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Douglas Gordon Bibliography

Selected Books and Catalogues:

2018 Gordon, Douglas and Jonas Mekas. I Had Nowhere to Go. : Kerber. 2014 Burluraux, Odile. . Pretty much every Film and Video Works from about 1992 until now. Köln: König, Walther. 2013 Landau, Suzanne, Éric Mézil, Stéphane Mosès, Ami Barak, and Marie Gautier. I am also ... Douglas Gordon. Tel Aviv, Israel : Tel Aviv Museum of Art. Wilson, Michael. How to read : experiencing the art of the 21st century. : Ludion. Pontbriand, Chantal. The contemporary, the common: art in a globalizing world. Berlin: Sternberg Press. 2012 Franco, James, Douglas Gordon, and Francisco J. Ricardo. Rebel. Los Angeles, Calif: OHWOW. Bloemheuvel, Marente, Giovanna Fossati, Jaap Guldemond, Peter Delpeut, and P. Bouvier. Found footage: cinema exposed. Amsterdam: Amsterdam University Press. 2011 Susanne Gaensheimer, and Klaus Görner. Douglas Gordon. Bielefeld: Kerber. Gordon, Douglas, Michael Berkeley, Avri Levitan, Roi Sholoah. K.364. : . 2009 Anděl, Jaroslav, Keith Hartley, and Israel Rosenfield. Douglas Gordon: krev, pot, slzy / blood, sweat, tears. Prague: DOX Centre for Contemporary Art. 2008 Francis, Mark, Francis McKee, and Lynne Cooke. Douglas Gordon: self-portrait of you and me, after the factory. : Gagosian Gallery. Obrist, Hans-Ulrich, , Charles Arsène-Henry, Michael Amzallag, Mathias Augustyniak, and . Live recorded delay: an archive of Il tempo del postino, a group show. Berlin: Sternberg Press. Mézil, Éric. Douglas Gordon: Où se trouvent les clefs? : suivi de Unnaturalhistorie. Paris: Gallimard. 2007 Schneider, Eckhard and David Anfam. Mythos: , , Douglas Gordon, Cy Twombly. : . Gelfand, Victoria, ed. Proniknovenie? /Insight? New York: Gagosian Gallery. Gordon, Douglas, Markus Brüderlin, and Holger Broeker. Douglas Gordon: Between Darkness and Light. Ostfildern: Hatje Cantz. 2006 prettymucheverywordwritten.spoken.heard.overheardfrom1989...Trento: Skira. Biesenbach, Klaus. Douglas Gordon: Timeline. New York: . , Ian. Douglas Gordon: superhumanatural. : National Galleries of . 2005 Spector, Nancy & Francis McKee. Douglas Gordon’s The Vanity of Allegory. Berlin: . Bartels, Kathleen S., Peter Chenery, Brett Rogers & Bruce Grenville. body: new art from the uk. Vancouver: Vancouver Art Gallery & The British Council. Schneider, Eckhard. Douglas Gordon: Confessions. JRP/Ringier. 2004 Obrist, Hans Ulrich. Do It. Art Basel: e-flux and Revolver. Blazwic, Iwona, Carolyn Christov-Bakargiev, Ester Coen, Charles Harrison, Jill Lloyd and . Faces in the Crowd – Picturing Modern Life from Manet to Today. London: . Brown, Katrina M. Artists: Douglas Gordon. London: Tate. 2003 Monk, Philip. Double Cross: The Hollywood Films of Douglas Gordon. Toronto: The Power Plant/Art Gallery of York University. 2002 Gordon, Douglas. What have I done. Manchester: Cornerhouse Publications/ Publishing. 2001 Ferguson, Russell. Douglas Gordon. Cambridge: MIT Press. 2000 Francis, Mark. Black Spot. Liverpool: Tate Liverpool.

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Obrist, Hans-Ulrich. Sheep and Goats. Paris: Musée d’art Moderne de la Ville de Paris. 1999 Bellour, Raymond. Feature Film. London: Artangel. Taubin, Amy & Hal Hartley. through a looking glass. New York: Gagosian Gallery. ------. Douglas Gordon. Lisbon: Centro Cultural de Belém. Benezra, Neal David, Arthur C. Danto & Olga Viso. Regarding Beauty. Washington: Cantz/Hirshhorn Museum and Sculpture Garden. 1998 van Assche, Christine, Jeremy Millar, Raymond Bellour & Oscar van den Boogaard. Douglas Gordon. Lisbon: Centro Cultural de Belem. Cooke, Lynne & Ekhard Schneider. Douglas Gordon. Hannover: Hannover Kunstverein. Spector, Nancy. 1998. New York: Guggenheim Museum. 1997 ------. Quelques motifs de declaration. Paris: Fondation Cartier pour l’art Contemporain. 1996 ------. Close your eyes. Zürich: Museum für Gegenwarskunst. ------. . Bordeaux: CAPC Musée d’Art Contemporain. ------. By Night. Paris: Fondation Cartier pour l’Art Contemporain. ------. Spellbound. London: The South Bank Centre. ------. Art and Film Since 1945. Hall of Mirrors. Los Angeles: MOCA/Monacelli. ------. Controfigura. Milan: Sutdio Guenzani. ------. Out of Space. Oxford: Cole and Cole, Oxford. ------. Propositions. Rochechouart: Musée Départemental de Rochechouart. ------. Nach Weimar. Weimar: Kunstammlungen Weimar, Cantz Verlag. ------. Artisti Britannici a Roma. Turin: Umberto Allemandi & C. Turin. ------. Sawn-Off.Sweden: Various Venues. ------. Manifesta 1. Rotterdam: Idea Books. ------. Scream and Scream Again. Oxford: MOMA. ------. 33 1/3. Camberra: Camberra Contemporary Art Space. ------. TheTurner Prize 1996. London: Tate Gallery. 1995 ------. Wild Walls. Amsterdam: Stedelijk Museum. ------. Kopfbanhof/Terminal. Leipzig: Hauptbahnhof Leipzig. ------. Arte Inglese d’oggi. Modena: Galleria Civica and Milan: Mazzotta. ------. General Release: British Council Selection of , Venice: Scuola di San Pasquale. ------. Douglas Gordon. Eindhoven: Van Abbemuseum. ------. Shift. Amsterdam: De Appel Foundation. ------. Am Rande der Malerei, Bern: Kunsthalle Bern. ------. Chez l’un. L’AUTRE. Paris: Éditions Anton Weller. ------. The British Art Show 4. London: South Bank Centre. 1994 ------. Stains In Reality. Copenhagen: Gallerie Nicolai Wallner. ------. Points de Vue. Paris: Centre Georges Pompidou. Sheikh, Simon. Stan Douglas. Douglas Gordon. Joachim Koester. Copenhagen: Galleri Nicolai Wallner ------. Flexible Response, p. 44. Gordon, Douglas. Cahier #2, June 94, Dusseldorf: Witte de With, Richter Verlag. ------Wall to Wall. London: South Bank Centre. ------. Points de View: Images d’Europe. Paris: Centre Georges Pompidou. Morgan, Stuart & Ross Sinclair. 24 Hour . : . Gordon, Douglas. Migrateurs. Paris: ARC Musée d’Art Moderne de la Ville de Paris. ------. Viennese Story. Vienna: Vienna Secession. ------. Migrateur. Paris: ARC Musée d’Art Moderne de la Ville de Paris. ------. Prospekt 93. Frankfurt: Frankfurt Kunsthalle. Lawson, Thomas. Guilt by Association. Dublin: Museum of Modern Art, Dublin. ------. Instructions Received. Milan: Gio’ Marconi. Dunn, Alan, Francis McKee & Nigel Rolfe. The Bellgrove Station Billbaord Project. Glasgow: Bellgrove. ------. Windfall ’91. Glasgow: Seaman’s Mission.

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Macdonald, Murdo. Walk On. New York: Jack Tilton Gallery and Edinburgh: Fruitmarket Gallery. ------. Barclays Young Artist Award. London: Serpentine Gallery. 1993 Obrist, Hans Ulrich. . Glasgow: Tramway and Berlin: Kunst-werke. ------. High Fidelity. Nagoya: Kohji Ogura Gallery, Nagoya. 1992 ------. Guilt by Association. Dublin: Museum of Modern Art, Dublin. ------. Instructions. Milan: Studio Marconi. 1991 ------. Barclays Young Artist Award. London: Serpentine Gallery. ------. The Bellgrove Station Billboard Project. Glasgow: Bellgrove. ------. Windfall ’91. Glasgow: Seaman’s Mission. ------. Walk On. New York: Jack Tilton Gallery and Edinburgh: Fruitmarket Gallery. 1990 ------. Self Conscious State. Glasgow: Third Eye Centre. 1989 ------. Windfall ’89. Bremen:

Articles and Reviews:

2017 Mansfield, Susan. “Art interview: Douglas Gordon – ‘I love the Flaxman sculpture of Burns, but I had to break it.’” The Scotsman, Aug. 1. Cumming, Laura. “Edinburgh art festival review – the dark side of Robert Burns.” , Jul. 31. Kort, Pamela. “Douglas Gordon.” Artforum, Mar. 1. Rojas, Laurie. “Scottish artist Douglas Gordon to receive France’s highest honour.” The Art Newspaper, Feb. 3. 2016 Vivarelli, Nick. “Douglas Gordon Film on Avant-Garde Icon Jonas Mekas Set for Locarno Festival Premier.” Variety, Jul. 7. 2015 Ellis-Petersen, Hannah. “Douglas Gordon in Ibiza: why I’m giving the party island a gay makeover.” The Guardian, Jul. 31. Auld, Tim. “What large teeth you have! Little Red Riding Hood heads to Manchester.” The Guardian, June 27. 2014 Miller, Phil. “Scottish artists to adorn major London railways station.” Herald Scotland, Dec. 22. Murray, Christopher. “Park Avenue Performance Art Floods the Armory with Sound.” New York Observer, Dec. 11. Garcia, Patricia. “Water World: Douglas Gordon Floods the Park Avenue Armory.” Vogue, Dec. 9. Murray, Christopher. “-Winner Douglas Gordon Gets Wet at the Armory.” New York Observer, Dec. 8. Buck, Louisa. “Here comes the MIRROR MAN.” The Art Newspaper, Dec. 1. Forrest, Nicholas. “Interview: Juliana Engberg on Douglas Gordon.” Blouin Artinfo, Jul. 24. Nelson, Robert. “Scottish artist Douglas Gordon embraces frightening pathology and black humour.” The Sydney Morning Herald, June 17. Stephens, Andrew. “Turner Prize winner Douglas Gordon targets Melbourne.” The Sydney Morning Herald, May 26. 2013 ------. “Art attack at : artists explain why they sabotage.” The Guardian, Sep. 27. 2012 Forbes, Alexander. “’There’s half an Ark in there’ – Douglas Gordon on his Kathe Kollwitz Prize Exhibition at Berlin’s Akademie der Kunste.” Artinfo, Sep. 26. 2010 Kakutani, Michiko. “Make War. Make Talk. Make It All Unreal.” NYTimes.com, Feb. Silverman, Jacob, “Point Omega.” CSMonitor.com, Feb. ------. Shirley Manson in Douglas Gordon Horror Film. ArtNet, Apr. Cousins, Mark, Glasgow International, Mark Cousins meets Douglas Gordon. The List, Apr. Miller, Phil, 24 Hour Psycho heading back to Scotland, Herald Scotland, Apr.

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2009 Buck, Louisa.” The group show that takes to the stage.” The Art Newspaper (ArtBasel daily edition), Jun 10. Klimek, Chris. “The Eye- Douglas Gordon.” Washington Examiner, Jul 1. 2008 Smith, Robert. “Museum as Romantic Comedy.” www.nytimes.com, Oct, 31. Cornwell, Tim. “Art for Aids’ sake: Auction aims for £10m.” Scotsman.com, Jan 25. Ozler, Levent. “Roswitha Haftmann Prize Goes to Video Artist Douglas Gordon.” Dexigner.com, Jan 20. 2007 Helfand, Glen. Review: Douglas Gordon at the San Francisco Museum of Modern Art. Artforum, Sep, p. 176. Gopnik, Blake. “To Hirshhorn Filmgoers, One-Man Act Is All on Pitch.” The Washington Post, Apr 24. Knapps Adams, Rebecca. “Hang It All.” Art+ Auction, Apr, pp. 134-139. Stoilas, Helen. “New Media on the Rise.” The Art Newspaper, Apr, p. 19. Smee, Sebastian. “Getting up close and impersonal.” The Australian, Jan 12, p. 14. Cherubini, Laura. Review: Douglas Gordon at MART. FlashArt, Jan/Feb, p. 71. 2006 Yablonsky, Linda. “Hollywood’s New Wave.” ARTnews, Dec, pp. 112-117. Iles, Chrissie. “Best of 2006.” Artforum, Dec, pp. 272-273. ------. Preview: Douglas Gordon at Mart. tema celeste, Nov/Dec, p. 110. Dorment, Richard. “An elephant ride into the mind Douglas Gordon’s new show confirms him as the most important artist to emerge in this country in the 1990’s.” (London), Nov 21, p. 27. Januszczak, Waldermar. “Its funny, its clever, and Douglas Gordon’s work makes spooky sense in Edinburgh’s gothic heart.” Sunday Times (London), Nov 19, p. 12. Graham-Dixon, Andrew. “Idle on the silver screen.” (London), Nov 19, p. 30. Cumming, Laura. Review: Douglas Gordon at the Royal Scottish Academy. (London), Nov 19, p. 16. Macmillan, Duncan. “Reflecting on our dark sides.” The Scotsman, Nov 7, p. 30. Searle, Adrian. “Bring on the dancing elephant.” The Guardian (London), Nov 7, p. 23. Gale, Iain. Review: Douglas Gordon at Royal Scottish Academy and Botanic Gardens. , Nov 5. p.9. Hubbard, Sue. Review: Douglas Gordon at Gagosian Gallery Britannia Street. Independent Extra, Oct 31, p. 20. Teeman, Tim. “Fear and mystery- all to unsettle.” The Times (London), Oct 28, p. 34. Güner, Fisun. Review: Douglas Gordon at Gagosian Gallery London, Britannia Street. Metro, Oct 17. ------. Douglas Gordon at the Mart. e-flux, Oct 2. Allan, Vicky. “Mirror on Zidane’s flaw. Interview.” The , Oct 1, p.22. Vaughan, Johnny. “Zidane: A 21st century portrait.” (London), Sep 29. Bradshaw, Peter. “The player’s the thing.” The Guardian (London), Sep 29, p. 7. Clarke, Donald. “Pitch Perfect.” The Irish Times, Sep 29, p. 11. Bendoris, Matt. “Roughie 1, Zidane 0.” The Sun (England), Sep 28. Johnston, Trevor. “Close Up-Douglas Gordon.” Time Out, Sep 27, p. 65. Williams, Richard. “Pitch Invasion.” The Guardian, Sep 22, p. 7. Smith, Aidan. “Confessions of a Justified Eccentric.” The Scotsman, Sep 3. Kunitz, Daniel. Review: Douglas Gordon at Museum of Modern Art New York. ArtReview, Sep, pp. 132-133. De Brugerolle, Marie. “Zidane.” Flash Art, Jul-Sep, p. 114. Richard, Frances. Review: Douglas Gordon at Museum of Modern Art New York. Artforum, Sep, pp. 372-373. Fried, Michael. “Absorbed in the Action.” Artforum, Sep, cover, pp. 333-339. Cornwell, Tim. “Turner Prize winner plans triumphant homecoming.” The Scotsman, Aug 21. Biesenbach, Klaus. “Douglas Gordon.” Interview, Jul, pp. 88-9. Sandhu, Sukhdev. “Is it art or cinema?” The Daily Telegraph, Jun 17, p. 4.

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Johnson, Ken. “The Hourglass Contortionist.” The New York Times, Jun 9, pp. B27-35. Felperin, Leslie. “Zidane, A 21st century portrait.” Variety, Jun 5-11, p. 36. Molon, Dominic. “Reality Football.” ArtReview, May, pp. 106-9. Birnbaum, Daniel. Preview: Douglas Gordon at Museum of Modern Art. Artforum, May, p. 111. Luke, Ben. “Journey into the art of darkness.” The Daily Telegraph, Apr 22, p. 6. ------. “Zidane to star-on celluloid-at Cannes.” Agence France Presse, Apr 20. Januszczak, Waldermar. “A museum missing in action.” , Mar 12. ------. News & Around: Douglas Gordon at Fundació Joan Miro. tema celeste, Mar/Apr, p. 109. 2005 Sch;aegel, Andreas. Review: The Vanity of Allegory. Flash Art, Nov-Dec, p. 53. Sharp, Jasper. Review: Vanity of Allegory. ArtReview, Oct, p. 127. ------. “news & around: the vanity of allegory.” tema celeste, Sep/Oct, p. 109. Gleeson, David. “Self-Importance of Being Earnest: Douglas Gordon: The Vanity of Allegory.” The Independent, Sep 13, p. 54. Clewing, Ulrich. “The Opposite of Dorian Gray,” (interview with Douglas Gordon). Deutsche Bank Kunst.com, Jul 23. ------. “Fotos: Unterhaltung.” Yahoonews (Deutschland), Jul 15. Schumacher, Mary Louise. “ exhibit shows what’s possible, even good.” Milwaukee Journal Sentinel, Jul 10, p.E4. McAulay, Robert. “Zidane’s ‘Portrait’ on Film.” The Mirror, Jun 13, p. 25. Jeffrey, Moira. “Out from the ashes of Hell.” (Glasgow), Apr 22, p. 21. Gale, Iain. “Evergreen: Throwing Some Light on the Mystery of Life.” Scotland on Sunday, Apr 10, p. 9. O’Meara, Sarah. “Prepare for the flock of the new; Glasgow International.” The Independent (London), Apr 12, p. 61. Cornwell, Tim. “City Will Explore Own Art Of Darkness With Cutting-Edge Exhibition.” The Scotsman, Feb 25, p. 12. ------. “The undertaker, the womb and the baby.” Lincolnshire Echo, Feb 16, p. 6. Matin, Patricia. “Coleccíon Jumex: A learning experience.” Arco, winter, pp.44-49. 2005 Birtles, Jasmine. “The of Investing in an Original.” The Independent, Jan 15. Mills, Michael. “Scratch-Your-Head Mysterious.” New Times Broward- Palm Beach (Florida), Jan, 6. 2004 Ward, Ossian. “And the winner is…” Art + Auction, Oct, pp. 118-123. Jury, Louise. “The Turner Prize: What became of Past Winners?” The Independent, Dec 6, pp. 12-13. Mills, Michael. “Finders Keepers.” New Times Broward- Palm Beach (Florida), Dec 2. Tschida, Anne. “Onhed Goes Here.” The Miami Herald, Nov 21, p. 3. Lyons, William. “The Scotsman Guide to Investing in Art: The Top 20 of .” The Scotsman, Oct 26, p. 33. Gale, Iain. Review: Somewhere, Everywhere, Nowhere at DCA and Fruitmarket Galleries. Scotland on Sunday, Oct 24, p. 9. Macmillan, Duncan. “Learning from the French Connection.” The Scotsman, Oct 19, p. 36. Cornwell, Tim. “French Collection Could Show Way Forward for Scots Art.” The Scotsman, Oct 16, p. 31. Filipovic, Elena. Review: “What Did You Expect?” at Galerie Jan Mot. Frieze, Oct, p. 170. Gleadell, Colin. “How video art keeps on moving.” The Telegraph, Sep 18, arts p. 8-9. Jana, Reena. Review: “La Nuit Américaine” at Yvon Lambert. ARTnews, May, pp. 147-148. Chapman, Carolyn. “Non-Stop Pop.” Washington Diplomat, Apr, p. B4. Gurewitsch, Matthew. “Douglas Gordon: A Modern-Art Case of Jekyll and Hype.” The Wall Street Journal, Mar 31. Stone, Susan. “Museum Hosts '24 Hour Psycho' – Literally.” NPR.org, Mar 3. Dixon, Glenn. “Hirshhorn Pulls a ‘Psycho’ All-Nighter.” The Washington Post, Mar 1, p.C04. Jenkins, Mark. “A Flicker of Truth in Every Frame.” The Washington Post, Feb 27, p. T61. Massey, Bob. “A Day in the Life & Death.” Express Paper, Feb 26, p. 12.

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Coyne, Meghan. “Scottish Artist Showcases Work at Hirshhorn Museum.” Catholic University Tower, Feb 26, p. 9. Gopnik, Blake. “Drawing Out the Suspense: Douglas Gordon’s Slo-Mo ‘Psycho’ Cuts to the Quick.” The Washington Post, Feb 22, p. N01. Smith, Roberta. “Good, Evil and Life, Head-on,” The New York Times, Feb 20, pp. B29, B33. Gopnik, Blake. “Douglas Gordon’s Slo-Modus Operandi.” The Washington Post, Feb 1, p. N06. ------. “Know and Tell.” Details Magazine, Feb, p. 49. Malasauskas, Raimundas. “An Extended Family,” Tema Celeste, Jan/Feb. 2003 ------. “The Turner Prize: The Moving Image,” The Guardian, Nov 1, p. 7. Miller, Phil & Tom Gordon. “Sign that lives down the lane to make way for shopping scheme.” The Herald (Glasgow), Jul 2, p. 3. Yablonsky, Linda. Review: “Douglas Gordon at Gagosian Gallery.” ARTnews, Jun, p. 115. Dunn, Melissa. Spotlight: “Douglas Gordon at Gagosian, New York.” Flash Art, May Jun, p. 147. Sundell, Margaret. Review: “Douglas Gordon at Gagosian Gallery.” Artforum, May, p. 167. Saltz, Jerry. Review: “Elephant Man.” Village Voice, Mar 24. Henry, Clare. Review: “We’ll take Manhattan.” The Scotsman (Scotsman.com), Mar 18. McKendree. Review: “art for real: Douglas Gordon at Gagosian.” sitefour.com, Mar 3. Smith, Roberta. Review: “Douglas Gordon/ at Gagosian Gallery.” The New York Times, Mar 7. Menin, Samuele & Valentina Sansone. “Focus Video and Film.” Flash Art, Jan Feb, pp. 88-93. 2002 Saurisse, Pierre. Review: “Douglas Gordon: Le Cinéma des Ombres.” Beaux Arts Magazine, No. 223, Dec. ------. “news and around: Douglas Gordon at the Hayward Gallery, London, England.” tema celeste. Nov/Dec, p.115. Coomer, Martin. Review: ‘Hollywood is a Verb,’ Gagosian West End. Time Out London, Nov 27- Dec 4. Taylor, John Russell. Review: “Endurance Test.” The Times, Nov 6. Searle, Adrian. “Monsters Inc.” Visual Arts, Nov 5, pp. 12-13. Güner, Fisun. Review: “Opposites don’t attract.” Metro, Nov 5. Lubbock, Tom. “The dark side.” The Independent Review, Nov 5. Cumming, Laura. “Roaming in the gloaming.” The Observer Review, Nov 3. McEwen, John. “More than meets the eye.” The Sunday Telegraph, Nov 3. Greenstreet, Rosanna. “Q&A: Douglas Gordon.” The Guardian Weekend, Nov 2. Hemming, Sarah. Art: “Douglas Gordon: What Have I Done, Hayward Gallery.” , Nov 1. Mullens, Charlotte. “Virtual reality.” southbank, Nov, pp. 16-17. Falconer, Morgan. “Movie maker.” [a-n] Magazine for Artists, Nov, pp. 28-29. E.B. “What’s On: Douglas Gordon: what have I done, Hayward Gallery.” The Art Newspaper, No. 130, Nov, p. 13. Herbert, Martin. ArtNext: “Songs of Experience.” Art Review, Nov. Gayford, Martin. “On the edge of otherness.” The Daily Telegraph, Oct 31. Shead, Karen. “City braced for modern art attack.” , Oct 30. Renton, Andrew. “Trust me, I’m an artist.” , Oct 29, p. 43. Irving, Mark. “Escape Artist.” The Independent on Sunday, Oct 27, pp. 30-33. Boztas, Senay. “Homegrown talent ‘ignored by collectors’.” The Sunday Times, Oct 27. ------. “Exhibitions: Douglas Gordon: What Have I Done, London, England.” The Guardian, Oct 26-Nov 1. ------. “See You Jimmy.” Bromley Times, Oct 24. Garside, Juliette. “Two-year wait for Gordon exhibition.” Sunday Herald, Oct 20. Allan, Vicky. “Devil in the Detail.” Sunday Herald, Oct 20. 2001 Jamieson, Teddy. “Interview with Douglas Gordon.” The Herald Magazine, Oct 19, pp. 20-23. Godfrey, Tony. Epic and intimate.” The Royal Academy Magazine, No. 76,autumn. ------. Review: “Monitor.” The New Yorker, Jul 29, p. 16. Kantor, Jordan. Review: “’Loop’ at P.S. 1.” Artforum, Apr, pp. 137-138.

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Wong, Sherry. “Television.” artnet.com, Jul 22. Miles, Christopher. Review: “Douglas Gordon at MOCA at the Geffen Contemporary.” artforum.com, Nov. 2001 Knight, Christopher. Review: “Skewed by the Light.” Los Angeles Times, Sep 20 Cheng, Scarlet. “Slo-Mo ‘Psycho’”/“He Tweaks the Language of Hollywood.” Los Angeles Times, Sep 16. 1999 Knight, Christopher. Fall Preview: Art Picks: ”Hollywood by Way of Scotland and Other Intersections.” Los Angeles Times, Sep 16. MDB. Preview, Lisbon: “Douglas Gordon, Centro Cultural de Belém,” Artforum, Jan. Stoeber, Michael. “Douglas Gordon TRAILER,” neue bildende kunst, Jan.-Feb. Groys, Boris. “Douglas Gordon at Kunstverein Hannover,” Artforum, Feb. ------. Spotlight, Art & Auction, Mar 1-14. Homes, A.M. “Film Threat,” Vanity Fair, Mar. Schorr, Collier. “Split Vision,” Harper’s Bazaar, Mar. Searle, Adrian. “Hitchcock’s finest hour,” The Guardian, Mar. Saltz, Jerry. “Up and Down,” Village Voice, Mar. 30. Schmerler, Sarah. “The splittin’ image,” Time Out New York, Mar. 4-11. Buck, Louisa. “Douglas Gordon’s directional debut,” The Art Newspaper, No. 91, Apr. McEvilley, Thomas. “Seeing Double,” Interview, Apr. Gins, Claire. “Douglas Gordon’s Hall of Mirrors @ Gagosian Gallery.” www.art123.com, Apr. Johnson, Ken. “Douglas Gordon: through a looking glass at Gagosian Gallery.” The New York Times, Apr. 2. Judah, Hettie. “The man who knew the score.” The Independent, Apr 1. Lubbock, Tom. “Manoeuvers in the dark.” The Independent, Apr 6. Cork, Richard. “Hitching a dizzy ride,” The Times, Apr 7. Dorment, Richard. “Hitchcock from a whole new angle.” The Daily Telegraph, Apr 7. Damianovic, Maia. “Douglas Gordon e Stan Douglas at Dia Center for the Arts, New York.” tema celeste, May-Jun. Schjeldahl, Peter. “Eurosplash.” The New Yorker, May 10. ------. “Material and Narrative.” NYArts, May. Weiland, Scott. “Interactive.” NYArts. Henry, Clare. “Boy wonder to wonder boy.” The Herald, May 24. Cambi, Leslie. “Very Visible and Impossible to Find.” ARTnews, summer. Bishop, Claire. “Douglas Gordon: Are You Looking At Him?,” Flash Art, summer. Higgie, Jennifer. Review: “Douglas Gordon at Atlantis, London, England.” Frieze, Oct, Issue 48. Smith, Roberta. “Uncharacteristic Adventures in Comparative Viewing.” The New York Times, Dec 17. 1998 Drobnick, Jim. “Reveries, Assaults and Evaporating Presences.” Parachute, Jan/Feb/Mar, pp. 10-19. Saltz, Jerry. “Who’s the Boss?” Time Out New York, Jul 9-16. ------. “Boss Prize to Douglas Gordon.” artnet.com, Jul. 31. Von Petra Kipphoff. “Zeit plus/minus Ewigkeit.” Die Zeit, Oct 1. Wakefield, Neville. “Let’s Go the Videotape.” Art + Auction, Oct 19-Nov 1. Greenberg, Sarah. “Bouncing around town.” The Art Newspaper, No. 86, Nov. ------. “M File Recommends: The Hugo Boss Prize, Guggenheim Museum SoHo.” Manhattan File, summer. Thorncraft, Antony. “Dealers at the cutting edge.” Financial Times, London, 18. Sanders, Jan.Mark. “Next Stop Barbados.” Dazed & Confused, Jan, pp.54-60. 1997 Bevan, Roger. “Babes in arms.” The Art Newspaper, No. 67, Feb, pp.23-26. Worsdale, Godfrey. “Morality bites.” Artists Newsletter, Sunderland, Feb, pp.14-16. Kyriacou, Sotiris.“The Rise and Rise of British Video.” Contemporary Visual Arts, Issue 14. Movin, Lars. “Calvinist på kunstscenen.” Information, 17 Jan. Sheikh, Simon. “Et interview med billedkunstneren Douglas Gordon.” Øjeblikkett, Issue 31, spring.

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Blom, Ina. “Slow motion, Douglas Gordon finds emotional solace.“ Siksi, the free supplement, No. 1, spring. Dorment, Richard. “Hypnotic Power of the object.” The Daily Telegraph, 23 Apr. Lister, David. “When the art world painted the city of dreams bright red.” The Independent, 16 Jun, p.20. Flood, Richard. “24 hour psycho.” Parkett, No. 49, pp.47-49. Bezzola, Tobia.“De Spectaculis or Who is KimNovak Really Playing?” Parkett 49, p.52-57. 1997 Ferguson, Russell. “Divided Self.” Parkett, No. 49, pp.59-63. Volkart, Yvonne. “Douglas Gordon, Museum für Gegenwartskunst, Galerie Walcheturm.” Flash Art, summer, pp.145-146. 1996 Blazwick, Iwona. “In Arcadia.” Art Monthly, Sep, pp.7-10. Birnbaum, Daniel. “Sweet Nothings. “ Frieze, Issue 36, Sep-Oct, p.80. Synge, Daniel. “When artists go to the movies.” The Daily Telegraph, London, Dec. 23. Fargier, Jean-Paul. “L’immobilité hypnotique de Douglas Gordon.” LeMonde, Paris, Jan 6. Dalla Bernardina, Marta. “3e biennale de Lyon.” Art Monthly, No. 193, Feb, pp. 27-28. ------. “Spellbound at the Hayward Gallery.” The Art Newspaper, Feb, No. 56, p. 10. Moisdon-Trembley, Stéphanie. “Douglas Gordon, ‘Attraction-répulsion’.” Blocnotes, No. 11, Jan-Feb, pp. 46-53, 109-115. Moisdon-Trembley, Stéphanie. “Biennale de Lyon.” Blocnotes Jan-Feb, No. 11, p. 80. Mars-Jones, Adam. “Affairs of the art.” The Independent, 27 Feb. Dorment, Richard. “Mixed media caught on camera.” The Daily Telegraph, 28 Feb. ------. “Year of the moving image,” RA, No. 50, spring, p. 20. Quinn, Paul. “The Art of the Reel.” Tate Magazine, Issue 8, spring, pp. 40-47. Sladen, Mark. “Spellbound: Art and Film.” Art Monthly, No.195, Apr, pp. 25-27. Feldman, Melissa E.,“21 Days of Darkness.” Art Monthly, No.195, Apr, pp. 38-40. ------. “The British Council Collection 1984-94.” The Art Newspaper, Apr. ------. “De Appel League Tables.” The Crap Shooter, First edition, p. 4. Sans, Jerome. Review: “Douglas Gordon, Centre Georges Pompidou.” Artforum, Apr, pp. 109- 110. Gayford, Martin. “When up is down and in is out.” Spectator, 30 Nov, pp. 59-61. Edwards, Mark. “So that’s why they call it art.” Sunday Times, 1 Dec. Fallon, Brian. “Turner Prize a triumph of PR.” Irish Times, 5 Dec. Parry, John. “Virginia in Wonderland.” Spectator, 7 Dec, pp. 62-63. Levy, Paul. “Turner Prize Sinks; Other Shows Soar.” Wall Street Journal, 6 Dec. Cecchetto, Paolo. “Douglas Gordon.” Juliet, No.77, Trieste, Apr-May, pp. 34-35. Lowry, Joanna. “Spellbound.” Creative Camera, Apr-May, pp. 40-41. Arnason, Gunnar. “What’s all this talk about Glasgow?” Siksi, Vol. XI, No.1, spring, pp. 48-53 Morrissey, Simon. “Art & Film.” Untitled, No. 10, spring, p. 3. Crabtree, Amanda. “Biennale de Lyon.” Untitled, No. 10, spring, p.16. ------. “Biennale,” Untitled, No. 10, spring, pp.18-19. Abriuox, Yves. Review: “Douglas Gordon, Pompidou Center.” Hunt, Ian. “Vide Video.” Art Monthly, No. 196, May, pp. 3-7. Brown, Katrina M. “Sawn Off.” Art Monthly, No. 196, May, pp. 40-43. Gennari, Flaminia. “Oltre Manica alla moda.” Il manifesto, Rome, 30 May. Findlay, Judith, “Glaswegian Godds.” Flash Art, No. 188, May-Jun, p. 64. Gillick, Liam. “The Corruption of Time.” Flash Art, No. 188, May-Jun, pp. 69-70. Glover, Michael. “Spellbound: Art and Film.” ARTnews, Jun, pp. 158-59. Buck, Louisa. “Silver Scene.” Artforum, summer, pp. 34-36. Houghton, Nik. “Of Shadows, Shadows, Angelmakers and Ciberflash.” Mute, Issue 5, summer, p. XIV. Stringer, Robin. “Photographs and technology vie for £20,000 Turner Prize.” Evening Standard, 19 Jun. ------. “An Art exhibit that’s calculated to confuse.” Daily Express, 20 Jun. Glaister, Dan. “Turner shortlist fails to shock.” The Guardian, 20 Jun.

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Lister, David. “Boys’ own club occupies shortlist for the Turner Prize.” 20 Jun. Alberge, Dalya. “Tate excludes shock factor from Turner Prize.” The Times, 20 Jun. Dorment, Richard. “A shockingly sensible choice.” The Daily Telegraph, 20 Jun. Jordan, Thea. “The Glasgow boy done good.” The Scotsman, 24 Jun. ------. “Turner Prizewise.” Art Monthly, No. 198, Jul, p. 19. Bang Larsen, Lars. “Traffic.” Flash Art, summer, pp. 126-127. Hare, Bill. “Motion and Emotion: Walking a Tightrope.” Contemporary Art, Vol. 4, No. 4, summer, pp. 42-45. Colin, Beatrice. “The man they couldn’t hang.” The Scotsman. Weekend Supplement, 17 Aug, pp. 20-23. Elwes, Catherine. “The Big Screen.” Art Monthly, No. 199, Sep, pp. 11-16. Morgan, Stuart. “Manifesta.” Frieze, Issue 30, Sep-Oct, pp. 50-51. Collings, Matthew. “The Hirst Effect.” Telegraph Magazine, 21 Sep, pp. 46-50. Maloney, Martin, Gianmarco Del Re & Peter Davies. “Ghost of Celluloid.” Flash Art, No.190, Oct, pp. 94-100. Cork, Richard. “Playing to the Gallery.” The Times Magazine, 19 Oct, pp. 38-42. Reynolds, Nigel. “Scottish artist captures the Turner Prize on video.” The Daily Telegraph, 29 Nov. Dorment, Richard. “Hopefuls find a new frame of reference.” The Daily Telegraph, 29 Nov. Bruce, Keith. “Turner Prize goes to Glasgow artist.” Glasgow Herald, 29 Nov. Lamb, Robert. “The Turner Prize effect.” Artists Newsletter, Sunderland, Nov. ------. “Video ‘artist’ reels in prize.” Doncaster Star, 29 Nov. ------. “Old horror is new big hit.” Wolverhampton Express & Star, 29 Nov. Lister, David. “Turner Prize is caught on video.” The Independent, 29 Nov. Stringer, Robin.“Braveheart Gordon snatches the Turner.” The Standard, 29 Nov. Beil, Ralf. “From the moment you hear these words, until you kiss someone with blue eyes.” Kunst - Bulletin, Dec. Colin, Beatrice. “The man they couldn’t hang.” The Scotsman, 17 Aug, pp. 20-23. Lister, David. “Turnergets to grip with the video age.” The Independent, 29 Nov. Alberge, Dalya & Russell Jenkins. “Modern art’s Jekyll and Hyde rewarded with monster prize.” The Times, 29 Nov. Findlay, Judith, “Glaswegian Godds.” Flash Art, No. 188, May-Jun, p. 64. Gillick, Liam. “The Corruption of Time.” Flash Art, No. 188, May-Jun, pp. 69-70. Glaister, Dan. “Slow motion movies help outsider to take £20,000.” The Guardian, 29 Nov. Searle, Adrian. “Winning game of good and evil.” The Guardian, 29 Nov. Jones, Jonathan. “Douglas Gordon Confessions of a justified sinner.” Untitled, No. 12, winter, pp. 10-11. Spinelli, Claudia. “Zwischen Kinoraum und Leseraum.” Basler Zeitung, 14-15 Dec. Mack, Gerhard. “Gordons Knoten.” Extra Cash, No. 48, 29 Nov. von Däniken, Hans-Peter. “Wenn sich Körper und Bewusstsein trennen.” Tages-Anzeiger, 15 Oct. Affentranger-Kirchrath, Angelika. “Strategien der Verunsicherung.” NeueZurcher Zeitung, 1 Oct. Van Assche, Christine. “Six Questions to Douglas Gordon.” Parachute, No. 84, Oct/Nov/Dec. 1995 Cork, Richard. “The naked and the undying.” The Times, 3 Jan. ------. “A directory of the best shows in the capital this month.” The Art Newspaper, No. 44, Jan, p. 33. ------. The Observer, 1 Jan. ------. Tatler, Jan. Kent, Sarah. “Douglas Gordon.” Time Out, Jan. 11-18, No. 1273, p. 44. Feaver, William. “A Strange Ghetto Of Allusions.” The Observer, 8 Jan. Blazwick, Iwona. “Douglas Gordon.” Art Monthly, No.183, Feb, pp. 35-36. Henry, Clare. “One Man’s Bubble Vision.” Glasgow Herald, 23 Jan.

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Muir, Gregor. Review: “Douglas Gordon- -Londres.” Block Notes, No. 8, winter, p. 107. Hanru, Hou, “Une élégante menace.” Omnibus, No. 8, Feb. Kingston, Angela. “Douglas Gordon.” Frieze, Issue 21, Mar-Apr, pp. 60-61. Norman, Geraldine. “Turning the Tide in Venice.” The Independent on Sunday, 12 Mar. Feaver, William. “Douglas Gordon.” ARTnews, Vol. 94, No. 3, Mar, p. 144. Millard, Rosie. “Beware of the hungry artist.” Daily Telegraph, 18 Mar. Sandbach, Emma. “London: in der Serpentine Gallery.” Das Kunst- Bullettin, No. 4, Apr, p. 48.. Murdoch, Sadie. “Dead Give-away.” Women’s Art Magazine, No. 64, May/Jun, pp. 24-25. Persson, Margareta. “Take me (I’m yours),” Material, No. 25, p. 13. Newman, Michael. “Beyond the Lost Object: from Sculpture to Film and Video.” Art Press, No. 202, May, pp. 45-50. Freedman, Carl. “Take me (I’m yours).” Frieze, Issue 23, summer, pp. 73-74. Maloney, Martin. “Douglas Gordon.” Flash Art International, Vol. XXVIII, No. 182 May-Jun, pp. 114-115. Archer, Michael. “Home and Away.” Art Monthly, No. 188, Jul-Aug, pp. 98. Benjamin, Marina. “Trigger happy.” British Journal of Photography, 17 May. Higgins, Ria. “Gun Shots.” The Face, May, pp. 164-165. O’Reilly, John. “Dark deeds from the darkroom,” The Guardian, 19 May. Richards, Jane. “Calling the shots.” The Independent, 19 May. Curtis, Sarah. “Take me (I’m yours).” World Art, No. 3, summer, p. 98. Maclean, James. “State of the Art.” & Garden, Aug, p. 23. Godfrey, Tony. “ Report.” Untitled, summer, pp. 4-5. Findlay, Judith. “Trust. Tramway, Glasgow.” Untitled, summer pp. 18-19. ------. “Les Infos du Paradis.” Parkett, No. 44, Jul, pp. 197-201. Wulffen, Thomas. “Take me (I’m yours).” Kunstforum, No.131, Aug-Oct, pp. 362-363. Wulffen, Thomas. “Kopfbahnhof/Terminal.” Kunstforum. No.131, Aug-Oct, pp. 364-66. Kent, Sarah. “Sound & Vision.” Time Out, No. 1306, 30 Aug-6 Sep, pp. 24-27. Gibbs, Michael.“Wild Walls,Stedeljik Mus.” Art Monthly,No.191, Nov. p. 30-32. Gerber, Elisabeth. “Bern: Am Rande der Malerei in der Kunsthalle Bern.” Das Kunst-Bulletin, No. 11, Nov, pp. 33-34. Di Raddo, Elena. “General Release.” Tema Celeste, No. 53-54, autumn, p. 88. Bevan, Roger. “Home-made youth.” The Art Newspaper, No. 53, Nov, p. 12. ------. “Agitate,” Tate Art Magazine, Issue 7, winter, p. 9. Dorment, Richard. “Anything but boring.” The Daily Telegraph, 30 Dec. Garnett, Robert. “The British Art Show 4.” Art Monthly, No. 192, Dec-Jan 1996, pp. 27-29 1994 Roberts, James.“Out in the Real World.” Bijutsu Techo, Vol. 46, No. 688. pp. 36-39. ------. “London Strikes Back.” Bijutsu Techo, Vol. 46, No. 688, pp. 48-49. ------. “.” Galeries Magazine, No. 59, spring, p. 114. Dahlqvist, Dennis. “Plankat I Köpenhamm.” Expression, 7 Apr. Nakamura, Hiromi. “Photography is Already Antique.” Nippon Camera, No. 636, Jul, p. 137. Van Den Boogerd, Dominic. “It’s Real But Very Fucked Up.” Metropolis, No. 2. Archer, Michael. “Collaborators.” Art Monthly, No. 178, Jul-Aug, pp. 3-5. ------. “Munich Europa ’94.” Flash Art International, Vol. XXVII, No. 178, Oct, p. 40. ------. ”Wonderful Life,” Nikkei Art, No. 61, Oct, p. 97. Godfrey, Tony. “Wall to Wall.” Untitled, No. 5, summer. ------. What’s On In London, 7 Dec. ------. “Douglas Gordon.” The Guardian, 10 Dec. ------. “Stretching the Truth All The Way Across Niagra Falls.” Hampstead and Highgate Express, 23 Dec. Henry, Clare. “A Passion That Puts Glasgow to Shame.” Glasgow Herald, 19 Dec. Cork, Richard. “Douglas Gordon.” The Times, 31Dec. ------. The Independent, 30 Dec.

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------. Burlington Magazine, Dec. Drake, Nicholas.“Douglas Gordon.” The Standard, 16 Dec. Roberts, James. “Douglas Gordon.” Paletten, No. 219, pp. 22-25. Wilson, Andrew. “Slowly All Around You Will Pass away.” Paletten, Vol.4/94, No. 219, pp. 16- 19. 1993 Makigano, Hideo. Cheek Magazine, Aug. Henry, Clare. “The best and worst of 1993.” The Glasgow Herald, 31 Dec. Buchan, Ian. “Artist Calls the TV Shots.” Evening Times, 30 Apr. Buchan, Ian. “Day of the Psycho.” Evening Times, 11 Mar. Sveen, Dag. “Tegst Og Lys.” Billedkunstneren, Feb. Villiers, Sara. “Psycho with Surreal Touch.” The Glasgow Herald, May. Campbell, Alan. “Film with Time to Kill.” The Scotsman, Apr. Mellor, David. “Wonderful Life.” Untitled, No. 3, p. 8. Colin, Beatrice. “Speed Freak.” The List, Apr. Wilson, Andrew. “Walter Benjamin’s Briefcase.” Art Monthly, No. 172, pp. 30-31. Campbell, Allan. “Oscar Bravo.” The Scotsman, Apr. Buchan, Ian. “Clubbing in.” Evening Times, Apr. ------. “High Fidelity.” Pia, No. 22, Vol. 220, Mar, p. 22. ------. “High Fidelity.” Studio Voice, Vol. 220, Apr. Lawson, Thomas. “Hello, it’s me.” Frieze, Issue 9, Mar -Apr, pp. 14-17. Sinclair, Ross. “Douglas Gordon.” Art Monthly, Jun, pp. 22-23. Henry, Clare. “Spyhoe sculpture,” The Glasgow Herald, 15 Oct Cottingham, Laura. “Wonderful Life, Lisson Gallery.” Frieze, Issue 12, Sep-Oct. Wilson, Andrew. “Wonderful Life, Lisson Gallery, London, England.” Forum International, Vol. IV, No. 19, Oct/Nov. ------. “It’s a Wonderful Life at the Lisson.” Flash Art News, Vol. XXVI, no. 172, p. 60. Harada, Ruiko. “From London, England.” Bijutsu Techo Monthly Art Magazine, Vol.45, No. 678, pp. 148-149 Renton, Andrew, “Douglas Gordon: Tramway.” Flash Art, Vo. XXVI, No. 172. Fricke, Harald. “August Rezension.” Texte zur Kunst, Nov, 3 Jahrgang No. 12. Lorés, Maite. “Wonderful Life.” Art Line, Dec. Renton, Andrew. “Wonderful Life.” Flash Art, Vol. XXVI, No. 173, Nov/Dec, p. 78. Cassim, Julia. “Low frequency breeds ‘High Fidelity’.” The Japan Times, 17 Oct. ------. “It’s Art Jim But Not As We Know It.” The Scotsman, Oct. 1992 Hunt, Ian. “Guilt By Association.” Frieze. Dyer, Richard. “and what do you represent?” Galleries. Archer, Michael. “Anomie.” Art Monthly, pp. 11-13. Lillington, David. “Dairy produce.” Time Out. Troncy, Eric. “London Calling.” Flash Art, Vol. XXV, No. 165, summer, pp. 86-89. Bate, David. “The Missing Text?” Art Monthly, p. 27. Hunt, Ian Connolly. “Guilt by Association.” Frieze, Issue 7, Nov –Dec. 1991 Suchin, Peter. “The Missing Text.” Variant. Wilson, Andrew. “The Missing Text.” Art Monthly. Bate, David. “The Missing Text?” Art Monthly, pp. 27-28. Gillick, Liam. “The Placebo Effect.” Arts Magazine, May, pp. 56-59.. Slotover, Matthew. “Windfall.” Frieze. White, Nicola. “Windfall.” Alba Magazine. Castle, Ted. “Walk On.” Art Monthly. Decter, Josh. “Walk On.” Arts Magazine. Newhall, Edith. “Walk On.” ARTnews ------. “Northern Lights.” Frieze, Issue 1, pp. 36-40. 1990 McArthur, Euan. “Sites/Positions.” , summer, pp. 77-78. 1989 Gillick, Liam. “Windfall,” Artscribe. 1989 McArthur, Euan. “Windfall,” Variant.

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------. “ Dread,” The List, 22 Dec-11 Jan 1990.

Publications by the Artist:

1998 Debbaut, Jan & Douglas Gordon. Kidnapping. Eindhoven: van Abbe Museum. 1997 “Sailing Alone Around the World - a correspondence between Douglas Gordon and ,” published in Parkett, No. 49, pp. 73-76 “Signature, April 1997,” edition for Parkett, No. 49, pp. 82-83. “Point d’Ironie,” No. 3 of art publication commissioned by agnès b. and Hans-Ulrich Obrist, Nov. 1995 “Berlin visit,” published in the catalogue KOPFBANHOF, , Berlin, . “2 days in spring,” published in the catalogue On Board. Riva san Biagio, Venice, Italy “Grim,” in collaboration with Liam Gillick, Parkett Journal, No. 44 “Index,” No. 3-4, Stockholm, Sweden, pp. 54-63. 1994 “Lost Then Found Then Lost Again,” published in Witte de With Cahier#2 1993 Migrateurs, Les Amis du Musée d’art Moderne de la Ville de Paris. 1993 “Telephone Conversation,” excerpts from soundwork on the cassette The Speaker Project, ICA, London, England. “Paris Memories,” 3 Minute soundwork on the cassette Before The Sound Of The Beep, Galerie Giles Peyroulet, Paris. A Bad Trip, Prospekt ’93. “In Love In Vienna,” published in the book Viennese Story.“Wall Drawing,” published in the catalogue Wall To Wall. 1992 “Colours for Identification..,” Frieze, No. 2 (in collaboration with Simon Patterson)l 1991 The Missing Text, Chance Books, London, England. Edited by Marysia Lewandowska.

Television/Radio:

2004 “’The Program’ with Andrea Murray,” interview with Kerry Brougher, Washington Educational Television Association, April 18. 2004 “Museum Hosts ’24 Hour Psycho’ –Literally,” All Things Considered (hosted by Susan Stone), Feb 29. 1996 “Ex-S 24 Hour Psycho,” BBC Scotland, 18 Nov, 10.50pm. “The Turner Prize 1997,”

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