Philip, Hunter. “Pale Fire,” ARTnet, Dec. Hattenstone, Simon. “Ghosts of childhood past,” Guardian, Arts, Saturday, May 10, 2008. Heartney, Eleanor. Art & Today, New York: Phaidon Press, 2008, p. 324. Iracheta, Maité. “Vacíos Fértiles: Cuando lo inexistente opera como un principio,” Fahrenheit: Arte contemporáneo, April-May 2008, No. 28, pp. 14-17. “Keller und Speicher,” Tiefenrausch, Linz: OK Books. p.74. Kugel, Seth. “Curators Point the Way to Hidden Treasures,” The New York Times, Sunday, April 27, 2008, p. 12. Luke, Ben. “Rachel Whiteread: Ghost Town,” Art World, Issue 3, February/March 2008, pp.52-59. Miles, Christopher. “Art Around Town,” LA Weekly, Dec. 3. Ollman, Leah. “Review: Rachel Whiteread at Gagosian Gallery,” Los Angeles Times, Nov. 14. Manufractured: The Conspicuous Transformation of Everyday Objects, ed. Steven Skov Holt and Mara Holt Skov. San Francisco: Chronicle Books, p. 118. Rappolt, Mark. “Through the Keyhole: Psycho Buildings,” Art Review, Issue 23, June 2008, p. 42. Rosenberg, Karen. “Hidden Corners of the Neighborhood,” The New York Times, October 17, 2008.

Rachel Whiteread 15 “Size Matters,” Art World, June/July 2008, Issue 5, pp. 131-133. Sonsbeek 2008: Grandeur, Edited and designed by Cornel Bierens. Stange, Raimar. “Weathermen: Climate Change and Contemporary Art,” Flash Art, Vol. XLI, No. 260, May – June 2008, pp. 134-136. Stations. Cologne: DuMont Buchverlag, 2008. Edited by Amelie von Heydebreck. Texts by Daniel Fiedlerand and Ingolf Kern. Thompson, Don. The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art and Auction Houses, London: Aurum Press Ltd., 2008, pp. 37, 94, 200. Vogel, Carol. “Guggenheim Chooses a Curator, Not a Showman,“ The New York Times, September 23, 2008.

2007 Gielen, Denis. Atlas of Contemporary Art for use by Everyone, Luxembourg: Musée des Arts Contemporains au Grand-Hornu. p.48, 337. Hillings, Valerie L. Guggenheim Collection: 1940s to Now, Victoria: National Gallery of Victoria, pp. 256- 257. Harper, Glenn, and Twylene, Moyer. "Mapping Traces: Rachel Whiteread." Conversations on Sculpture, Hamilton, N. J.: Isc Press, 2007. p. 194-201. Impulse: Works on Paper from the Logan Collection, Vail: The Logan Collection Vail, p. 92. “Action/Post-Pop,” Galeria Mário Sequeria, March 2007. Akbar, Arifa. “Tate admits need to buy more work by women artists,” The Independent, 26 March 2007. De Corral, Marìa and Lane, John R. Fast Forward: Contemporary Collections for the Dallas Museum of Art, New Haven, Yale University Press. P. 29, 282 Eccher, Danilo. La Città Che Salle: We Try to Build the Future, Mondadori Electa: Milan. pp. 136-141. Global Feminisms: New Directions in Contemporary Art, London & New York: Merrell for Brooklyn Museum. Edited by Maura Reilly and Linda Nochlin. page 60. Hirsch, Annabelle, et al. “States of Matter: Sculptural sublimations in a state of flux,” Sleek Magazine, Issue 14, Spring 2007. pp.107-108. Howell, Rachael. “Perceiving is Believing,” The Spectrum, Jan 29. Lewis, Toby Devan. ARTWORKS: The Progressive Collection, New York: Distributed Art Publishers. p. 240 Macdam, Barbara A. “Where the Great Women Artists Are Now,” ArtNews, Vol. 106, No. 2. February 2007. p. 116. Madoff, Steven Henry. “No True North,” Art + Auction, September 2007. p. 96. Mottram, Jack. “Turner-winner‟s best-laid scheme,” The Herald, Aug. 3. “On the Town,” ArtReview, Issue 09, March 2007. p. 156. Pitcher, Cheri. “Profile: Fine Arts. Rachel Whiteread,” Creative Quarterly, Summer 2007. pp. 8-13. “Rachel Whiteread,” NY Arts Magazine International, Vol. 11, no. 11/12. p. 224 Responding to Kahn: A Sculpture Conversation, New Haven: Yale University Art Gallery. Roberts, Bryony. “Art About Architecture,” artkrush.com, September 2007, No. 67. Stevens, Mark. “Plato‟s Retreat,” New York Magazine, Feb. 26, p. 128. “What‟s on,” The Art Newspaper, March 2007, p.12. Whiteread, Rachel. “Production Notes,” Artforum, Volume XLVI, No. 2, October 2007. p. 341

2006 Bumpus, Judith. “Rachel Whiteread reveals the songs that inspire her,” The Art Newspaper, No. 168, April 2006, page 42. Charlesworth, J.J. “The Game of Power,” ArtReview, November, p.62. Cogard, Karl. “Rachel Whiteread: le moulage comme sculpture,” Les Cahiers du Musée national d‟art moderne 96, Centre Pompidou magazine, pp. 4-29. Cohen, David. “Gallery-Going”, The New York Sun, March 2, 2006. Dyer, Richard. “News: Rachel Whiteread at Tate Modern,” Contemporary, issue 78, p. 11. Thornton, Sarah. “Power 100,” ArtReview, Nov.-Dec., p. 104.

Rachel Whiteread 16 Johnson, Ken. “Review: Bibliography,” The New York Times, March 10, p. 32. Guillemot, Michel. L‟Art Moderne et Contemporain, Larousse, Paris. Pp. 260, 294. Jones, Jonathan. “Into the White,” The Guardian, Monday, December 18, 2006. Kuspit, Donald. “Rachel Whiteread” (review), Artforum, May 2006. No. 9, Page 289. Lambert-Beatty. “Part Object Part Sculpture” (review), ARTFORUM, February 2006, No. 6, page 203. McKee, Lauren. “Whiteread‟s big white boxes,” (review) am New York, Issue 043, Volume 004, Wednesday, March 01, 2006, page 20. McNulty, Timothy. “Carnegie sculpts co-purchase with gallery in Buffalo,” Pittsburgh Post-Gazette, Jan. 13, p. A1. Kuspit, Donald. “Rachel Whiteread: Luhring Augustine,” Artforum, May 2006, page 289. Nochlin, Linda.”Bathtub Reading,” ARTnews, Vol 105, No. 8, September 2006, p. 110. Rosenbaum, Sarah. “In situ: Water Tower de Rachel Whiteread,” Les Cahiers du Musée national d‟art moderne 96, Centre Pompidou magazine, pp.30-55. Self, Will. “Art for fiction‟s sake,” Tate Etc.,Issue 8, Autumn 2006, p.84 Solomon, Deborah. “Space Invader,” The New York Times Style Magazine, Spring 2006, pp. 132-133, 152. Richer, Francesca and Matthew Rosenzweig, “No.1 First Works by 362 Artists,” d.a.p., New York Ruiz, Christina and . “Revealed: where the Sensation art is now,” The Art Newspaper, October, pp.36-40 “The Guggenheim Collection at Kunsthall, Bonn,” tema celeste 117, September/October 2006, page 105. Tate Modern: The Handbook, London: Tate Publishing, page 20-21, 235. The Art of Chess at Gary Tatintsian Gallery, Inc., Moscow: Tatintsian Gallery in collaboration with Luhring Augustine, New York and RS&A, London. “What‟s On. United States,” The Art Newspaper, March, page 2. Whiteread, Rachel. “Play Plax,” ANOTHER MAGAZINE, Spring/Summer 2006 p.94

2005 Christen, Michael. “Die Greifbare Leere” Schweriner Volkszeitung, November 11, 2005. Page 5. Christen, Michael. “Schwieriges Terrain,” Schweriner Volkszeitung, October 29, 2005. Page 10. Shand Kydd, Johnnie. “Breaking the Ice.” ArtReview, October 2005. pg. 4-7. “Die Erkundung der Hohlraume”, Deutschlandradio, November 4, 2005. http://www.dradio.de/dkultur/sendungen/fazit/435580/ “I feel like an astronaut,” The Guardian, March 16, p. 10. “Rachel Whiteread‟s Competition,” The Observer, Oct. 30, p. 8. “Britain‟s biggest art mystery was solved yesterday,” The Guardian, March 16, p. 10. Dorment, Richard. “A Vision Unpacked,” , October 11, 2005. Drucker, Johanna. Sweet Dreams: Contemporary Art and Complicity, University of Chicago Press, Chicago. Cover, 50-54, 66, 69. Erichsen, Karin. “Die Luft jenseits der Dinge,” Schweriner Volkzeitung, December 19, 2005 Vol 5, Page 7. “Erste Schau uber Rachel Whiteread,” Schweriner Volkszeitung, October 27, 2005. Page 11. Farley, Paul. “A World Turned Inside Out,” ArtReview, October 2005. pg. 8-11. Fung, Lance, ed. The Snow Show, Thames & Hudson Inc., New York (exhibition catalogue). Hruska, Libby. Drawing from the Modern: 1975-2005, New York: Museum of Modern Art Press. P. 148 “Luftraum der Dinge,” Veranstaltungmagazin der SVZ, September 2005. “News & Around: Rachel Whiteread at Kunsthaus Bregenz,” Tema Celeste, May-June, Issue 109, p. 107. Aspden, Peter. “Let‟s Tick all the Boxes,” Financial Times, Oct. 22, p. 46. Aspden, Peter. “Moving story behind Tate‟s jagged landscape,” Financial Times, Oct. 11, p. 6. Alberge, Dalya. “Tate chooses house artist,” , March 4, p. 27. Alberge, Dalya. “Turbine artist thinks inside the box,” The Times, Oct. 11, p. 37. Allen, Greg. “The X Factor,” The New York Times, May 1, p. 1, 42. Barber, Lynn. “Boxing Clever,” The Observer, Oct. 16, p. 7. Barton, Laura. “Sneaking a peek at the Tate‟s new installation,” The Guardian, Oct. 3, p. 2.

Rachel Whiteread 17 Beaty, Emma. “Rachel Whiteread is next, but where are the other Turbine Hall commissions now?” The Art Newspaper, April, p. 22. Buck, Louisa. “The mistress of negative space,” The Art Newspaper, no. 163, Nov., p. 38. Coombes, Clare. “Profile: Rachel Whiteread,” Art & Architecture Journal, Autumn. Falconer, Morgan. “A Space Odyssey,” ArtReview, Oct., special supplement, pp. 13-15. Field, Marcus. “The artist who wants to concrete the Tate,” The Independent, Oct. 9, p. 12. Foster, Alistair. “One lump or 14,000… at the Tate Gallery,” The , Oct. 10, p. 17. Gale, Iain. “Boxing Clever at the Tate,” Scotland on Sunday, Nov. 27, p. 8. Higgins, Charlotte. “Whiteread cast to star in Tate Modern‟s Big Space,” The Guardian, March 4, p. 15. Núñez-Fernández, Lupe. “Check it out. Playing house,” ArtReview, November 2005, Volume LVIII, page 19. Part Object Part Sculpture, Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, & The Pennsylvania State University Press, University Park, PA, 2005, pp. 210-213 (exhibition catalogue). Plastiken und Zeichnungen, Staatliches Museum Schwerin, Schwerin, Germany. “Rachel Whiteread im Museum,” Schweriner Express, December 07, 2005. Page 11. “Rachel Whiteread: Plastiken und Zeichnugen im Staatlichen Schwerin,” British Council Germany. November 11, 2005. “Rachel Whiteread: Plastiken und Zeichnungen”, British Council Germany. November 11, 2005. “Rachel Whiteread: Plastiken und Zeichnungen”, Vernissage Nord, November 4, 2005. 94-95. Schneider, Eckhard, ed. “Rachel Whiteread,” Kunsthaus Bregenz, Köln and D.A.P., New York. Schott, Rudiger. “Rachel Whiteread in Schwerin,” Kunstmarkt, November 11, 2005. Schroder, Jan-Peter. “Formen Der Leere in Hulle und Fulle,” Ostsee Zeitung Vol. 5.23, November 11, 2005. “Staatliches Museum Schwerin zeigt Werke von Rachel Whiteread,” Westdeutsche Zeitung November 11, 2005. “Staatliches Musuem Schwerin zeigt Werke von Rachel Whiteread,” Schabische Zeitung Online November 11, 2005. Stapf, Detlef. “Antiteilchen der Wahrnehmung,” Nordkurier November 11, 2005. “Whiteread-Ausstellung in Schwerin” GlaubeAlituell.net November 6, 2005. “Staatliches Musuem Schwerin Zeigt Werke Von Rachel Whiteread,” 20cent Saar Die Junge Tageszeitung fure das Saarland. Thornton, Sarah. “Power 100 (number 97),” ArtReview, November 2005, Volume LVIII, p. 104. “What‟s on UK,” (review of Tate Modern show,) The Art Newpaper, October 2005. “Whiteread-Schau in Schwerin Gewahrt Ungewohnliche Perspektiven”, MVregio Landesdienst, October 26, 2005. http://www.mvregio.de/nachrichten_mv/7919.html

2004 Baker, Kenneth. “Touching the void--empty spaces are artist‟s blank slate,” The San Francisco Chronicle, Thursday May 6, 2004, pp. E 1, E12. Buck, Louisa. “How The Shark Got Pickled,” The Arts Newspaper, No. 144, February 2004, p. 31. Bunting, Chris and James Burleigh. “What has become of the masterpieces of Britart?,” the Independent, Jan. 17, pp. 12-13. Cassidy, Sarah. “Whiteread‟s Art Studio May Be Torn Down to Build City Academy,” The Independent, July 29, p. 22. Hensher, Philip. “Never Tell an Artist What to Do,” The Independent, July 23, p. 5. Jury, Louise. “The Turner Prize: What became of past winners?,” The Independent, Dec. 6, pp. 12-13. Kent, Sarah. “Critical Mass,” Time Out, Sept. 8-15. Richard, Paul. “In the Anti-Room, No One‟s Home,” The Washington Post, Nov. 8, pp. C1, C8. Chemokhud Doty, Olga. “What is a House?,” NY Arts Berliner Kunst, July/August 2004, p.82. Cole, Ina. “Mapping Traces; A Conversation with Rachel Whiteread,” Sculpture, April 2004, pp. 36-42. “Culture Club,” Art and Auction, February 2004

Rachel Whiteread 18 Cypriano, Fabio. Folha Illustrada, Folha de Sao Paolo, March 17, 2004, p. E1. Design Does Not Equal Art: Functional Objects from Donald Judd to Rachel Whiteread, Edited by Barbara Bloemink, Essays by Barbara Bloemink and Joseph Cunningham. London and New York: Merrell in association with Cooper-Hewitt, National Design Museum, Smithsonian Institution, 2004. “FLOP Recent Projects of the Public Art Fund,” Merrel, p.12, pp.238-243. Lyall, Sarah & Vogel, Carol. “Pangs of Loss To Art World After a Fire,” The New York Times, Weekend, Fine Arts, Leisure section, Friday, May 28, 2004, pp. E29, E32. “Making Art Work: The Mike Smith Studio “, Trolley, Spring 2004. Pollack, Barbara. “Art Basel. Roland Augustine,” Art & Auction, June 2004, p. 72. Art Editions 4, Edition Schellman, p. 394 Sweet, Matthew. “Model Artist,” The Independent Magazine, Dec. 11. Sweet, Matthew. “Rachel Whiteread: Model Artist,” The Independent, Dec. 11, pp. 12-16. Singular Forms (Sometimes Repeated): Art from 1951 to the Present, (exhibition catalogue) Guggenheim Museum, New York, p.161. Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, D.A.P. / Distributed Art Publishers, INC, New York, p. 97. “The White Stuff,” The New York Times, Art & Architecture section, Sunday February 29, 2004, pp. 26-27 Vogel, Carol. “Wandering Room Finds a Home,” The New York Times, Inside Art section, Friday, October 15, 2004, p. E31.

2003 “A dama inglesa,” Segundo Caderno, December 2, 2003, p. 1. “Objects of Desire,” Visuell. Pletskud. Vaerker Fra Atrup Fernely Samlingen, Arken Museum of Modern Kunst, 2003, pp. 72-75. “Rachel Whiteread,” Haunch of Venison, No. 1, pp. 2-3, 11. Buskirk, Martha. The Contingent Object of Contemporary Art, The MIT Press, 2003, 97-99. Clem, Chivas. “Rachel Whiteread,” Time Out New York, Art Reviews, February 27-March 6, 2003, p. 65. Conkelton, Sheryl & Thomas, Elizabeth & Armstrong, Richard. An International Legacy. Selections From Carnegie Museum of Art, (exhibition catalogue) pp. 72, 139. Craig, Patsy. “Making Art Work,” Trolley, Fall 2003, pp. 48-49. E.B. “Days like these: Tate triennial of contemporary British Art 2003, Tate Britain,” The Art Newspaper, Museums and Galleries section, February 2003, No. 133, p. 13. Fishner-Rathus, Lois. Understanding Art, Seventh Edition, Thomsom Wadsworth, 2003, p. 37 Ferris, Alisson. “Disembodied Spirits: Spirit Photography and Rachel Whiteread‟s Gost,” Art Journal, Fall 2003, pp. 45-53 “Goings on About Town, The New Yorker, March 17, 2003, p. 42. Kalb, Peter. H.H. Arnason. History of Modern Art. Painting Sculpture, Architecture, Photography. Fifth Edition, Prentice Hall, Inc., 2003, p. 756. Kyriacou, Sotiris. "Previews,” Contemporary, Special Issue no. 47/48, p. 40. Landi, Ann. “Who Are the Great Women Artists?,” ARTnews, March 2003, pp. 94-97. Levin. “Rachel Whiteread,” The Village Voice, March 12-18, 2003, p. 72. Mac Adam, Alfred. “Rachel Whiteread. Luhring Augustine,” ARTnews, reviews section, May 2003, p.515 Mar, Alex. “Gallery-Going,” The New York Sun, March 20, p. 15. Menin, Samuele & Sansone, Valentina. "Sculpture Forever," Flash Art, May-June, p. 129. Nesbitt, Judith & Watkins, Jonathan. Days Like These, (exhibition catalogue) Tate Triennial Exhibition of Contemporary British Art, 2003, p. 144. Off Limits. 40 Artangel Projects, Merrel, 2003, pp.68, 78-83 Undomesticated Interiors, (exhibition catalogue) Smith College Museum of Art, p. 71 “Pletskud. Vaerker Fra Atrup Fernely Samlingen,” Arken Museum of Modern Kunst, 2003, pp.72-75 “Rachel Whiteread,” Haunch of Venizon, No. 1, Spring 2003, pp. 2-3, 11 Stewart, Amy Smith. "Rachel Whiteread; Luhring Augustine," Flash Art, May-June 2003, p. 92. Smith, Roberta. “Rachel Whiteread,” The New York Times, Art Reviews, March 20, 2003, p. E40.

Rachel Whiteread 19 T. Matthews, Roy & DeWitt Platt, F. The Age of Anxiety and Beyond. The End of Modernism and the Birth of Post-Modernism, The Western Humanities, Mc Graw Hill, 2003, Fifth edition, p.624 Younge, Gary. "Much Ado About Nothing," Art Paper, January/February 2002, pp. 16-21.

2002 A Physical World. A Exhibition of Painting and Sculpture, (exhibition catalogue) Gagosian Gallery. Cvoros, Uros. “The Present Body, The Absent Body, and The Formless,” Art Journal, Winter 2002, Volume 61, No. 4, pp. 54-63. Halle, Howard. “Gost in the Machine”, Time Out New York, pp. 82-83, March 21-28. Kim, Jinyang. “Could Monuments Replace Past Memories?,” Haute, November 2002, pp. 096-097 (article in Korean). Luci- Smith, Edward. Art Tomorrow, published by Terrail, p. 79. “Rachel Whiteread”, WOLGANMISOOL, special feature, June 2002, pp. 96-97 (text in Korean, illustrations). “Rachel Whiteread. The Solomon R. Gugenheim Museum New York,” Tema Celeste, No. 91, p. 89, exhibition review. Ryesky, Helene. “Photographic concepts and contemporary Art at ICA,” AM Art Matters, April 2002. Sozanski, Edward J. “A Puzzle and provocation,” The Philadelphia Inquirer, Art & Entertainment section, March 10 . Shaffner, Ingrid. “The Unphotographable. Notes on Photography and Dust,” Art on Paper, March-April 2002, pp. 58-63. “The Art of Honoring the Dead,” Newsweek, September 11, 2002 p. 60. The Logan Collection. A Portrait of our Times. A Collector‟s Odysey and Philosophy, pp. 144, 146. To be Looked At. Painting and Sculpture from The Museum of Modern Art, New York, (exhibition catalogue). Vancouver Art Gallery, Annual Report 2002, pp. 27, 29.

2001 Bishop, Claire, “Cool Steps to Star Status,” The Evening Standard, June 26th, 2001. Bulletin, Scottish National Gallery of Modern Art, p. 8. “Creative White Space,” The Scotsman, October 2 2001, S2, pp. 8-9. Grosenick, Uta. Women Artists in the 20th and 21st Century, Taschen, pp. 548-553. “Her Indoors. Rachel Whiteread - The Best British Artist on the Block. Upstairs at Rachel‟s,” Scotland on Sunday, Sunday September 30 2001, pp.4, 5, cover story. Hilty, Greg. “Rachel Whiteread,” Review, Modern , pp. 121-122. John Reardon, “Someday, my plinth will come,” The Observer Magazine, 27 May 2001. Kennedy, Maev, “Acclaim greets Trafalgar Square Sculpture,” The Guardian, June 5th 2001. Liebman, Lisa. “Best of 2001,” Artforum, December 2001, pp. 96-97, illustration. Mahoney, Elisabeth. “Obsessed by the Housework,” Sunday Times, September 30 2001. Moira,Jeffrey. “Artist at the heart of the matter,” The Herald, September 28 2001. Macmillan, Duncan. „„Copy Cast,” Business A.M., October 5 2001. McDermott, Leon. “All that is Solid,” The Big Issue is Scotland, Sept. 27-Oct. 3 2001. Moyer, Twylene, “Whiteread‟s Holocust Memorial Unveiled in Vienna,” Sculpture, January/February 2001. Morton, Brian. “Top of the Form,” Sunday Herald, September 30 2001. Monagha, Helen. “Casting Agent,” The List, Sept. 20-Oct 4 2001. Muir, Robin. “Rachel Whiteread is famous for making casts,” The Independent Magazine, 29th May, 2001. “Rachel‟s Invasion of Privacy,” The Scotsman, weekend issue, September 29 2001, p.S2-5. Rudden, Liam. “Casting a Very Different Light on the Wold”, Edinburgh News, art section, Friday, September 28, 2001.

Rachel Whiteread 20 “She‟s seen off right-wing, extremists, sneering tabloids and cynical pop star. Don‟t mess with Rachel Whiteread, the toughest artist on the block,” The Herald Magazine, Saturday September 22 2001, cover story, pp. 8-11. Smith, Roberta. “Quick as a Shutter, Group Shows Shatter Conventional Wisdom,” The New York Times, show review, July 6, p. E32. Stalzer, Alfred. Place of Remembrance Memorial - Museum - Excavations - a Commemorative Entity, Jewish Austria, Edition 2001, pp. 38-41. Wilkins, David G. & Bernard Schultz, & Katheryn M. Linduff. Art Past, Art Present. Upper Saddle River, New Jersey: Prentice-Hall Inc., 2001.

2000 Bradley, Fiona, “Rachel Whiteread: Shedding Life,” Woman‟s Art Journal, Spring/Summer 2000, pp. 59- 60. Corral, Maria (Director), Catalogo de la Collecion de Arte Contemporaneo Fundacion “la Caixa, (exhibition catalogue) Barcelona: Fundacion “la Caixa”, 2000. Dorment, Richard. “A brutal fact of Life in the city of dreams,” The Daily Telegraph, Friday, October 27th, 2000, p. 26 Gelman, Alexander, Subtraction: Aspects of Essential Design, Crans-Pres-Celigny, Switzerland: RotoVision SA HausSchau- Das Haus in der Kunst, (exhibition catalogue) Deichtorhallen Hamburg, Hatje Cantz. Hunter, Sam & Jacobus, John & Wheeler, Daniel. Modern Art, New York: The Vendome Press. Inselmann, Andrea. Threshold, Invoking the Domestic in Contemporary Art, Contemporary Art Center of Virginia. “Judenplatz Mahnmal- Museum,” Perspektiven, 6th July, 2000. Judenplatz, place of rememberence, (exhibition catalogue) Museum Judenplatz Vienna, 2000. Kimmelmann, Micheal.” Behind Sealed doors, Opening Up the Past,” The New York Times, The Arts, Monday October 30, 2000, p. E1-E5. Linduff, Katheryn M. & Schultz, Bernard & Wilkins, David G. Art Past Art Present, 4th edition, Upper Saddle River, NJ: Prentice Hall, 2000. Modern Contemporary Art at MoMa Since 1980, (exhibition catalogue for Open Ends, September 2000- January 2001), The Museum of Modern Art, New York. pp. 359, 454, 485. Milchram, Gerhard, ed., Jundenplatz: Place of Rememberence, Vienna: Pichler Verlag GmbH & CoKG “Open Ends,” The New York Times, Friday October 27th, Sec. E39. Rachel Whiteread in Trafalgar Square, Tema Celeste, October-December 2000, No. 82, p. 123. R.T. Matthews & F. Dewitt Platt. The Western Humanities, Michigan State University, p. 604. Rietveld, Josef. “Judenplatz: Ort der Erinnerung,” Chronik Wien, Sunday 26th, October, p. 9. Rubenstien, Rachel. “Two Mexican Poems (after Manuel Rodriguez Lozano),” Lacanian Ink: body politic, New York, 2000 (illustration). Sirmans, Franklin. “Review: Untitled Sculpture,” Time Out New York, February 1-17, p. 69. Vanitas: Meditations on Life and Death in Contemporary Art, Richmond: Virginia Museum of Fine Arts, 2000, pp. 24-25, 62-63. Vogel, Carol. “Inside Art,” The New York Times, Friday October 20th. Weil, Rex. “Review: Untitled Sculpture,” ARTnews, May, pp. 229-230. Wilkin, Karen. “At the Galleries,” Partisan Review, No.1, Winter 2000, pp. 143-154.

1999 Belcove, Julie. “Rachel Rachel,” W Magazine, November, pp. 344-349. Bourbon, Matthew. “Rachel Whiteread @ Luhring Augustine,” NY Arts, Vol. 4, No. 12, p. 95. Burton, Jane. “Concrete Poetry,” ARTnews, May, pp. 154-157. Cork, Richard. “Cast out of Sad Memory,” The Times, Tuesday, January 5. Collings, Matthew. “Rabble Rousing,” Vogue, October, pp. 219, 224-225.

Rachel Whiteread 21 Emotion, Young British and American Art from the Goetz Collection, (exhibition catalogue) Deichtorhallen Hamburg, Cantz Publishers. Godfrey, Tony. Burlington Magazine, January, 1999. Higgie, Jennifer. “Vacant Lot,” Frieze, January/February, 1999. p. 36. Hoge, Warren. “Plinth Seeks Occupant. Nelson Will Be Neighbor,” The New York Times International, Thursday, August 19. House of Sculpture, (exhibition catalogue) Modern Art Museum of Fort Worth, Fort Worth, TX. Hillstrom, Laurie Collier & Hillstrom, Kevin, ed., Contemporary Women Artists, St. James Press, pp. 708- 710. Johnson, Ken. The New York Times, Friday, November 19, p. E41. Kotik, Charlotta. “Inside Out,” ARTnews, May, p.129. Marella, Giovanni. “Aste e Mercato; Christie‟s Vende Saatchi,” “Damien Hirst E Rachel Whiteread,” Tema Celeste, Mar.-April, pp.106-107. Neri, Louise, ed. Looking Up: Rachel Whiteread‟s Water Tower, Public Art Fund, New York Scalo Zurich, Berlin, New York. Now It‟s My Turn to Scream: Works by Contemporary British Artists from the Logan Collection, (exhibition catalogue) Haines Gallery, SFMOMA publishers, San Francisco. Paparoni, Demetrio. “In Evidenza,” Tema Celeste, March-April, p. 79. Riemschneider, Burkhard, & Grosenick, Uta (Ed.). Art At The Turn Of The Millennium, Taschen, pp. 534- 537. Saltz, Jerry. “Material Girl,” The Village Voice, November 16, p. 79. Saltz, Jerry. “Casting Call,” artnet.com, November 15. Storr, Robert, “Remains of the Day”, Art in America, April, pp. 104-109, 154. Sylvester, David. “Carving Space,” Tate Magazine, Issue 17, Spring, pp. 40-4. Young British Art: The Saatchi Decade, Booth - Clibborn Editions, pp. 8, 12, 13, 17, 22, 23, 67. Yablonsky, Linda. “Shit Happens,” Time Out New York, October 14-21, p. 65. Yu, San-San. Art China, December, pp. 193-194. Zinnew, Harriet. “Kiki Smith and Rachel Whiteread,” NY Arts, Vol. 4, No. 12, p. 27.

1998 Ackley, Clifford S. PhotoImage, Printmaking 60‟s to 90‟s, Museum of Fine Arts, Boston, p. 51. Art From the UK, (exhibition catalogue from Sammlung Goetz) Sammlung Goetz, Muenchen, 1997. Barrett, David. Art/text Magazine, February-April, pp. 93-94. C International Contemporary Art, Issue #57, February-April, pp.10-11. Carr, C. “Going Up in Public,” The Village Voice, June 23, 1998, p. 72. Cosper, Darcy. “Casting New York,” Metropolis, June 1998, pp. 98-100,109. Dault, Gary Michael. “The deafening silence of the past given voice in art,” The Globe and Mail, Saturday, April 18, C17. Ducci, Carlo. “Inspiration Stories,” Italian Vogue, December 1998, pp. 294-299. Dust Breeding - Photographs, Sculpture & Film, (exhibition catalogue) Curated by Steve Wolfe, Fraenkel Gallery, San Francisco. Evening Standard (London), Art Section, October 29. Glueck, Grace. “For Art, Too, A Summer in the Sun,” The New York Times, August 21, pp. 35-37. Group Sculpture Project, Muenster, Germany, June 22- Sept.28 1997. Heartney ,Eleanor. “The Return of the Red-Brick Alternative,” Art in America, Jan. pp. 57- 66. Kastner, Jeffrey. “A Compromise for Vienna‟s Holocaust Memorial,” ArtNews, April, Page 88. Jones, Jonathan. The Independent, February 11 Lessard, Suzannah. “People Are Talking About Art,” Vogue, September, pp. 418, 424 Loffler, Sigrid. “Judenplatz,” Die Zeit, March 12, p. 45 Longing and Memory (exhibition catalogue), Los Angeles County Museum of Art, June-Sept 1997. MacSweeney, Eve. “Watch this Space...,” Harper‟s Bazaar, May, pp. 22. Rachel Whiteread, (exhibition catalogue), Anthony d‟Offay Gallery, London.

Rachel Whiteread 22 Saltz, Jerry (Ed.). “An Ideal Syllabus,” Frieze (supplement), Issue 43, November-December. Sumpter, Helen. Evening Standard, October 29. SG, “Exhibitions: Rachel Whiteread,” The Guardian, October 24. “Sensation. Young British Artists From the Saatchi Collection,” Royal Academy of Arts, London, Sept. - December 1997. “Save the Date!,” inprocess, The Quarterly Newsletter of the Public Art Fund Inc., Volume 6,#3, Spring, p. 4. Smith, Roberta. “Critic‟s Notebook: The Ghosts of SOHO,” The New York Times, August 27, pp. E1-E2 Shone, Richard. “Eyes on the Skies,” Artforum, January, p. 34 The Hirshhorn Collects: Recent Acquisitions 1992-1996 (exhibition catalogue), Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., p.107. “Vienna to Build Whiteread Memorial,” Art in America, May, p. 144. Viso, Olga. “90‟s to the Nines,” Art Papers, May-June 1998, p. 16. Vogel, Carol. “SoHo Site Specific: On the Roof,” The New York Times, June 11, pp. 1, 4. Vogel, Carol. “A Water Tower for Peace,” The New York Times, January 13, p. E34.

1997 Bradley, Jessica. “International Contemporary Art”, May-August, p. 32. Boseley, Sarah. “Art world rocked by „bloody divorce,” The Guardian, November 5, 1996. Cork, Richard. “The sculptures that broke the mould,” The Times, September 17, 1996. Cotter, Holland. “Ideas from the Air, Wrapped in Paper,” The New York Times, December 19, p. E39. Darling, Michael. “The Baggage of Time,” LA Weekly, June 20-26, P57. Dorment, Richard. “Accentuating the negative,” Telegraph, September 25, 1996. Feaver, William. “Whiteread‟s sculptures may be poetic, monumental, simple and non-literal. But „ Wot For‟?,” The Observer, September 22, 1996. Frankel, David. “Shadows Cast,” Artforum, December, p. 97. Feldman, Hanah J.L. “Rachel Whiteread: Luhring Augustine Gallery, New York, May 7-June 18, 1996,” World Art, Iss. 4, 1996, p. 86. Graham- Dixon, Andrew. “Conjuring art out of thin air,” The Independent, October 1, 1996. Garner, Lesley. “The well-hung crowd-puller,” Daily Express, September 20, 1996. Henri, Adrian. “Art from a young star defies the trend towards anarchy,” Daily Post, September 96. Heller, Nancy G. Women Artists, An Illustrated History, Abbeville Press Publishers, Third Ed. Hensher, Philip. “A grand parade of lifeless packaging,” Mail on Sunday, Oct. 27, 1996. Hilton, Tim. “Of innocence and experience,” Independent on Sunday, September 22. Houle, Annick. “Rachel Whiteread,” Parachute, January/February/March. Jackson, Tina. “Space Invader,” Big Issue, September 9-15. Januszczak, Waldemar. “Watch these spaces,” The Sunday Times, September 22, 1996. Knight, Christopher. “Beguiled by „Longing and Memory‟,” Los Angeles Times, June 7, pp. F1, F14. Lambirth, Andrew. “Solid space,” The Spectator, October 12, 1996. Lister, David. “When the art world painted the city of dreams bright red,” The Independent, June 16, p. 20. Leonard, Tom. “Gallery money at the root of artistic divorce,” The Daily Telegraph, November. McKenna, Kristine. “The Contemporary Not Temporary at LACMA,” Los Angeles Times, June 7, F15. MacRitchie, Lynn. “The war over Rachel,” The Guardian. November 5, 1996. Millard, Rosie. “Casting around for ideas”. Art Review, October 1996. “News...In Brief,” ARTnews, Sept., p. 60. “News Briefs,” New Art Examiner, November, p. 14. Newson, Felicity. “Art of the matter,” Liverpool Echo, September 1996. Packer, William. “The ghosts of lives past,” Financial Times. September 24, 1996. Phillips, Patricia. “Making Memories,” Sculpture, March pp. 22-27. Popham, Peter. “An artist cast into controversy,” The Independent, November 2, 1996. Riding, Alan. “No Sexism, Please; They‟re British,” The New York Times, December 29, p. E1, E10. Rugoff, Ralph. Scene of the Crime, Cambridge: MIT Press, 1997.

Rachel Whiteread 23 Saltz, Jerry. “Merry-Go-Round,” Flash Art, October 1997, pp. 84-87. Searle, Adrian. “Whiteread‟s world of interiors,” The Guardian. October 6, 1996. Searle, Adrian. “World interiors,” The Guardian, September 17, 1996. Sensation. Young British Artists From the Saatchi Collection, (exhibition catalogue) Royal Academy of Arts, London. Smith, Roberta. “Another Venice Biennale Shuffles to Life,” The New York Times, June 16, pp. B1,B2. Sladen, Mark. “Rachel Whiteread, Tate Gallery, Liverpool,” Frieze, Nov./Dec. pp. 77-78. Slyce, John. “Sensation,” Flash Art, Nov / Dec 1997, Vol. XXX, No. 197, pp. 106-107. Thistlewood, David. “Losing details, winning monuments,” The Times, October 18, 1996. Traynor, Ian. “Vienna unearths its Jewish guilt,” The Observer, October 6, 1996. Usherwood, Paul. “The Rise and Rise of Rachel Whiteread,” Art Monthly, no. 200, October, pp.11-13. Vetrocq, Marcia E., “The 1997 Venice Biennale: A Space Odyssey,” Art in America, September, pp: Cover, 66-77, 121. Weyer, Martin. “Monumental pleasures,” The Daily Telegraph, September 13, 1996. “Watch as the work goes on around you,” Daily Post, September 6, 1996. Waddington Leslie, Flowers Matthew. “Is there genius on our doorstep?,” The Daily Telegraph. November 25, 1996.

1996 Anfam, David. “New York Early Summer Exhibitions”, Burlington Magazine, August 96. Anfam, David. Review of one person exhibition, Burlington Magazine, Aug: p. 565-566. Artnotes. “Winner Takes All,” April, Art Monthly, p. 19. “Blast, 90s Style.” The Print Collector‟s Newsletter: News of the Print World: People and Places; May- June 1996; Vol.XXVII, No. 2; p. 57. Barber, Lynn. “In a Private World of Interiors,” The Observer. Camhi, Leslie. “House Wares,” The Village Voice, May 28, Vol.XLI No.22, pp. 91-92. Carrier, David. “Carnegie International,” Artforum International, January, p. 88. “City Focus: Miami/South Florida,” Artnews, January, 1996. Cork, Richard. “Rachel Whiteread‟s House,” Book Review, Tate Magazine, Spring, No. 8, p. 75. Dannatt, Adrian. “Brilliant,” Flash Art, January - February, No. 186, pp. 96-97. Distemper: Dissonant Themes in the Art of the 1990s, Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Press, 1996. From Figure to Object; A Century of Sculptor‟s Drawings, London:Frith Street Gallery; Kartsen Schubert, 1996. Gayer, John. International Contemporary Art, fall 1996, p. 38. Jackson, Kevin. “Brit ,” Arena, April, pp. 60-66. Kimmelman, Michael. “How Public Art Turns Political,” The New York Times, Oct. 28, 1996. Kimmelman, Michael. “Art In Review,” The New York Times, Friday May 17, C24. Klawans, Stuart. Daily News (Art Review), June 15: p. 30. “London Calling,” New York Magazine, May 13, p. 47. Long, Andrew. “Review of one person exhibition,” The New Yorker, June 3: p. 20. Liotta, Christine. “Review of one person exhibition,” Sculpture, September, p. 65. “Miami Defines the Nineties”, Flash Art, January/February. “New Miami MOCA,” Art in America, January. Pederson, Victoria. “Rachel Whiteread at Luhring Augustine,” Art & Auction, May 1996, p. 76-77. Phillips, Christopher. “Front Page,” Art in America March 1996, p. 29. Princenthal, Nancy. “Rachel Whiteread: Thickening the Plot,” INPROCESS, Volume 4, #3. Spring, pp. 1-2 Rimanelli, David. “Art on the Beach,” Elle, March. Schmerler, Sarah. “Inner Space,” Time Out New York, May 22-29, Issue No. 35, p. 29. Smith, Roberta. “Handmade Readymades,” The New York Times. March 1: p. 20. The Now Art Book, Japan: Shiseido and Korinsha Press & Co., Ltd. Tait, Simon. “Tailors Of The Unexpected,” The Times, April 1, p. 12. Traynor, Ian. “Vienna unearths its Jewish guilt,” The Observer, October 6.

Rachel Whiteread 24 Williams, Richard J. “The Trouble with Whiteread,” Art Monthly.

1995 “Acquisitions,” Hirshhorn Museum and Sculpture Garden Calendar, p. 2. “At the ICA, Rooms With A View - Of The Soul,” The Boston Globe, May 12, p. 62. Armstrong, Richard. Carnegie International 1995, (exhibition catalogue), Carnegie Museum of Art, November. “British Art of the 80s and 90s: The Weltkunst Collection,” leaflet, The Irish Museum of Modern Art, Dublin (ill.) 10. Cherubini, Laura. “Rachel Whiteread, Academia Britannica,” Flash Art (Italia), February, pp. 108-109. Contemporary British Art in Print: The Publications of Charles Booth-Clibborn and his imprint the Paragon Press 1986-95, (exhibition catalogue), Scottish National Galleries in association with Paragon Press, Edinburgh and London. Colman, David. “Art: Short Takes,” Vogue, February: p. 154. Currah, Marc. “Five Rooms at Anthony d‟Offay,” Time Out, April 26-May 3, No. 1288, p 50. Edition Schellmann, “Art Editions,” Edition 1, 1995. P.345. Double Mixte : Generique 2, (exhibition catalogue), Galerie Nationale du Jeu de Paume, February. Ekstrom, Johanna. “Rachel‟s Hus,” (poetry) Dicter Wahlstrom & Widstrand. Freierman, Shelly. “Solidified Space,” Metropolis, May. Graham-Dixon, Andrew. “The British Art Buzz,” Vogue, June, p. 118-123. Guha, Tania. “Rachel Whiteread Karsten Schubert,” Time Out, May 24-31, 1995. p. 50. Here and Now, (exhibition catalogue), (ill.). Istanbul Biennial, (exhibition catalogue), Istanbul Foundation for Culture and Arts, Turkey (ill.). Jackson, Kevin. “The Colours of Money,” Arena, Summer, pp. 64-69. . Kastner, Jeffery. “Brilliant?,” Art Monthly, December 1995, No. 192, pp. 10-15. Kimmelman, Michael. “Turning Things Inside Out,” The New York Times, Arts & Leisure, Sunday, February 5: Section 2, p. 1, 35. King Carol. “Not One Drop Of British Reserve,” The New York Times, Sunday October 22, pp. 45-46. Lemiere, Nicole. “Two New Controversial Art Exhibits to Open ICA,” The Daily Pennsylvanian, February 3, pp. 1-7. Lingwood, James (ed). Rachael Whiteread House. Published by Phaidon Press Limited, November. Morgan, Stuart. “Anglo-Saxon Attitudes,” Frieze, March-April, p. 7. Morrissey, Simon. “Intangible Beauty of Negative Space,” Building Design, June 9, 1995. New Art In Britain, Muzeum Sztuki, Lodz, Poland, October-November. (exhibition catalogue) Patrick, Keith & Lores, Maite: Contemporary British Sculpture: From Henry Moore to the 90s, (exhibition catalogue), Auditorio de Galicia, Santiago de Compostela and Fundacio de Serralves, Porto (ill.). Picasso, Sydney. “Sculptur de Temps,” Vogue (Paris), April, pp. 60-61. Private / Public, (exhibition catalogue), ars „95 Helsinki, Museum of Contemporary Art Helsinki and Finnish National Gallery, Helsinki (ill). Proem: Drawings Towards Sculptures, Rubicon Gallery, Dublin, April-May. Princenthal, Nancy. “All that is Solid,” Art in America, July,pp. 52-57. Rice, Robin. “Opposites Attract,” Philadelphia City Paper, February 10, p 19. Rudolph, Karen. “Rachel Whiteread,” Beaux-Arts Magazine, March, pp. 98-99. Saunders, Jennifer. “Exhibitions Explore Darker Sides of Space & Humanity,” The Compass, February 10 Searle, Adrian. “The Artist Who Broke the Mould,” The Independent, p. 20 (ill.) May 16. Schafran, Kirby. “Breaking The Mold...By Making A New Mold,” Interview, June, p. 36. Siesche, Angela. “Das Schwere und das Leichte,” Dumont, Cologne. Smith, Roberta. “No Muss, No Fuss at 1995 Carnegie,” The New York Times, November 8: C13, C15. Smith, Roberta. “Some British Moderns Seeking to Shock,” The New York Times, November 23: C11, C14. Sozanski, Edward. “Artists at the ICA,” The Philadelphia Inquirer, February. Silver, Joanne. “Filling In The Blanks,” The Boston Herald, May 12, p. S22.

Rachel Whiteread 25 Stein, Judith. “Philadelphia: Rachel Whiteread,” ARTnews, Summer: pp.133-134. Temin, Christine. “Rachel Whiteread Brings Her Investigations To Boston,” The Boston Sunday Globe, May 7, pp. 33-38. Tazzi, Pier Luigi. Rachel Whiteread: Sculpture, British School at Rome, Rome (ill). Tomkins, Calvin. “London Calling,” The New Yorker, December 11, pp.115-117.

1994 Art Unlimited: Multiples from the 1960s and 1990s, (exhibition catalogue), Arts Council Collection, South Bank Centre, London (ill). Artist‟s Project, Parkett, No. 42, December: 25, pp. 112-113. Avgikos, Jan. “Focus: „Sense and Sensibility‟, Museum of Modern Art, New York,” Artforum, October: pp. 98-99. Bailey, Martin. “Seriously Subversive Art: Real Banknotes.” The Art Newsletter, February, Vol. 6, No.1, pp. 10-11. Bonami, Francesco. “Unfair-Art Cologne- Saatchi Collection,” Flash Art, Jan-Feb., No. 174, p. 51. “Burn This,” New York Post, January 6, p 6. Buck, Louisa. “Casting About,” Harper‟s Bazaar, June, pp. 57-58. Choon, Angela. “Young Cartoon,” The Daily Telegraph, January 12, p. 1. Choon, Angela. “British Artists,” Art & Antiques, April: pp. 56-63. Criqui, Jean-Pierre. “Focus: Rachel Whiteread, Kunsthalle Basel,” Artforum, November: pp. 82-3. Ellison, Mike. “Digger‟s Quick Work Brings the House Down,” The Guardian, January 12, p. 20. Eshun, Ekow. “Without Walls,” The Face, May, No.68, pp. 57-72. Fairbrother, Trevor. “Whiteread‟s Ghost,” Parkett, No. 42, December, pp 90-95. Fleissig, Peter (ed). Invisible Museum: Seeing the Unseen, (exhibition catalogue), Thirty Sheperdess Walk, London (ill). Feaver, William. “Rachel Whiteread,” Artnews, March, p. 148. Fenton, Ben. “Demolition Man Breaks Prize-Winner‟s Art,” January 12, p. 8. Graham-Dixon, Andrew. “Artless Earthmover Finally Brings „House‟ Down,” The Independent, January 12, p. 8. Green, Lynne. Editorial, Contemporary Art Magazine, Vol.2, No.3, pp. 3-4. Hess, Elizabeth. “Minimal Women,” The Village Voice, July 5, p. 91. Hixson, Kathryn. “Reviews: Rachel Whiteread, MCA Chicago,” Flash Art, Vol. XXVII, No. 174, January/February: pp. 100-101. House, limited edition book with photographs by John Davies, Artangel Trust, London, July. Kastner, Jeffery. “Bad Housekeeping,” Artnews, February, p. 47. Joseph, Francis. “Hostility House,” letter, The Evening Standard, January. Jones, Ronald. “Sense and Sensibility: Women Artists and Minimalism in the 90‟s: The Museum of Modern Art, New York,” Frieze Magazine, Issue 18, September-October: pp. 59-60. Letts, Quentin. “Art World: A Blue Language Period,” The Daily Telegraph, January 5, p. 19. Kent, Sarah. “Patron Saints,” Time Out, January 5-12, No.1220, p. 40. Kent, Sarah. Shark Infested Waters, Zemmers, London, pp.102-105, ill. pp. 246-249. Levin, Kim. “Listings: Sense and Sensibility,” The Village Voice, July 5, p. 67. MacSweeney, Eve. “Watch This Space,” British Vogue, May, pp. 57-58. “New Faces for the New Year,” Newsweek, January 10, pp 60-63. Odling-Smee, James. “Refreshing the Arts,” Art Monthly, July-August, No.178, pp 20-23. Postlewaite, Jeff. “Coming Down, that Infamous Work of Art,” The Evening Standard, January 11, p. 17 Rachel Whiteread Sculpture, (exhibition catalogue), Kunsthalle Basel, ICA Philadelphia, & ICA Boston, August. “Rachel Whiteread,” Bijutsu Techo Magazine, October, Vol.47, No. 100, pp.189-199, pp. 228-229. Renton, Andrew. “Rachel Whiteread: A Song from Under The Floorboards,” ART + TEXT, pp. 54-59. Roberts, Allison. “Best and Worst of Art Bites the Dust,” The Times, January 12, p 5.

Rachel Whiteread 26 Searle, Adrian. “Rachel Doesn‟t Live Here Anymore,” Frieze Magazine, Issue 14, January- February: pp. 26-29. Schmitz, Rudolf. “The Curbed Monumentality of the Invisible,” Parkett, No. 42, December: pp. 96-103. Smith, Roberta. “Space is Spare for Women‟s Work at the Modern,” The New York Times, Friday, June 24: C26. Tate Gallery Biennial Report 1992-1994, Tate Gallery Publications, London, ill. p. 24. “The House that Rachel Built Comes Tumbling Down,” Daily Express, January 12, p. 5. Wakefield, Neville. “Rachel Whiteread: Separation Anxiety and the Art of Release,” Parkett, No. 42, December: pp. 76-89. Watney, Simon. “About the HOUSE,” Parkett, No. 42, December: pp. 104-111. Withers, Jane. “La Casa Fossile,” Casa Vogue, January, No. 258, pp. 118-119. Yood, James. “Reviews: Chicago, Rachel Whiteread, Museum of Contemporary Art,” Artforum, Vol. XXXII, No. 5, January: p. 94. Zelevansky, Lynne (ed). Sense and Sensibility: Women Artists and Minimalism in the 90s, The Museum of Modern Art, New York (ill) .

1993 Acsay, Judit. “Made Strange,” Hungarian Daily News, June 18-24. “A Concrete Idea Well Worth Preserving,” The Independent, p. 17; with Colin Wheeler cartoon: “Isn‟t that a Rachel Whiteread?,” p. 1, November 1. Andras, Ban. “A szemet szerkezetenek liraja,” Nepszava, June 25. Auty, Giles. “Prized Apart,” The Spectator Magazine, November 20: pp. 56-57. Auty, Giles. “Whiff of Paint,” The Spectator Magazine, November 13: p. 41. Alberge, Dalya. “Still Flogging a Dead Cow?,” The Independent, July 13: p. 15. Alberge, Dalya. “House of Ghostly Memories,” The Independent, October 27: p. 1. Allthorpe- Guyton, Marjorie. “Monumental Art,” The Independent, November 29, p. 13. Banx. Cartoon, The Financial Times, November 25. Barber, Lynn. “House Calls,” The Sunday Times, Style and Travel, December 5: p 2. Barnes, Rachel. “Sharpening knives greet Turner nominees,” The Guardian, July 21: p. 18. Batchelor, David. “Rachel Whiteread: Still Photography,” Threshold, No. 9, Jan: pp. 64-75. Batchelor, David. Rachel Whiteread: Plaster Sculptures, (exhibition catalogue), Karsten Schubert Ltd., London and Luhring Augustine Gallery, New York. B. E. “London lockt,” Koelner Stadtanzeiger, December 4-5. Bevan, Roger. “Rachel Whiteread Casts a House,” The Art Newspaper, No.32, November: p. 37. Bernard, Kate. “Which way to Turner?,” The Sunday Times, Culture Section, July 25: p. 13. Bijl, Herma. “Rachel Whiteread,” Metropolis, Netherlands, No. 1, February: p. 51. Bijl, Herma. “Britisk Skulptur I tiden og rommet,” Vart Land, Oslo, February 3. Burn, Gordon. “Why So Hard to Swallow?,” The Independent, November 10: p. 21. Bevan, Roger. “La Whiteread a tutta birra, Paladino, Land, Body e Narrative art,” Journal of Art (international edition), November: p. 78. Button, Virginia. “Right of Reply,” The Independent, November 11: p. 27. “British Sculpture Invades Budapest Galleries,” The Hungarian Times, July 5. Brookes, Peter. Cartoon, The Daily Telegraph, November 26, p. 20. Buck, Louisa. “Showing Off,” GQ Magazine (UK), June: 46. Caro, Anthony. “„House‟ Raises Questions Of Art,” Letter, The Independent, December 1, p. 32. Colban, Luciana Mottola. “Rachel Whiteread‟s Empty Space,” The Art Newspaper, May: p. 31. Cosemans, Catherine. “Spookbeelden,” De Witte Raaf, No. 41, Jan: p. 11. Cork, Richard. “Monument to a great adventure,” The Times, November 5: p 33. Cook, William. “Prize opportunity to learn a new language,” The Scotsman, Nov. 5: p 17. Cooper, Tim. “My Mystery Tour with the Masked „Terrorists‟ of Art,” The Evening Standard, November 24: p. 3.

Rachel Whiteread 27 Cooper, Tim. “Bizarre as 60,000. pounds sculptor is best of worst,” The Guardian, November 24: p. 3. Cooper, Tim. “The Turner Prize Winner and My Night With the Art Terrorist,” The Evening Standard, November 24, late edition: p. 13. Cooper, Tim. “Who failed the 1,600 pounds art test?,” The Evening Standard, November 25. Cosemans, Catherine. “Pick of the Year,” Arts Review Magazine, Vol XLV, pp. 18-19 January. Daley, Michael. Letter, The Independent. December 1, p. 32. Debbaut, Jan (ed). Rachel Whiteread, (exhibition catalogue), van Abbemuseum, Eindhoven, March. Drathen, Doris von. “Rachel Whiteread: Found Form - Lost Object,” Parkett Magazine, No. 38: pp. 22-31. Drawing the Line Against AIDS, (exhibition catalogue), AMFAR, New York, July. “Untitled,” Magazine, Winter, No. 3, pp. 1-2. Ellison, Mike. “Cadillac terrorists carve up sculptor,” The Guardian, November 24: p.1. Exnr, Julian. “Das Meisterwerk wird abgerissen,” Tagesspiegel, November 28, p. 17. Feaver, William. “Tired Turner Needs a Tonic,” The Observer Magazine, October 31: review section, 6. Flounders, Eric. “Time table for Bow Sculpture,” The Independent, November 25, p.19. Flor, Harald. “Britisk Blanding,” Dagblad, Oslo. February 11. Forster, Peter. Letter, The Independent. December 1, p. 32 . “Fuga es gipszpadlo,” Magyar Narancs, July 8. Gale, Ian. “The Most Hated Man in British Art,” The Independent, December 10, p. 23. Garland. Cartoon, The Times, November 25, p. 16. “Ghost Story,” Il Giornale Dell‟arte Magazine, December, No. 117. Graham-Dixon, Andrew. “This is the house that Rachel built,” The Independent, November 2: p. 17. Graham-Dixon, Andrew. “I don‟t know much about art, but I know what I hate,” The Independent, November 24: p. 26. “Ist es Kunst?,” Frankfurter Allgemeine Zeitung, November 26, p. 33. “Fast Forward,” ARTnews, November, p.122-133. Hall, James. “Bristish Art Now: The Revolution Continues,” ARTnews, September: pp. 142-7. Hansen, David. “Territorial Pissings: The Biennale of Sydney,” Art Monthly Australia, March: pp. 22-3. Hellandsjo, Karin. “In Site: New British Sculpture.” Threshold, No. 9, January: pp. 11-20. Herbert, Susannah. “Prize contest all set for the slanging,” The Daily Telegraph, July 22: p. 15. Herbert, Susannah. “Balaclava bonus for Turner winner,” The Daily Telegraph, November 24: p. 1. Herbert, Susannah. “Wanted: 150 Abseiling Window Cleaners,” The Daily Telegraph, December 6, p. 13. “Home is where the art is,” Art Monthly Magazine, No. 171, November: p. 32. “House Fits the Neighborhood,” two letters. The Independent, November 20, p.19. Hornblower, Margot. “Wot for? Why not?” Time International Magazine, December 13: p. 52. Hunt, Robin. “The House that Rachel Built,” The Guardian, November 17: Section 2, p. 9. “I Know About Art and I Know What I Like,” The Independent, December 21, p. 21. “In Site: Ny Britisk Skulptur,” Terskel/Teshold Magazine, November: pp. 129-143. Jenkins, Simon. “Art House In A Cul-de-Sac,” Modern Painters, Winter, p. 11. Jak. Cartoon, The Evening Standard, November 25. Kent, Sarah. “Home Work,” Time Out Magazine, No. 1210, Oct. 27 - Nov. 3: pp. 22-23. Kravagna, Christian. “Doubletake, Collective Memory and Current Art, Kunsthalle Vienna,” Forum International, No. 17, March-April: p. 127. Katalin, Neray (ed). Made Strange: New British Sculpture, (exhibition catalogue), Museum Ludwig, Budapest , August. Kotai, Jozsef. “Az „Elsetalt‟ Lehetoseg,” Magyr Nemzet, July 18. Kruger, Werner. Junge Britische Kunst: Zehn Kuenstler aus der Sammlung Saatchi, (exhibition catalogue), Art Cologne, Cologne (ill), November. Krumpl, Doris. “Totale Erinnerung,” Der Standard, January 8. “Last Word, Letters to the Editor: Eric Shanes, W3,” Nov. 3-10. Leboy, Elisabeth. “Le Maison Fantome De Whiteread,” Liberation, December 3. Lester, Alfred. Letter, The Independent, December 6, p. 17.

Rachel Whiteread 28 Letters to the Editor: “Value of a house set in concrete,” Mr. John Stathatos, London; Eric Flounders, Chair, Parks Board, Bow Neighborhood Council, London; The Independent, p. 17. Lingwood, James. “Private prejudice, public interest and Bow‟s „House‟,” letter, The Independent, November 30, p. 17. Lister, David. “Award designed to promote art in Britain may go abroad,” The Independent, July 21: p. 6. Lister, David. “Turner prize won by „worst‟ artist,” The Independent, November 24: pp. 1-3. Lister, David. “Money to Burn in Eccentric Cause,” The Independent, November 24, p.3. Lister, David. “The Choice Is Yours,” Modern Papers Magazine, December, p. 10. Lynn, Elwyn. “Mind over mattresses,” The Australian, The Weekend Review: Arts, January 2-3. Lubbock, Tom & David Thorp. “Two Responses to Rachel Whiteread‟s House,” Untitled Magazine, Winter, No. 3, pp. 4-5. Maloon, Terence. “Art on the Boundary: An interview with the Director of the Ninth Biennale of Sydney, Anthony Bond,” LOOK Magazine, December-January: pp. 12-13. Manor, Dalia. “Rachel Whiteread‟s House,” Studio Art Magazine, December-January, pp. 10-11. McEwen, John. “The House that Rachel Unbuilt,” The Sunday Telegraph, October 24: review section, 6. McCrystal, Cal. “Is this worth all the sneers,” The Independent, Sunday November 7: p. 12. McEwen, John. “Heed the passing grandma,” The Sunday Telegraph, November 7: p. 8. Meschede, Friedrich. Rachel Whiteread: Gouachen-Gouaches, (exhibition catalogue), DAAD Galerie, Berlin, November. Meschede, Friedrich. “Die Bauform der Erinnerung,” Die Tageszeitung, November 27, p. 19. Mills, David. “A conspiracy of theorists,” The Sunday Times, The Culture, November 28: pp. 9-14. Miklos, Losconi. “Osi idomok, mai jelek,” Vasarnapi Hirek, June 27. Milner, Catherine. “Turn Off Turner,” The Sunday Telegraph, October 31: review section, p. 5. Morgenstern, George. “Tiltalende utstilling av britisk skulptur,” Astenposten, Oslo. February 9. Morgan, Stuart. “Fast Forward,” ARTnews Magazine, November: pp. 122-133. Mouland, David. “Disaster in Plaster,” The Daily Mail, November 4, p. 7. Mueller, Hans-Joachim. “Die Maus, die wacht,” Die Zeit, February 5: p. 37. Niederle, Helmuth A. “Kunstwerke Unterwegs,” Die Furche, January 14. Nittve, Lars (ed). Passageworks, (exhibition catalogue), Rooseum, Malmo, April-July. “Opinion: Is It Art?,” The Independent, Sunday, October 31: p. 25. P Sz J. “Felejtheto es felejthetetlen dolgok,” Nepszabadag, June 30. Payton-Jones, Julia (ed). “Programme for the Serpentine Gallery Gala Dinner,” June. Pietsch, Hans. “Im versiegelten Sarkophag ruhen die Erinnerung,” Art Magazine, December, p. 153. Postlethwaite, Jeff. “Inside-out „art‟ turned my home into freak show,” The Evening Standard, London, October 28: p. 18. “Plastiker & Objektkuenstler,” ART Magazine, No. 7, July: pp. 40-47. Poshyananda, Apinan. “Guessing game at art gala,” Bankok Post, Outlook, Vol. XLVIII, No. 35, Thursday, February 4: Section 3. Rachel Whiteread: Sculpturen 1990-1992, Uit in Eindhoven, Eindhoven, January: p. 20. “Rachel Whiteread a Popular Choice,” The Art Newspaper, December, No. 33, p. 7. “Rachel Whiteread,” Art Monthly, No. 174, p. 39. “Rachel Whiteread House,” Art Monthly, December- January, No. 172, p. 39. Rainbird, Sean. “Patrons of New Art: A Decade of Collecting,” Tate, the Art Magazine, Vol. 1, No. 1, Winter: m6-m7. Roberts, Alison. “Turner‟s best equals the worst,” The Times, November 24: pp. 1-3. “Sculptor wins Prize for rooms of concrete,” San Francisco Chronicle, November 24: E5. Serk, Peter. “Materialenes Vesen,” Klassenkampen, Oslo. March 18. Serota, Nicholas. “Pseuds Corner,” Private Eye quoting The Times, December. Shone, Richard. Letter, The Independent, November 30, p.17. Shone, Richard. “Rachel Whiteread „House‟,” The Burlington Magazine, December 1993, pp. 837-838. Smith, Roberta. “The Best of Sculptors, the Worst of Sculptors,” The New York Times, November 30: C15-16.

Rachel Whiteread 29 “Spatzunder: Doubletake - Austellung in Wien,” Feuilleton, February 19: p. 31. Stringer, Robin. “Sculptor is the Best and the Worst,” The Evening Standard, November 24: p. 3. Sudjic, Deyan. “From to that house,” The Guardian, November 25: p. 27. Special London issue, Art Das Kunstmagazin, No. 7, July: p. 43. “The Full Story,” Advertising for The Independent. The Sublime Void, (exhibition catalogue), Antwerp „93, Antwerp, July. The Lady and the Wimp Cartoon: “As a Work of Art There‟s Just One Thing That Spoils It For Me,” Time Out, November 3-10 p. 178. “The Turner Prize,” The Art Newspaper, No.32, p.6. “The Wad Couple,” New Musical Express, December 4, p. 3. “Turner Prize 1993,” Tate, The Art Magazine, Vol. 1, No. 1, Winter: pp. 48-51. Tororde, John. “„Streetfighter‟ aims to Bring „House‟ down,” The Independent, Sunday, December 5, p. 5. “U-Turner Prize Brian R. Sewell,” Private Eye, December. Vadas, Jozsef. “Brit Antiszobraszat,” Magyzr Hirlap, July 9. Van Giersbergen, Marieke. “Het Spook Van de Herinnering,” Archis, February. Van Veelen, Ijsbrand. “Reviews: Rachel Whiteread, Van Abbemuseum, Eindhoven,” Flash Art, Vol. XXVI, No. 170, May-June: p. 122. Wallace, Linda. “Biennale: Beyond the Boundaries,” Good Times, December-February: pp. 87-8. Wheeler, Colin. Cartoon, The Independent, November 3, p. 1. Wright, Beryl (ed), Rachel Whiteread Interview, (exhibition catalogue), Museum of Contemporary Art, Chicago, July.

1992 Adcock, Craig. “Documenta IX,” Tema Celeste, Autumn: pp. 84-6. Archer, Michael. “Interview with Rachel Whiteread,” Audio Arts, August, Vol. XII. Cameron, Dan. “The Hassle in Kassel,” Artforum, September: p. 86. Cooke, Lynne & Curriger, Bice & Hilty, Greg (eds). Doubletake: Collective Memory and Current Art, (exhibition exhibition catalogue), South Bank Centre, London, February. DiMichele, David. “Report from London,” Artspace, December: pp. 94-5. DOCUMENTA IX, (exhibition catalogue), Edition Cantz, Stuttgart and Abrams, New York. Feaver, William. “Once More with Feeling,” The Observer, February 23: p. 57. Graham-Dixon, Andrew. “A marathon of mediocrity,” (DOCUMENTA IX), The Independent, June 16: p. 16. Gillick, Liam. “Lea Andrews, Keith Coventry, Anya Gallacio, Damien Hirst, Gary Hume, Abigail Lane, Sarah Lucas, Steven Pippin, Marc Quinn, Marcus Taylor, Rachel Whiteread,” Artists‟ book to accompany exhibition at Barbara Gladstone and Stein Gladstone, New York. Hall, James. “Young British Artists,” (Saatchi Collection), Art News Magazine, Summer 1991, Vol. 91, No. 6: p. 147. Heller, Robert. “Report on the 1991-92 PNA Acquisitions Sub-Committee,” Patron‟s New Art Newsletter, Summer, No. 15. Kent, Sarah. “Rachel Whiteread,” Modern Painters Magazine, Summer, Vol. 5, No. 2: pp. 86-7. Kent, Sarah. “Young British Artists: John Greenwood, Damien Hirst, Alex Landrum, Lyttelton, Celia. “Young British Artists.” Galleries Magazine, April/May: p. 123. Larson, Kay. “Of Dogs and Man,” New York, Vol. 25, No. 6, February 10: pp. 54-5. Levin, Kim. “Listings: Young British Artists,” The Village Voice, October 6: p. 75. Melrod, George. “Rachel Whiteread, Luhring Augustine,” ARTnews, May: p. 131. Miller, Charles. “On the Road to Kassel,” Artforum, Summer: p. 82. Moore, Susan. “Around the Block: London: Young Brits Take Center Stage,” Art & Auction, October: pp. 26-8 . Small Medium Large LIFE SIZE. (exhibition catalogue), Museo d‟Arte Contemporanea Prato, Catalogue # 14. Norman, Geraldine. “Art For Art‟s Sake Not For Youth‟s Sake,” The Independent, January 4: p. 39. Pendleton, Ian. “Just When You Thought It Was Safe...,” Esquire Magazine, June: p. 22.

Rachel Whiteread 30 “Rachel Whiteread at Luhring Augustine.” The New Yorker, February 10: p. 12. Rachel Whiteread: escultures, (exhibition catalogue), Sala Mancado de la Fundacio „la Caixa‟, Barcelona Rugoff, Ralph. “Dark Art,” Vogue, September: pp. 352-355-358. Ryan, Marianne. “Double Take: Collective Memory and Current Art,” London: Hayward Gallery, 1992. Schjeldhal, Peter. “Twelve British Artists: Barbara Gladstone Gallery, NY,” Frieze Magazine, Issue 7, November/December: p. 45. Signes des Temps. Fondation BMW, Paris. Smith, Roberta. “Rachel Whiteread at Luhring Augustine Gallery,” The New York Times, January 17: C38. Smith, Roberta. “A Small Show Within an Enormous One,” The New York Times, June 22: C13. Silence: Contradictory Shapes of Truth. (exhibition catalogue), Modena Galerija Ljubljana. Skulptur-Konzept, (exhibition catalogue), Galerie Ludwig, Krefeld. Spector, Nancy. “Art and Objecthood,” Tema Celeste, Autumn: pp. 74-9. Unfair ‟92, (exhibition catalogue), Alternative art fair, Koln, November: Karsten Schubert illustrated page

COMMISSIONS & PUBLIC INSTALLATIONS Commission for Discovery Hill, Governors Island, New York, 2015 Tree of Life, 2012, Whitechapel Gallery, London The Gran Boathouse, 2010, Gran, Norway Embankment, 2005-2006, Tate Modern, Turbine Hall, London Untitled (Monument), 2001, Trafalgar Square Monument, London Holocaust Memorial, 2000, Judenplatz, Vienna Water Tower, 1998, New York, NY House, 193 Grove Road, London, 1993 (destroyed in 1994)

PUBLIC COLLECTIONS Museum of Fine Arts, Boston, MA Albright Knox Art Gallery, Buffalo, NY Dallas Museum of Art, Dallas, TX Des Moines Art Center, Des Moines, IA Yale Center for British Art, New Haven, CT The Museum of Modern Art, New York, NY The Metropolitan Museum of Art, New York, NY Carnegie Museum of Art, Pittsburgh, PA San Francisco Museum of Modern Art, San Francisco, CA Hirshhorn Museum, Washington, D.C. Berlin, Berlin, Germany Staatliches Museum Schwerin, Schwerin, Germany Stedelijk van Abbemuseum, Eindhoven, The Netherlands National Galleries of Scotland, Edinburgh, Scotland Fundacion "la Caixa", Sala de Exposiciones, Barcelona, Spain Tate Modern, London, United Kingdom The Museum of Fine Arts Houston, Houston, TX The Donna and Howard Stone Collection, Chicago, IL The Wieland Collection, Atlanta, GA LWL-Museum für Kunst und Kultur, Münster, Germany Zabludowicz Collection, London, UK

Rachel Whiteread 31